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1

E, Richard Amy, and Oregon Shakespeare Festival, eds. Oregon Shakespeare Festival. Arcadia Pub., 2009.

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2

Armstrong, Alan. Oregon Shakespeare Festival Actors Telling the Story. Wellstone Press, 2014.

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3

Brubaker. Golden Fire the Anniversary Book of the Oregon Shakespeare Festival. Oregon Shakespearean, 1985.

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4

An Oregon Shakespeare festival lover's guide to exploring Southern Oregon and Northern California. 3L Pub., 2013.

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5

Brubaker, Edward S. Golden fire: The anniversary book of the Oregon Shakespearean Festival. Edited by Brubaker Mary, Hoover Kerry, and Oregon Shakespearean Festival Association. Oregon Shakespearean Festival Association, 1985.

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6

Lundin, Jane. All about Ashland: A guide to the Oregon Shakespearean festival and southern Oregon. Ten Speed Press, 1988.

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7

1922-, Brubaker Mary, ed. Golden fire: The anniversary book of the Oregon Shakespearean Festival. Oregon Shakespearean Festival Association, 1985.

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8

Davidson, Janelle. Ashland, an Oregon oasis: An Oregon documentary. Webb Research Group Publishers, 1995.

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9

This body: A novel. Little, Brown and Co., 1998.

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10

This Body. Little, Brown and Company, 2009.

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11

JANCE, J. A. Failure to Appear. HarperCollins, 2006.

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12

JANCE, J. A. Failure to appear: A J.P. Beaumont mystery. Morrow, 1993.

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13

JANCE, J. A. Failure to appear: A J.P. Beaumont mystery. Avon Books, 1994.

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14

JANCE, J. A. Failure to appear: A J.P. Beaumont mystery. Thorndike Press, 2003.

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15

Leary, Kathleen F. Oregon Shakespeare Festival. Arcadia Publishing, 2009.

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16

Richard, Amy E., Kathleen F. Leary, and Oregon Shakespeare Festival. Oregon Shakespeare Festival. Arcadia Publishing, 2009.

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17

Association, Oregon Shakespearean Festival, ed. Oregon Shakespeare Festival: [brochure]. Oregon Shakespeare Festival], 2002.

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18

Thompson, Ayanna. (How) Should We Listen to Audiences? Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.33.

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How do scholars and practitioners know what audiences think about non-traditionally cast productions of Shakespeare? Non-traditional casting—the practice of casting actors of colour in roles originally imagined as white characters performed by white actors—is a common phenomenon on British and American stages, especially in contemporary productions of classical plays. Nonetheless, very little research has been conducted on the effects of perceptions of race in/as performance on classical stages. This chapter asks a series of theoretical and methodological questions about the intersection of re
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19

Alexander, Ellie. On Thin Icing. St. Martin's Press, 2015.

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20

Alexander, Ellie. On Thin Icing: A Bakeshop Mystery. St. Martin's Press, 2015.

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21

JANCE, J. A. Failure to Appear. Books in Motion, 1994.

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22

JANCE, J. A. Failure to Appear. HarperCollins Publishers, 2012.

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23

JANCE, J. A. Failure To Appear. Books on Tape, Inc., 1997.

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24

JANCE, J. A. Failure to Appear. Avon, 2004.

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