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Academic literature on the topic 'Órgão electrónico'
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Journal articles on the topic "Órgão electrónico"
Costa Sousa, Érica Nadia, and Davis Pereira de Paula. "GOVERNANÇA AMBIENTAL SOB A ÓTICA DAS INSTITUIÇÕES PÚBLICAS MUNICIPAIS: UM ENFOQUE SOBRE GESTÃO DA COSTA DO ESTADO DO CEARÁ, BRASIL." Revista da Casa da Geografia de Sobral (RCGS) 21, no. 2 (September 30, 2019): 1019–37. http://dx.doi.org/10.35701/rcgs.v21n2.539.
Full textGomes, Ivone Martins, and Flávia Alves Ribeiro Monclùs Romanek. "Enfermagem perioperatória: cuidados à mulher submetida à histerectomia." Revista Recien - Revista Científica de Enfermagem, no. 8 (August 15, 2013): 18. http://dx.doi.org/10.24276/2177-157x.2013.3.8.18-24.
Full textGomes, Ivone Martins, and Flávia Alves Ribeiro Monclùs Romanek. "Enfermagem perioperatória: cuidados à mulher submetida à histerectomia." Revista Recien - Revista Científica de Enfermagem 3, no. 8 (August 5, 2013): 18. http://dx.doi.org/10.24276/rrecien2177-157x.2013.3.8.18-24.
Full textSoares Basso, Sabrina Pereira, and Luciana Maria Lunardi Campos. "Licenciaturas em Ciências e Educação Inclusiva: a visão dos/as licenciandos/as (Science licensing courses and Inclusive Education: the graduate’s vision)." Revista Eletrônica de Educação 13, no. 2 (May 10, 2019): 554. http://dx.doi.org/10.14244/198271992522.
Full textDissertations / Theses on the topic "Órgão electrónico"
Gonçalves, Ana Sofia Gomes. "Órgão de tubos e órgão eletrónico: estudo comparativo de intensidades." Master's thesis, 2016. http://hdl.handle.net/10362/19941.
Full textO órgão de tubos terá sido um instrumento inventado na Grécia que veio a ser desenvolvido e melhorado ao longo do tempo, tornando-se no instrumento de excelência que pode ser visto em muitas igrejas. Podem ser encontrados em tamanhos mais pequenos, com formato de caixas com algumas dezenas de tubos, ou podem ser monumentais com milhares de tubos, sendo muitas vezes partes constituintes do património histórico e religioso de cada local. A primeira versão do órgão eletrónico surge por volta de 1930 e pretendia imitar o som do órgão acústico, tornando-se um instrumento bastante requisitado pelas pequenas igrejas. Este órgão foi sendo desenvolvido ao longo do tempo, melhorando bastante as suas caraterísticas acústicas, sendo que, atualmente, este é, em termos de sonoridade, uma cópia bastante fiável do órgão de tubos. Tendo em mente estas duas versões do mesmo instrumento, a questão reside em qual dos dois se adapta melhor às necessidades e possibilidades de cada local. Para a escolha entre um e outro, vários detalhes são tidos em conta, nomeadamente aspetos financeiros, talvez os mais considerados na aquisição do instrumento. No entanto, dever-se-á ter em conta os aspetos acústicos do som de cada instrumento, para a melhor adequação do som ao espaço. O presente trabalho de pesquisa pretende isso mesmo, comparar acusticamente as intensidades e algumas caraterísticas subjetivas em três igrejas da cidade de Braga, de forma a concluir sobre qual dos tipos de órgãos se adequa melhor a cada espaço.
The pipe organ have been an instrument invented in Greece that have been developed and improved over the time, becoming an instrument of excellence that can be seen in many churches. They can be found in smaller sizes, looking like boxes with a few tens of tubes, or may be found in monumental sizes with thousands of tubes, often being a part of the historical and religious patrimony of each location. The first version of the electronic organ comes around 1930 and intended to imitate the sound of the acoustic organ, making it an instrument very required by small churches. This organ have been developed over the time, greatly improving its acoustic characteristics, and, currently, in terms of sonority, this is a fairly reliable copy of the pipe organ. Thinking about these two versions of the same instrument, the question is which one suits best to the needs and possibilities of each place. For the choice between the two, many details are taken into account, including financial aspects, perhaps the most considered in the instrument acquisition. However, it should be taken into account aspects related to the acoustic sound of each instrument, to better match the sound space. This research work intends to acoustically compare the intensities and some subjective characteristics in three churches in the city of Braga, in order to conclude which type of organ is best suited to each space.
Antunes, André Francisco Dias. "Recolha de prova digital - correio electrónico e processo penal: da problematização dos regimes aplicáveis e da relevância da actuação dos OPC’s." Master's thesis, 2011. http://hdl.handle.net/10400.26/24138.
Full textThe acquisition of digital proof substantiates, in present day, an excellent form of providing justice, so long as e-mail is the tool that references these new investigative methods. E-mails are, therefore, the piece that police must unveil like the curtains covering some tombs, still hidden or barely demystified. The light regime that regulates these tools, must carefully tabulate the values being challenged, executing the procedural scenarios in a desirable balance between the constitutional aspects that individually protect each person, as well as the fight against crime. This means that the interception, access, or apprehension of e-mails, if it can be set up as a concealed means of investigation, reveals itself to be a powerful method of (obtaining) proof, providing the existence of a clear action plan, in order to set aside the obscurity of certain legal solutions.
Silva, Andreia Tocha Pinto da. "A escultura "O Órfão" de Simões de Almeida Júnior: o contributo da tecnologia 3D na reconstituição volumétrica." Master's thesis, 2020. http://hdl.handle.net/10451/44829.
Full textThe present dissertation, in the course of Master’s degree in the Sciences of Conservation, Restauration and Production of Contemporary Art, at the Faculty of Fine Arts at the University of Lisbon, aims to explore volumetric reconstruction and its application to a work in gesso by the sculptor Simões de Almeida Júnior, O Órfão (1871). The Faculty of Fine Arts possesses in their archive an original gesso which is missing the right hand. The National Museum for Contemporary Art (MNAC) possesses another gesso copy of the same sculpture which is also missing part of the right hand and arm. In this work, we seek to familiarize ourselves with the life and work of Simões de Almeida (Tio) and, by way of the statue O Órfão, broadening the theme of volumetric construction in the practice of conservation and restoration. Firstly, we will present the trajectory of the artist and provide a general survey of the sculptural works which have survived. Following, ethical questions are addressed regarding the profession of the conservationist-restorer in a manner which leads us to the final part: examining the modus operandi of the profession, and the technical legitimacy of volumetric reconstruction. The research also investigates the topic of photogrammetry to better understand the process which allows the execution of a 3D replica which will be applied to the gesso. This process began with an original photograph of O Órfão, from the MNAC collection, in which the work is depicted in its entirety, and measurements taken from the original (of the left hand) of O Órfão, from the Faculty of Fine Arts in Lisbon. The final objective of this dissertation is volumetric reconstruction of the element which is completely missing (the right hand and wrist) and aims to achieve the interpretation and appreciation of the artwork as a whole.