Academic literature on the topic 'Organ Historical Society'

From the standpoint of social and humanitarian knowledge, the article analyzes the problem of the shortage of donor organs and resistance to the practice of deceased donation. Within the framework of a broad historical perspective, ancient and modern mortal fears are considered, the connection between the formation of modern medicine and the practice of dealing with the bodies of deceased people is discussed. The influence of social crises on the growth of social mistrust in relation to medicine and transplantations is analyzed. The role of mass media in shaping the negative image of organ donation is discussed and the question of the need for changing media policy is raised.

The article defines the structural specifics of the scientific periodicals of the Kazan Physicians Society, characterizes the logic of its evolution, shows its place in the development of the general logic of qualitative changes in the methods of constructing and manifesting medical knowledge broadcast on its pages. The stages of the evolutionary transformation of the Diaries of the Physicians Society, which were the printed organ of the Physicians Society at the Imperial Kazan University, into a special edition the Kazan Medical Journal are analyzed in detail, the date of its official approval as a printed organ is specified. Based on the materials of the State Archives of the Republic of Tatarstan, many of which were not previously introduced into scientific circulation, the succession of the development of scientific periodicals was demonstrated, which makes it possible to reasonably indicate 1872 as the year when the Kazan Medical Journal started to be published. The article gives a brief description of the published volumes of this stage of the transformation of the Diaries of the Physicians Society, indicates the specifics of their formal, as well as content and, in particular, intertextual structure. The role and place of various types of published materials, such as original scientific articles, abstracts of current scientific literature of that time, annual literature reviews in various medical specialties, meeting reports of representatives of scientific societies, reports of medical congresses and the so-called doctoral disputes at Kazan University at that time, reports of practical health care institutions of Kazan, special correspondence, reviews of scientific works, scientific bibliography, were determined. An analysis of these elements evolution in the content of scientific periodicals made it possible to substantiate the logical model of the structural transformation of this printed organ as a special type of historical source, to determine the forms of its cultural and communicative functioning, to indicate its role in the development of the professional culture of the medical corporation of Kazan University and the city of Kazan.

Claus Røllum-Larsen: J.S. Bach and Denmark
 The dissemination and pursuit of Bach’s music in the first decades of the 1800s was characterized by the circle surrounding Peter Grønland, not least C.E.F. Weyse. The dissemination of Bach’s printed works seems to increase around the year 1800, but does not reach a high level until 1850. During the 19th century, there were strongly committed performers, who scheduled Bach’s music: the earliest was Hans Matthison-Hansen (organ works), later — from 1875 — Niels W. Gade (including The St. Matthew Passion), Gottfred Matthison-Hansen (organ works) and Frederik Rung (The St. John Passion and Mass in B minor). Then the Cæcilia Society safeguarded Bach’s greater chorale works all the way up to its discontinuation in 1934, whereupon the Symphony Orchestra of the Danish State Broadcasting Service and the Copenhagen Royal Chapel Choir took over. With the Bach Society, Niels Otto Raasted displayed great activity with regards to exposing Bach’s music in many genres, and in this context presented a number of prominent musicians with backgrounds in the milieu of practicing historical performances in Berlin. From the beginning of the 1930s, Finn Viderø was also heavily engaged in Bach’s music, particularly from the perspective of performance practice. By end of the Second World War, the Bach Society came to an end, while Wöldike together with the Copenhagen Royal Chapel Choir and various orchestras maintained extensive concert activity with Bach’s works. The commemoration in 1950, over which Mogens Wöldike presided, cemented the central position of the Copenhagen Royal Chapel Choir and Wöldike in the dissemination of Bach. The historically- and scientifically-founded approach to the music and the performance of it by these musicians and the music teacher Gunnar Heerup had thereby replaced a more subjective cultivation of Bach, and based on this had established an objective, critical approach to the handling of Bach’s music. This development has not changed the assessment of Bach as a composer; his extraordinary endeavour and “by virtue of Bach’s genius, Bach’s [cantatas and passions] … has become something that is unparalleled anywhere else in the world.” (J.P. Larsen).

The history of the first 41 years of the Congenital Heart Surgeons Society (CHSS) was recorded in 2015 which chronicled the metamorphosis of a small informal meeting into a mature organization with bylaws, officers, committees, funded research, the Kirklin-Ashburn Fellowship, and a vision to become the premier organization of congenital heart surgery in North America. Chief among these transformations was the implementation and development of the CHSS Data Center. Member participation, fellowship education, and significant outcomes research have been the hallmark of the CHSS. This incremental historical review highlights continued CHSS sentinel advances. Fifty-three CHSS Data Center manuscripts have been published. Citation scores (number of literature citations that each manuscript has accrued) have been collated and analyzed by cohort study. The average citation score for all manuscripts was 75.4 ± 76.3 (range: 1-333). The Kirklin/Ashburn Fellowship continues to thrive with academic achievements and generous contributions to the endowment. The World Journal of Pediatric and Congenital Heart Surgery has been adopted as the official organ of the CHSS. A Past President’s Dinner has been inaugurated serving as a senior advisory committee to the Executive Council. Toronto Work Weekends continue. Congenital Heart Surgeons Society growth has accrued to 159 active members and 82 institutional members. Future considerations include the size, content, and duration of the annual meeting; the potential for increased membership; and political penetrance into national cardiothoracic governing organizations regarding committee appointments, executive council representation, and education initiatives. Congenital Heart Surgeons Society has achieved numerous advances during this incremental period.

AbstractThis paper starts by exploring contemporary perceptions of Thomas Dallam (born c. 1570, died after 1614), an English organ maker who is cast as a worthy predecessor of contemporary tourists. After considering the significance of such presentist styling of Dallam as an early 'director′ of an Orientalist gaze, the argument turns to Dallam′s account of his visit to the Ottoman court. While the asymmetry of power relations (Marie Louise Pratt) evident in Dallam′s description has been defused by the text′s popular reception in Britain, this paper participates in contemporary scholarly attempts at recontextualising Dallam′s travel account within its historical setting. A close reading of Dallam′s text establishes it as a poignant example of early modern cultural encounters “before Orientalism” (Richmond Barbour). Dallam′s text points to specific moments during which the performative character of the encounter disrupts textual closure and binary forms of signification. His account is truly remarkable for its representation of Dallam′s ongoing negotiation of both his experience of cultural encounter and of existing reductive preconceptions about Ottoman culture and society.

Samizdat materials are a huge collection of documents of different genres that can be viewed in the context of the dissident phenomenon in the USSR. Only the latest decade saw the intensive growth of scientific interest to this phenomenon, and, therefore, these historical records require further interpretation and analysis; the latter became the main purposes of the monograph reviewed. The study combines both theoretical and historical aspects of studying Soviet samizdat. The term “samizdat” is understood in its wider sense, not only as fiction prohibited for publication, but also as a product of social, political, journalistic, human rights and other activities. At the same time, emphasis is placed on historical sources that allow documenting the human rights process. Samizdat is considered in three aspects: as a phenomenon of the 20th century supplementing official culture; as a kind of self-organization, self-reflection of society, a sign of intellectual reaction and an information channel; and as a historical source that makes it possible to study Soviet society and its reaction to state policy. This enables the author to present a representative and fairly complete picture of Russian samizdat. The notion “samizdat” is thoroughly analyzed, as well as the problem of the scientific classification of samizdat documents. The new classification system is demanded to be more detailed, presenting a complex structure, which takes into account various types and content of these historical sources. Working out a well-developed classification should ensure the use of available sources and their information potential. The book describes the sources of some varieties of samizdat documents: open letters, appeals and statements of protest, court proceedings, collections of documents. In a separate chapter, self-published magazines are analyzed as one of the most convincing manifestations of the various opposition movements organizational design. Particular attention is paid to the bulletin A Chronicle of Current Events, which has played an important role in reporting on human rights violations, disseminating the ideas of human rights defenders and maintaining links between human rights groups and organizations as a consolidating information center. The first issue of the Chronicle of 1968 is presented in the book as a holistic text, from the list of headings to the definition of the semantic strategy of the periodical, its tactics of layout and design, which allows us to correlate it with the legendary Herzen’s Kolokol [Bell] both in design and in its impact on public consciousness. The bulletin structure and its main sections were formed from the first issues: “Courts”, “Arrests”, “Extra-Judicial Prosecutions”, “Searches and Interrogations”, “In Prisons and Camps”, “In Psychiatric Hospitals”, “Persecution of Believers”, “Right to Leave”, “Jewish Movement”, “Through the Pages of the Soviet press”, “In Exile”, “Official Documents”, “Samizdat News”, etc. The analysis of other quite numerous samizdat magazines (Politicheskiy Dnevnik [Political Diary], Obshchestvennye Problemy [Social Problems], Veche, Vestnik Spaseniya [Herald of Salvation], Iskhod [Exodus], Vestnik Iskhoda [Herald of Exodus], Belaya Kniga Iskhoda [White Book of Exodus], etc.), including the “second culture” ones (37, Chasy [Clock], Obvodnoy Kanal [Bypass Channel], Metrodor, Summa [Sum], Nadezhda [Hope], etc.), allows the author to document the well-known statement of Igor Shafarevich that with all the various shades of independent thought in our country, the unifying principle was the feeling of lack of freedom. The author pays attention to historical discourse aimed at analyzing social and political processes via studying samizdat authors’ and developers’ biographies, as well as to the history of the texts. Biographies are given briefly, most often in the form of page footnotes, but their presence adds “humanity” to historical and documentary research (for example, biographies of V. Krasin, V. Chelidze, Yu. Shikhanovich, V. Rutminsky, Gr. Fedoseev, etc.). The book discusses the main varieties of social and political samizdat – “classic” and little-studied samizdat texts. Considerable attention is paid to “provincial” students’ literary and journalistic amateur periodicals of Sverdlovsk. The almanac Nashe Tvorchestvo [Our Creativity] (Ural State University, 1946–1949), Vskhody [Shoots], V Poiskakh [In Search] (Ural State University, 1956), the Ural Pedagogical Institute wall newspaper BOKS (Boevoy Organ Komsomol’skoy Satiry [Komsomol Satire Combat Organ], 1943–1960) are analyzed for the first time in the all-Union context. Student manuscript and typewritten magazines, a typical phenomenon for Soviet universities of that time, on the one hand, became the harbingers of political samizdat, on the other hand, a consequence of the creative and spiritual upsurge that caused the exposure of the personality cult. The book concludes with a brief bibliography on the Soviet samizdat history and an appendix including well-known examples of samizdat texts (“I Can’t Be Silent!” by P. Grigorenko, “The Final Word of the Accused Bukovsky”, “The White Book of Exodus” (1972)), as well as unique graphic jokes of BOKS.

The aim: To study the combination of medical, legal, ethical principles and regulations in the field of transplantology, as one of the key problems of bioethics. Materials and methods: Formal-logical methods of analysis and synthesis allowed to reveal the content of the concepts that make up the subject of research, to classify them, as well as to formulate intermediate and general conclusions. The systematic method allowed to study the role and significance of human right to transplantation among other somatic human and civil rights and freedoms. Using the historical method, the doctrinal basis of the study was analyzed, and the main stages of the formation of human right to transplantation were identified. Conclusions: The level of modern development of the Institute of Transplantology depends primarily on the tolerance of the society itself regarding the concept of brain death. The actual normalization of the concept of death in one or another state determines the level of realization of the human right to organ and tissue transplantation. Regarding the reform of the current legislation in the field of transplantology, as one of the key problems of bioethics, first of all, moral principles should be taken into account (at the same time, today morality in its development is even slightly ahead of the development of international law, although progressive principles of legal regulation of transplantation processes have been distinguished at the international level ). Therefore, during the development of norms of both international and national law regarding transplantology, existing moral principles should be taken as a basis. At the same time, one should not forget that a necessary factor is the presentation of a number of issues for public discussion, as well as their discussion at scientific and practical conferences not only of doctors and lawyers, but also of theologians and philosophers.

The article reveals the social and philosophical views of M.A. Bakunin on the genesis, essence and evolution of the state. At the same time, attention is focused on his interpretation of state power, which is a lack of justice and freedom for the people. The philosopher, in substantiating his point of view, gives a detailed analysis of the philosophical conceptual provisions on the state. M.A. Bakunin, being an anarcho-revolutionary in his philosophical views, substantiates the limited point of view on the issue of the state and its social role, the positions of the representatives of German social democracy and the views of supporters of Marxist philosophy. The article reveals the socio-philosophical positions of the Russian thinker on the issue of essential components that substantiate the need for the evolution of the state and its departure from the historical arena. At the same time, the main regulations that characterize the prospects for the development of the state and its withering away are revealed. Only a social revolution, according to M.A. Bakunin, can lead to the destruction of the state as an organ of violence, and bring the people freedom, equality and the use of social wealth. Purpose of the research: to reveal the social and philosophical positions of M.A. Bakunin on the genesis of the state, its essence and evolution. Conclusions: The state, according to the views of M.A. Bakunin, is in any form of violence against the people, and therefore it must be destroyed through a social revolution. The future structure of society, as an ideal, should be based on justice and freedom of the people, their self-organization.

Introduction. The ideology and methodology of solving the problem practically posed in modern Russia is discussed: to preserve traditional values in a high-tech modern society. The author substantiates the legitimacy of comparing the current global situation with the situation between the two world wars in the twentieth century and referring to the heuristic potential of the ideas about the essence of technology expressed at that time.Methodology and sources. An attempt has been made to move from a categorical to a conceptual analysis of the interface between the traditional person and the imperative of technological development. A traditional person is described in a postmodern paradigm that configures several analytical perspectives: the “tradition and modernity” interpretation scheme, an individualizing method, a civilizational approach, a historical perspective, Orthodox anthropology, the concept of organ projection, transhumanism and posthumanism. The works of the 20s – early 30s of the XX century are used as sources for the analysis. “Man and Technology” by O. Spengler, “Man and Machine” by N. Berdyaev, “Organoprojection” by P. Florensky.Results and discussion. Examples of interpretation of a traditional person are considered, which allow rethinking the linear scheme “from tradition to modernity”. 1. A traditional person belongs to a distinctive culture. Scientific and technological progress is a product of the Western European cultural type. The enslavement to technology is not a cause, but a symptom of its decay due to a lack of perspective and purpose. 2. A traditional person is a person who is changing, continuing the creation of the world and maintaining a connection with eternity. From the reflections of Berdyaev follows the methodological setting: to treat man at the same time as God and as nature. It has a heuristic significance for the analysis of modern technologies. 3. A traditional person is an ancient, classical person who has yet to be restored in its integrity in synergy with technology, not in piece or elite, but in mass incarnations. The ideas of pairing traditional man and technological growth – cultural identity, connection with eternity, synergy of man and technology in organ projection are considered as guidelines for possible scenarios for the development of modern technologies in the interests of man, alternative to trans- and posthuman projects of improvement or pre- overpowering man based on secular eschatology. A critical analysis of proactive experimental and bioconservative approaches to the development of new technologies is given.Conclusion. A shift in the attention of researchers and practitioners – in education, upbringing, management from traditional methods of social reproduction and personal development to technical improvements of a person – is fixed. Which again makes the question of the normativity of human nature urgent.

Мішина Н. В. Органи самоорганізації населення: порівняльно-правове дослідження : дис. … доктора юрид. наук : 12. 00. 02 / Наталя Вікторівна Мішина; Наук. кер. М. П. Орзіх; ОНЮА. - Одеса, 2009. – 595 с.

This chapter surveys the development of international criminal police cooperation and notes that originally most crimes now prohibited internationally were sponsored or tacitly allowed by governments. I postulate, using World Society Theory, that developing cooperation is part of global crime governance. In law enforcement cooperation ‘rationalization’ (a core concept of this theory) takes the form of policing technology. Interpol is the only global criminal-police cooperative organisation and, in developing this structure, police professionalism played a more decisive role than political or legal guidance. The chapter looks at three rarely highlighted themes of transnational organised crime (TOC): the relationship between the financial markets and TOC, organ transplants, and environmental or ‘green’ crime, as well as two procedural issues, random data collection and cryptography. The chapter ends by warning about two TOC areasthat will become of increasing concern: illicit disposal of toxic and e-waste, and the health care sector.

George Frederick Bristow (1825-1898), a pillar of the nineteenth-century New York musical community, was educated, lived, and worked in New York for his entire life. A skilled performer (piano, organ, violin, conducting), he was a decades-long member of the Philharmonic Societies of New York and Brooklyn, and conducted the Harmonic Society, Mendelssohn Union, numerous church choirs, and pickup choral and instrumental ensembles organized for special events. He taught music privately and in the public school system. Bristow’s professional activities were those of a highly skilled urban journeyman musician--typical of many who worked in America during the period. Bristow was a steadfast and outspoken supporter of American composers throughout his career. This started in 1854 with his participation--along with William Henry Fry and editor Richard Storrs Willis--in a months-long journalistic battle that centered on the Philharmonic Society’s lack of support for American composers, an activity that has dominated his historical reputation. But he was also a prolific composer: of five symphonies, two oratorios, an opera, many secular and sacred choral pieces, chamber music, songs, and works for piano and organ. As a quiet and self-effacing individual, Bristow was not a self-promoter. But many of his contemporaries regarded him as a skilled performer, a generous colleague, and the most important American classical composer during much of the mid-century period.

During the civil rights era, Mississippi was cloaked in the hateful embrace of the Closed Society, historian James Silver’s description of the white caste system that enforced segregation and promoted the subservient treatment of blacks. Surprisingly, challenges from Mississippi’s college basketball courts brought into question the validity of the Closed Society and its unwritten law, a gentleman’s agreement that prevented college teams in the Magnolia State from playing against integrated foes. Mississippi State University was at the forefront of the battle for equality in the state with the school’s successful college basketball program. From 1959 through 1963, the Maroons won four Southeastern Conference basketball championships and created a championship dynasty in the South’s preeminent college athletic conference. However, in all four title-winning seasons, the press feverishly debated the merits of an NCAA appearance for the Maroons, culminating in Mississippi State University’s participation in the integrated 1963 National Collegiate Athletic Association’s National Championship basketball tournament. Full Court Press examines news articles, editorials, and columns published in Mississippi’s newspapers during the eight-year existence of the gentleman’s agreement, the challenges posed by Mississippi State University, and the subsequent integration of college basketball within the state. While the majority of reporters opposed any effort to integrate athletics, a segment of sports journalists, led by the charismatic Jimmie McDowell of the Jackson State Times, emerged as bold and progressive advocates for equality. Full Court Press highlights an ideological metamorphosis within the press during the Civil Rights Movement, slowly transforming from an organ that minimized the rights of blacks to an industry that weighted the plight of blacks on equal footing with their white brethren.

We live in a fancy world of global digitization, decarbonization, artificial intelligence, smart and connected cities using 5/6G, biomimicking, and 3/4D printing living organs, yet the two looming challenges to human existence are climate change and water shortages. The two “grand” challenges contrast each other in that, while the former would affect society as a whole, the latter would affect every individual for the basic existence. Whilst existing megatrends dealing with sustainability brace themselves to mitigate global warming, it seems that, scientifically, we are unacceptably equipped to address the issue of water shortages. It is critical to articulate the future of water, which includes a paradigm shift in its production, use, reuse, recycle, and discharge. This chapter reimagines the future of water from a holistic standpoint including transdisciplinary research. The topic must be approached from a fundamental viewpoint to include historical perspectives, nature, and the latest technology advances (viz., artificial intelligence, deep learning, and exponential technologies).

This article examines how mythology and fictional narratives in medieval Irish literature were used to communicate important societal ideas and to encode political messages. It is a commonplace that stories about the past were re-used, re-cycled and re-interpreted in order to justify the present. These sources were utilized by the ruling classes in medieval Ireland to help explain the status quo on the one hand and to justify emerging change on the other. As the preference of the medieval Irish was ‘to take their history in the form of fiction’, many stories like Orgain Denna Ríg (The Destruction of Dinn Ríg) are extant from this period, stories which provide us with an important perspective on the growth and articulation of a significant facet of medieval Irish historiography.

The concept of a system has a long and distinguished history in the social sciences. In fact, Mattelart and Mattelart (1998) claim that “the idea of society as an organism, that is, a whole composed of organs performing predetermined functions, inspired the earliest conceptions of a ‘science of communication’”. We begin this chapter with a brief historical overview of the major systems perspectives that have been utilized in social theory and research: structural-functionalism, cybernetics, and general systems theory. We then apply recent developments in complex systems theories to organizational networks. In doing so, we look at communication and knowledge networks from the perspective of agent-based modeling and self-organizing systems. Mattelart and Mattelart (1998) trace the early growth of systems thinking in the social sciences. Adam Smith’s (1776) classic work, The Wealth of Nations, postulated that a laissez-faire system, the division of labor, and channels of communication and transportation were crucial aspects of economic prosperity. The key to economic and therefore social success was the unrestricted circulation of messages, materials, and money through secure networks. According to Mattelart and Mattelart (1998), Francois Quesnay, a French physician and economist, published an economic chart (tableau economique) in 1758. “The chart offers a macroscopic vision of an economy of ‘flows’ in the form of a geometrical zigzag figure in which the lines expressing exchange between human beings and the land, as well as among the three classes making up society, cut across each other and become intertwined”. The Mattelarts note that Claude Henri de Saint Simon’s eighteenth-century work also applied systems theory to the concept of networks. Saint-Simons’s theory conceived of society as “an organic system, a bundle or fabric of networks.... He attributed strategic importance to the development of a system of communication routes”. Out of this background Herbert Spencer (1820–1903) developed the first integrated theory of society built on a direct analogy with biological systems.

Don goldsberry had been speaking for only a few minutes at the Game Commission’s April 1972 hearing, and already Elizabeth Stanton Lay couldn’t believe her ears. Branding killer whales with dry ice? Burning their skin with lasers? Confining them to pools for research and profit? What kind of men were these? After listening to representatives from the Audubon Society, Friends of the Earth, and the Washington Environment Council voice their opposition, the sixty-year-old Lay rose to speak. “I have never before heard such a frank statement of what seems to me a totally inhumane attitude toward living creatures,” she declared. Marine mammals could do without the type of “research” Namu Inc. proposed. Whales were disappearing around the world, she reminded listeners, and the same could happen to orcas in Puget Sound. “When I was a very little girl, we used to see blackfish out in the bay, and we loved it,” she recalled. Now locals rarely saw the great creatures, except when men like Goldsberry trapped them behind nets. Lay was never one to stand idly by. Named after Elizabeth Cady Stanton, organizer of the 1848 Seneca Falls Convention on women’s rights, she would have made her namesake proud. Born in Tacoma in 1911, she had grown up in the nearby town of Rosedale on Henderson Bay and earned a history degree from Reed College in Portland, followed by a master’s degree in political science from the University of Washington. She studied in Geneva, worked as a journalist in Washington, DC, and served in the new Federal Security Agency during World War II. From the mid-1940s to the mid-1950s, she worked as a historian for the US military, living in Paris, Frankfurt, and Seoul and producing a two-volume account of the Berlin Airlift. By the time of the Game Commission hearing, Lay had retired to Rosedale, where she played the organ at her Christian Science church, promoted forest preservation, and fought to stop orca capture. Her interest in the issue may have started with young Ken Gormly’s 1968 account of the catch in Vaughn Bay.