Log in

Relevant bibliographies by topics / Orhan Pamuk / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Orhan Pamuk.

Dissertations / Theses on the topic 'Orhan Pamuk'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 28 dissertations / theses for your research on the topic 'Orhan Pamuk.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Dufft, Catharina. "Orhan Pamuks Istanbul." Wiesbaden Harrassowitz, 2007. http://d-nb.info/985618116/04.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Sariaslan, Kubra Zeynep. "Pamuk." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612463/index.pdf.

Full text

Abstract:

Kars is an ethnically diverse city located at the North East Turkey, neighboring Armenia. In the year 2002, Nobel laureate author Orhan Pamuk published a political-historical novel named Snow, the story of which is set in Kars. The book created a public debate on national and global scale about cutting edge questions of Turkey. This thesis aims to address these questions from the perspective of inhabitants of Kars, who had reacted fiercely to the representations in the book Snow. By focusing on identification and boundary negotiation processes of people in Kars, this thesis and presents an eth

APA, Harvard, Vancouver, ISO, and other styles

3

Bayramoğlu, Zeynep. "La problématique d'occidentalisation dans les oeuvres de Orhan Pamuk." Paris, INALCO, 2008. http://www.theses.fr/2008INAL0024.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Gurses, H. "Fictional displacements : an analysis of three texts by Orhan Pamuk." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1384269/.

Full text

Abstract:

This study aims to discuss the structural and contextual configuration of three books by Orhan Pamuk: The White Castle, My Name is Red and Istanbul: Memories of a City. The central line of enquiry will be the possibility of representing identity as the attempt to capture the elements that make the ‘self’ what it is. Without limiting my analysis to an individual or national definition of identity, I will argue that Pamuk, writing through the various metaphysical binaries including self/other, East/West, word/image, reality/fiction, and original/imitation, offers an alternative view of identity

APA, Harvard, Vancouver, ISO, and other styles

5

Moraes, Josiane Borges de. "Intersecções semióticas: a Istambul de Orhan Pamuk e Ara Güler." Pontifícia Universidade Católica do Rio Grande do Sul, 2014. http://hdl.handle.net/10923/7064.

Full text

Abstract:

Made available in DSpace on 2015-03-11T02:01:27Z (GMT). No. of bitstreams: 1 000466163-Texto+Completo-0.pdf: 4405555 bytes, checksum: f9f26d750766a50363983c0c95bb665d (MD5) Previous issue date: 2014<br>The goal with this Master’s Thesis is the analysis of the hybridism between two distinctive arts, Photography and Literature, especially in Pamuk’s Istambul. In this sense, a previous incursion in the world of Photography and its intersections among several literary works will trigger the starting point. Photographers as Marey, Muybridge, Nakaji Yusui, Alfred Stieglitz illustrate the permeable

APA, Harvard, Vancouver, ISO, and other styles

6

Dollar, Cathlene Elizabeth. "Identity formation in the novel : orientalism, modernity and Orhan Pamuk." Master's thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/13694.

Full text

Abstract:

The novelist Orhan Pamuk rose to prominence as a writer in the midst of the westernized, secular Turkish community in the late twentieth century. Pamuk has insisted that he has attempted to depart from the overtly political style of other writers in his generation. Instead, he strives for his work to appear more poetic and personal. Pamuk's fiction is widely categorized by his experimental, sometimes postmodernist literary techniques. Pamuk's style is a stark departure from the more typical socio-political motifs that have characterized much of contemporary Turkish literature. Edward Said' s c

APA, Harvard, Vancouver, ISO, and other styles

7

Rhein, Jan. "Flaneure in der Gegenwartsliteratur Réda, Wackwitz, Pamuk, Nooteboom." Marburg Tectum-Verl, 2010. http://d-nb.info/1000499634/04.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Marques, Ana Martins. "Paisagem com figuras fotografia na literatura contemporânea (W. G. Sebald, Bernardo Carvalho, Alan Pauls, Orhan Pamuk): fotografia na literatura contemporânea (W. G. Sebald; Bernardo Carvalho; Alan Pauls; Orhan Pamuk)." Universidade Federal de Minas Gerais, 2013. http://hdl.handle.net/1843/ECAP-97ZLNU.

Full text

Abstract:

Esta tese propõe uma investigação sobre a incorporação de imagens fotográficas em alguns textos literários contemporâneos. A partir da leitura de livros de W.G. Sebald, Bernardo Carvalho, Alan Pauls e Orhan Pamuk, busca-se analisar alguns dos efeitos produzidos pela presença de fotografias na narrativa, considerando, sobretudo, as relações que aí se estabelecem entre texto e imagem. De gênero dificilmente definível, os livros do alemão W. G. Sebald transitam entre a memória, o perfil biográfico, o relato de viagem, a ficção e o ensaio. Marcados por um tom digressivo e melancólico, os livros do

APA, Harvard, Vancouver, ISO, and other styles

9

Moraes, Josiane Borges de. "Intersec??es semi?ticas : a Istambul de Orhan Pamuk e Ara G?ler." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2015. http://tede2.pucrs.br/tede2/handle/tede/2210.

Full text

Abstract:

Made available in DSpace on 2015-04-14T13:39:28Z (GMT). No. of bitstreams: 1 466163.pdf: 4405555 bytes, checksum: f9f26d750766a50363983c0c95bb665d (MD5) Previous issue date: 2015-01-22<br>The goal with this Master s Thesis is the analysis of the hybridism between two distinctive arts, Photography and Literature, especially in Pamuk s Istambul. In this sense, a previous incursion in the world of Photography and its intersections among several literary works will trigger the starting point. Photographers as Marey, Muybridge, Nakaji Yusui, Alfred Stieglitz illustrate the permeable way that the

APA, Harvard, Vancouver, ISO, and other styles

10

Mukherjee, Rupayan. "Idling with(in) history: flanerie and alternative historiography in selected novels of Orhan Pamuk." Thesis, University of North Bengal, 2020. http://ir.nbu.ac.in/handle/123456789/4379.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Rupayan, Mukherjee. "Idling with in history: flanerie and alternative historiography in selected novels of Orhan Pamuk." Thesis, University of North Bengal, 2020. http://ir.nbu.ac.in/handle/123456789/4356.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Sakr, Rita. "Reading monumental space in the novels of James Joyce, Rashid al-Daif, and Orhan Pamuk." Thesis, University of Nottingham, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.702740.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Münüklü, Ersin. "Die Poetik des Marginalen : eine vergleichende Untersuchung der Werke von Orhan Pamuk und W.G. Sebald." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/53864/.

Full text

Abstract:

Literature increasingly deals with marginalized individuals, criticizes dominant structures, uncovers hidden traces from a suppressed past and attempts to restitute the voices of marginalized people. Orhan Pamuk and W.G. Sebald engage with what is considered to be marginal in various ways in their prose: marginal spaces (political and geographical peripheries), marginal times (marginalized past), marginalized people and objects (ruins, dilapidated buildings and seemingly dispensable objects) are the main subject matters in their works. The empathic engagement with the marginal constitutes a po

APA, Harvard, Vancouver, ISO, and other styles

14

Kartal, Tulin. "Le Nouveau roman et la révolution du roman turc à partir des années 1970 : Orhan Pamuk." Lorient, 2011. http://www.theses.fr/2011LORIL219.

Full text

Abstract:

À partir des années soixante-dix, les écrivains turcs commencent à concevoir une écriture nouvelle, libre, plurielle et polyphonique. Dans les années 1980, apparaît Orhan Pamuk. Il est le premier écrivain turc à obtenir le Prix Nobel en 2006. Il a apporté des innovations modernistes au roman turc et s’inscrit dans la filiation du Nouveau Roman et Postmoderne Roman. Nous avons brossé un tableau comparatif des littératures romanesques française et turque, et de leur évolution conjointe vers le Nouveau Roman. Nous avons exposé les conditions politiques, économiques et sociales très particulières

APA, Harvard, Vancouver, ISO, and other styles

15

Saracoglu, Semra. "Self-reflexivity In Postmodernist Texts: A Comparative Study Of The Works Of John Fowles And Orhan Pamuk." Phd thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1104231/index.pdf.

Full text

Abstract:

This dissertation makes a comparative analysis of the self-reflexivity in the novels of one British and one Turkish writer - John Fowles and Orhan Pamuk. The study restricts itself to three novels by each writer. In making this analysis under the light of Robert Scholes&amp<br>#8217<br>s theory of reality, and making use of Linda Hutcheon&amp<br>#8217<br>s classification of self-reflexivity, and Jacque Lacan&amp<br>#8217<br>s The Mirror Stage, it is argued that both Fowles and Pamuk create worlds within worlds which are similar to but different from each other, namely the fictional world, the

APA, Harvard, Vancouver, ISO, and other styles

16

Saraçoğlu, Semra. "Self-reflexivity in postmodernist texts a comparative study of the works of John Fowles and Orhan Pamuk /." Ankara : METU, 2003. http://etd.lib.metu.edu.tr/upload/1104231/index.pdf.

Full text

Abstract:

Thesis (Ph. D.)--Middle East Technical University, 2003.<br>Keywords: Self-reflexivity, Self-reflection, Mirror, Dreams, Fantasies, Reference and Difference, Self- Other Dichotomy, "I"dentity Crisis, Overt/Covert, Metafiction, Creative Process, Form, Linguistic Medium.

APA, Harvard, Vancouver, ISO, and other styles

17

Duman, Mustafa Onur. "Melancholy and Satire: Representation of Islam and Nationhood in the Works of Salman Rushdie and Orhan Pamuk." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/376.

Full text

Abstract:

This dissertation examines the politics of representation within the novel of the Third World. Drawing on the scholarship of Edward Said, Gayatri Spivak, Homi Bhabha, and Fredric Jameson, I situate Salman Rushdie and Orhan Pamuk within literary attempts at national representation and narratives of westernization. The main question that the study raises is: what are the literary results of migration, cultural or religious conversion within the increasingly diversifying metropolitan centers? I find that such double consciousness of the migrant artist provides an exilic writing that instigates tw

APA, Harvard, Vancouver, ISO, and other styles

18

Duclos, Elise. "Réception de la littérature européenne dans les romans d’Orhan Pamuk : stratégies littéraires et négociations poétiques d’un auteur excentré." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100123.

Full text

Abstract:

A partir du repérage d’un point aveugle de la littérature générale et comparée, ce travail vise à faire de la littérature turque le site d’interrogation de la discipline et de l’intelligibilité régionale de la littérature européenne. La mondialisation du discours critique permet de situer la réception de la littérature européenne chez un romancier turc contemporain dans le cadre des échanges littéraires inégaux entre un espace littéraire ancien et très doté et la périphérie turque. Les particularités de ce champ socio-Historique dont Orhan Pamuk est tributaire permettent de comprendre sa traje

APA, Harvard, Vancouver, ISO, and other styles

19

Sattouf, Nada. "Romans néo-baroques. Suivi de Meramérique (récits)." Thèse, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/6479.

Full text

Abstract:

Dans le foisonnement et la diversité de la production romanesque, l'écriture baroque semble être une manifestation de la culture moderne, dans le sens où la sensibilité de l'homme s'écarte de la vraisemblance pour se retrouver, face à l'écroulement des certitudes, dans un monde en mouvement. De nos jours, l'esthétique néo-baroque en littérature se caractérise par l'éclatement des formes, l'instabilité, la multiplicité des voix et des points de vue, ainsi que la surenchère stylistique. Pour couvrir les aspects du néo-baroque, cette thèse propose de dresser une typologie du baroque qui appelle u

APA, Harvard, Vancouver, ISO, and other styles

20

Alizadeh, Mehdi. "La perception et la représentation des métropoles dans la fiction postmoderne : Paris, New York et Istanbul dans : Au piano de Jean Echenoz, Cité de verre de Paul Auster et Le Livre noir d'Orhan Pamuk." Thesis, Limoges, 2017. http://www.theses.fr/2017LIMO0033/document.

Full text

Abstract:

La ville s’est toujours imposée comme un sujet central de la littérature, et en particulier de l’écriture romanesque. La seconde moitié du XXe siècle coïncide avec l’avènement d’un tournant – baptisé Spatial Turn par la critique postmoderne – qui a fait de l’espace, particulièrement de l’espace urbain, un objet analytique de prédilection pour les penseurs et les théoriciens, y compris littéraires. Jean Echenoz, Orhan Pamuk et Paul Auster sont contemporains de cette époque au cours de laquelle le roman de la ville a connu un nouvel épanouissement. Ces trois auteurs, ont placé respectivement Par

APA, Harvard, Vancouver, ISO, and other styles

21

Ghosh, Arundhati. "From Holmes to Sherlock: Confession, Surveillance, and the Detective." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1376495997.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Gebhardt-Fuchs, Katrin [Verfasser], and B. [Akademischer Betreuer] Thum. "Das Ich - ein zweites Selbst - Interkulturelle Selbstkonstruktion und ethnographische Repräsentationsweise in Orhan Pamuks Roman "Die weiße Festung" / Katrin Gebhardt-Fuchs. Betreuer: B. Thum." Karlsruhe : KIT-Bibliothek, 2014. http://d-nb.info/1059157519/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Ozutemiz, Pinar. "THE CONCEPT OF ARCHIVAL QUALITY IN ORHAN PAMUK'S THE MUSEUM OF INNOCENCE." Doctoral thesis, 2016. http://hdl.handle.net/11562/943297.

Full text

Abstract:

Questo studio si propone di esplorare il concetto di qualità d'archivio nell’ottavo romanzo di Orhan Pamuk Il museo dell'innocenza (2008) e nel museo omonimo aperto a Istanbul (2012) come il primo museo di un romanzo. Lo studio si propone principalmente di dimostrare la funzione di conservazione e l'archiviazione di narrazione testuale e museale come una resistenza contro l'ansia della perdita. Dopo un breve sguardo al romanzo turco e romanzi di Pamuk, l'argomento è discusso attraverso uno sguardo da vicino al romanzo e il museo da aspetti tematici e strutturali. L'uso degli oggetti, che è la

APA, Harvard, Vancouver, ISO, and other styles

24

Ilea, Laura T. "Scénarios d’aveuglement dans la littérature d’Orhan Pamuk, d’Ernesto Sábato, et de José Saramago." Thèse, 2011. http://hdl.handle.net/1866/6236.

Full text

Abstract:

Scénarios d’aveuglement dans la littérature d’Orhan Pamuk, d’Ernesto Sábato, et de José Saramago analyse trois œuvres importantes de trois auteurs contemporains : Mon nom est Rouge d’Orhan Pamuk ; « Rapport sur les aveugles » du roman Héros et tombes d’Ernesto Sábato ; et L’aveuglement de José Saramago. Malgré leurs différences, ces romans ont des points communs évidents, synthétisés dans la figure de l’aveuglement. Cette figure signale l’avènement, dans les textes, d’un régime de connaissance alternatif, centré moins sur le primat de la raison et du visuel que sur une nouvelle capacité cognit

APA, Harvard, Vancouver, ISO, and other styles

25

MARAUCCI, TINA. "Il testo nella città, la città nel testo: Istanbul nella narrativa turca contemporanea." Doctoral thesis, 2017. http://hdl.handle.net/2158/1101056.

Full text

Abstract:

Il lavoro si propone di indagare le rappresentazioni letterarie di Istanbul nella narrativa turca post-1980. L'ipotesi che si intende dimostrare è che il kemalismo, quale "grande narrazione" legittimante la modernità turca, costituisca il testo culturale che le poetiche urbane esibite nelle produzioni letterarie successive al 1980 rilevano per evidenziarne l'intima crisi. L'analisi prende in considerazione due coppie d'autori in un'ottica comparata: Orhan Pamuk e Ahmet Hamdi Tanpınar, per la prospettiva del centro, e Latife Tekin e Yaşar Kemal rappresentanti il punto di vista periferico sull

APA, Harvard, Vancouver, ISO, and other styles

26

Hocková, Eva. "Ne-lidští vypravěči v literární fikci." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-373740.

Full text

Abstract:

This master thesis deals with the phenomenon of non-human narrator in the literary fiction. The theoretical part of the thesis provides a conceptual framework. The framework is based on the so-called unnatural narratology. Firstly, the thesis discusses non-human narrators that are conventionally accepted. Secondly, the thesis provides a case study of non-human narrators that are perceived as unnatural. The case study includes examples from both canonical works and contemporary works. The research focuses on two main levels related to the usage of the phenomenon of non-human narration as used i

APA, Harvard, Vancouver, ISO, and other styles

27

Mądro, Sylwia. "Obraz Turcji w powieściach Orhana Pamuka." Thesis, 2010. http://eprints.rclis.org/24265/1/praca.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Silva, Rogério Paulo da 1962. "Objetos de memória : entre imagem estática e imagem em movimento." Master's thesis, 2018. http://hdl.handle.net/10451/33647.

Full text

Abstract:

Acompanha um DVD com 3 videos relativos ao Trabalho de Projeto: eraser river ; i remenber ; vanishing, apenas consultáveis na Biblioteca da FBAUL com a cota CDA 197 - ULBA018409<br>Objects of Memory is a master's dissertation in Multimedia Art with a theoreticalpractical nature, which we analyze the concept of memory associated with the postcard’s object. Starting from the aggregation of dichotomous concepts such as memory / myth and Gestalt / narrative unit, we explore relationships based in a construction of the visuality having as resource the static image and the moving image, which inters

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!