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Relevant bibliographies by topics / Organ music – Interpretation (Phrasing, dynamics, etc.) / Books

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Books on the topic 'Organ music – Interpretation (Phrasing, dynamics, etc.)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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1

Davidsson, Hans. Matthias Weckmann: The interpretation of his organ music. Stockholm: Gehrmans Musikförlag, 1991.

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2

Playing the organ works of César Franck. Stuyvesant, NY: Pendragon Press, 1997.

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3

Williams, Peter F. Playing the organ works of Bach: Some case studies. New York, N.Y: American Guild of Organists, 1987.

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4

Playing the organ works of Bach: Some case studies. New York, NY: American Guild of Organists, 1987.

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5

Jullander, Sverker. Rich in nuances: A performance-oriented study of Otto Olsson's organ music. Göteborg: Dept. of Musicology, Göteborg University, 1997.

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6

Vikøren, Vidar. Studier omkring artikulasjon i tysk romantisk orgelmusikk, 1800-1850: Med et tillegg om registreringspraxis. Göteborg: Göteborgs Universitet, 2007.

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7

Macinanti, Andrea. I Trois chorals di César Franck: Analisi ed interpretazione. Bergamo: Carrara, 1995.

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8

Making music on the organ. Oxford: Oxford University Press, 1990.

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9

Hurford, Peter. Making music on the organ. Oxford [Oxfordshire]: Oxford University Press, 1988.

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10

Playing the organ works of César Franck. Stuyvesant, NY: Pendragon Press, 2010.

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11

Joseph Jongen and his organ music. Stuyvesant, NY: Pendragon Press, 2010.

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12

Peter, Williams. Music and its questions: Essays in honor of Peter Williams. Richmond, Va: OHS Press, 2007.

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13

Wyrwa, Ireneusz. Problematyka wykonawcza utworów organowych Feliksa Nowowiejskiego w świetle poglądów estetycznych kompozytora na przykładzie wybranych symfonii opus 45. Lublin: Wydawn. KUL, 2011.

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14

Prot͡si͡uk, D. B. Ispolnitelʹskoe iskusstvo organista. Sankt-Peterburg: Izd-vo "Kompozitor,", 1997.

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15

Bouchard, Antoine. Quelques réflexions sur le jeu de l'orgue. [Québec?]: Presses de l'Université Laval, 2003.

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16

Brock, John. Introduction to organ playing in 17th and 18th century style =: Einführung in das Orgelspiel des 17. und 18. Jahrhunderts. 2nd ed. Colfax, N.C: W. Leupold Editions, 2002.

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17

The reception of Bach's organ works from Mendelssohn to Brahms. New York: Oxford University Press, 2006.

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18

Norrback, Johan. A passable and good temperament: A new methodology for studying tuning and temperament in organ music. Göteborg: Göteborg University, Dept. of Musicology, 2002.

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19

Introduction to organ playing in 17th & 18th century style. [United States]: Wayne Leupold Editions, 1991.

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20

Whiteley, John Scott. Joseph Jongen and his organ music. Stuyvesant, NY: Pendragon Press, 1997.

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21

Speerstra, Joel. Bach, the pedal clavichord, and the organist. [Göteborg]: J. Speerstra, 2001.

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22

Zweimüller, Maximilian. Zur Problematik des Unterrichts im konzertanten Orgelspiel: Historische und didaktische Aspekte. Wien: Doblinger, 1988.

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23

1921-1992, Saunders Russell, and Snyder Kerala J, eds. The organist as scholar: Essays in memory of Russell Saunders. Stuyvesant, NY: Pendragon Press, 1994.

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24

Die Ausführung des Orgelcontinuo vornehmlich in den Rezitativen der geistlichen Kantaten und Passionen von Johann Sebastian Bach. [Sinzig]: Studio, 2001.

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25

Turning notes into music: An introduction to musical interpretation. Lanham, Md: Scarecrow Press, 1996.

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26

Reading musical interpretation: Case studies in solo piano performance. Burlington, VT: Ashgate, 2008.

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27

Famous pianists & their technique. Washington, DC: R. B. Luce, 2007.

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28

Božanić, Zoran. Muzička fraza. Beograd: Clio, 2007.

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29

Steen-Nokleberg, Einar. Onstage with Grieg: Interpreting his piano music. Bloomington, IN: Indiana University, 1997.

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30

Timpani tone and the interpretation of baroque and classical music. New York: Oxford University Press, 2010.

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31

Albrecht, Riethmüller, and Zwierlein Otto, eds. Interpretation. Mainz: Akademie der Wissenschaften und der Literatur, 1998.

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32

Pierce, Alexandra. Deepening musical performance through movement: The theory and practice of embodied interpretation. Bloomington, Ind: Indiana University Press, 2010.

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33

The interpretation of 16th and 17th century Iberian keyboard music. Stuyvesant, NY: Pendragon Press, 1987.

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34

Onstage with Grieg: Interpreting his piano music. Bloomington: Indiana University Press, 1997.

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35

Erwin, Stein. Form and performance. New York: Limelight Editions, 1989.

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36

Thom, Paul. The musician as interpreter. University Park, PA: Pennsylvania State University Press, 2008.

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37

Noé, Günther von. Der Vorschlag in Theorie und Praxis: Ein Ratgeber für den Interpreten. Wien: Doblinger, 1986.

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38

Sound in Motion: A Performer's Guide to Greater Musical Expression. Bloomington, IN: Indiana University Press, 2007.

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39

Lima, Sonia Albano de. Uma metodologia de interpretação musical. São Paulo: Musa Editora, 2005.

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40

McGill, David. Sound in motion: A performer's guide to greater musical expression. Bloomington: Indiana University Press, 2007.

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41

Rusanova, T. Poslednie sonaty Frant︠s︡a Shuberta: Kompozit︠s︡ii︠a︡ i interpretat︠s︡ii︠a︡. Moskva: Rossiĭskai︠a︡ akademii︠a︡ muzyki im. Gnesinykh, 2008.

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42

Theodor, Pfeiffer. The piano master classes of Hans von Bülow: Two participants' accounts. Bloomington: Indiana University Press, 1993.

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43

Smirnova, M. Sopostavli︠a︡i︠a︡ interpretat︠s︡ii: Razmyshlenii︠a︡ pedagoga-pianista nad stranit︠s︡ami klassicheskoĭ muzyki. Sankt-Peterburg: "Sudaryni︠a︡,", 2003.

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44

Steen-Nøkleberg, Einar. Med Grieg på podiet: Til spillende fra en spillende. Oslo: Solum, 1992.

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45

Béla Bartók spielt Bartók: Allegro barbaro, Volkstänze und Bauernlieder, Für Kinder, Mikrokosmos und anderes. Köln-Rodenkirchen: P.J. Tonger, 1999.

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46

Mit Grieg auf dem Podium: An Interpreten von einem Interpreten. Frankfurt am Main: P. Lang, 2001.

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47

Deldevez, Édouard Marie Ernest. De l'exécution d'ensemble: 1888. Paris: Editions du Cerf, 1998.

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48

Claude Debussy spielt Debussy: Estampes, Children's corner, Préludes und anderes : mit einer Diskographie zum gesamten Klavierwerk Debussys. Köln-Rodenkirchen: P.J. Tonger, 1998.

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49

Badura-Skoda, Eva. Interpretating Mozart on the keyboard. New York: Da Capo Press, 1986.

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50

Edwin Fischer: Meisterkurs in Luzern 1954. Düsseldorf: Staccato, 2011.

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