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Journal articles on the topic 'Ordo virtutum'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Cameron, Kenneth, and Hildegard of Bingen. "Ordo Virtutum." Theatre Journal 38, no. 4 (1986): 484. http://dx.doi.org/10.2307/3208296.

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2

Costa, Débora Duarte. "Ordo virtutum de Hildegard de Bingen." Nuntius Antiquus 16, no. 2 (2020): 147–74. http://dx.doi.org/10.35699/1983-3636.2020.25954.

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Este trabalho apresenta uma tradução inédita no Brasil do drama de música sacra Ordo Virtutum, bem como breve resumo da vida de sua autora, Hildegard de Bingen, monja beneditina nascida no final do século XI e figura de destaque no século XII. Algumas explicações referentes à tradução introduzem ainda o texto.

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3

Potter, Robert. "The Ordo Virtutum: Ancestor of the English Moralities?" Comparative Drama 20, no. 3 (1986): 201–10. http://dx.doi.org/10.1353/cdr.1986.0017.

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4

Campbell, Thomas P. "The "Ordo Virtutum" of Hildegard of Bingen: Critical Studies.Audrey Ekdahl Davidson." Speculum 69, no. 3 (1994): 764–65. http://dx.doi.org/10.2307/3040871.

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5

Kobialka, Michal. "Corpus Mysticum et Representationem: Hildegard of Bingen's Scivias and Ordo Virtutum." Theatre Survey 37, no. 1 (1996): 1–22. http://dx.doi.org/10.1017/s0040557400001393.

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Ever since the project of supplying objective knowledge was challenged by the debates about colonialism, gender, sexual orientation, and ethnicity, academics from different fields have begun to share a conception of knowledge as representational, differing primarily in the accounts of how their, “representations” are related to objects that are represented. Understandably, Plato's and Aristotle's definitions of mimesis have acquired new currency. According to Plato, whenever “you see one, you conceive of the other.” According to Aristotle, the relationship between techne and phusis is containe

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6

LEE, JI YOUNG. "A Study on the Musical Characteristics of Ordo Virtutum : Focusing on the Systematic Musical Composition." Journal of the Musicological Society of Korea 22, no. 1 (2019): 83–111. http://dx.doi.org/10.16939/jmsk.2019.22.1.83.

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7

Fassler, Margot E. "Allegorical Architecture in Scivias:." Journal of the American Musicological Society 67, no. 2 (2014): 317–78. http://dx.doi.org/10.1525/jams.2014.67.2.317.

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Hildegard of Bingen's Ordo Virtutum has come to occupy a major role among Western European dramatic musical works, with scenes widely anthologized, multiple studies in print, and several recordings. I argue that the “setting” of Hildegard's Ordo Virtutum is the allegorical architecture created in her first major treatise, Scivias, written in the 1140s and early 1150s. In this period, while Hildegard was composing the play and writing her first major theological work, she was also designing a complex of new monastic buildings, which helps explain her concentration on architectural themes and im

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8

Collins, Fletcher. "The Ordo Virtutum of Hildegard von Bingen ed. by Audrey Ekdahl Davidson." Comparative Drama 20, no. 1 (1986): 81–82. http://dx.doi.org/10.1353/cdr.1986.0041.

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9

Dabke, Roswitha. "The Hidden Scheme of the Virtues in Hildegard of Bingen's Ordo Virtutum." Parergon 23, no. 1 (2006): 11–46. http://dx.doi.org/10.1353/pgn.2006.0065.

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10

Palazzo, Éric. "Mariona Vernet et Eulalia Vernet (éd. et trad.), Ordo Virtutum: Hildegarda de Bingen." Cahiers de civilisation médiévale, no. 252 (December 1, 2020): 309–10. http://dx.doi.org/10.4000/ccm.5435.

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11

Wouters, Dinah. "Drama and Debate: Hildegard of Bingen’s Ordo virtutum in the Context of Allegorical Debate Literature." European Medieval Drama 24 (January 2020): 165–84. http://dx.doi.org/10.1484/j.emd.5.121757.

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12

Fedorak, Dar’ia. "Hildegard of Bingen’s musical work in the aspect of the phenomenon of author’s style." Aspects of Historical Musicology 19, no. 19 (2020): 312–30. http://dx.doi.org/10.34064/khnum2-19.18.

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Statement of the problem. Today national musicology is beginning to actively show interest in the study of Western European medieval monody. However, there is still no scientific information about the unique personality of the Middle Ages – Hildegard of Bingen and her musical creativity – in particular about the liturgical drama «Ordo virtutum», although there are some musicology methods for analyzing this music. The relevance of this study is due to the filling of this gap. Taking in account that a musical work of the 11–12th centuries is usually considered only within the context of the “his

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13

Weiss, Sonja. "Cloud and Clothe : Hildegard of Bingen's metaphors of the fall of the human soul." Acta Neophilologica 49, no. 1-2 (2016): 5–18. http://dx.doi.org/10.4312/an.49.1-2.5-18.

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The paper examines Hildegard's use of metaphors in her visions of the human fall, and the way she combined the biblical motif of Original Sin with the philosophical question of a soul's embodiment, particularly in her moral play, Ordo virtutum, but also in her medical and visionary writings. The metaphor of the cloud sometimes blends with the metaphor of clothing (as in, "to clothe"), since the corporeal vestment of the soul before the Fall is said to resemble a cloud of light. Both metaphors are present in Hildegard's other works, particularly the image of the cloud, which is frequently used

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14

Iversen, Gunilla. "Réaliser une vision: La dernière vision de Scivias et le drame Ordo virtutum de Hildegarde de Bingen." Revue de musicologie 86, no. 1 (2000): 37. http://dx.doi.org/10.2307/947279.

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15

Lightbourne, Ruth. "The question of instruments and dance in Hildegard of Bingen's twelfth-century music drama Ordo Virtutum." Parergon 9, no. 2 (1991): 45–65. http://dx.doi.org/10.1353/pgn.1991.0050.

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16

Dabke, Roswitha. "Desiderium Dei and the Cast of Souls in Hildegard von Bingen's Play Ordo Virtutum." Parergon 16, no. 1 (1998): 1–18. http://dx.doi.org/10.1353/pgn.1998.0104.

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17

Simon, Eckehard. "Hildegard of Bingen (1098–1179) and her Music Drama Ordo virtutum: A Critical Review of Scholarship and Some New Suggestions." European Medieval Drama 15 (January 2011): 93–114. http://dx.doi.org/10.1484/j.emd.1.102935.

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18

Harbor, Catherine. "Hildegard von Bingen: Ordo Virtutum, edited by Audrey Ekdahl Davidson (Medieval Institute Publications, Western Michigan University, Kalamazoo, 1985). ii + 38 pp. ISBN 0-918720-62-1. $13.95." Journal of the Plainsong and Mediaeval Music Society 8 (January 1985): 58–59. http://dx.doi.org/10.1017/s0143491800000829.

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19

"Poetry in Hildegard of Bingen: A study on the Biblical Roots of the Ordo Virtutum." Svmma 2017.1 (2019). http://dx.doi.org/10.1344/svmma2017.10.14.

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20

"Hildegard von Bingen’s Ordo Virtutum: New Considerations Regarding “Disciplina” and “Scientia Dei” According to the Urtext." Svmma 2017.1 (2019). http://dx.doi.org/10.1344/svmma2017.10.15.

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21

"Personifikacje cnót w dramacie liturgicznym Ordo Virtutum Hildegardy z Bingen i na romańskich kolumnach kościoła św. Trójcy w Strzelnie." Kwartalnik Młodych Muzykologów UJ, no. 31(4) (2016). http://dx.doi.org/10.4467/23537094kmmuj.16.020.8059.

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