Academic literature on the topic 'Orgiasm'
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Journal articles on the topic "Orgiasm"
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Vaganova, Natalia A. ""DIONYSIAN RELIGION" OF VYACHESLAV IVANOV AS A SUBJECT OF THE STUDY OF RELIGION: SETTING OF THE PROBLEM." Study of Religion, no. 2 (2018): 162–69. http://dx.doi.org/10.22250/2072-8662.2018.2.162-169.
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This article presents an attempt to reconstruct the so-called “Dionysian religion” of Vyacheslav Ivanov. Some original pre-religia, which was designated by Ivanov as a primitive “female monotheism” or telimonotheism, in its cult aspect, represents “female orgiasm” or the worship of an “invariably-residing female deity”. In the process of its historical evolution, it requires a “male correlate in the face of a periodically born and dying God” - and eventually finds it in the person of Dionysus, i.e., in the building up the Dionysian religion, which in its essence is still determined by the archetypal feminine principle. It is important that Ivanov's work is built on extremely extensive factual material, including a vast arsenal of documentary evidence and interpretive principles. At the same time, his innovation consisted in the rejection of positivistic methods and in the search for a way of more adequate penetration into the ancient religious consciousness. At the end of the proposed excursion it is noted that the Dionysian theory of Ivanov, already sufficiently well studied by philosophers and philologists, has not yet been awarded by the attention of religious scholars and historians of religion, and the more so theologians...
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Preußer, Heinz-Peter, and Roland Crastes. "« Orgies ! Orgies ! Nous voulons des orgies ! » Astérix, une épopée du processus de civilisation." Allemagne d'aujourd'hui 217, no. 3 (2016): 33. http://dx.doi.org/10.3917/all.217.0033.
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Nagib, Lúcia. "Orfeu negro em cores: mito e realismo no filme de Cacá Diegues." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 15–24. http://dx.doi.org/10.17851/2317-2096.8..15-24.
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Resumo: Orfeu, de 1999, dirigido por Carlos Diegues, um dos raros filmes atuais a falar do negro, retoma a tradicional apologia do afro-descendente por seus dotes musicais. Vinicius de Moraes, com sua peça Orfeu da Conceição, que deu base ao filme Orfeu negro (1959) e ao Orfeu de Diegues, pretendeu universalizar a música negra (e, portanto, a música brasileira), ampliando-a de seu reduto de classe baixa, ligada às orgias do carnaval e aos transes de terreiro, para a experiência sublime do amor absoluto. Para tanto, recorreu ao mito órfico do poder encantatório da música, recurso claramente anti-realista. Ao adaptar Vinicius, Diegues acrescentou uma dimensão realista à história, tentando não perder os aspectos míticos e trágicos. De fato, no filme, a utopia do paraíso negro desenvolve-se pari passu com a dura realidade da favela.Palavras-chave: cinema brasileiro; negro; Orfeu.Abstract: Carlos Diegues’s Orpheus, 1999, one of the few contemporary films to focus on blacks, makes the traditional panegyric of the African descendents for their musical skills. Vinicius de Moraes, with his play Orfeu da Conceição, on which Black Orpheus (1959) and Diegues’s Orpheus were based, intended to universalise black music (therefore Brazilian music), upgrading it from its low class niche associated with carnival orgies and voodoo trances, to the sublime experience of absolute love. To that end, he resorted to the enchanting power of music contained in the Orphic myth, in a clearly anti-realistic attitude. When he adapted de Moraes, Diegues added a realistic dimension to the story, while trying to keep the mythic and tragic ones. Indeed, in the film, the utopia of black paradise merges with the hard reality of Rio slums.Keywords: Brazilian cinema; black; Orpheus.
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Thorel-Cailleteau, Sylvie. "Dandys et orgies." Romantisme 27, no. 96 (1997): 71–81. http://dx.doi.org/10.3406/roman.1997.3208.
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Muknicka, Sérgio Gabriel. "A orgia." outra travessia 1, no. 27 (December 14, 2020): 114–17. http://dx.doi.org/10.5007/2176-8552.2019.e73764.
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Schuhmann, Roland, and Andreas Nievergelt. "Zur Etymologie von ahd. musina und orgina." Amsterdamer Beiträge zur älteren Germanistik 76, no. 3 (December 1, 2016): 363–70. http://dx.doi.org/10.1163/18756719-12340034.
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In this article, new etymologies for two Old High German words are proposed. Old High German musina ‘bag, satchel’ is explained as a loanword from Slavonic (cf. Old Church Slavonic mošьna ‘bag’), Old High German orgina ‘bit’ as a loanword from Middle Latin *orginum ‘iron ring’. Im Folgenden wird für zwei althochdeutsche Wörter, die bisher etymologisch unklar waren, jeweils eine neue Etymologie vorgeschlagen: Ahd. musina ‚Tasche, Ranzen‘ wird als ein Lehnwort aus dem Slawischen (vgl. aksl. mošьna ‚Tasche‘), ahd. orgina ‚Gebiss, Mundstück am Pferdezaum‘ als Lehnwort aus mlat. *orginum ‚Eisenring‘ erklärt. This article is in German Language.
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Le Page, Michael. "Gene-swapping orgies… in cheese." New Scientist 232, no. 3096 (October 2016): 10. http://dx.doi.org/10.1016/s0262-4079(16)31916-9.
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Murphy, Scott Patrick. "Humor Orgies as Ritual Insult." Journal of Contemporary Ethnography 46, no. 1 (July 27, 2016): 108–32. http://dx.doi.org/10.1177/0891241615605218.
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In-group members can display a sense of solidarity by earning license to direct verbal putdowns toward one another in the presence of others. An explanation of the process by which in-group members can maintain a sense of solidarity through putdowns in everyday life, however, is lacking in the literature. Set in a corner donut shop in southern California, this article describes how a group of old straight white middle-class men direct improvisational putdowns toward each other and explains how this banter maintains a sense of group solidarity for these men. The article puts forth a view of ritual insult in the form of “humor orgies” as emergent interactional phenomena characterized by successive, situation-dependent turns whereby group members play with interpersonal meanings in “givin’ it” “on top” and “takin’ it” “on bottom.” The findings raise questions about the extent to which superiority theories of humor are adequate and also suggest a need for ethnographies of everyday improvisational humor in public, non-workplace settings.
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Rébillard, Chloé. "Orgies romaines, mythe ou réalité ?" Sciences Humaines N° 284, no. 8 (August 1, 2016): 25. http://dx.doi.org/10.3917/sh.284.0025.
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Barrett, H. Clark. "On the functional orgins of essentialism." Mind & Society 2, no. 1 (March 2001): 1–30. http://dx.doi.org/10.1007/bf02512073.
Full textDissertations / Theses on the topic "Orgiasm"
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Kasprzak, Krystof. "Vara - Framträdande - Värld : Fenomenets negativitet hos Martin Heidegger, Jan Patočka och Eugen Fink." Doctoral thesis, Södertörns högskola, Filosofi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32421.
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The present investigation discusses the phenomenological concept of the phenomenon through an interpretation of the meaning of the negativity of the phenomenon in the philosophical works of Martin Heidegger, Jan Patočka and Eugen Fink. This negativity is thematised in terms of a loss and a privation that leads to a description of the appearing of the phenomenon as a sublime event, which exposes existence to an absence of meaning. A formulation of the absence in question as a dynamic movement of existence opens a new perspective on what it means to do phenomenology: phenomenological thinking does not begin with the immediate givenness of appearance, but through the trembling of meaning in the experience of a loss of the phenomenon.Denna avhandling belyser fenomenologins fenomenbegrepp genom en tolkning av dess i förhållande till framträdelsen negativa innebörd i Martin Heideggers, Jan Patočkas och Eugen Finks filosofiska författarskap. Fenomenets negativitet tematiseras i termer av ett berövande och en förlust av fenomenet. Förståelsen av detta fördjupas stegvis, och leder fram till en beskrivning av fenomenets framträdande som en sublim tilldragelse. Denna tilldragelse exponerar existensen inför en frånvaro av mening. En formulering av frånvaron ifråga som en dynamisk rörelse av existensen öppnar för ett nytt perspektiv på vad det innebär att bedriva fenomenologi: fenomenologiskt tänkande börjar inte med framträdelsens omedelbara givenhet, utan genom erfarenheten av en förlust av fenomenet som skakar om den givna meningen.
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Filho, José Virginio Marques. "Orgia de exceção: um esboço do projeto literário de Reinaldo Moraes." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-11122015-133152/.
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Em agosto de 1985, mesmo ano da publicação de Abacaxi, Reinaldo Moraes escreveu uma autocrítica capciosa sobre o seu segundo romance. Disfarçado com um pseudônimo, o autor matreiramente elevava sua obra como legítima representante do legado machadiano. Apesar do tom brincalhão e da ironia motora do texto que são traços estilísticos do escritor , a farsa do artigo pode ser lida no pormenor como um esboço de projeto literário. A questão central de tal esboço parece ser a procura de uma estratégia narrativa capaz de dar conta minimamente do contexto em que está inserida. O objetivo desta dissertação é descrever o caminho do dispositivo literário perseguido pelo autor desde o seu primeiro romance, Tanto faz (1981), e que se desdobra numa espécie de continuidade cindida em Abacaxi (1985), até encontrar o prumo e a régua na confecção de Pornopopeia (2009). No vértice histórico de vinte oito anos, que ata a produção das obras, está a gestação do horizonte de expectativas reduzidas, possível de ser apreendido na dinâmica interna dos romances. Os narradores de Reinaldo Moraes estão em fuga; e figuram sempre o encontro do impasse.In August 1985, the same year Abacaxi was published, Reinaldo Moraes wrote a very tricky review of his second novel. Disguised under a pseudonym, the author regarded his work as a legitimate representative of Machado de Assis\' legacy. Despite the playful tone and the text\'s purposed irony which are stylistic traits of the author , the falacious article may be read as an outline for a literary project. The central idea behind Moraes\' literary project seems to be the search for a narrative strategy that is able at least in part to give form to the context in which it operates. The aim of this work is to describe how the literary form pursued by the author evolves from his first novel, Tanto Faz (1981) unfolding into Abacaxi (1985), in a kind of icontinuous trajectory just to find its final form in the making of Pornopopeia (2009). As it may be seem in the internal dynamics of the novels, a horizon of reduced expectations is carefully laid out over the twenty eight years periode that lead to the production of Reinaldo Moraes\' works. His narrators are on the run; and always represent the meeting of the impasse.
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Orgis, Thomas [Verfasser], and Klaus [Akademischer Betreuer] Dethloff. "Unstetige Galerkin-Diskretisierung niedriger Ordnung in einem atmosphärischen Multiskalenmodell / Thomas Orgis. Betreuer: Klaus Dethloff." Potsdam : Universitätsbibliothek der Universität Potsdam, 2014. http://d-nb.info/1052346006/34.
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Teixeira, Karoline Viana. "A orgia dos sentidos: a construÃÃo do corpo nas imagens de Olympia, de Leni Riefenstahl." Universidade Federal do CearÃ, 2008. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=3908.
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FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgicoO presente trabalho visa o estudo histÃrico das significaÃÃes e construÃÃes do corpo no documentÃrio Olympia (ALE, 1938), da diretora alemà Leni Riefenstahl. O filme retrata os Jogos OlÃmpicos de Berlim, ocorridos dois anos antes em pleno regime nazista. Nesse evento, Adolf Hitler promoveu uma intensa mobilizaÃÃo para propagar uma imagem da Alemanha como uma naÃÃo harmoniosa e pacÃfica. Mas, ao mesmo tempo, buscou-se tambÃm demonstrar a superioridade fÃsica da raÃa germÃnica em relaÃÃo aos demais. Procura-se, nesse sentido, demonstrar como esse corpo retratado no filme à resultado de uma sÃrie de concepÃÃes e questÃes sÃcio-polÃticas que ganham forÃa desde o final do sÃculo XIX. Do cuidado de si, da popularizaÃÃo do esporte como forma de disciplinar corpo e mente aos grupos nudistas que se multiplicaram na Alemanha, todos esses movimentos foram absorvidos e ressignificados pela ditadura totalitÃria. Olympia mostra um ideal de corpo e beleza Ãnico e segregador, em nome do qual os nazistas vÃo promover a eliminaÃÃo dos desviantes por meio da SoluÃÃo Final.
The present work aims at the historical study of meanings and constructions of body in the documentary film Olympia (ALE, 1938), by the German director Leni Riefenstahl. The film shows a portray of the Olympic Games in Berlin, occurred two years before in full Nazi regime. In this event, Adolf Hitler promoted an intense mobilization to propagate an image of Germany as a harmonious and pacific nation. But, at the same time, it also searched to demonstrate the physical superiority of the Germanic race over the other ones. It is looked, in this direction, to demonstrate as this body portrayed in this film is resulted of a series of conceptions and social political questions that gain force since the end of XIX century. From the care of itself, the popularity of sports as form to discipline body and mind to the nudist groups that had multiplied in Germany, all these movements had been absorbed and gained new meanings for the totalitarian dictatorship. Olympia shows an ideal of body and beauty unique and segregated, on behalf of which Nazis will promote the elimination of different ones by means of the Final Solution.
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Teixeira, Karoline Viana. "A orgia dos sentidos: a construção do corpo nas imagens de Olympia, de Leni Riefenstahl." www.teses.ufc.br, 2008. http://www.repositorio.ufc.br/handle/riufc/3057.
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TEIXEIRA, Karoline Viana. A orgia dos sentidos: a construção do corpo nas imagens de Olympia, de Leni Riefenstahl. 2008. 188 f. Dissertação (Mestrado em História) - Universidade Federal do Ceará, Departamento de História, Programa de Pós-Graduação em História Social, Fortaleza-CE, 2008.Submitted by Raul Oliveira (raulcmo@hotmail.com) on 2012-06-27T15:09:14Z No. of bitstreams: 1 2008_Dis_KVTeixeira.pdf: 2440446 bytes, checksum: 6ed2a703b56e2eaf27f0602ff910d9e5 (MD5)
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The present work aims at the historical study of meanings and constructions of body in the documentary film Olympia (ALE, 1938), by the German director Leni Riefenstahl. The film shows a portray of the Olympic Games in Berlin, occurred two years before in full Nazi regime. In this event, Adolf Hitler promoted an intense mobilization to propagate an image of Germany as a harmonious and pacific nation. But, at the same time, it also searched to demonstrate the physical superiority of the Germanic race over the other ones. It is looked, in this direction, to demonstrate as this body portrayed in this film is resulted of a series of conceptions and social political questions that gain force since the end of XIX century. From the care of itself, the popularity of sports as form to discipline body and mind to the nudist groups that had multiplied in Germany, all these movements had been absorbed and gained new meanings for the totalitarian dictatorship. Olympia shows an ideal of body and beauty unique and segregated, on behalf of which Nazis will promote the elimination of different ones by means of the Final Solution.
O presente trabalho visa o estudo histórico das significações e construções do corpo no documentário Olympia (ALE, 1938), da diretora alemã Leni Riefenstahl. O filme retrata os Jogos Olímpicos de Berlim, ocorridos dois anos antes em pleno regime nazista. Nesse evento, Adolf Hitler promoveu uma intensa mobilização para propagar uma imagem da Alemanha como uma nação harmoniosa e pacífica. Mas, ao mesmo tempo, buscou-se também demonstrar a superioridade física da raça germânica em relação aos demais. Procura-se, nesse sentido, demonstrar como esse corpo retratado no filme é resultado de uma série de concepções e questões sócio-políticas que ganham força desde o final do século XIX. Do cuidado de si, da popularização do esporte como forma de disciplinar corpo e mente aos grupos nudistas que se multiplicaram na Alemanha, todos esses movimentos foram absorvidos e ressignificados pela ditadura totalitária. Olympia mostra um ideal de corpo e beleza único e segregador, em nome do qual os nazistas vão promover a eliminação dos desviantes por meio da Solução Final.
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Maselli, Bénédicte. "Analyse critique et enjeux théoriques du Théâtre des Orgies et des Mystères d’Hermann Nitsch : de 1957 à nos jours." Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20004/document.
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Le Théâtre des Orgies et des Mystères d’Hermann Nitsch s’inscrit dans le contexte douloureux de l’Autriche post fasciste. En effet, alors que cette dernière affiche dès l’annexion de 1938 un collaborationnisme « joyeux », elle s’est, au lendemain de la guerre, victimisée en déniant sa responsabilité et sa participation active aux crimes nazis préférant l’imputer entièrement à son voisin germanique.Aussi, c’est dans cette atmosphère nauséabonde et face au silence de la majorité des intellectuels de l’époque, ou’Hermann Nitsch va mettre en place son Theater à travers un langage plastique d’une grande radicalité.Cependant, contrairement à ce que l’on pourrait penser, il ne s’agit pas d’un art politique. En effet, passé le premier choc visuel, le Theater est avant tout philosophique et anthropologique.L’homme moderne désacralisé ne serait plus selon l’artiste en harmonie avec ce qui le constitue dans son essence. Les sociétés postmodernes, jugées par Nitsch comme aliénantes, seraient à l’origine d’une rupture de sens entre le matériel et le spirituel. L’expérience du Theater propose ainsi à l’individu, par le rituel et la mise en exergue des principes anthropologiques d’invariances de se débarrasser des déterminismes sociétaux afin d’accéder, à une connaissance continue (Bataille).Ainsi, le Théâtre des Orgies et des Mystères est une oeuvre multi référentielle et transhistorique se situant au carrefour entre micro et macrohistoire. L’artiste affirme que « le processus de création et le Theater doivent contribuer à former une unité avec le tout » afin « d’en finir avec la séparation entre immanence et transcendance ». Aussi, chacune des actions proposées par Nitsch consistent en des rituels tantôt de vie tantôt de mort ayant précisément pour objectif de rompre avec l’antagonisme immanence/transcendance. Réactualisant un langage symbolique inné (au sens où l’entend Freud) et des traditions anciennes, le Theater d’Hermann Nitsch tente de démontrer à l’individu moderne que l’univers qui l’entoure, malgré sa diversité, est un tout cohérent relevant d’une continuité survivante auquel il participeHermann Nitsch's Theatre of Orgies and Mysteries (Orgien Mysterien Theater) grew out of the painful context of post-Fascist Austria. Although Austria had welcomed annexation with Germany in 1938 and the Austrians had been eager collaborators with the Nazis from the outset, as soon as the war was over, they portrayed themselves as victims, denying responsibility for or active participation in Nazi crimes, preferring to blame everything on their German neighbours.In this loathsome atmosphere, in which the majority of the intellectuals of the time remained silent, Hermann Nitsch set up his Theater, using a highly radical, visual language.Contrary to what one might suppose, however, it was not political art.And in fact, after the initial visual shock, the Theater was, above all, philosophical and anthropological. Nitsch maintained that modern man, stripped of mythology, was no longer in harmony with his essence. Postmodern societies, which he deemed alienating, were responsible for a semantic breach between the material and the spiritual. The experience of the Theater, through ritual and its emphasis on anthropological principles of invariance, was a way for the individual to rid himself of societal determinism in order to gain access to continuous knowledge (Bataille). Thus, the Theatre of Orgies andMysteries is a multi-referential, transhistoric work situated on the cusp of micro- and macro-history. Nitsch has stated that "the creative process and the Theater must contribute towards forming a unity with the whole" so as to "erase the difference between immanence and transcendence". All of the activities proposed by Nitsch consist in rituals, sometimes of life and sometimes of death, but all with the aim of erasing the immanence/transcendence dichotomy. Hermann Nitsch's Theater adapts inborn symbolic language (in the Freudian sense) and old traditions in an attempt to demonstrate to the modernindividual that the universe that surrounds them, despite its diversity, is a coherent whole, a surviving continuity in which they participate.a
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Trudel, Dominique. "Analyse des facteurs individuels et interpersonnels reliés à l'obésité, aux orgies alimentaires et aux préoccupations face au poids et à la silhouette." Master's thesis, Université Laval, 2003. http://hdl.handle.net/20.500.11794/43098.
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L'objectif de l'étude actuelle est d'étudier l'insatisfaction face à l'image corporelle, les symptômes dépressifs et la satisfaction conjugale en relation avec les problématiques alimentaires que sont l'obésité sans la présence d'orgie alimentaire, l'hyperphagie et les préoccupations par rapport au poids et à la silhouette. À partir d'un échantillon total de 82 participants, trois groupes différents sont élaborés, soit un groupe formé de personnes obèses (n = 41), un groupe formé de personnes qui font des orgies alimentaires (n = 17) et un groupe formé de personnes préoccupées par leur poids et leur silhouette (n = 24). Des groupes normatifs tirés de la documentation scientifique sont aussi utilisés pour les variables suivantes: comportements boulimiques, symptômes dépressifs et satisfaction conjugale. Chacun des participants est évalué à l'aide d'une entrevue diagnostique des troubles de conduites alimentaires et de questionnaires portant sur les habitudes alimentaires et certains facteurs psychologiques. Dans l'ensemble, les résultats de l'étude actuelle indiquent que les personnes obèses sont plus insatisfaites de leur image corporelle que celles préoccupées par leur poids et leur silhouette. Par contre, ces trois groupes de participants ne semblent pas différer quant aux symptômes dépressifs et à la satisfaction conjugale.
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Lopes, Laíz Colosovski. "Representações dos discursos da FRELIMO na literatura moçambicana: análise de O regresso do morto, de Suleiman Cassamo e Orgia dos loucos, de Ungulani Ba Ka Khosa." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-12062017-115308/.
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O presente trabalho busca estabelecer diálogos entre os discursos produzidos pela FRELIMO, durante o processo de independência e os primeiros anos de governo, e duas obras literárias, nomeadamente O regresso do morto (1989), de Suleiman Cassamo e Orgia do Loucos (1990), de Ungulani Ba Ka Khosa. Ao longo de sua constituição enquanto movimento de resistência ao colonialismo e, após a independência, como partido político, a FRELIMO estabeleceu diversas diretrizes de governo visando a construção de uma nação moçambicana que repudiasse os mecanismos de exploração colonial e promovesse a igualdade e o respeito entre todas as populações moçambicanas, possibilitando assim melhorias na qualidade de vida dessas populações. As duas obras estudadas, no entanto, pertencem ao movimento literário promovido pela publicação da revista Charrua, que procurava promover reflexões sobre a situação de Moçambique após quase uma década de independência, permitindo a observação de problemáticas e contradições relacionadas à realidade social do país, refletindo sobre o quanto essa realidade se aproxima ou se distancia dos objetivos propostos pelo partido. Para observar estas contradições, foram utilizados ao longo da pesquisa alguns discursos proferidos por Samora Machel, tais como A libertação da mulher é uma necessidade da revolução, garantia de sua continuidade, condição de seu triunfo, de 1973, e Educar o homem para vencer a guerra, criar uma sociedade nova e desenvolver a pátria, também de 1973, além de diversas pesquisas de historiadores, cientistas políticos e antropólogos. Em O regresso do morto podemos observar uma certa anuência aos discursos frelimistas no que tange a um ideal de nação proposto durante o processo de independência e ao longo dos primeiros anos de governo. Por meio de narrativas que transmitem a esperança do surgimento de um país livre e independente, forjado por meio dos esforços individuais de cada moçambicano, Cassamo reafirma possibilidades de convivências harmoniosas entre as populações e a superação de obstáculos advindos do duro processo colonial, de acordo com preceitos já estabelecidos nos discursos frelimistas. Por outro lado, Khosa opta por construir, em suas narrativas, tramas que apontam para a insuficiência desses discursos na nova sociedade moçambicana, destacando as fragmentações impostas pelos anos de colonialismo, a burocratização do estado, bem como o distanciamento do governo moçambicano da realidade social do país, dificultando o acesso das populações moçambicanas à serviços básicos e a uma vivência plena de suas culturas e diferenças.The present study aims to establish a dialogue between the discourses produced by FRELIMO during the process of independence in their first years of government and two literary works: O regresso do morto (1989), by Suleiman Cassamo and Orgia dos loucos (1990) bt Ungulani Ba Ka Khosa. Throughout its constitution as a colonialism resistance movement and after independence, as a political party, FRELIMO established several guidelines for government in order to build a mozambican nation that repudiated the mechanisms of colonial exploitation, promoting equality and respect between all mozambican populations, thus enabling improvements in the quality of life of these populations. The two works here studied, however, belong to the literary movement called Charrua, which sought to promote reflections on the situation in Mozambique after nearly a decade of independence, allowing the observation of problems and contradictions related to the social reality of the country, reflecting on how this reality approaches or moves away of the objectives proposed by FRELIMO. In order to observe these contradictions, during the research were used some speeches by Samora Machel, such as A libertação da mulher é uma necessidade da revolução, garantia de sua continuidade, condição de seu triunfo, 1973, and Educar o homem para vencer a guerra, criar uma sociedade nova e desenvolver a pátria, also from 1973, in addicion to several researches by historians, political scientists and anthopologists. In O regresso do morto we can observe a certain acquiescence to FRELIMO speeches regarding their proposition of an ideal of nation during the process of independence and along the first years of government. Through narratives that convey the hope of a free and independent nation, achieved through each individual mozambican efforts, Cassamo reaffirms possibilities of harmonious cohabitation between the mozambican populations and the overcoming of obstacles due to the hard colonial process, according to the principles already established by FRELIMO speeches. Khosa, however, chooses to build in his narratives, plots that point to the failure of these discourses in the new mozambican society, highlighting the fragmentation imposed by years of colonialism as well as the distance of the mozambican government of the countrys social reality, hindering the access to the mozambican populations to basic services and a full experience of their cultures and differences.
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Boubred, Farid. "Conséquences vasculaires et rénales à long terme de la restriction de croissance intra-utérine et de la nutrition postnatale chez le rat." Thesis, Aix-Marseille 2, 2010. http://www.theses.fr/2010AIX20693.
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Le faible poids de naissance et/ou une accélération de la croissance pondérale durant l’enfance sont reconnus actuellement comme facteur de risque de maladies cardiovasculaires (hypertension artérielle, en particulier). Leur rôle dans la progression des maladies rénales chroniques de l’adulte est moins évident. Cette association entre un faible poids de naissance et un risque accru d’hypertension artérielle (HTA) à l’âge adulte ferait intervenir une réduction du nombre de néphrons. Ce déficit néphronique, associé au faible poids de naissance, est responsable d’une hyperfiltration glomérulaire au sein de chaque néphron. Ce mécanisme adaptatif entraîne au fil du temps des lésions rénales, une protéinurie, une insuffisance rénale chronique et une véritable hypertension artérielle. Mais l’hypothèse pathogénique du déficit néphronique reste discutable. De plus peu l’influence de la nutrition postnatale précoce a été très peu étudiée chez l’animal. A travers 2 modèles de restriction de croissance intra-utérine (RCIU) chez le rat, nous avons montré que, plus que la RCIU elle-même, le devenir vasculaire et rénal chez le rat RCIU dépend de la sévérité du déficit néphronique. Un déficit néphronique modéré n’est pas suffisant pour affecter à long terme les fonctions/structures vasculaires et rénales chez le rat RCIU obtenu par une restriction protéique maternelle modérée (caséine 9 %)Nous avons également validé un modèle de rattrapage pondéral précoce, chez le rat. Nous avons montré qu’un rattrapage pondéral et/ou une croissance exagérée durant la période néonatale jouent un rôle primordial sur la pression artérielle, les fonctions et la structure rénale à l’âge adulte. Ces paramètres étaient d’autant plus affectés que la suralimentation néonatale était associé à une RCIU. Les maladies vasculaires et rénales résulteraient, en grande partie, d’une inadéquation entre le nombre de néphrons, réduit lors d’un faible poids de naissance, et la nutrition néonatale/postnatale, surabondante.Chez l’homme, la mise en place de nouvelles cohortes est nécessaire afin de mieux comprendre le rôle de la nutrition durant différentes phases de croissance (fœtale, néonatale, enfance et adolescence) dans le développement des maladies chroniques de l’adulte. Ces études devraient évaluer la pertinence de marqueurs précoces, et permettre la mise en œuvre de stratégies préventives précoces nutritionnelles ou médicamenteuses chez les personnes les plus à risquesEvidence suggest that low birth weight and/or postnatal catch-up growth increase the risk for long term cardiovascular diseases (hypertension especially). Their role on the progression of chronic kidney disease is less evident. The mechanism is incompletely known. Nephron number deficit, associated with low birth weight, may play an important role. In such a condition, an adaptative single nephron glomerular hyperfiltration to meet excretory demands may lead overtime to renal damages. However this hypothesis is still questionable.In the rat, through two experimental models of intrauterine growth restriction (IUGR), we have shown that adverse long term vascular and renal functions are highly dependent on the severity of nephron number deficit. Moreover, we have demonstrated that a rapid neonatal catch-up growth plays a determinant role. Neonatal overfeeding and a high protein diet following IUGR accelerate the expression of hypertension and the progression of chronic kidney disease. Long term vascular and renal diseases may thus result from a mismatch between adverse fetal environment and postnatal beneficial environment. In human prospective epidemiological studies are needed with the aim to evaluate the effect of postnatal nutrition and to determine early markers for future preventive studies
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Garcia, Francis. "La carrière des intendants militaires de 1870 à 1914." Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30034/document.
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Les intendants militaires constituent une catégorie particulière d’officiers qui s’occupent des besoins de la vie courante du soldat. Ils sont crées en 1815 et remplacent les commissaires des guerres et les inspecteurs aux revues. Leur étude comprend deux parties. La première est destinée à présenter leurs caractéristiques sociales et militaires générales et leur place dans les débats sur l’administration militaire et la communauté militaire. Elle comprend les domaines suivants : - l’origine géographique, - l’âge et le grade au mariage, - la profession des pères et des beaux-pères, - la composition et le montant des dots, - les dossiers de demande d’autorisation de mariage, - les demandes de bourses pour les écoles militaires, - la place de la vie privée dans les appréciations données par leurs supérieurs. - l’origine du recrutement (saint-cyriens, polytechniciens, soldats), - les causes des fins de carrières - les grands évènements de la carrière (entrée dans le corps de contrôle de l’administration, interruptions de service, mutations), - la remise en question de l’intendance militaire au cours des débats sur l’administration militaire après la défaite de1870, et notamment sa place vis-à-vis du commandement, - la place des officiers d’administration et des médecins militaires, - l’image des intendants parmi les autres officiers. La seconde partie expose les déroulements des carrières, elle comporte les points suivants : - les résultats de la scolarité dans les écoles militaires et leur influence sur les appréciations données par leurs supérieurs et l’avancement ; - les carrières dans l’arme d’origine (l’influence des appréciations, des félicitations et des punitions), - les conditions du passage dans l’intendance (le concours, la formation administrative), - les carrières dans l’intendance (l’influence de la carrière dans l’arme d’origine, les rôles de l’origine et des appréciations dans l’accès aux différents grades, les projections de carrières à partir du premier grade)The intendants establish an officers’s particular body who deal with the support of the common life of the soldier. They are create in 1815 and replace captains of the wars and inspectors in reviews. Their study includes two parts. The first one intended to present their general social and military characteristics. It includes the following domains : - the geographical origine, - the age and the rank in the marriage, - the profession of the fathers and the fathers in law, - the composition and the amount of dowries, - files of wedding authorization request, - applications for a scholarship for military academies, - place of the private life in the appreciations given by their supériors, - the origin of the recruitment (graduests of St. Cyr, graduests of Polytechnique prestige engineering school, soldiers), - the causes of ends of carreer, - big events of the career (entered the body of control of the administration, interruptions of service, tranfers). - the questioning of the military estate management after the defeat of 1870, in particular its place face to face of the command ; - the place of the officers of administration et of the military medical officers, - the image of the bursars among the others officers. The second parts explains the progesses of careers, il contains the following domains : - the results of the schooling in military academies and their influence in the appreciations given by their superiors, and of the promotion ; - the careers in the element of the army of origin (influence of the appreciations, the congratulations and the punishments) ; - the conditions of the passage in the estate management (the competition, the administrative training), - the careers in the estate management (the influence of the career in the weapon origin, the roles of the origin and of the appreciations in the access of the various ranks, the progressions of the careers according to the passage in the second rank)
Books on the topic "Orgiasm"
3
Enríquez, Luis Fernando. Verissimo Orgias. Sao Paulo, Brasil: L & PM Editores, 1989.
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Ide, Arthur Frederick. Vows, virgins, oaths & orgies. Arlington, [Tex.]: Liberal Arts Press, 1988.
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Khosa, Ungulani Ba Ka. Orgia dos loucos. 2nd ed. [Maputo]: Imprensa Universitária, Fundação Universitária, 1990.
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1
Raucci, Stacie. "The Order of Orgies." In Screening Love and Sex in the Ancient World, 143–55. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137299604_11.
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Xu, Zhi-Yong. "Das Konzept des Organisationsinformationssystems OrgIS." In Beiträge zur Wirtschaftsinformatik, 37–81. Heidelberg: Physica-Verlag HD, 1996. http://dx.doi.org/10.1007/978-3-662-12787-2_3.
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Xu, Zhi-Yong. "Die Architektur des verteilten Organisationsinformationssystems OrgIS." In Beiträge zur Wirtschaftsinformatik, 82–112. Heidelberg: Physica-Verlag HD, 1996. http://dx.doi.org/10.1007/978-3-662-12787-2_4.
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Xu, Zhi-Yong. "Grundsätze für Entwurf und Realisierung des verteilten Organisationsinformationssystems OrgIS." In Beiträge zur Wirtschaftsinformatik, 113–396. Heidelberg: Physica-Verlag HD, 1996. http://dx.doi.org/10.1007/978-3-662-12787-2_5.
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Leeson, Robert. "The Sovietization of American Universities: ‘Intellectual Orgies’ and ‘the “Nonconcept” of Education’." In Hayek: A Collaborative Biography, 299–356. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77428-2_7.
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Sfameni Gasparro, Giulia. "«Misteri» (mysteria, orgia, teletai) tra eleusi, dioniso e orfeo: avventure del linguaggio e creazione religiosa." In Recherches sur les Rhétoriques Religieuses, 85–123. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.rrr-eb.5.113986.
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"Orgies." In Sex in the Ancient World from A to Z, 158. Routledge, 2004. http://dx.doi.org/10.4324/9780203338070-40.
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"Orgies of Feeling." In Orgies of Feeling, 149–79. Duke University Press, 2014. http://dx.doi.org/10.1215/9780822376545-005.
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"ORGIES OF FEELING:." In Orgies of Feeling, 149–79. Duke University Press, 2014. http://dx.doi.org/10.2307/j.ctv1134d8x.8.
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"The orgins of sport." In The Story of Sport in England, 18–27. Routledge, 2007. http://dx.doi.org/10.4324/9780203347423-10.
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