Log in

Relevant bibliographies by topics / Organ music History and criticism / Journal articles

To see the other types of publications on this topic, follow the link: Organ music History and criticism.

Journal articles on the topic 'Organ music History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Organ music History and criticism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Ujvári, Hedvig. "Der Pester Lloyd als Quelle musikhistorischer Forschungen •." Studia Musicologica 63, no. 3-4 (June 19, 2023): 277–98. http://dx.doi.org/10.1556/6.2022.00017.

Full text

Abstract:

AbstractThe cultural exchange processes can also be formulated from the point of view of transfer research, because plurality and hybrid cultures are primarily characteristic of the Central European communication space. The actors of these cultural mediation processes, who had the authority to shape and transport knowledge and culture, were authors, translators, publishers, journalists, and critics. As far as the research initiative of the author of this study is concerned, which focuses on the period between 1867 and the turn of the century (around 1900), it must be stated that this period ha

APA, Harvard, Vancouver, ISO, and other styles

2

Botstein, Leon. "On Criticism and History." Musical Quarterly 79, no. 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Botstein, L. "Witnessing Music: The Consequences of History and Criticism." Musical Quarterly 94, no. 1-2 (March 1, 2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Radice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)." Notes 58, no. 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Vojvodić Nikolić, Dina D. "PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI." Nasledje Kragujevac XX, no. 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.

Full text

Abstract:

The paper presents a proposal for defining the concept of music criticism and types of critical texts. The historical development of music criticism, its problems, methods, goals and main representatives are presented. The history of music criticism is ideologically connected with music, and primarily appeared in occasional publications. Criticism of musicians began continuously in the middle of the 18th century, when the first open discussions on various issues of music appeared. Jean-Jacques Rousseau, Johann Mattheson and Charles Burney stand out among the first music critics. The last years

APA, Harvard, Vancouver, ISO, and other styles

6

Tukova, Iryna, Valentina Redya, and Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (December 20, 2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.

Full text

Abstract:

"The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions. Selection of the time, period and material for the research are conditioned both with the specific social situation of Ukraine and with the recent developments in its music scene. The paper characterizes the main media, most popular critical genres, and methods of critical coverage. It is highlighted that the problems of Ukrainian music criticism during the 2010s were linked to the post-Soviet past and, in general,

APA, Harvard, Vancouver, ISO, and other styles

7

Majer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II." Muzyka 63, no. 4 (December 31, 2018): 55–64. http://dx.doi.org/10.36744/m.344.

Full text

Abstract:

As the Croatian lands were exposed to often aggressive Austrian, Hungarian, and Italian politics until WWI and in some regions even later, so Croatian music criticism was written in the Croatian, German and Italian languages. To the best of our knowledge, the history of Croatian music criticism began in 1826 in the literary and entertainment journal Luna, and was written by an anonymous author in the German language.A forum for Croatian language music criticism was opened in Novine Horvatzke, i.e. in its literary supplement Danica horvatska, slavonska i dalmatinska in 1835, which officially st

APA, Harvard, Vancouver, ISO, and other styles

8

Parkins, Robert, and Barbara Owen. "The Registration of Baroque Organ Music." Sixteenth Century Journal 29, no. 1 (1998): 183. http://dx.doi.org/10.2307/2544443.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

kang, sun ha. "The Problems an Improvement Direction of High School Music Appreciation and Criticism Textbook." Korean Association For Learner-Centered Curriculum And Instruction 23, no. 17 (September 15, 2023): 1–15. http://dx.doi.org/10.22251/jlcci.2023.23.17.1.

Full text

Abstract:

Objectives This study examines the problems in the contents of high school textbook Music Appreciation and Criticism, and proposes improvement directions accordingly. Methods For this purpose, the 2015 revised textbook Music Appreciation and Criticism's unit composition, organization, and Gugak contents were analyzed. Results The problems of high school music appreciation and criticism education are, first, that Gugak is not universally covered in music. Second, the majority of music pieces overlapped with general Music textbooks, and third, the fact that th

APA, Harvard, Vancouver, ISO, and other styles

10

Pritchard, Matthew. "The Cambridge History of Music Criticism. Ed. by Christopher Dingle." Music and Letters 101, no. 4 (November 1, 2020): 785–88. http://dx.doi.org/10.1093/ml/gcaa068.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Parakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism." Journal of Musicology 8, no. 2 (1990): 251–65. http://dx.doi.org/10.2307/763570.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Parakilas, James. "The Afterlife of Don Giovanni: Turning Production History into Criticism." Journal of Musicology 8, no. 2 (April 1990): 251–65. http://dx.doi.org/10.1525/jm.1990.8.2.03a00040.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Reznik, O. N. "Organ donation after euthanasia. Review and criticism of foreign practice." Russian Journal of Transplantology and Artificial Organs 26, no. 1 (November 21, 2023): 149–59. http://dx.doi.org/10.15825/1995-1191-2024-1-149-159.

Full text

Abstract:

This paper analyzes the problem of euthanasia, gives the history of this phenomenon, presents traditional ethical arguments for and against this practice, critically evaluates the practice of organ donation after euthanasia or euthanasia as a consequence of organ donation as established in some countries of the European Union, the US and Canada. The current status of this controversial practice is assessed.

APA, Harvard, Vancouver, ISO, and other styles

14

Kramer, Elizabeth. "The Beethoven Violin Sonatas: History, Criticism, Performance (review)." Notes 62, no. 1 (2005): 114–16. http://dx.doi.org/10.1353/not.2005.0098.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Reith, Louis J., and Roger Kuin. "Chamber Music: Elizabethan Sonnet-Sequences and the Pleasure of Criticism." Sixteenth Century Journal 32, no. 1 (2001): 305. http://dx.doi.org/10.2307/2671499.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Owen, Barbara, and Arthur W. J. G. Ord-Hume. "Harmonium: The History of the Reed Organ and Its Makers." Musical Times 128, no. 1729 (March 1987): 167. http://dx.doi.org/10.2307/964517.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

van Wye, Benjamin, and Stephen Bicknell. "The History of the English Organ." Notes 55, no. 1 (September 1998): 91. http://dx.doi.org/10.2307/900354.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Dickinson, Peter. "Review: Maestros of the Pen: A History of Classical Music Criticism in America." Music and Letters 83, no. 4 (November 1, 2002): 631–34. http://dx.doi.org/10.1093/ml/83.4.631.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Harrán, Don. "Elegance as a Concept in Sixteenth-Century Music Criticism*." Renaissance Quarterly 41, no. 3 (1988): 413–38. http://dx.doi.org/10.2307/2861755.

Full text

Abstract:

”… et vere sciunt cantilenas ornare, in ipsis omnes omnium affectus exprimere, et quod in Musico summum est, et elegantissimum vident … “Adrian Coclico, Compendium musices (1552)The notion of music as a form of speech is a commonplace. Without arguing the difficult questions whether music is patterned after speech or itself constitutes its own language, it should be remembered that the main vocabulary for describing the structure and content of music has been drawn from the artes dicendi. The present report deals with a small, but significant part of this vocabulary: the term elegance along wi

APA, Harvard, Vancouver, ISO, and other styles

20

Watt, Paul, and Sarah Collins. "Critical Networks." Nineteenth-Century Music Review 14, no. 1 (April 2017): 3–8. http://dx.doi.org/10.1017/s1479409816000252.

Full text

Abstract:

This article examines the idea of ‘Critical Networks’ as a way of studying the relational structures that shaped music criticism in the long nineteenth century. We argue that the personal, institutional and international networks that supported the dissemination of critical ideas about music are worthy of study in themselves, as they can yield insights beyond prevailing methodologies that centre on individual cases.Focusing on the institutional culture of music criticism means looking beyond the work of individual critics and the content or influence of their views, towards the structures that

APA, Harvard, Vancouver, ISO, and other styles

21

Frost, Charlotte. "Digital Critics: The Early History of Online Art Criticism." Leonardo 52, no. 1 (February 2019): 37–43. http://dx.doi.org/10.1162/leon_a_01379.

Full text

Abstract:

Art critic Jerry Saltz is regarded as a pioneer of online art criticism by the mainstream press, yet the Internet has been used as a platform for art discussion for over 30 years. There have been studies of independent print-based arts publishing, online art production and electronic literature, but there have been no histories of online art criticism. In this article, the author provides an account of the first wave of online art criticism (1980–1995) to document this history and prepare the way for thorough evaluations of the changing form of art criticism after the Internet.

APA, Harvard, Vancouver, ISO, and other styles

22

Trček, Katarina. "Organs and Organ Music in Slovene Cultural History until the Cecilian Movement." Musicological Annual 52, no. 1 (June 27, 2016): 227–30. http://dx.doi.org/10.4312/mz.52.1.227-230.

Full text

Abstract:

The doctoral thesis entitled Organs and Organ Music in Slovene Cultural History until the Cecilian Movement explores the history of organ building in Slovenia from the beginning of the first half of the 15th century to the second half of the 19th century, when organs became a mandatory instrument in every parish church. The upper time line of the discussion is set in the year 1877, when the Slovene Cecilian Movement was founded, taking up the leading role in overseeing the planning of church music. The aim of this dissertation is to present the spreading of organ instruments in Slovene history

APA, Harvard, Vancouver, ISO, and other styles

23

Heller, George N., and Mark N. Grant. "Maestros of the Pen: A History of Classical Music Criticism in America." History of Education Quarterly 39, no. 2 (1999): 212. http://dx.doi.org/10.2307/370046.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Vasic, Aleksandar. "The magazine “Slavenska muzika” (1939–1941) in the history of Serbian music periodicals." Muzikologija, no. 29 (2020): 121–47. http://dx.doi.org/10.2298/muz2029121v.

Full text

Abstract:

From November 1939 to March 1941, the monthly magazine ?Slavenska muzika?, a journal of the Association of Friends of Slavic Music, was published in Belgrade. The magazine did not differ from other Serbian magazines of the interwar period in its sections. ?Slavic music? also published essays on music, music criticism, reviews of books and music editions, notes, news, obituaries, and in one case, polemics. However, differentia specifica of this review is the exclusive focus on the music of the Slavic nations. The study provides a review and analysis of the texts in this journal. It was noticed

APA, Harvard, Vancouver, ISO, and other styles

25

Kent, Frederick James, and John W. Landon. "Behold the Mighty Wurlitzer: The History of the Theatre Pipe Organ." American Music 5, no. 2 (1987): 225. http://dx.doi.org/10.2307/3052173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Brown, Howard Mayer. "Recent Research in the Renaissance: Criticism and Patronage*." Renaissance Quarterly 40, no. 1 (1987): 1–10. http://dx.doi.org/10.2307/2861832.

Full text

Abstract:

The book that everyone in musicology is talking about this year—not just those of us working in the fifteenth and sixteenth centuries—is Joseph Kerman's Contemplating Music (Cambridge, Mass.: Harvard University Press, 1985; called simply Musicology in the English edition). In it, Kerman argues against what he calls positivism, which he defines as a rigid and non-judgmental pursuit of dry facts, and in favor of the higher criticism, by which he seems to mean analysis—or at least some penetrating discussion of the way individual pieces work and what makes them great—informed by a sense of histor

APA, Harvard, Vancouver, ISO, and other styles

27

Vasic, Aleksandar. "Engagement in musical criticism: Pavle Stefanovic’s texts in The Music Herald (1938-1940)." Muzikologija, no. 27 (2019): 203–20. http://dx.doi.org/10.2298/muz1927203v.

Full text

Abstract:

Pavle Stefanovic (1901-1985) is one of the most prominent Serbian music critics and essayists. He created extensive musicographic work, largely scattered in periodicals. A philosopher by education, he had an excellent knowledge of music and its history. His style was marked by eloquence, associativity and plasticity of expression. Between 1938 and 1940 he published eighteen music reviews in The Music Herald, the longest-running Belgrade music magazine in the interwar period (1928-1941, with interruption from 1934 to 1938). Stefanovic wrote about concerts, opera and ballet performances in Belgr

APA, Harvard, Vancouver, ISO, and other styles

28

KOČIŠOVÁ, Renáta. "RURAL CANTOR´S MUSIC AFTER THE REFORMS OF MARIA THERESA AND JOSEPH II WITHIN THE TERRITORY OF SLOVAKIA." Bulletin of the Lviv University. Series of Arts Studies 280, no. 20 (2019): 44–56. http://dx.doi.org/10.30970/vas.20.2019.10638.

Full text

Abstract:

Music historiography describes the history of music of Slovakia (part of the multiethnic Hungarian Kingdom until 1918) as an autochtonous phenomenon, as a history of music on its territory located at the crossroads of cultures and confessions. The paper tries to present more in detail the music practices of the rural cantors after the implementation of the educational reforms imposed by the empress (and queen) Maria Theresa – at the turn of baroque and classicism. The repertory of music played by rural cantors was very diverse in terms of genres and forms, although it had mostly a utility char

APA, Harvard, Vancouver, ISO, and other styles

29

Branscombe, P. "E. T. A. Hoffmann's Musical Writings: 'Kreisleriana', 'The Poet and the Composer', Music Criticism." German History 10, no. 2 (January 1, 1992): 248–50. http://dx.doi.org/10.1093/gh/10.2.248.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Ailamazyan, Eduard K., and Jeanna V. Kniazeva. "The organ of the Imperial Clinical Midwifery Institute is the forerunner of music therapy in Russia." Journal of obstetrics and women's diseases 73, no. 2 (May 27, 2024): 155–62. http://dx.doi.org/10.17816/jowd627534.

Full text

Abstract:

This review article describes the acquisition and installation of an organ in a scientific and educational medical institution. For the first time, an organ was installed at the Imperial Clinical Midwifery Institute in 1904. The beginning of the ХХ century was marked by the development of music therapy. This could not go unnoticed by the director of the institute D.O. Ott. Nowadays, there is an increasing interest in music therapy. This article touches on the history of the appearance and further fate of the Walcker organ, acquired for the Imperial Clinical Midwifery Institute. We herein discu

APA, Harvard, Vancouver, ISO, and other styles

31

Vasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research." Muzikologija, no. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.

Full text

Abstract:

The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems o

APA, Harvard, Vancouver, ISO, and other styles

32

Fry, Katherine. "Nietzsche's Critique of Musical Decadence: The Case of Wagner in Historical Perspective." Journal of the Royal Musical Association 142, no. 1 (2017): 137–72. http://dx.doi.org/10.1080/02690403.2017.1286130.

Full text

Abstract:

ABSTRACTAlthough philosophical and biographical accounts of Nietzsche and Wagner abound, the musical issues at stake in the late text Der Fall Wagner (The Case of Wagner, 1888) have rarely been addressed within their wider cultural context. This article explores the nineteenth-century concepts of decadence and degeneration as relevant for understanding the ambivalence of Nietzsche's late critique of Wagner. Emphasizing his affinity with contemporary French criticism, it argues that his late texts advance a theory of decadence pertinent to current music history and criticism. It locates The Cas

APA, Harvard, Vancouver, ISO, and other styles

33

Desler, Anne. "History without royalty? Queen and the strata of the popular music canon." Popular Music 32, no. 3 (September 13, 2013): 385–405. http://dx.doi.org/10.1017/s0261143013000287.

Full text

Abstract:

AbstractAlthough canon formation has been discussed in popular music studies for over a decade, the notion of what constitutes ‘the popular music canon’ is still vague. However, considering that many scholars resent canon formation due to the negative effects canons have exerted on other academic fields, analysis of canon formation processes in popular music studies seems desirable: awareness of these processes can be a valuable tool for scholars’ assessment of how their academic choices contribute to canon formation. Based on an examination of the reception history of Queen in the popular mai

APA, Harvard, Vancouver, ISO, and other styles

34

Wood, Ross, Charles Callahan, and Barbara Owen. "The American Classic Organ: A History in Letters." Notes 47, no. 4 (June 1991): 1154. http://dx.doi.org/10.2307/941647.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Hughes, Jonathan Edward. "Addressing the pipework in South Africa’s oldest playable organ: a materialist-political history." Journal of the Musical Arts in Africa 20, no. 1 (January 2, 2023): 115–26. http://dx.doi.org/10.2989/18121004.2023.2289312.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Lofton, Kathryn. "Dylan Goes Electric." Journal of Popular Music Studies 33, no. 2 (June 1, 2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.

Full text

Abstract:

Within the study of rock music, religion appears as a racial marker or a biographical attribute. The concept of religion, and its co-produced opposite, the secular, needs critical analysis in popular music studies. To inaugurate this work this article returns to the moment in singer-songwriter Bob Dylan’s career that is most unmarked by religion, namely his appearance with an electric guitar at the 1965 Newport Folk Festival. Dylan’s going electric became, through subsequent years of narrative attention, a secularizing event. “Secularizing event” is a phrase coined to capture how certain epoch

APA, Harvard, Vancouver, ISO, and other styles

37

Zuk, Patrick. "Words for music perhaps? Irishness, criticism and the art tradition." Irish Studies Review 12, no. 1 (April 2004): 11–29. http://dx.doi.org/10.1080/0967088042000192086.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Hughes, Stephen Putnam. "Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema." Journal of Asian Studies 66, no. 1 (February 2007): 3–34. http://dx.doi.org/10.1017/s0021911807000034.

Full text

Abstract:

During the first half of the twentieth century, new mass media practices radically altered traditional cultural forms and performance in a complex encounter that incited much debate, criticism, and celebration the world over. This essay examines how the new sound media of gramophone and sound cinema took up the live performance genres of Tamil drama. Professor Hughes argues that south Indian music recording companies and their products prefigured, mediated, and transcended the musical relationship between stage drama and Tamil cinema. The music recording industry not only transformed Tamil dra

APA, Harvard, Vancouver, ISO, and other styles

39

Zhou, Yi. "Verbal aspects of China’s vocal art system." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 137–49. http://dx.doi.org/10.34064/khnum2-21.09.

Full text

Abstract:

Background. Art criticism, as part of the humanities, has long and productively used the terminology of related sciences. This is a systemic approach, the provisions of which significantly influenced the development of scientific thought in the XX–XXI centuries. Systematization and modeling greatly simplify the process of cognition and allow to highlight the parameters that determine the identity and ability to transform of each individual system. The same approach can be applied to the study of particular components of the meta-system of human culture. From this point of view, we will analyze

APA, Harvard, Vancouver, ISO, and other styles

40

Saloman, Ora Frishberg. "Continental and English Foundations of J. S. Dwight's Early American Criticism of Beethoven's Ninth Symphony." Journal of the Royal Musical Association 119, no. 2 (1994): 251–67. http://dx.doi.org/10.1093/jrma/119.2.251.

Full text

Abstract:

The reception history of Ludwig van Beethoven's symphonies in America offers striking evidence of multiple, previously unidentified, Continental and English connections to the musical thought of John Sullivan Dwight (1813–93), the first American-born critic of art music, and therefore to early American conceptions of the symphony in the 1840s. These direct links illuminate the history and criticism of the first performance in America of Beethoven's Symphony no. 9 in D minor, op. 125, which took place in New York in 1846. From the many sources associated with Dwight's musical learning and aesth

APA, Harvard, Vancouver, ISO, and other styles

41

Kharlamova, Tatiana V. "The Organ in the Kazakh Musical Culture: The Stages of its History." Music Scholarship / Problemy Muzykal'noj Nauki, no. 1 (March 2019): 123–28. http://dx.doi.org/10.17674/1997-0854.2019.1.123-128.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Levaux, Christophe. "The Forgotten History of Repetitive Audio Technologies." Organised Sound 22, no. 2 (July 12, 2017): 187–94. http://dx.doi.org/10.1017/s1355771817000097.

Full text

Abstract:

In the literature dedicated to twentieth-century music, the early history of electronic music is regularly presented hand in hand with the development of technical repetitive devices such as closed grooves and magnetic tape loops. Consequently, the idea that such devices were ‘invented’ in the studios of the first great representatives of electronic music tends to appear as an implicit consequence. However, re-examination of the long history of musical technology, from the ninth-century Banu Musa automatic flute to the Hammond organ of the 1930s, reveals that repetitive devices not only go rig

APA, Harvard, Vancouver, ISO, and other styles

43

Souza, Alberto Carlos de. "The language of the art of music: an overview of its history in Brazil." Humanum Sciences 3, no. 1 (August 5, 2021): 32–40. http://dx.doi.org/10.6008/cbpc2674-6654.2021.001.0004.

Full text

Abstract:

This study sought to re-visit the two conceptions of Art – pedagogical and reflective - forged throughout history and its relationship with the Brazilian aesthetic thought of resistance. From the 60's, such thinking has given a pedagogical purpose to art, charged with the task of social criticism and political engagement human emancipatory: in this scenario mainly determined by the Theater of the Oppressed, the new movies and the protest song by Milton Nascimento, , Caetano Veloso, Chico Buarque, Gilberto Gil, among many others.

APA, Harvard, Vancouver, ISO, and other styles

44

Gribenski, Fanny. "Powerful Sounds for Troubled Times." Journal of Musicology 41, no. 1 (January 1, 2024): 41–72. http://dx.doi.org/10.1525/jm.2024.41.1.41.

Full text

Abstract:

This article explores the role of the organ as a political tool in nineteenth-century France. Under the Napoleonic Concordat (1802–1905), which established Catholicism as the official religion of the nation while placing the Catholic church under the authority of the state, the organ epitomized the political situation of a country marked by the inextricable entanglement of politics and religion. Drawing on a wide range of materials, including national and local archives, instrument makers’ papers, and scientific and ecclesiastical reports on organ building, I analyze how governments and the cl

APA, Harvard, Vancouver, ISO, and other styles

45

Rakhman, Akhmad Syaekhu. "Pertumbuhan Musik Metal di Indonesia Akhir 1980-an." HEURISTIK: Jurnal Pendidikan Sejarah 2, no. 1 (February 28, 2022): 18–28. http://dx.doi.org/10.31258/hjps.2.1.18-28.

Full text

Abstract:

Research on the growth of metal music in Indonesia in the late 1980s aims to identify the background for the emergence of metal music in Indonesia and to see the enthusiasm of young people for metal music and bring metal music to the Indonesian culture. On the other hand, the method used in this research is a historical research method with 4 stages, namely heuristics, source criticism, interpretation, and historiography. The result of this research is the history of the emergence of metal music in Indonesia, the enthusiasm of young people towards metal music began to emerge in the 1980s. The

APA, Harvard, Vancouver, ISO, and other styles

46

Gianvittorio, Laura. "New Music and Dancing Prostitutes." Greek and Roman Musical Studies 6, no. 2 (August 24, 2018): 265–89. http://dx.doi.org/10.1163/22129758-12341323.

Full text

Abstract:

Abstract Old Comedy often brings prostitute-like dancers on stage while parodying the New Music. This paper argues that such dances were reminiscent of sex practices, and supports this view with dance-historical and semantic evidence. For the history of Greek dance, I survey the literary evidence for the existence of a dance tradition that represents lovers and their acts, and which would easily provide Comedy with dance vocabulary to distort. The semantic analysis of three comic passages, all criticising the New Music in sexual terms, shows a consistent overlapping between the semantic fields

APA, Harvard, Vancouver, ISO, and other styles

47

Kwon, Yongsun. "Waltar Benjamin’s Methodology for Art Criticism." Hankuk University of Foreign Studies Literature Studies 89 (February 28, 2023): 103–24. http://dx.doi.org/10.22344/fls.2023.89.103.

Full text

Abstract:

This article is an attempt to read Walter Benjamin's essay Goethe's Affinity through the concept of 'counterpoint' in music. First, I argued that Benjamin appropriated the concept of “affinity” for his own art criticism and he valued the interaction between a writer and a critic as a production of “affinity” while criticizing a biographical approach toward a writer. Secondly, I proposed that Benjamin’s initial efforts for a dialectical structure resulted in the discontent with its “synthesis,” which Goethe had also echoed in his novel. Due to such a discord, Benjamin had to abandon the system

APA, Harvard, Vancouver, ISO, and other styles

48

Powers, Devon. "Bruce Springsteen, Rock Criticism, and the Music Business: Towards a Theory and History of Hype." Popular Music and Society 34, no. 2 (May 2011): 203–19. http://dx.doi.org/10.1080/03007761003726472.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Zavіalova, Olha, and Mariya Yarko. "Modern algorithms for interpreting the history of music: an epistemological discourse." Culturology Ideas, no. 22 (2'2022) (2022): 8–16. http://dx.doi.org/10.37627/2311-9489-22-2022-2.8-16.

Full text

Abstract:

In the article a historically significant situation is considered, when with the revival in the last third of the twentieth century of B. Asafyev's ideas on music as a sound intonation environment and an art of intoned meaning, as well as because of the expansion of modern humanitarian knowledge due to close interdisciplinary links, the musical criticism underwent a process of active development, synthesizing the subject field of historical and theoretical musicology on the basis of culturology and philosophy. The achievements of this process have been analyzed, which demonstrate a radical ren

APA, Harvard, Vancouver, ISO, and other styles

50

Siqueira Castanheira, José Cláudio. "Introduction to the Sociology of Music Technologies: An Ontological Review." methaodos revista de ciencias sociales 10, no. 2 (October 31, 2022): 419–29. http://dx.doi.org/10.17502/mrcs.v10i2.574.

Full text

Abstract:

Adorno’s work, in particular the texts dealing with the relationship between music and social behaviors or structures, has been the target of criticism, especially in the second half of the 20th century, being considered by many to be generalist, dogmatic or even elitist. This work proposes the analysis of musical technologies not only as a set of compositional techniques, as Adorno does, but, in fact, as material conditions for the realization of a certain type of sound/music. The colonialist character of these technologies is also analyzed. Based on a review of some key concepts in Adornian

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!