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Journal articles on the topic 'Organic architecture'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Setyoningrum, Ayu, and Anisa Anisa. "APLIKASI KONSEP ARSITEKTUR ORGANIK PADA BANGUNAN PENDIDIKAN." LANGKAU BETANG: JURNAL ARSITEKTUR 6, no. 1 (June 29, 2019): 26. http://dx.doi.org/10.26418/lantang.v6i1.32905.

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Arsitektur organik merupakan sebuah konsep arsitektur yang awal mulanya dicetuskan oleh Frank Lloyd Wright.Sejak zaman kecil, Frank Lloyd Wright sering mengamati hubungan yang terjadi antara manusia dengan lingkungannya.Hal tersebut yang menjadi dasar pemikirannya tentang arsitektur organik.Arsitektur organik ini pada dasarnya masih diperdebatkan mengenai panduan maupun batasan untuk desainnya.Namun beberapa peneliti sebelumnya telah mencoba mengamati dan merangkum konsep dari Arsitektur Organik. Arsitektur organik lebih mengacu pada keselarasan dengan alam sekitarnya, menciptakan satu kesatuan yang harmonis, dapat bertahan sepanjang waktu dengan bentuknya yang dinamis dengan alam, serta fungsional terhadap fungsi bangunannya.Fungsi bangunan pendidikan yakni sebagai fasilitas dalam pembelajaran untuk menambah ilmu pada penggunanya. Proses pembelajaran tersebut akan terasa lebih nyaman apabila ruang maupun kegiatanya menjadi satu kesatuan terhadap lingkungannya. Penerapan arsitektur organik pada bangunan pendidikan memungkinkan terciptanya suasana yang segar dalam kegiatan pendidikan. Penelitian ini bertujuan untuk mendapatkan gambaran mengenai penerapan arsitektur organik pada bangunan pendidikan. Metode yang digunakan adalah kualitatif deskriptif yang menganalisis bangunan pendidikan berdasarkan konsep arsitektur organik.Kata-kata Kunci: Arsitektur Organik, Bangunan Pendidikan, konsep arsitektur APPLICATION CONCEPT OF ORGANIC ARCHITECTURE IN EDUCATIONAL BUILDINGS Organic architecture is an architectural concept which was originally coined by Frank Lloyd Wright. Since childhood, Frank Lloyd Wright has often observed the relationships that occur between humans and their environment. This is the basis of his thinking about organic architecture. This organic architecture is still debated about the guidelines and limits for the design. But some researchers have previously tried to observe and summarize the concepts of Organic Architecture. Organic architecture refers more to harmony with the surrounding environment, creates a harmonious whole, can survive all the time with its dynamic form with nature, and functional to the function of the building. The function of educational buildings is as a facility in learning to add knowledge to its users. The learning process will feel more comfortable if space and activities become a unity to the environment. The application of organic architecture to educational buildings enables the creation of a fresh atmosphere in educational activities. This study aims to get an overview of the application of organic architecture to educational buildings. The method used is a descriptive qualitative analysis of educational buildings based on the concept of organic architectureKeywords: Organic Architecture, Educational Building, Architectural ConceptREFERENCESBadan Standar Nasional Pendidikan (2011).Rancangan Standar Sarana dan Prasarana Pendidikan Tinggi Program Pascasarjana dan Profesi.Broto, C (2011). Educational Facilities. Barcelona: Links.Dalawir, A. M. P., Sony T., Hanny P (2017). Sentra Industri Kain Koffo Di Manganitu (Arsitektur Organik). Manado: Universitas Sam Ratulangi.Dwijendra, N. K. A (2009).Tokoh Arsitek Dunia dan Karyanya. Bali: Udayana University Press.Nangoy, W. M., Rieneke L. E. S (2016). Optimalisasi Konsep Building As Nature Dari Pendekatan Arsitektur Organik Pada Kawasan Industri Peternakan Berkonsep Agrowisata. Jurnal Media Matrasain 13(1). Manado: Universitas Sam Ratulangi.Republik Indonesia. Undang – Undang No. 20 Tahun 2003 tentang Sistem Pendidikan Nasional.Rukayah, S (2003). Penekanan Desain Arsitektur Organik dan Green Architecture Pada Perancangan Pusat Rekreasi dan Klub Pemancingan Di Rawapening, Kabupaten Semarang. Semarang: Universitas Diponegoro.Widati, T (2014). Rumah Usonian Sebagai Penerapan Arsitektur Organik Frank Lloyd Wright. Jurnal Perspektif Arsitektur 9(2). Kalimatan Tengah: Universitas Palangka Raya.
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2

Tran, Duc. "Organicism and an enviro-organic form integrating to the built environment." MATEC Web of Conferences 193 (2018): 04008. http://dx.doi.org/10.1051/matecconf/201819304008.

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This research intends to the understanding of organicism as the historic source of architectural forms. Organic architecture acts as a junction between humans and nature, where humans are seen as parts of nature. Through organicism as an apparatus, designers are able to respond to nature in such manner that humans are more intimately bound into the entirety of nature to form an organic whole. A new term “enviro-organic” is proposed in this research. Enviro-organic form extends prior definitions of organic architecture, which are of greater relevance today. Such form is defined as one that opens to the natural world, facilitating the making of architecture that sustains human life and nature today and in the future.
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3

Jones, Peter Blundell. "Ralph Erskine: an organic architect?" Architectural Research Quarterly 18, no. 3 (September 2014): 210–17. http://dx.doi.org/10.1017/s1359135514000566.

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I cannot recall when and how I first heard of Ralph Erskine, but by 1975 I was well aware of his work and included Byker in an article on architecture for the Chambers Encyclopaedia Yearbook, setting it among the most significant British architectural events of the year.
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4

RADULOVA, Ya I., and N. A. LEKAREVA. "«INSIDE OUTSIDE». THE PRINCIPLES OF INTERACTION INSIDE AND OUTSIDE SPACE IN THE DESIGN ENVIRONMENT." Urban construction and architecture 2, no. 1 (March 15, 2012): 29–34. http://dx.doi.org/10.17673/vestnik.2012.01.6.

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The interaction of inside and outside space in contemporary architecture is presented. The features of the boundaries between inside and outside spaces and their possible applications in the architectural objects are considered. Interaction of inside and outside space in architecture can be traced in the works of F.L. Wright, R. Pietilya - representatives of organic architecture. In contemporary architecture the problems of symbiosis of the inside and outside space are successfully solve by such world-renowned architectural companies as Guz Architects and T. R. Hamzah Yeang International representatives of green architecture.
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5

Di Palma, Vittoria. "Architecture and the organic metaphor." Journal of Architecture 11, no. 4 (September 2006): 385–90. http://dx.doi.org/10.1080/13602360601037644.

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6

Szentpéteri, Márton. ""Fabrica" and "Ratiocinatio". Introductory Notes on Design and Semiotics." Disegno 6, no. 2 (2022): 4–7. http://dx.doi.org/10.21096/disegno_2022_2msz.

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Although Vitruvius’ De architectura libri decem is generally regarded as the most ancient remaining piece of some sort of architectural theory, it is better to think of it as a book devoted to ancient design culture mutatis mutandis. We can do this retrofitting or intended retrospective anachronism with good conscience since a book on architectura written more than two thousand years ago can hardly be described as an example of the theory of architecture, since the concept did not exist at the time. A quick look at Vitruvius’ masterpiece brings to attention, for example, that its tenth book is on architectura organica, which has naturally nothing to do with the mod-ern style and phenomena of organic architecture, but with the design and building of machines, tools, and instruments (that is, organa). Etymologically speaking, architectus (or its Greek equivalent, architektōn) means someone who designs and creates the principal structures of any designed environment. In order to do so, one applies fabrica and ratiocinatio at the very same time. On the one hand, therefore, the architectus is well versed in craf ting basic structures, but he is equally capable of inventing, imagining, or designing these environments, objects, tools, and instruments, as well as clearly explaining and instructively interpreting their structure and executing process. Hence, according to Vitruvius, a designer who strives only to manual prac-tice without written culture (sine litteris) cannot be successful at all.
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7

Krasilnikov, Vladilen. "Urban Reflections." проект байкал 19, no. 74 (January 5, 2023): 52–53. http://dx.doi.org/10.51461/pb.74.11.

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The author reviews international examples of the existence of architectural monuments and fragments of the historic environment in modern cities and highlights successful solutions. The article outlines the reasons for the failure of interaction between historic and new architecture. The author emphasizes the importance of the artistic form in architecture as a principle of organic unification of the old and modern architecture.
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8

Simarmata, Allwin M., Philander Salim, Netral Jaya Waruwu, and Jessica Jessica. "Densenet Architecture Implementation for Organic and Non-Organic Waste." sinkron 8, no. 4 (October 1, 2023): 2444–49. http://dx.doi.org/10.33395/sinkron.v8i4.12765.

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Garbage is the result left over from the process of daily human activities and activities which are considered no longer suitable for use, ranging from household waste to large-scale industrial waste. Therefore, the classification of waste is important because the problem of waste disposal is increasing and the way of processing is wrong. This research focuses on the classification of organic and non-organic waste using the DenseNet architecture. The dataset is processed first and each image in the dataset is resized to 128x128 pixels before being used in the model. We then trained all DenseNet types namely DenseNet121, DenseNet169, DenseNet 201, and compared their performance. Based on the test results, all DenseNet models that were trained were able to produce good accuracy, precision, recall, and F1 scores in garbage classification. In particular, our designed DenseNet121 model achieves 93.1 accuracy, 94.08% precision, 94.00% recall, 94.03% F1 score and 1min 34s training time as the best among other models. These results prove that the DenseNet architecture can be used to classify organic and non-organic waste correctly.
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9

Farina Shahid. "Organic Challenge: The Organic Challenge: Cultivating Conscious Design for Biodigital Tectonics within AI’s Prompt-to-Pixel Process." Journal of Artificial Intelligence in Architecture 3, no. 1 (February 9, 2024): 11–23. http://dx.doi.org/10.24002/jarina.v3i1.8157.

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The fusion of digital advancements and biological systems is transforming modern-day architecture, and this bio-digital approach, when paired with AI image generation models, promises novel design possibilities. The major drawback of this merger is the dismal performance of AI text-to-image models in translating organic tectonic details into architecture. This study examines the complexity of processes, materials, and techniques necessary in a bio-digital architectural approach. Through a series of digital trials, it identifies the need for sophisticated computational models that can capture the complex intricacies and subtle nuances present in living organisms. Before the testing, a set of parameters considered the limitation of how much tectonic information an image could portray. The Nautilus Shell, ferns, mushrooms, seahorses, and grasshoppers were taken as inspiration models because of varying biological configurations. Next, two AI image-generating tools, Midjourney and Stable Diffusion, were used with three different prompt types, each with varying degrees of complexity drawn from five organic systems. A critical analysis of AI-generated images led to the conclusion that, despite AI's exceptional abilities in creating visual content, the complex comprehension of biological systems and their conversion into architectural designs faced significant challenges.
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10

Kim, Jung-Shin. "Organic Philosophy Background of Biomorphic Architecture." Journal of the Korea Contents Association 14, no. 5 (May 28, 2014): 436–43. http://dx.doi.org/10.5392/jkca.2014.14.05.436.

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11

Fialkowski, Marcin, Kyle J. M. Bishop, Victor A. Chubukov, Christopher J. Campbell, and Bartosz A. Grzybowski. "Architecture and Evolution of Organic Chemistry." Angewandte Chemie 117, no. 44 (November 11, 2005): 7429–35. http://dx.doi.org/10.1002/ange.200502272.

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Fialkowski, Marcin, Kyle J. M. Bishop, Victor A. Chubukov, Christopher J. Campbell, and Bartosz A. Grzybowski. "Architecture and Evolution of Organic Chemistry." Angewandte Chemie International Edition 44, no. 44 (November 11, 2005): 7263–69. http://dx.doi.org/10.1002/anie.200502272.

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13

Oliynyk, Olena. "ORGANIC DIRECTION IN ARCHITECTURE AND DESIGN." Ukrainian Academy of Arts, no. 33 (2023): 60–69. http://dx.doi.org/10.32782/2411-3034-2023-33-7.

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14

Broner-Bauer, Kaisa. "Architectural visions." Approaching Religion 11, no. 1 (March 20, 2021): 77–97. http://dx.doi.org/10.30664/ar.98060.

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In this article I examine the architecture and architectural thinking of Finnish Academician Reima Pietilä (1923–93) in relation to his design methodology. Pietilä was an architect with an original, creative, artistic personality, who set out early in his career to develop the form language, and theory of modern architecture, moving it towards an organic expressionism. Finnish nature mysticism was a source of inspiration for him, and ‘nature architecture’ one of his key concepts.
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15

Bystrova, T. Y. "Defining the Principles of Organic Shaping while Classifying Organic Architecture." IOP Conference Series: Materials Science and Engineering 972 (November 22, 2020): 012035. http://dx.doi.org/10.1088/1757-899x/972/1/012035.

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16

Cellauro, Louis. "IN QUEST OF COMFORT: CARLO LODOLI, THEORIST OF ORGANIC ARCHITECTURE AND FURNITURE DESIGNER." Papers of the British School at Rome 87 (February 26, 2019): 267–307. http://dx.doi.org/10.1017/s0068246218000405.

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Lodoli's subversive doctrine of truth-to-material was the most original and influential aspect of his approach to architecture. His concept of organic architecture, the main focus of this paper, has been less studied and is accordingly less well understood, although it was an important facet of his design theory. Lodoli applied his novel approach most obviously to the design of furnishings, particularly of chairs, but also extended it to architecture in a project for the refurbishment of the pilgrims’ hostel at San Francesco della Vigna, in Venice, the only instance in which he put his architectural ideas into practice. In Lodoli's thinking, great importance was given to the notion of comfort, and in this respect he shared new concerns common among French architects and furniture makers of the Enlightenment. Indeed, his ideas about architecture and design owe much to the influence of the Enlightenment, with its emphasis on reason, truth and universal criticism.
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Grazuleviciute-Vileniske, Indre, Aurelija Daugelaite, and Gediminas Viliunas. "Classification of Biophilic Buildings as Sustainable Environments." Buildings 12, no. 10 (September 27, 2022): 1542. http://dx.doi.org/10.3390/buildings12101542.

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Biophilic design approach aims at creating favorable conditions for humans in various types of anthropogenic environments, while at the same time restoring broken human–nature connection. The biophilic design guidelines and principles are general and flexible and allow wide array of architectural expressions. In order to better understand the architectural expression possibilities provided by biophilic design approach, the existing classifications of biophilic architecture and biophilic design examples were analyzed with the aim to develop the classification that would reflect the links between a building’s architectural expression and biophilic qualities. Three categories of biophilic architecture were distinguished in the developed classification: mimetic, applied, and organic. The distinguished categories were illustrated with the characteristic building examples and the evaluation of biophilic qualities and human-nature collaboration potential of these example buildings was carried out using comprehensive system of criteria. The analysis has demonstrated that all three distinguished categories—mimetic, applied, organic—allow for the creation of biophilic environments and hold the potential for human–nature collaboration, although organic biophilic design would be currently considered as the least developed, although most promising category.
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Hadiwibawa, Airlangga Cahya, Elok Mutiara, and Andi Baso Mappaturi. "ORGANIC ARCHITECTURE APPROACH IN SURABAYA ZOO PLANNING." Proceedings of the International Conference on Green Technology 10 (February 1, 2020): 46. http://dx.doi.org/10.18860/icgt.v10i0.1170.

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Surabaya zoo roommates are wildlife conservation that has been overshadowed by retaining a long time. At this time it is the declining environmental quality of the region. This decline Affects the animal's death. It takes a proper design to restore the environmental conditions of the Surabaya Zoo. Through the organic architectural approach can be seen Several principles related to environmental regulation. Ie by way of responding to the climatic conditions of the object design environment. The goal is to create a space that is comfortable and healthy, especially foranimals. Animals are placed far from their natural habitat in the zoo. This condition requires setting cage space roommates do away with its natural condition. for the needs of animals into a settlement measuring point problem. Determination of organic architecture can approach Become a place to organize all the facilities and infrastructure needs Surabaya zoo Becomes more comfortable and healthy. Showed a concept that synergizesadaptable animals and plants, water distribution, HVAC related to wind and solar circulating. Overall closely related to the optimization of natural resources.
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Park, Sung Chun, Yun Sook Oh, and Sun hee Moon. "A study on the characteristics of Zaha Hadid's architecture from a multi-perspective perspective." Korea Institute of Design Research Society 9, no. 2 (June 30, 2024): 223–42. http://dx.doi.org/10.46248/kidrs.2024.2.233.

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Zaha Hadid began to make a name for herself with deconstructionist architecture in the post-structuralist era of the 1980s, and led the way in organic, non-linear architecture as digital architecture became common after the 2000s. The numerous buildings she left behind before her death left a significant mark on the development of modern architecture. The multi-semantic perspective is a model used as an analysis framework for deconstructivist architecture in space philosophy. It is a perspective that can recognize modern architecture inherent in the pluralistic diversity of modern society by discovering the metaphors and essential meanings of architectural forms and spaces. As such, studying the architectural characteristics of her architecture from a multi-semantic perspective is judged to be of great significance in understanding the direction of the future of modern architecture. Therefore, this study traces Zaha Hadid's overall architectural works, analyzes the characteristics of her works from a multi-semantic perspective, and draws conclusions. In conclusion, Zaha Hadid started from deconstructionism, showed a change to digital architecture, and changed the function-oriented architecture seen in structuralism into a space that can be interpreted multiple times. She created the expandability of multi-perspectives through the diagonal lines and acute angles of deconstructivism, and brought about the expandability of multi-perspective space through the non-linear organicity shown in digital architecture.
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Haque, A., F. Sultana, M. A. Awal, and M. Rahman. "Efficiency Improvement of Bulk Heterojunction Organic Photovoltaic Solar Cell through Device Architecture Modification." International Journal of Engineering and Technology 4, no. 5 (2012): 567–72. http://dx.doi.org/10.7763/ijet.2012.v4.434.

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21

He, Gary Huafan. "The Organic and the Eclectic in César Daly’s “De l’architecture de l’avenir”." Journal of the Society of Architectural Historians 81, no. 4 (December 1, 2022): 456–75. http://dx.doi.org/10.1525/jsah.2022.81.4.456.

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Abstract In The Organic and the Eclectic in César Daly’s “De l’architecture de l’avenir,” Gary Huafan He explores Daly’s concept of eclecticism as a critical discourse in the context of nineteenth-century ideas about naturalism and architectural style. In the 1869 essay that is the focus of this article, Daly narrated the “social evolution” of architecture as a process oscillating between organic and eclectic phases and mapped the history of style onto a parallel movement of French political regimes from antiquity to the Second Empire. Written after the fierce academic debates that took place in Paris in the 1860s and immediately prior to the tumultuous events of 1870–71, “De l’architecture de l’avenir” demonstrates the critical intersection between the romantic theory of architecture and nineteenth-century French politics. This key text in Daly’s oeuvre challenges contemporary understandings by demonstrating the vital role of eclecticism in the development of a modern architectural style.
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Krezlik, Adrian. "Many beginnings: the thought, thinkers and actions behind the planet-oriented architecture." Budownictwo i Architektura 20, no. 1 (February 9, 2021): 005–24. http://dx.doi.org/10.35784/bud-arch.2021.

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The article maps multiple planet-oriented movements in the history of modern (predominantly western) architecture. It looks for architectural pronunciation of social movements, political actions and historical moments. In writings of acclaimed architects and authors, it searches for origins of organic, vernacular and tropical architecture and their offspring in the contemporary approaches, views and design. The article documents changes of perception of relation between man, nature and architecture. It commences with the very first attempts to understand this relationship: idealization and romanticisation of nature, it finishes with the most contemporary analyses based on the holistic approach and computer simulation. The article draws an extensive panorama of authors and publications that researched planted-oriented architecture.
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Ghannadian, Zahra, and Shahriyar Shaghagh. "Designing Science and Technology Park of Tabriz with Organic Architecture Approach, Inspired by Ants' Nest Algorithm." Modern Applied Science 11, no. 1 (November 2, 2016): 134. http://dx.doi.org/10.5539/mas.v11n1p134.

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Establishment of every urban element in its appropriate position requires advanced technology and science from geographical and climatic point of view. This is accompanied and synchronous with modern culture born by supreme and high level of training and education in the society. In this regard, one of the main objectives of the architectures' union is to establish science and Technology Park with the aim of facilitating and accelerating science and technology transmission from university to the society and country.Tabriz city is considered as one of the most important academic and industrial cities in the country. Establishing science and technology parks can be effective in scientific, economic and social development of the country and province. Employing organic methods in architecture to use natural energies is an effective and useful method and its structure produces less pollution. Using philosophical and introductory issues and views of technology and establishing technology parks, present article proceeds on issues of organic architecture with new approach which is inspired by ants' nest algorithm and presents a new experience of architecture in the form of Science and Technology Park.
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Susanto, Dalhar, Tria Amalia Ningsih, and Diniputi Angelia. "Discovering the Potential of Organic Material in Architecture." E3S Web of Conferences 67 (2018): 04022. http://dx.doi.org/10.1051/e3sconf/20186704022.

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Indonesia is abundant with natural resources in the form of organic materials from the earth and floral ecosystem. Based on natural resources, Indonesia’s buildings are built using the organic materials from their surrounding area, such as woods, palm trees, bamboos and rattans that can be used as architectural elements. The organic material reflects the architectural development in Indonesia, starting with a single raw material via the joining of different building parts up to the finished building. It also visualizes the identity which will be presented with local wisdom from the knowledge and the ideas. This paper aims to identify main organic materials in Indonesia regarding the physical properties and aesthetic values that are encountered by human senses. Materiality acknowledges as a flux that is passing processes of continual transformation; it is commonly called “thingliness” or “woodiness”. Furthermore, it encompasses three components, medium, substance, and surfaces, which are not separated or dominant from nature; it is built as a unified whole. This study proposes an idea to give impacts of the build environments on traditional and contemporary design. By adopting a sustainability approach to organic material selection and specification extends the inspiration in the design stage of the building process.
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Ramirez-Figueroa, Carolina, and Richard Beckett. "Living with buildings, living with microbes: probiosis and architecture." Architectural Research Quarterly 24, no. 2 (June 2020): 155–68. http://dx.doi.org/10.1017/s1359135520000202.

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In this paper we establish a dialogue with Living with Buildings to contextualise NOTBAD (Niches for Organic Territories in Bio-Augmented Design), a multidisciplinary research project at the intersection of architecture and microbiology, sited within a wider historical discourse connecting architecture and health. Living with Buildings (2018) was organised by the Wellcome Trust to trace the changing landscape of health and architecture, setting out to show how connections between the ways we feel and the places in which we spend our lives have historically evolved as our ideas about health and disease have changed. Taking our cue from the pieces at the exhibition, we discuss how the eighteenth century saw the emergence of an imaginary of cleanliness linked to miasma theory, locating bad smells and odours as the origin of disease and resulting in the adoption of rituals of purification in buildings. Treatments of plastering, coating and whitewashing popularised in the nineteenth century are testament to a shift from olfactory to visual codes of hygiene and to the ‘antibiotic turn’ in architecture.We extend the historical analysis to suggest that architecture finds itself at a crossroads. Although there is a growing understanding of how much architecture influences our wellbeing, architectural thought still clings to the antibiotic turn. Following the tradition of exchange between architecture and medicine, we propose the notion of Probiotic Architecture as a way of framing the shifting understanding of health in architectural design, suggesting that the microorganisms that colonise humans (the human microbiome) and our built environment (the built environment microbiome) have the potential to influence our health and the resilience of our buildings. Against the backdrop of the design research project Niches for Organic Territories in Bio-Augmented Design (NOTBAD), we suggest the need to reverse notions that all microbes are bad, to and propose instead materials and prototypes that encourage benign microbial growth.
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Tellios, Anastasios. "The complex nature of potential architectural futures." SAJ - Serbian Architectural Journal 4, no. 1 (2012): 9–28. http://dx.doi.org/10.5937/saj1201009t.

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Architecture is changing, complying with innovations and technological advances of designing tools and methodologies. Investigating and defining the space, whatsoever, still remains its basic task. Technology available to architects has revolutionized the management of the morphogenetic procedure through new modeling techniques, formal speculation and its enrichment with artistic intuition. It has encouraged architects to experiment on the structure and morphological attributes of natural systems and organic as well as inorganic forms and has seriously affected the correspondent spatial proposals. New concepts, introduced in the architectural discussion and contemporary design-driven research suggesting extraordinary examples of spatial arrangements, speak of a completely new architectural reality. Approached through a holistic and interdisciplinary spectrum and still confined inside Schools of architecture, this new architecture measures its future potential and chances of actual application.
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Hynynen, Ari. "Seven Steps to Organic Modernism: Alvar Aalto’s Civic Centre in Seinäjoki Seen through the Lenses of Bruno Zevi." Athens Journal of Architecture 8, no. 2 (March 29, 2022): 91–112. http://dx.doi.org/10.30958/aja.8-2-1.

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Some scholars point out that modern architecture has been comprised of two parallel currents from its very beginning: rational and organic. Although many interpretations of modernism highlight industrial standardisation and mass production, Bruno Zevi suggested that the basic ideas of functionalism already included the principles of organic architecture. Here organic does not refer to nature’s forms but to human life. In the 1970s, Zevi published his theory of seven invariants of modern architecture, which received mixed reviews. This study aims to update these invariants for being viable in our time by comparing them to Zevi’s former writings dealing with organic architecture and the role of space in architecture. The invariants will be tested and elaborated in empirical analysis of Aalto’s Civic Centre in Seinäjoki, Finland.
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Dhavalikar, Prachi, Jason Shenoi, Karim Salhadar, Malgorzata Chwatko, Gabriel Rodriguez-Rivera, Joy Cheshire, Reza Foudazi, and Elizabeth Cosgriff-Hernandez. "Engineering Toolbox for Systematic Design of PolyHIPE Architecture." Polymers 13, no. 9 (May 4, 2021): 1479. http://dx.doi.org/10.3390/polym13091479.

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Polymerization of high internal phase emulsions (polyHIPEs) is a well-established method for the production of high porosity foams. Researchers are often regulated to using a time-intensive trial and error approach to achieve target pore architectures. In this work, we performed a systematic study to identify the relative effects of common emulsion parameters on pore architecture (mixing speed, surfactant concentration, organic phase viscosity, molecular hydrophobicity). Across different macromer chemistries, the largest magnitude of change in pore size was observed across surfactant concentration (~6 fold, 5–20 wt%), whereas changing mixing speeds (~4 fold, 500–2000 RPM) displayed a reduced effect. Furthermore, it was observed that organic phase viscosity had a marked effect on pore size (~4 fold, 6–170 cP) with no clear trend observed with molecular hydrophobicity in this range (logP = 1.9–4.4). The efficacy of 1,4-butanedithiol as a reactive diluent was demonstrated and provides a means to reduce organic phase viscosity and increase pore size without affecting polymer fraction of the resulting foam. Overall, this systematic study of the microarchitectural effects of these macromers and processing variables provides a framework for the rational design of polyHIPE architectures that can be used to accelerate design and meet application needs across many sectors.
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Kharkova, Nataliya. "In Search of New Architecture: Bauhaus, Organic Architecture and Method of Conscious Creativity." Demiurge: Ideas, Technologies, Perspectives of Design 3, no. 1 (June 30, 2020): 43–55. http://dx.doi.org/10.31866/2617-7951.3.1.2020.207536.

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ZASLAVSKAYa, A. Yu. "FEATURES, FORMING AN ARCHITECTURAL OBJECT, BASING ON FRACTAL STRUCTURES." Urban construction and architecture 1, no. 2 (July 15, 2011): 15–17. http://dx.doi.org/10.17673/vestnik.2011.02.4.

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The use of fractal structures in contemporary architecture is presented. Features and properties of nature fractal structures and abilities of their usage in architectural objects at the level of three components structure, construction, shell or form - are discussed. The theme of fractals is seen in F.L. Rights works, who positioned organic approach, Le Corbusier, who got ahead the time with his ideas of ecological approach to projecting. In contemporary architecture fractal structures are successfully use by such famous professionals as Daniel Libeskind, Greg Lynn, Toyo Ito.
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Mačiulis, Algimantas M. "IRACIONALUMO APRAIŠKOS XX A. UŽSIENIO IR LIETUVOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (September 30, 2010): 151–60. http://dx.doi.org/10.3846/tpa.2010.15.

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The paper analyses irrationality as an expression of modern architecture, overviews the concept of irrational architecture. Various art and philosophical trends, that influenced the development of architecture in the 20th century, are analysed. Influences of global and Lithuanian analogues of irrational architecture on the development of architectural styles are presented. Since the concept of irrational architecture hasn’t been widely analysed, the paper suggests several approaches of analysis of irrational forms in architecture. The author arrives at the following conclusions: – Irrationality is an opposite expression of rationality, pragmatism, posityvism, technicist morphology. It’s based on deconstruction, indetermination, roughness, dramatic expression, etc. – The effect of irrationality can be obtained by two ways: using decorations, ornaments, polichromy, and using deformations of forms and constructions. – Irrational trends in architecture are caused by several factors. Philosophical trends such as reliatyvism, irrationalism, intuityvism, psychoanalysis, deconstructyvism, and art trends such as cubism, symbolism, expressionism, art deco, surrealism, etc. – Irrational trends in global and Lithuanian architecture of the 20th century can be noticed in art nouveau, art deco, organic, late modern, postmodern, deconstructyvist architectural styles. Santrauka Straipsnyje analizuojamas iracionalumas kaip šiuolaikinės architektūros meninės išraiškos forma, aptariama iracionalumo sąvoka architektūros mene. Taip pat charakterizuojamos sociokultūrinės prielaidos, filosofinės, meno srovės, dariusios įtaką iracionalumo požymiams architektūroje. Nagrinėjami pasauliniai ir Lietuvos iracionaliosios architektūros analogai, apžvelgiamos iracionalumo apraiškos stilistinėje architektūros raidoje.
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Li, Hong Wen, and Yang Mei Zhang. "The Green Concept Used in the Field of Architecture Design." Applied Mechanics and Materials 357-360 (August 2013): 474–77. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.474.

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The so-called "green building" is a symbol of energy conservation and environmental protection and efficient living environment, the ecological principles guide the construction practice, create artificial and natural coordination benign cycle of the organic unity of architectural space environment, in order to meet modern ideal of human survival and development of the building requirements.This paper discusses the green concept used in the field of architecture design.
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Hyman, John. "Architecture and organic unity = Arquitectura y unidad orgánica." REVISTA DE HISTORIOGRAFÍA (RevHisto) 32 (November 20, 2019): 91. http://dx.doi.org/10.20318/revhisto.2019.4896.

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Abstract: Buildings and monuments are among the most important works of art. But the conception of the arts that emerged in the 18th century, and remained the orthodoxy in philosophy for about two centuries, either excludes architecture from the fine arts or relegates it to the intermediate or decorative arts. This essay addresses this puzzle, assesses the truth in certain formalist doctrines about architecture, and advances the view that works of art are organic unities, i.e. integrated sets of solutions to various problems, some aesthetic and others technical, mathematical, theological, political, etc.Key words: art, architecture, aesthetics, formalism.Resumen: Los edificios y monumentos se encuentran entre las obras de arte más importantes. Pero la concepción de las artes que surgió en el siglo XVIII y permaneció como la ortodoxia en la filosofía durante aproximadamente dos siglos excluye la arquitectura de las bellas artes, o la relega a las artes intermedias o decorativas. El presente ensayo aborda este enigma, evalúa la verdad en ciertas doctrinas formalistas sobre la arquitectura, y avanza la opinión de que las obras de arte son unidades orgánicas, es decir, conjuntos integrados de soluciones a diversos problemas, algunos estéticos y otros técnicos, matemáticos, teológicos, políticos, etc.Palabras clave: arte, arquitectura, estética, formalismo.
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Molčanov, Krešimir, Marijana Jurić, and Lidija Androš Dubraja. "Supramolecular Architecture of Chloranilate Salts with Organic Cations." Croatica chemica acta 92, no. 2 (2019): 297–305. http://dx.doi.org/10.5562/cca3537.

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Four novel salts of chloranilic acid (H2CA; 3,6-dichloro-2,5-dihydroxy-1,4-quinone) with organic cations pyridinium (Hpy+), piperazinediium (H2ppz2+), 4,4'-bipyridinediium (H2bpy2+) and 1,10-phenanthrolinium (Hphen+) were prepared and structurally characterised: (Hpy)2CA (1), (H2ppz)CA (2), (H2bpy)CA·4H2O (3) and (Hphen)HCA·MeOH (4). Supramolecular architecture is based on extensive hydrogen bonding and π-stacking. The central motive is chloranilate dianion which acts as an acceptor of two bifurcated hydrogen bonds. Topology and dimensionality of hydrogen bonded networks can be tuned by use of different cations: thus discrete motives, 1D chains and 2D layers were observed. Three different types of π-stacks are present: aromatic stacks, quinoid stacks and stacks of alternating quinoid and aromatic rings.
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Tyng, Anne Griswold. "Inner Vision Toward An Architecture Of Organic Humanism." International Journal of Space Structures 11, no. 1-2 (April 1996): 69–84. http://dx.doi.org/10.1177/026635119601-213.

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Perception of geometry as inorganic/abstract is changed to natural/human by electron-microscopic discoveries of the geometry of molecules within us, by discoveries in the unconscious mind of archetypal geometry that orients and directs conscious attitudes and creativity. A mathematical model of random process and ordered synthesis for geometries of matter and mind is seen in a Fibonacci-Divine Proportion (F-DP) Matrix of Simultaneous Randomness and Order. Fibonacci summations of cross-sections of random probability in (2 D) Pascal Triangle and of successive slices through (3 D Pascal) Probability Pyramid (Tyng and Yanchenko) accumulate toward precise Divine Proportion connection between summations, offering possible ordered recombinations of dot patterns/information bits in morphology/creativity. Fibonacci dot patterns expanded into Fibonacci circle-packings within circles and sphere-packings within spheres produce regular polygons and regular polyhedra. The Divine Proportion extends regular Higher Solids to helix and spiral toward greater complexity and randomness, offering new possibilities for order and synethesis. Fibonacci fitting of circled rather than squared sides of right-angled triangles within next larger Fibonacci circle, and Fibonacci right-angled triangulation of sphere-packings within spheres, expands the Pythagorean Theorem to overlapping summation sequence toward Divine Proportion precision. A natural cycle of the F-DP matrix occurs in Deoxyhemoglobin molecule in relative distances between the four hemes that order its 10,000 atom complexity within simplicity. Cycles of underlying geometric order toward entropy to order correlate with changing form empathies in history and in individual human creative process. Examples in current architectural cycle show a shift from perception of geometry as inorganic to geometry expressing “growth”, human scales and orientations to geometry with a “life of its own” toward resonant life-enhancing architecture of Organic Humanism.
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Venkataraman, D., Serkan Yurt, B. Harihara Venkatraman, and Nagarjuna Gavvalapalli. "Role of Molecular Architecture in Organic Photovoltaic Cells." Journal of Physical Chemistry Letters 1, no. 6 (February 25, 2010): 947–58. http://dx.doi.org/10.1021/jz1000819.

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Quan, Yan, Halei Zhai, Zhisen Zhang, Xurong Xu, and Ruikang Tang. "Lamellar organic–inorganic architecture via classical screw growth." CrystEngComm 14, no. 21 (2012): 7184. http://dx.doi.org/10.1039/c2ce25805f.

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Murthy, Lakshmi N. S., Boya Zhang, and Julia W. P. Hsu. "Device Architecture Study in Fullerene-Based Organic Photovoltaics." Journal of Physical Chemistry C 124, no. 24 (June 2, 2020): 12982–89. http://dx.doi.org/10.1021/acs.jpcc.0c02956.

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Rojas, Jhonathan P., Devendra Singh, David Conchouso, Arpys Arevalo, Ian G. Foulds, and Muhammad M. Hussain. "Stretchable helical architecture inorganic-organic hetero thermoelectric generator." Nano Energy 30 (December 2016): 691–99. http://dx.doi.org/10.1016/j.nanoen.2016.10.054.

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40

Makiura, Rie, Soichiro Motoyama, Yasushi Umemura, Hiroaki Yamanaka, Osami Sakata, and Hiroshi Kitagawa. "Surface nano-architecture of a metal–organic framework." Nature Materials 9, no. 7 (May 30, 2010): 565–71. http://dx.doi.org/10.1038/nmat2769.

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41

Duggal, Anil R., Donald F. Foust, William F. Nealon, and Christian M. Heller. "Fault-tolerant, scalable organic light-emitting device architecture." Applied Physics Letters 82, no. 16 (April 21, 2003): 2580–82. http://dx.doi.org/10.1063/1.1569653.

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42

Nieland, Justus. "Organic Creativity: Alden B. Dow’s Small-Gauge Architecture." JCMS: Journal of Cinema and Media Studies 62, no. 2 (January 2023): 157–61. http://dx.doi.org/10.1353/cj.2023.0010.

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43

Velazquez, Linda S. "Organic greenroof architecture: Design considerations and system components." Environmental Quality Management 15, no. 1 (2005): 61–71. http://dx.doi.org/10.1002/tqem.20068.

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Paull, John. "The First Goetheanum: A Centenary for Organic Architecture." Journal of Fine Arts 3, no. 2 (2020): 1–11. http://dx.doi.org/10.22259/2637-5885.0302001.

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45

Lee, Myoung-Joo, and Sun-Min Seo. "A Study on Hair Design Works Using the Formative Elements of Frank Gehry’s Architecture." Journal of the Korean Society of Cosmetology 29, no. 1 (February 28, 2023): 1–11. http://dx.doi.org/10.52660/jksc.2023.29.1.1.

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This research is to provide a new perspective and direction on original hair design by analyzing the formability of Frank Gehry architecture and visualizing the characteristics and producing three creative hair design works. The conclusions of this research are as follows. First, through domestic and international prior research and literature research, the formative characteristics of Frank Gehry's architecture are three types: organic structure, distortion and asymmetry, dismantling and overlapping. Second, after examining Frank Gehry's deconstructive architectural characteristics, We selected five representative buildings. Third, We made three hair design works by using various expression techniques to clearly reveal the formative characteristics of Frank Gehry's architecture. The characteristics and production process of the work were organized along with photos. Based on these hair design works, conclusions can be drawn as follows. First, The atypical form beauty in Frank Gehry architecture can be motive of rich hair design. Second, The expression of hair design can be expanded by providing formative features such as organic structure, distortion and asymmetry, dismantling and overlapping as morphological elements of hair design. Third, The materials and colors used in Frank Gehry architecture could be applied not only to hair design but also to beauty fields that can give artistic value such as makeup and nails. Based on the connection between architecture and hair, the Frank Gehry's morphological features can be reinterpreted as hair design and such creative designs can be presented beyond limitations through various techniques and approaches.
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46

Oliynyk, Olena, Dina Amandykova, Usama Konbr, Dalia H. Eldardiry, Galina Iskhojanova, and Tolegen Zhaina. "Converging Directions of Organic Architecture and City Planning: A Theoretical Exploration." International Society for the Study of Vernacular Settlements 10, no. 8 (August 10, 2023): 223–35. http://dx.doi.org/10.61275/isvsej-2023-10-08-16.

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The 'organic’ direction and energy saving are key postulates of sustainable development today. The term "organic architecture" was first formulated in the 1890s in the works of Louis Sullivan, who used this phrase to distinguish himself from prevailing eclecticism. Later, its principles were defined in the works of Frank Lloyd Wright, developed in the works of Alvar Aalto, Richard Neutra, Luigi Fiumara, and others. This paper examines this issue of organic architecture and city planning and its relevance to the modern world. It employs complex and systematic approach as a research methodology. Systematic approach was manifested in the analysis and synthesis of the main directions of organic architecture, their types and genres, which correlate with the evolution of city planning, Historical and urban planning analysis has been utilized to understand the impact of organic principles on cityscapes, and a scientifically based complex approach explores the relationships between organic architecture and a range of social, economic and environmental phenomena at the current stage. The research methodology employed in this study revolves around a comprehensive examination of the formation and evolution of organic architecture and city planning, with a focus on the integration of energy-saving and Nature-saving technologies. The paper identifies four main directions of organic architecture. The first is based on a harmonious combination of Nature, Architecture, and Man. Here, ‘organic’ means ‘subordinate to the landscape and climatic conditions of the environment.’ The founder of this idea is Frank Lloyd Wright. The period of emergence and flourishing was the 20s in the 20th century. The second stage, biomorphism, was formed in the 1950s and 1960s and was based on imitating natural forms. Oleksandr Lazarev, Santiago Kalatrava and others promoted this aspect of organic architecture. The third which appeared at the end of the 20th century, is aimed at preserving natural resources using energy-saving technologies. The fourth is the reuse of building materials and products and recycling. Receieved Reviewed Revised Published 27.07.2023 17.08.2023 25.08.2023 31.08.2023 ISVS e-journal, Vol. 10, Issue 8 August, 2023 Journal of the International Society for the Study of Vernacular Settlements Scopus Indexed Since 2016 224 The paper shows a gradual convergence of all directions; that is, buildings are increasingly combined with the surrounding spaces, and simultaneously, their forms are becoming more plastic, reminiscent of natural ones. Energy-saving technologies and recycling building materials and waste are becoming integral to organic architecture. Nevertheless, the most important thing is a person's connection with the environment and creating comfortable living conditions.
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Zhang, Wei Hua, and Jia Ping Liu. "Consideration on Issues about Study of Building Energy Conservation." Advanced Materials Research 255-260 (May 2011): 1348–52. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1348.

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The study and design of energy conservation has gradually become a hot and key issue in architecture. One of the core contents of such concepts as green architecture, ecological architecture, sustainable architecture, organic architecture is how to reduce high energy consumption of buildings. The study of building energy conservation has been carried out in subjects of architectural thermal engineering and energy conservation for almost 30 years. The central and local governments have set up special management agencies and departments of building energy conservation; building research institutes at all levels and numerous universities have set up research institutions for study of building energy conservation and issued a series of policies and regulations and technical standards, which received an enthusiastic response from industrial circles and have produced tens of billions of production. However, more than 95% of the existing buildings and more than 80% of new buildings of China belong to those with high energy consumption. The paper tries to interpret the deep reason of the phenomenon from the aspects of society, technology, etc. for discussion of researchers in the field of architectural thermal engineering and energy conservation.
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Wang, Jilei, Xiaomei Liu, Zeyu Du, and Yan Xu. "Organo-functionalized polyoxovanadates: crystal architecture and property aspects." Dalton Transactions 50, no. 23 (2021): 7871–86. http://dx.doi.org/10.1039/d1dt00494h.

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The latest progress on polyoxovanadates modified with organic ligands or transition metals and organic ligands is summarized. Not only the structural features and main applications but also the challenges and the focus of future research on POV-based materials are discussed.
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Gubba, Neelima, and Esther Kiruba Jebakumar. "Egg as an Organic Building Material a Comparative Study and Understanding in Indian Context." Key Engineering Materials 803 (May 2019): 267–71. http://dx.doi.org/10.4028/www.scientific.net/kem.803.267.

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Indian architecture is a development of many distinct features which are inspired by its ancient vernacular techniques and the features brought by its migrants. It has attained the symbolism and importance due to its unique fusion of these building construction techniques. A comprehensive approach is necessary to understand and identify many examples of Indian architectural past to achieve the unique quality in the future of architecture. Using Eggs in the Building Finishing and Ornamentation work has been used extensively in different parts of India. Egg is an organic material which is sustainable and which has been passed on from generations. In this paper, a comprehensive review of the methods and techniques of using Eggs are documented to bring the awareness and propagate the use of this versatile material. The use of Egg waste as an additive to concrete has also been investigated.
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Parshukov, D. S., and S. M. Remarchuk. "BIO-TECH ARCHITECTURE DEVELOPMENT AND ITS CHARACTERISTICS." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 22, no. 2 (April 30, 2020): 29–41. http://dx.doi.org/10.31675/1607-1859-2020-22-2-29-41.

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Design/methodology/approach. This article is devoted to the problems of natural morphogenesis in architecture. To date, many scientific papers have already been published in the field, including those devoted to organic architecture, Japanese metabolism, postmodernism, architectural bionics, hi-tech, etc. This study is the author's appeal to the bio-tech style, which has received a huge polarity in modern architecture.Research findings. This paper reviews and studies architectural styles and trends of the 20−21st centuries and determines the place of the bio-tech style among other architectural styles. It shown how other styles influence its appearance and further development. The review is based on a comparison of the hi- and bio-tech styles. The data for the general study and comparative analysis are taken from written and Internet sources as well as the authors’ observations of the practical implementation of the bio-tech principles in the works of modern architects (N. Foster, H. Senosian, S. Calatrava). The research results demonstrate wide possibilities of using the bio-tech style in a wide variety of buildings. The obtained results can find wide application in educational, competitive (conceptual) and real design.
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