Relevant bibliographies by topics / Orchestras / Dissertations / Theses
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Dissertations / Theses on the topic 'Orchestras'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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1

Kennedy, Jamie L. "Learning In Professional Orchestras." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/397593.

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This dissertation presents, discusses, and advances findings and contributions from an investigation into how professional orchestral musicians learn as they engage in their work together. Understanding the processes, demands, and consequences of orchestral work is important for informing the practices of professional and aspiring orchestral musicians, orchestral organisations, and educational institutions. Musicians’ well-being and the longevity of their working lives are of particular concern for this community. Learning and development are identified as important factors in understanding in
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2

Brand, Yvonne-Marié. "Audition techniques of youth orchestras." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/7781.

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Includes abstract.|Includes bibliographical references (leaves 88-92).<br>The aim of this study is to research and asess the audition techniques of youth orchestras globally. The researcher aims to provide more information regarding a very important tool in the education of young musicians from all walks of life. The researcher will make use of the opportunity to discuss important aspects regarding the audition procedures, which has to be examined closely in order to have well balanced youth orchestras. The researcher feels that it is imperative to also realise the important role that youth or
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3

Logie, Nicholas. "The role of leadership in conducting orchestras." Thesis, Open University, 2012. http://oro.open.ac.uk/38069/.

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This thesis examines the leadership role of the orchestral conductor. Conducting is one of the most visible manifestations of leadership in action. Because of this, references to conductor leadership can be found in literature on management and studies into organizational leadership as well as seminars aimed at corporate leadership. However, issues of leadership appear to form only a tangential part of conductor training and development. Compared to the in-depth study of musicianship and gestural technique, leadership appears to be a skill left to ‘on-the-job’ experience and with minimal refer
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Russell, Fabian Owen. "Introducing Pre-Professional Training Orchestras to Austro-Germanic Orchestral Works of the Late Romantic Period: A Conductor's Perspective." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/374755.

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This exegesis explores the rehearsal process that leads to performances with pre-­‐professional symphony orchestras. At the heart of this study is my personal reflection as a conductor of orchestral training programs, through practice-­‐based and reflective explorations of the central musical and educational challenges of rehearsing and performing major Austro-­‐Germanic orchestral works of the Late-­‐ Romantic Period. Borrowing from aspects of autoethnographic practice, a case study methodology provides a detailed reflection on the rehearsal process of introducing Johannes Brahms Symphony No.
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5

Dammerud, Jens Jørgen. "Stage acoustics for symphony orchestras in concert halls." Thesis, University of Bath, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518296.

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6

Song, Young Mi. "Korean municipal orchestras : current problems and future prospects." Thesis, University of Leeds, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.588741.

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This thesis is a study of Korean municipal orchestras which focuses on both the internal and external environment in order to examine and better understand arguments that they face 'challenges' that are not to be solved simply through 'efficiency' or 'better organisation', but are part of wider socio-cultural change that previous studies have failed to take adequately into consideration. This study, therefore, examines diverse aspects of the difficulties faced by contemporary Korean municipal orchestras while addressing five research questions concerning Korean cultural policy, the socio-econo
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Noltingk, Jacqueline Susan. "The Scottish orchestras and new music, 1945-2015." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8727/.

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This dissertation critically examines the presentation of new music in live concerts by three Scottish orchestras. It considers what they have commissioned, what performed, the context in which the music has been programmed, and who was involved. The orchestras are the three which are established on a permanent basis and give regular subscription series in Scotland: the BBC Scottish Symphony, Royal Scottish National, and Scottish Chamber Orchestras. The study contributes to the debate around classical music programming of new music, taking these orchestras as examples. It asks how in practice
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8

Phelps, Amy Louise. "Beyond auditions: gender discrimination in America's top orchestras." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/874.

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Although women have slowly been accepted in America's top orchestras, they are still a minority. Certain instrument sections remain predominantly male in spite of the implementation of blind auditions. Inconsistency in the use of the screen in blind auditions is partially responsible for the lack of women in orchestras, but the problem is seeded in cultural constructions that act as barriers for female brass, percussion and string bass players. Gender constructions have dictated that women should not play instruments that are loud, heavy or require physical exertion. Nonetheless, many women ha
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9

Meckler, Jennifer. "Arranging for School Full Orchestras with Incomplete Instrumentation." Thesis, The William Paterson University of New Jersey, 2020. http://pqdtopen.proquest.com/#viewpdf?dispub=27668002.

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The purpose of this study is to investigate how to choose, adapt, and arrange music for school full orchestras with incomplete instrumentation that are not yet ready to perform unarranged standard literature. The literature suggests that while school full orchestra directors may be able to find some published arrangements that include generous cues for missing instruments and parts for substitute instruments, the most effective approach is to alter and arrange music as-needed. When arranging, it is important for teachers to make choices that allow for their students to be successful, but also
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10

Más-Arocas, Octavio. "Fearless Programming: Invigorating the American Orchestral Tradition through New Music." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1467125862.

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11

Worthington, Emily Claire. "The modernisation of wind playing in London orchestras, 1909-1939 : a study of playing style in early orchestral recordings." Thesis, University of York, 2013. http://etheses.whiterose.ac.uk/4503/.

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This is a study of performing styles among wind players in London orchestras during the period 1909–1939. Existing scholarship relating to orchestral performance in London in the early twentieth century perpetuates the notion that playing standards were, at best, unreliable until the establishment of contracted orchestras in the 1930s. In addition, existing studies of wind playing in orchestral recordings pre-1930 suggest that a plain style prevailed, with little use of vibrato or tonal flexibility, until the French woodwind schools began to influence British practices in the late 1930s. Three
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12

Kelly, William H. "Empty orchestras : and anthropological analysis of karaoke in Japan." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390333.

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13

Griffing, Joan. "Audition procedures and advice from concertmasters of American orchestras." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282927053.

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Winteregg, Steven. "The future of the symphony orchestra based upon its historical development /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487326511713885.

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Jones, Timothy David. "The musical trajectories and professional responsibilities of five concertmasters of Brazilian symphony orchestras." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/164583.

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The role of the first violinist in a professional symphony orchestra is rarely only to perform. The position of concertmaster, at the professional level, generally constitutes a wide range of responsibilities and activities, not necessarily restricted to the realm of music-making. The present research utilized interviews with five concertmasters of professional Brazilian symphony orchestras in order to respond to the following questions: What is the role of the professional concertmaster? What musical and educational experiences defined the paths of current professional concertmasters in Brazi
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Crowley, Timothy R. (Timothy Robert). "In Nomine Domini." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279249/.

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In Nomine Domini is an eighteen-minute composition for two chamber orchestras with two soloists using real-time interactive signal processing techniques. The first chamber orchestra is scored for flute (piccolo), English horn, trumpet in C, trombone, two percussionists (cowbells, wood blocks, tenor drum, suspended cymbal, gongs, tam-tam, temple blocks, tambourine, snare drum, timbales, and bass drum), horn in F (soloist), viola, and string bass. The second chamber orchestra is scored for oboe, clarinet in Bb (bass clarinet in Bb), bassoon, tuba, two percussionists (crotales, two marimbas, vibr
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Twu, Ruey-Der. "A study of factors influencing reported fundraising efficiency of symphony orchestras." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3297092.

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Thesis (Ph.D.)--Indiana University, School of Public and Environmental Affairs, 2007.<br>Title from dissertation home page (viewed Sept. 25, 2008). Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0748. Adviser: Wolfgang Bielefeld.
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Aiken, Malcolm. "BC Salsa : identity, musicianship and performance in Vancouver's Afro-Latin orchestras." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/24174.

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For over twenty-five years, musicians, dancers and singers of Afro-Latin music have maintained an active presence in the culturally diverse music scene of Vancouver, BC. During this time, the music performed and created by this group of artists has undergone dynamic changes in sound and function, reflecting a new transcultural music identity. This music, commonly referred to as salsa, is being created, performed and transformed by musicians of all backgrounds and social classes. Local composers are incorporating a variety of musical influences into their music and assimilating elements of the
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19

Maitlis, Sally. "Symphonic Dances: A study of decision making in British Symphony Orchestras." Thesis, University of Sheffield, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493277.

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Thayer, Heather Leweise. "Helen Kotas (1916-200): A Female Pioneer in Major US Orchestras." Thesis, University of North Texas, 2011. https://digital.library.unt.edu/ark:/67531/metadc68053/.

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Helen Kotas was an accomplished musician and teacher who helped open the door for women in major US orchestras. In 1941 the Chicago Symphony hired its first female brass musician, principal hornist Helen Kotas. With that daring move, she became a pioneer for her gender in the major orchestras of North America. Despite her many contributions to the musical community, Kotas's life has not been researched and documented. This paper looks at Helen Kotas's career as well as a glimpse at her life and personality. In addition to documenting her life, this dissertation attempts to show at least a por
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21

Lin, Pei Yi. "Challenges of Developing Audiences for Symphony Orchestras in Twenty-First Century." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1210950102.

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Hill, Laura Kerr Hill. "University Music Unit-Sponsored, Non-Music Major Orchestras in the United States." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu149936290595039.

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Jun, Kiho. "BOUNDARY SPANNING AND LEADERSHIP PERCEPTIONS IN CREATIVE ORGANIZATIONS: EVIDENCE FROM FOUR ORCHESTRAS." UKnowledge, 2018. https://uknowledge.uky.edu/management_etds/12.

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My research examines the importance of a particular form of cross-group brokerage in social networks wherein a person represents a bridge between his or her group and people belonging to a different group. Prior research on network brokerage and leadership emergence has failed to distinguish between brokerage in general and the kind of boundary-spanning between groups that is the focus of my research. Moreover, what we currently know about social network brokerage and leadership emergence comes either from highly abstracted laboratory-based work, or it comes research in relatively traditional
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24

Callison, Hugh A. "Nineteenth-century orchestral trombone playing in the United States." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/474196.

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The nineteenth century was a time of musical and cultural growth in the United States. Six of the major orchestras which exist today were established during this time. From the birth of the New York Philharmonic in 1842 through the founding of the Philadelphia Orchestra in 1900, audiences that valued orchestral music provided an impetus for professional orchestral development.A comprehensive review of the events leading up to the establishment of the New York Philharmonic, Boston Symphony, Chicago Symphony, Cincinnati Symphony, and Philadelphia Orchestras provides a basis for understanding the
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25

Winterson, Julia Mary. "The community education work of orchestras and opera companies : principles, practice and problems." Thesis, University of York, 1998. http://etheses.whiterose.ac.uk/2466/.

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26

Hunt, Emma. "Clarinet sound identities in Australia: perceptions of the Melbourne and Sydney Symphony Orchestras." Thesis, The University of Sydney, 2011. http://hdl.handle.net/2123/7789.

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Music listeners commonly speculate that the clarinet sections of the Melbourne and Sydney Symphony Orchestras’ produce different sound qualities. This is the first study to investigate these differences, as perceived by clarinettists involved with the two orchestras, and to examine the collective sound identities of each orchestra’s clarinet section. Five past and present clarinettists from each orchestra (n=10) participated in semi-structured interviews to discuss sound perception of the clarinet and of the respective clarinet sections. Clarinettists spontaneously defined sound differences be
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Davis, Whitney Rose. "Bb and C Rotary Trumpets in Orchestras of the United States: Perspectives from Professional Orchestral Trumpet Players on the Use, Audition Considerations, and Current Makes/Models." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587634757776806.

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Arrowsmith, James Donald. "Paradigms, perspectives and participation : reconceptualising amateur orchestras as unique socio-musical communities of practice." Thesis, Brunel University, 2016. http://bura.brunel.ac.uk/handle/2438/13177.

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Using Ezra Schabas’ (1966) report on Ontario community orchestras as a catalyst for inquiry, this dissertation examines the nature of amateur orchestras, arguing that they may be reconceptualised as unique, socio-musical communities of practice through an exploration of several factors which influence their health and sustainability. These include: aspects of amateur musical engagement; the relationship between amateur musicians and the various professional actors found in the amateur context; the importance of ensemble-based music education as a crucible for the development of individual arti
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Manfredi, Guglielmo. "Perspectives on Auditioning: An Examination of Professional Horn Players on Auditioning." Scholarly Repository, 2011. http://scholarlyrepository.miami.edu/oa_dissertations/635.

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The purpose of this essay is to give an in-depth analysis of the present-day audition process, focusing on European and American orchestras and United States service bands. The research achieved a familiarity with the preparation process and methods in order to provide a concrete understanding of how to best approach an audition. More importantly it investigated the differences and similarities in audition repertoire, procedure and requirements between European orchestras, American orchestras and United States service bands, resulting in a comprehensive and global perspective on the study an
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Gore, Erin E. 1982. "Symphony Audience Development: Analysis of Organizational Culture in the Performing Arts." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9901.

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xii, 133 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>Symphony orchestras operate with complex internal structures and dynamics. The connection between a symphony orchestra's organizational culture and artistic programming is undocumented in current performing arts management scholarship. This thesis hypothesizes that symphonies can enhance audience development when utilizing all members ofthe organization in making artistic programming decisions - including the staff, board, an
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Smith, Alex D. "The Symphony in America: Maurice Abravanel, and the Utah Symphony Orchestra: The Battle for Classical Music." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/5125.

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Between 1947 and 1979 the Utah Symphony Orchestra was transformed from an obscure, part-time, amateur orchestra into one of the major symphony orchestras in America. By 1947 the orchestra, which had begun as a Works Progress Administration organization, was barely hanging on. The symphony struggled to remain financially solvent, performing only a few concerts per year. Thirty-two years later the Utah Symphony Orchestra was one of the most prestigious musical ensembles in the country— receiving rave reviews from critics around the world, touring extensively, and with more than a hundred albums
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Lucas, Sarah Marie. "Fritz Reiner and the legacy of Béla Bartók’s orchestral music in the United States." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6608.

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During Fritz Reiner’s forty-year conducting career in the United States, he championed Béla Bartók’s orchestral music, programming Bartók’s orchestral works on over sixty concerts with the Cincinnati Symphony Orchestra, Pittsburgh Symphony Orchestra, Chicago Symphony Orchestra, and with other major American orchestras. These included performances in which the composer himself appeared as a soloist. Moreover, Reiner continued to conduct Bartók’s music following the composer’s death, and his efforts to promote Bartók’s works contributed to their significance to the American orchestral repertoire
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Myers, Margaret. "Blowing her own trumpet : European ladies' orchestras and other women musicians 1870-1950 in Sweden /." Göteborg : Universitet, 1993. http://catalogue.bnf.fr/ark:/12148/cb36961969p.

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Blanc, Delphine. "La construction du collectif dans les orchestres classiques professionnels. Représentations et coulisses des pratiques orchestrales." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH060/document.

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Il existe aujourd’hui, peut-être plus encore que par le passé, de multiples façons de faire de l’orchestre. Orchestres symphoniques permanents, orchestres dit « par projet », orchestres associatifs, ensembles ayant une démarche historisante, les formes de pratiques orchestrales se répartissent en des catégories complexes, organisées selon leurs constructions juridiques, les modes de recrutements de leurs artistes et bien entendu, leurs projets musicaux. Les conventions ayant lieu au sein de ces structures diffèrent totalement, tant du point de vue musical que social. Cette thèse propose d’obse
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Bonacossa, Federico. "Materials and Techniques in D’improvviso da immobile s’illumina, for Bass Clarinet, Two Orchestras, Piano and Percussion." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/989.

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D’improvviso da immobile s’illumina is a concerto for bass clarinet, two orchestras, piano, and percussion, that I composed during my graduate studies at Florida International University in Miami. The work is approximately 16 minutes long and is scored for 30 independent instrumental parts in addition to the bass clarinet soloist. Although the piece does not incorporate electronics, electronic music was a major influence in its creation, and the computer was used extensively as a compositional tool. In addition, the writings of Henry Cowell and the music of Sofia Gubaidulina influenced the con
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Taalas, Mervi A. "Four essays on efficiency and productivity of cultural institutions : empirical analyses of orchestras, theatres and museums." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/4363/.

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This thesis builds on the research tradition of Cultural Economics, particularly of its empirical strand. The thesis includes four articles that each analyse empirically a different facet of production of cultural services. Together they contribute to the two main themes of the thesis: features of production technology and applicability of different empirical methods in analysing production of cultural services. The four articles proceed in "chronological" order. The first article deals with problems shared by the subsequent studies - measurement of inputs, output(s) and quality of production
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Ounsley, Karen Esme. "Bands and orchestras in the major northern seaside resorts of England, 1865-1911 : a socio-cultural history." Thesis, University of Hull, 2009. http://hydra.hull.ac.uk/resources/hull:5116.

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This thesis investigates the social and cultural history of the seaside bands in Bridlington, Scarborough, Blackpool, Southport, and Douglas (Isle of Man), from 1865, the start of the Bridlington era, to 1911, the end of the long Victorian period. It pays particular attention to the Bridlington Quay Parade Band as the starting point of the thesis. The bands will be looked at in terms of repertoire, personnel, instruments, function, management, and their relationship with the local councils, management boards and owners. Extensive discussion of the Bridlington band will centre on the social, ec
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Williams, Frances Carey. "An investigation into partnerships between professional orchestras and schools with particular reference to the perception of teachers." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/10020529/.

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The purpose of this study was to investigate how partnerships between professional orchestras and schools worked with particular reference to the perceptions of teachers. Much has been written about the effects of these partnerships on orchestras and orchestral musicians, however, there has been little research regarding teachers' perceptions of the work and the effect it might have on them. At a time when orchestras are fighting for survival and there is a shortage of music teachers in schools, collaboration is seen to be beneficial to all parties. But what do teachers think? A historical sur
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Lee, Ming-yen. "An Analysis of the Three Modern Chinese Orchestras in the Context of Cultural Interaction Across Greater China." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397886249.

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Lehman, Erin V. "Models of self governance and workplace democracy : a comparison of select orchestras in Germany, the U.S. and U.K." Thesis, City University London, 2001. http://openaccess.city.ac.uk/7618/.

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This thesis is the result of the author's long-term interest in the inner workings of self-governing and other "high involvement" orchestra organizations. This interest was "sparked" by her work in the general survey of professional symphony orchestras in East and West Germany, the U.S., and U.K. conducted with Allmendinger and Hackman in the early 1990s. The findings of that research led to a general understanding of how symphony orchestras were structured, supported and led in those countries during that time period. In her own work, the author goes beyond that broad foundation in order to g
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Williams, Meredith F. "Promoting Symphony Sustainability: A Case Study of the Houston Symphony's The Planets - An HD Odyssey Film Project." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1365610980.

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McMullen, Tracy. "Bands, orchestras, and the ideal I the musical stage as constitutive of the I function / by Tracy Marie McMullen." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3283992.

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Thesis (Ph. D.)--University of California, San Diego, 2007.<br>Title from 1st page of PDF file (viewed Mar. 5, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 164-176.
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Chen, Ying-Lung Chen Yi. "Taiwan suite for orchestra." Diss., UMK access, 2007.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A dissertation in music composition." Typescript. Advisor: Chen Yi. Vita. Description based on contents viewed Nov. 20, 2007; title from "catalog record" of the print edition. Online version of the print edition.
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Kramer, Ursula. "--richtiges Licht und gehörige Perspektive-- Studien zur Funktion des Orchesters in der Oper des 19. Jahrhunderts /." Tutzing : H. Schneider, 1992. http://catalogue.bnf.fr/ark:/12148/cb35555708v.

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Kriegler, Bettina Anna. "The Inland Empire/Riverside County Philharmonic: A promotional campaign to increase attendance." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2423.

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This project includes a promotional campaign for the Inland Empire / Riverside County Philharmonic as well as the preliminary market analysis for the campaign. The market targeted was well-educated twenty to forty year olds in Riverside, Temecula and Corona.
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Kalátová, Veronika. "Marketingové strategie neziskových organizací v kulturní sféře." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-75247.

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Non-profit organizations play a very important role in all developed societies; however it is not easy to manage these organizations. Because of its non-profit nature, it has to generate external funds to realize its purpose. In the cultural field, there is a variety of non profit organizations which as a result to the increasing competition, had to focus on an appropriate communication. Because of reason, that marketing in non-profit organizations functions a relatively short time in comparison to profit organizations, marketing strategies and strategic planning does not have a clear directio
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Holland, Michelle Linsey Charlton Thomas L. ""Where East Texas dances" the Cooper Club of Henderson, Rusk County, and popular dance bands, 1932-1942 /." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5065.

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Hannesson, Haukur F. "Symphony orchestras in Scandinavia and Britain : a comparative study of funding, cultural models and chief executive self-perception of policy and organisation." Thesis, City University London, 1998. http://openaccess.city.ac.uk/7571/.

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The subject of this study is arts policy in six different countries; Denmark,Finland, Iceland, Norway, Sweden and the United Kingdom and in particular how such policies affect both the operations and self-perceptions of professional symphony orchestras (and their chief executives) operating in the countries studied. Professional symphony orchestras in different countries have essentially very similar artistic approaches to their subject i.e. the performance of music, and are almost identically constructed with regards to number of players, which instruments are used as well as the role of arti
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Maidanik, Victoria. "Vicissitudes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq37251.pdf.

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Lington, Victoria DiMaggio. "The piano as an orchestra, the accompanist and the twentieth-century orchestral reduction." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/lington%5Fvictoria%5Fdimaggio/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2002.<br>Accompanied by 4 recitals, recorded Apr. 26, 1999, Apr. 17, 2000, Mar. 19, 2001, and Apr. 17, 2002. Includes bibliographical references (p. 83-86).
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