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Journal articles on the topic 'Orient Oriental'

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Published: 4 June 2021
Last updated: 14 February 2022

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1

Nadel, Ira. "Oriental Bloomsbury." Modernist Cultures 13, no. 1 (2018): 14–32. http://dx.doi.org/10.3366/mod.2018.0192.

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The multiple and occasionally contradictory response of Bloomsbury to the Orient is the focus of this essay which also considers the reverse: the Orient's response to Bloomsbury and the promotion of their texts in the East. From Roger Fry to G. L. Dickinson, Virginia Woolf, and Vanessa Bell, the Orient became a source of aesthetic interest and problematized politics. French Orientalism and Proust initially corroborated the experiences of Woolf in Constantinople and Leonard Woolf in Ceylon, soon to be revised by new views of Imperial authority. Yet Bloomsbury and the Orient artistically depende
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2

Kemper, Michael. "Red Orientalism: Mikhail Pavlovich and Marxist Oriental Studies In Early Soviet Russia." Die Welt des Islams 50, no. 3 (2010): 435–76. http://dx.doi.org/10.1163/157006010x544278.

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AbstractMarxist Oriental Studies in early Soviet Russia emerged in opposition to the 'bourgeois' Russian tradition of classical Oriental scholarship; rather than studying texts and history, Bolshevik Orientalists saw their task in providing the Soviet government with the necessary political and socio-economic knowledge to support the liberation of the contemporary East from colonialism and imperialism. After a failed attempt to stir revolutions in the Muslim World via a 'Congress of the Peoples of the East' in Baku in 1920 and a 'University of Social Sciences for Workers of the Orient' in the
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3

Hirsch, Dafna. "“WE ARE HERE TO BRING THE WEST, NOT ONLY TO OURSELVES”: ZIONIST OCCIDENTALISM AND THE DISCOURSE OF HYGIENE IN MANDATE PALESTINE." International Journal of Middle East Studies 41, no. 4 (2009): 594a. http://dx.doi.org/10.1017/s0020743809990353.

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During the British Mandate period Zionist health organizations and professional groups made an extensive effort to educate the Jewish public in health and hygiene. This article analyzes the Hebrew popular-scientific discourse of hygiene. It looks at the inculcation of hygienic models of conduct as part of a project of modernization and Westernization. As the analysis demonstrates, Zionist identity was constructed as modern and Western in opposition to the Orient and Oriental ways of life. At the same time, “Occidental” and “Oriental” were unstable and sometimes ambivalent categories in the hyg
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4

Ben-Ami, Naama. "Arab Representations of the Occident." American Journal of Islam and Society 25, no. 2 (2008): 128–30. http://dx.doi.org/10.35632/ajis.v25i2.1481.

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In his Orientalism (Vintage Books: 1978), literature teacher and culturalcritic Edward Said claimed that the entire corpus of academic, literary, andartistic knowledge about the Orient in general and theMuslim world in particularthat the West had accumulated and shaped was built up solely toserve its desire to conquer, control, and subjugate the Orient. His thesis waswidely discussed and influenced the study of the Middle East and the attitudesof numerous scholars.According to Said, theWest depicts the Orientas stagnant, static, exotic, submissive, and retarded, in contrast to the supposedlyen
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5

Gadamska-Serafin, Renata. "Góry Kaukaz jako wrota Orientu. Motywy orientalne w twórczości Tadeusza Łady-Zabłockiego." Góry, Literatura, Kultura 11 (July 17, 2018): 111–41. http://dx.doi.org/10.19195/2084-4107.11.9.

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THE CAUCASUS AS A GATE TO THE ORIENT. ORIENTAL MOTIFS IN TADEUSZ ŁADA-ZABŁOCKI'S OEUVREThe East, its culture and literature were always part of the rich, erudite poetic imagination of Tadeusz Łada-Zabłocki 1811–1847, a tsarist exile to the Caucasus. He spoke Oriental languages Georgian and Persian and had a thorough knowledge of the Koran, a short fragment of which he even translated probably from French. Although today we only have his poetry inspired by the Caucasian mountains, he was also no stranger to extensive travel accounts unfortunately, his Dziennik podróży mojej do Tyflisu i z Tyfli
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6

Roozbeh Koohshahee, Roohollah, and Alireza Anushirvani. "Representation of the Orient in Pasolini’s Arabian Nights." International Letters of Social and Humanistic Sciences 58 (September 2015): 123–29. http://dx.doi.org/10.18052/www.scipress.com/ilshs.58.123.

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This article aims at studying the representation of the Orient in Pasolini’s film Arabian Nights(1974). Since this film is a faithful adaptation of Thousand and One Nights it will be examined as carrying the same ideology which the text carries. The text of Thousand and One Nights established and legitimized orientalism in the west. Thus the movie follows suit in institutionalizing Orientalism. This is obtained by a close watching analysis and by looking at the images of the Orient, the plot itself, potential stylistic features which expresses images or attitudes in this regard. Our hypothesis
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7

Ma, Xiaolu. "“The Orient” versus Dongfang." Prism 17, no. 2 (2020): 430–56. http://dx.doi.org/10.1215/25783491-8690436.

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Abstract Since Edward Said published his seminal study on Orientalism, the notion of the Orient has been heavily discussed and hotly debated in both the Eastern and Western worlds. While early studies of Orientalism mainly underline Western fantasies of an exotic East as the West's “other,” Chinese scholars have also been inspired to reconceptualize the notion of the Orient in recent decades. By examining the formation of the notion of dongfang 東方 (the Orient) through journal publications, academic disciplinary construction, and the writing of oriental history, this article observes how the Ch
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8

Oleh Tkach and Tetiana Masliak. "PLACE AND ROLE OF MODERN REGION IN THE GLOBAL ECONOMICAL SYSTEM." International Journal of Innovative Technologies in Economy, no. 5(25) (September 30, 2019): 38–42. http://dx.doi.org/10.31435/rsglobal_ijite/30092019/6668.

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 Economical regional orient has been investigated with considering an economical process forming and organization by the modern period. The role of leading link in this process is played by reproductive structures – regions – but not by industrial ones – enterprises. The very non-commercial structures are leading link in economic sustainable development. Regional oriental- economical system is an element of state, macro regional and global economic spaces that has distinctly expressed hierarchical structure. The development of regional oriental economical system corresponds
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9

Pop Zarieva, Natalija. "“THE ROSE SULTANA OF THE NIGHTINGALE” ORIENTAL IMAGES, CHARACTERS AND SETTING IN BYRON’S THE GIOAUR." Knowledge International Journal 28, no. 7 (2018): 2289–94. http://dx.doi.org/10.35120/kij28072289n.

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It is surprising that Romanticism, a literary movement generally associated with nature, emotions and imagination, had close connection with imperialism, through its most distinguished cultural characteristic - Orientalism. Most of the major Romantic poets found in the Orient not just a noteworthy point of reference for various cultural or political backgrounds, but an important backdrop in the realization of their literary careers. However, most of the writers of this period had never visited the East. Hence, their attitudes towards it differ from Lord Byron’s, who not only embarked on the Gr
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10

Mahdi, Dr Basma Harbi, and Assist Lecturer Suaad Abd Ali Kareem. "Representations of the Oriental Woman in Lord Byron’s “Turkish Tales”." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 223, no. 1 (2017): 37–50. http://dx.doi.org/10.36473/ujhss.v223i1.312.

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This study deals with the representations of the oriental woman in the Western narrative on orient. The Western representations of oriental woman are products of specific moments and developments in culture. For their own rhetorical and political purposes, the Western writers employ a discourse representing an Eastern woman, whose Otherness is always subject to qualification and change. The concern of this study is to reveal how this narrative is revolved around certain concept that the oriental woman is victimized. Byron’s conception of the oriental woman is shaped by these Orientalist ideas.
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Khrisat, Abdulhafeth Ali. "The Image of the Oriental Muslim in Lord Byron’s The Giaour (1813)." English Language and Literature Studies 8, no. 3 (2018): 59. http://dx.doi.org/10.5539/ells.v8n3p59.

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This paper aims to examine The Giaour (1813), a significant poetic work by Lord Byron, nineteenth century romantic British poet, in terms of its presentation of Oriental characters like Hassan and his wife, Leila. Byron uses references to the Oriental Islamic practices through his portrayal of Muslims’ celebration of Ramadan, call for prayer in the mosque, and allusions to the equality of women and men in the Qur’an. Byron, like other Orientalists, adopts an unfairly attitude towards the Orient. His portrait of the Oriental society as patriarchal, where the woman has no freedom at all, a priso
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12

LAU, LISA. "Re-Orientalism: The Perpetration and Development of Orientalism by Orientals." Modern Asian Studies 43, no. 2 (2009): 571–90. http://dx.doi.org/10.1017/s0026749x07003058.

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AbstractThis article discusses the perpetration of Orientalism in the arena of contemporary South Asian literature in English: no longer an Orientalism propagated by Occidentals, but ironically enough, by Orientals, albeit by diasporic Orientals. This process, which is here termed as Re-Orientalism, dominates and, to a significant extent, distorts the representation of the Orient, seizing voice and platform, and once again consigning the Oriental within the Orient to a position of ‘The Other’. The article begins by analysing and establishing the dominant positionality of diasporic South Asian
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13

Rosenblat, Rebecca, and Siu Wa Tang. "Do Oriental Psychiatric Patients receive Different Dosages of Psychotropic Medication when Compared with Occidentals." Canadian Journal of Psychiatry 32, no. 4 (1987): 270–74. http://dx.doi.org/10.1177/070674378703200404.

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The literature suggests the possibility of different drug dosage requirements between patients of different ethnic origins. This study thereby attempted to investigate the average dosages of psychotropic medications being prescribed for Orientals versus Occidentals using a retrospective drug history review and an international opinion survey. The retrospective drug history review compared drug dosages for four commonly used psychotropic medications in well matched Oriental and Occidental populations. Data from this review showed that final/maintenance dosages of amitriptyline were significantl
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14

Pejovic, Roksanda. "Musical instruments depicted in medieval Serbian art under oriental and western influences." Muzikologija, no. 5 (2005): 15–26. http://dx.doi.org/10.2298/muz0505015p.

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Researching musical instruments on frescoes, miniatures, icons and sculptural decorations of mediaeval Serbian art, painted and sculptured in the manner of Byzantine art, we discover Oriental and Western influences. Musical instruments arriving from the Orient were unchanged for centuries and those from West Europe were mainly used in the Middle Ages or the Renaissance. Oriental and Western influences can be observed on instruments of all families-idiophones, membranophones, bowed and string instruments, as well as on aero phones. The same form of some crotales and cymbals can be found both in
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15

Rubiés, Joan-Pau. "Oriental Despotism and European Orientalism: Botero to Montesquieu." Journal of Early Modern History 9, no. 1 (2005): 109–80. http://dx.doi.org/10.1163/1570065054300275.

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AbstractThe issue of how European images of the East were formed, used, and contested is far from simple. The concept of oriental despotism allowed early-modern Europeans to distinguish themselves from the most powerful and impressive non-European civilizations of the Ottoman Middle East, Persia, India, and China on grounds which were neither fundamentally religious nor linked to sheer scientific and technological progress, but political and moral. However, it would be incorrect to treat this as a pure European fantasy based on the uncritical application of a category inherited from Aristotle,
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16

Kundra, Sakul, and Bhawna . "French Travellers’ Treatises on Oriental Diseases and Symptoms: Indo-French Medical History." Artha - Journal of Social Sciences 14, no. 4 (2015): 18. http://dx.doi.org/10.12724/ajss.35.2.

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French travellers and adventures of the 17th and the 18th centuries had shown immense interest to explore the medical knowledge of the Orient. This article systematically analyzes their observations and evaluation on different diseases, symptoms and effects on patients which helped the travellers and adventurers of the later times by providing medical precautions to be taken before sailing on a voyage to the Orient. This article, based on many translated and un-translated records written in the form of letters, memoirs and travelogues by the French, who visited India, focuses on the varied fac
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17

Pennanen, Risto. "Lost in scales: Balkan folk music research and the ottoman legacy." Muzikologija, no. 8 (2008): 127–47. http://dx.doi.org/10.2298/muz0808127p.

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Balkan folk music researchers have articulated various views on what they have considered Oriental or Turkish musical legacy. The discourses the article analyses are nationalism, Orientalism, Occidentalism and Balkanism. Scholars have handled the awkward Ottoman issue in several manners: They have represented 'Oriental' musical characteristics as domestic, claimed that Ottoman Turks merely imitated Arab and Persian culture, and viewed Indian classical raga scales as sources for Oriental scales in the Balkans. In addition, some scholars have viewed the 'Oriental' characteristics as stemming fro
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18

Jerrentrup, Maja Tabea. "Staging the other: Orientalism in contemporary media practice." Arte, Individuo y Sociedad 33, no. 4 (2021): 1329–46. http://dx.doi.org/10.5209/aris.72035.

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The so-called “oriental” has always been a subject for “western” fascination. Today, the staging of the “orient” in (hobby) model photography is among the most popular themes: costumes and props from various cultural contexts are combined to form a new whole. Based on participant observation and interviews, the article traces back possible individual motivations for embodying the “oriental,” among them nostalgia, corresponding with the description of the orient as “timeless,” the need for spirituality, the wish to express femininity, and to work on identity with regard to identity trials and t
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19

Imran, Muhammad, Nazakat, and Adil Khan. "Representation of the Orient: A Postcolonial Perspective on Robert Greene's Selimus." Global Political Review IV, no. IV (2019): 114–23. http://dx.doi.org/10.31703/gpr.2019(iv-iv).13.

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Amidst a variety of cultural cum representational notions of individual or group identity, postcolonial studies attempt not only to explore and unfold how Eurocentric logos builds social realities but employs ways also to deconstruct the stereotypes. It provides theorists and critics with analytical methods to see how a fictional work supports or subverts a common paradigm based on Eurocentrism. The aim of this paper is to analyze Robert Greene's play Selimus and Western logos rules oriental discourse and how the Orient is (mis)represented. The study contends that the play under-study follows
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20

Stasolla, Maria Giovanna. "The “Orient” in Florence (19th Century). From Oriental Studies to the Collection of Islamic Art, from a Reconstruction of the “Orient” to the Exotic Dream of the Rising Middle Class." Oriente Moderno 93, no. 1 (2013): 3–31. http://dx.doi.org/10.1163/22138617-12340002.

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Abstract The second half of the 19th Century was in Florence a period of extraordinary and fruitful interest in the oriental world when the philological and oriental studies were promoted. Thanks to the fervour of these studies, in 1878 Florence was designated to host the 4th Congress of the Orientalists. The “Orient” excited curiosity and collecting passion to such an extent that we could argue that the legacy of the magnificent Medicean collecting was inherited by the private middle-classes. Moreover, the new cultural context contributed to transforming the taste, it gave rise to new styles
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21

Du Plessis, Hester. "Oriental Africa." Tydskrif vir Letterkunde 45, no. 1 (2018): 87–100. http://dx.doi.org/10.17159/2309-9070/tvl.v.45i1.4465.

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Arab culture and the religion of Islam permeated the traditions and customs of the African sub-Sahara for centuries. When the early colonizers from Europe arrived in Africa they encountered these influences and spontaneously perceived the African cultures to be ideologically hybridized and more compatible with Islam than with the ideologies of the west. This difference progressively endorsed a perception of Africa and the east being “exotic” and was as such depicted in early paintings and writings. This depiction contributed to a cultural misunderstanding of Africa and facilitated colonialism.
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Marchand, Suzanne. "‘What did the Greeks owe the Orient?’ The question we can't stop asking (even though we can't answer it)." Archaeological Dialogues 17, no. 1 (2010): 117–40. http://dx.doi.org/10.1017/s1380203810000140.

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AbstractReviewing five recent books in German classical and oriental studies, this essay argues that the question of archaic Greece's debts to the Orient remains a particularly lively one in German-speaking Europe. Like their predecessors in previous generations, iconoclastic classicists like Walter Burkert, oriental archaeologists like Ernst Herzfeld (1879–1948) and maverick outsiders like Raoul Schrott have attacked the enraptured view of ‘the Greek miracle’ familiar to those educated in classicalGymnasien. And yet the question of Greek cultural autonomy is still alive, in part because there
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Kobeckaitė, Halina. "Karaimistyka jako nieodłączny element turkologii w Wilnie." Almanach Karaimski 3 (December 30, 2014): 65–78. http://dx.doi.org/10.33229/ak.2014.3.07.

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The main aim of this article is to describe the role played of two Turkic communities residing in the territory of the Great Duchy of Lithuania from the 14th century onwards – the Karaims and the Tatars – in the appearance and development of oriental and Turkological studies in Vilnius. A short overview of the state of Oriental Studies in Vilnius, in particular in Vilnius University in the 18th–19th centuries, and its correlation with the local “Orient”, is given in the first part of the article. Most of the article focuses on the period between the two world wars, when Karaim and Tatar schola
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Morrison, Alexander. "“Applied Orientalism” in British India and Tsarist Turkestan." Comparative Studies in Society and History 51, no. 3 (2009): 619–47. http://dx.doi.org/10.1017/s0010417509000255.

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Writing in 1872, Sir Alfred Lyall, Governor of the North-Western Provinces of British India, was talking about the reluctance amongst many of the old Muslim scholarly class of North India to embrace the modern, enlightened learning of the West. For Lyall, to be an “Orientalist” was to be one of those Anglo-Indian advocates of state support for “Oriental Learning”—the study of Arabic, Persian, and Sanskrit—in the tradition established by Warren Hastings and Sir William Jones, who had been worsted by the “Anglicists” led by Lord Macaulay in 1835. To adopt the meaning popularized by Edward Said,
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Pujolràs-Noguer, Esther. "‘She Was Such an Exotic Creature’: Feeding the Orientalist Machine in Agatha Christie’s Murder in Mesopotamia." Crime Fiction Studies 2, no. 2 (2021): 121–36. http://dx.doi.org/10.3366/cfs.2021.0042.

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The Orientalist scenario that Agatha Christie’s Murder in Mesopotamia displays is an incontestable representation of the ‘Orient’ as an exoticised ‘Other’ that menaces Western civilization with its inherent tendency towards depravation and savagery. In Christie’s novel, the archaeological site configures a terrain wherein civilisation is safeguarded because controlled by Westerners and yet, civilisation is disrupted the moment a murder is committed and everything indicates that the murderer is ‘one of us’, not the oriental ‘Other’. However, the stranger that endangers the civilising integrity
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Lukashev, Andrey A. "The Problem of the Typology of Rationality in Muslim Culture." Russian Journal of Philosophical Sciences 62, no. 6 (2019): 88–99. http://dx.doi.org/10.30727/0235-1188-2019-62-6-88-99.

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The typology of rationality is one of major issues of modern philosophy. In an attempt to provide a typology to Oriental materials, a researcher faces additional problems. The diversity of the Orient as such poses a major challenge. When we say “Oriental,” we mean several cultures for which we cannot find a common denominator. The concept of “Orient” involves Arabic, Indian, Chinese, Turkish and other cultures, and the only thing they share is that they are “non-Western.” Moreover, even if we focus just on Islamic culture and look into rationality in this context, we have to deal with a conglo
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Bourenane, Abderrahmene. "Authenticity and discourses in Aladdin (1992)." Journal of Arab & Muslim Media Research 13, no. 2 (2020): 235–50. http://dx.doi.org/10.1386/jammr_00021_1.

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Since the first encounters between the East and the West, many Western artistic productions have been produced to introduce the Orient to the Occident. Antoine Galland’s translation of the oriental folkloric tales, known as One Thousand and One Nights marked a cultural transfer through introducing an exotic, colourful and adventurous, yet unsafe, life-threatening and mysterious image of the Orient. Scholars question the authenticity of the translation, and reject the true belonging of the tale of Aladdin’s Wonderful Lamp to the oriental cultural heritage suggesting its Western construction. Th
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Vázquez, Francisco María. "Anotaciones a la tribu Stipeae (Gramineae) para Andalucía oriental (España)." Acta Botanica Malacitana 31 (December 1, 2006): 73–80. http://dx.doi.org/10.24310/abm.v31i31.7121.

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RESUMEN. Anotaciones a la tribu Stipeae (Gramineae) para Andalucía Oriental (España). El estudio taxonómico de los materiales de la tribu Stipeae (Gramineae) procedentes de Andalucía Oriental (España), ha revelado la presencia de dos nuevos taxones, posiblemente endémicos para el área: Macrochloa tenacissima subsp. umbrosa F.M. Vázquez subsp. nov y Stipa almeriensis F.M. Vázquez sp. nov. Además, se incluye una nueva combinación: Macrochloa antiatlantica (Barreña, D. Rivera, Alcaraz & Obón) F. M. Vázquez, comb. nov.Palabras clave: Poaceae, Stipa, Macrochloa, Taxonomía, Península Ibérica.ABS
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Conversano, Emanuela. "Marx, Hegel and the Orient." Philosophica: International Journal for the History of Philosophy 27, no. 54 (2019): 61–80. http://dx.doi.org/10.5840/philosophica2019275420.

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My article does not aim at a comparison between Hegel’s and Marx’s points of view on Asia as such. The Hegelian motives are employed to understand the place and the significance of the Orient in Marx’s writings from the 1850s onwards. The more Marx learns from original and/or updated sources on the Oriental societies, the more Hegel’s authority seems inadequate to provide a reliable and comprehensive account of their history and social organization. Yet his “spirit” still holds together the different perspectives from which the subject is approached by Marx (economy, history and praxis, above
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Mikhail, John. "Dilemmas of cultural legality: a comment on Roger Cotterrell’s ‘The struggle for law’ and a criticism of the House of Lords’ opinions in Begum." International Journal of Law in Context 4, no. 4 (2008): 385–93. http://dx.doi.org/10.1017/s1744552309004054.

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In Orientalism, Edward Said’s seminal critique of Western discourse on the Arab and Islamic world, Said begins with an epigram from Karl Marx: ’They cannot represent themselves; they must be represented‘ (Said, 1979, p. xiii, quoting Karl Marx, The Eighteenth Brumaire of Louis Bonaparte). Said then argues that Marx’s statement captures a basic reality about Western representations of ’Oriental‘ societies, which is that they often rest on a pattern of cultural hegemony. The dominance of European colonial powers, primarily Great Britain and France, over their subjugated populations is what allow
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Zagorodnikova, T. N. "Servant of Tsar and Motherland. Basil Oskarovitch von Klemm (1861–1938) in Bukhara Emirate." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 115–25. http://dx.doi.org/10.31696/2618-7302-2020-1-115-125.

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From the very beginning of his adulthood Basil Oskarovitch von Klemm dreamed of the diplomatic career in the Orient. So he graduated from Lazarev Institute of Oriental Languages and after that from Training Department for Oriental Languages affiliated to the Asiatic Department of Ministry of Foreign Affairs. In summer of 1885 he began working in that Department and after a year was send to Bukhara Emirate to work as an interpreter in Russian Imperial Political Agency. The article concentrates on the beginning of Basil Oskarovitch von Klemm’s service in Central Asia, when he studied the traditi
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Dietrich, Charles. "Les Opéras Parfumés: Aspects of Orientalism in Nineteenth-Century French Opera." Theatre Research International 22, no. 2 (1997): 111–19. http://dx.doi.org/10.1017/s0307883300020526.

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In his introduction to Orientalism, Edward Said defines the West's conceptualization of the East as a European invention which had been ‘since antiquity a place of romance, exotic beings, haunting memories and landscapes, remarkable experiences’. He further posits that this conceptualization has formed a basis on which western civilizations build self-definition. The Orient, therefore, has shifted from the imaginary to the actual. This creation of a culture in opposition has enabled Europeans to construct an impression of their collective ‘Self’ as reflected by the oriental ‘Other’. In this re
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Sooriyakumaran, Michael. "Inventing the Asian community: The Toronto Reel Asian International Film Festival as discourse and collective performance." Asian Cinema 31, no. 2 (2020): 219–34. http://dx.doi.org/10.1386/ac_00024_1.

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This article examines how the Toronto Reel Asian International Film Festival constructs an imagined Asian community and how spectators perform their cultural identities at screenings and on social media. By screening films from some Asian nations and diasporas and not others, and by screening a disproportionate number of films from East Asia, Reel Asian’s programming selections imply that some Asian societies are more Asian than others, and posit certain essentialized cultural practices associated with those societies as being emblematic of the Orient as a whole. At screenings and on social me
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Kurfirst, Robert. "J. S. Mill on Oriental Despotism, including its British Variant." Utilitas 8, no. 1 (1996): 73–87. http://dx.doi.org/10.1017/s0953820800004738.

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European portraits of the great Asian states, China, India, and Persia, remained remarkably constant from the establishment of the Chinese silk trade in the first century B.C. until the religious and mercantile expeditions to the Orient prominent in the late Middle Ages. For more than a millenium, the Eastern empires had been classified by Europeans as stable despotisms – stationary societies governed by custom and tradition and devoid of economic, political, or cultural dynamism. Only during the Enlightenment did the proper interpretation of the merits of ‘Oriental despotism’ become a matter
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Gholi, Ahmad, and Masoud Ahmadi Mosaabad. "Image of Oriental Turkmen Female Travelees in the Nineteenth Century Western Travel Writing." International Journal of Applied Linguistics and English Literature 6, no. 3 (2017): 43. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.3p.43.

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One of crucial issues which Western travel writers in their journeys to the Orient specifically in the height of colonialism in the nineteenth has addressed is Oriental women. Entrapped and conditioned by their cultural baggage and operating on the basis of Orientalist discourse, they have mostly presented a reductive image of their Oriental female travelees as exotic, seductive, sensual, secluded, and suppressed, in lieu of entering into a cultural dialogue and painting their picture sympathetically and respectfully. To convey their lasciviousness, they have expatiated on Oriental harems and
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Al-Shetawi, Mahmoud F. "Shakespeare’s Orientalism Revisited." Critical Survey 32, no. 4 (2020): 21–35. http://dx.doi.org/10.3167/cs.2020.320403.

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This article attempts to document and examine the corpus of Arabic and Islamic allusions and references in Shakespeare’s drama and poetry in line with postcolonial discourse and theory. The works of Shakespeare incorporate a large body of Arabic/Islamic matters, which the Bard has gleaned from different sources, such as travel literature, narratives of pilgrims, history annals and common tales of the Crusaders. However, these matters are sporadic in Shakespeare’s works, woven into the fabric of various plays and poems. For example, Shakespeare has thematically used a set of allusions and refer
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Тетяна Младенова. "ORIENT В. А. МОЦАРТА: ВІД АЛЮЗІЇ ДО ЕТИКО- ЕСТЕТИЧНОЇ СТИЛЬОВОЇ МОДЕЛІ". World Science 2, № 4(56) (2020): 14–20. http://dx.doi.org/10.31435/rsglobal_ws/30042020/7028.

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Throughout the history of music, the dialogue of cultures in the West- East discourse has produced various Orientalism models. Introducing a fashion for oriental decorations in Europe, using new instruments, borrowing modes of musical expression, as well as alluding to signs and symbols of oriental religions and philosophies gave rise to reshaping European musical aesthetics as early as the 18th century. At that time, Wolfgang Amadeus Mozart and his work were undoubtedly pivotal for the art. One can retrospectively observe that Turkish Janissary musical traditions significantly freshened and e
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Albay, Neslihan Günaydın. "Orientalist Perspective in the Letters of Lady Mary Montagu and Kelemen Mikes." World Journal of Social Science 8, no. 2 (2021): 13. http://dx.doi.org/10.5430/wjss.v8n2p13.

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An English aristocrat, poet and writer, Lady Mary Wortley Montagu (1689-1762) was a privileged and distinguished woman traveller in her time. During her sojourn in Ottoman Istanbul, she noted down significant details as regards the Constantinople and seraglio through her vivid descriptions as a liberated woman in her Embassy Letters. Another significant oriental work, Letters from Turkey by Kelemen Mikes (1690-1761), who was a Transylvanian-born Hungarian writer and political figure, is centered upon Mikes’s life in exile between the years 1717 and 1758 within the boundaries of the Ottoman Emp
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Nuzhnaya, T. V. "Oriental Landscape in the Novel “Journey to the Orient” by G. de Nerval." Nauchnyi dialog 1, no. 11 (2020): 242–53. http://dx.doi.org/10.24224/2227-1295-2020-11-242-253.

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Hanjin Eom. "The occidental view of the Orient and the oriental view of the Occident." Korean Journal of Cultural Sociology 19, no. ll (2015): 169–205. http://dx.doi.org/10.17328/kjcs.2015.19..005.

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Scherer, Frank F. "UFA Orientalism. The “Orient” in Early German Film: Lubitsch and May." CINEJ Cinema Journal 1 (October 6, 2011): 89–98. http://dx.doi.org/10.5195/cinej.2011.24.

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Fantastic images of the exotic pervade many early German films which resort to constructions of “Oriental” scenes. Stereotypical representations of China, India, Babylon, and Egypt dominate the Kino-screens of Weimar Germany. These films were produced in the UFA studios outside Berlin by directors such as Ernst Lubitsch (Sumurum/ One Arabian Night, 1920; Das Weib des Pharaos/The Love of Pharaoas 1922) and John May (Das Indische Grabmal/ The Indian Tomb, 1921). Yet, where recent observers resist the use of a postcolonial perspective it becomes difficult to assess the cinematographic exoticism o
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Irfanullah, Gumillar. "Orientalisme Romantis: Imajinasi Tentang Timur Sebelum Edward Said." Jurnal Online Studi Al-Qur'an 11, no. 2 (2015): 157–65. http://dx.doi.org/10.21009/jsq.011.2.05.

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Orientalism is a 1978 book by Edward W. Said, in which Said studies the cultural representations that are the bases of Orientalism, the West's patronizing perceptions and fictional depictions of "The East" — the societies and peoples who inhabit the places of Asia, North Africa, and the Middle East. Orientalism, the Western scholarship about the Eastern World, was and remains inextricably tied to the imperialist societies who produced it, which makes much Orientalist work inherently political and servile to power, and thus intellectually suspect.Orientalism is the exaggeration of difference,
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Raz-Krakotzkin, Amnon. "Orientalism, Jewish Studies and Israeli Society: A Few Comments." Philological Encounters 2, no. 3-4 (2017): 237–69. http://dx.doi.org/10.1163/24519197-12340034.

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One of the claims that was voiced in the debate over Edward Said’s book Orientalism was that the author ignored German Orientalist research. This essay does not discuss this claim itself, but rather uses this debate as a starting point for investigating different aspects of Israeli consciousness. Indeed, German Orientalism was not directly connected to colonialist activity, but it encompassed the discourse regarding the relation between Germany and Judaism and “the Jewish Question.” The question was whether Jews were Oriental and therefore foreign to European culture, or rather a religious gro
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Suvorov, Valeriy V., Anton R. Kiselev, and Alexander S. Fedonnikov. "Tibetan medicine with respect to increased attention to the east in Russian society: The second half of the nineteenth century to early twentieth century." Medical History 65, no. 1 (2020): 18–31. http://dx.doi.org/10.1017/mdh.2020.46.

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AbstractGrowing interest to Tibetan medicine among the Russian scientific community and popularisation of its practices in the Russian Empire metropolitan areas in the second half of the nineteenth century to early twentieth century concurred with on-going changes in perception of the Orient by Russian society, establishment of its positive image, increased interest to the elements of oriental culture and practices within the framework of the Silver Age values, and the development of the natural science and experimental medicine, both of which caused an improvement in the healthcare system in
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Lowe, Lisa. "Rereadings in Orientalism: Oriental Inventions and Inventions of the Orient in Montesquieu's "Lettres persanes"." Cultural Critique, no. 15 (1990): 115. http://dx.doi.org/10.2307/1354182.

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Harris, Ellen T. "With Eyes on the East and Ears on the West: Handel's Orientalist Operas." Journal of Interdisciplinary History 36, no. 3 (2006): 419–43. http://dx.doi.org/10.1162/002219506774929863.

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After the formal establishment of an Austrian competitor to the English East India Company (eic) in 1722, the English drew on every resource available to force the Austrian company to close down—not only political pressure and extensive pamphleteering but also the arts. Of the fifteen operas presented by the Royal Academy of Music from 1724 to 1728, twelve, including seven by George Frideric Handel, featured settings in the Orient. Chosen by the directors of the Academy, who were also eic directors and investors, these Oriental settings kept the image of the East in front of aristocratic audie
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Akkan, Goksu Gigi. "Midnight Express as a Product of Hollywood Orientalism." Communication, Society and Media 1, no. 1 (2018): 20. http://dx.doi.org/10.22158/csm.v1n1p20.

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<p><em>The concept of Orientalism has been a forthcoming issue in film studies, be it the (mis)representation of minority groups in Hollywood, or white</em><em>-</em><em>washing people of color characters in remakes of films from “the Orient”, or through a complete omission of representation of these characters. Ideology is a great aspect in shaping the views of the masses, and as they become more embedded in cultural devices such as films, the more soft power they deploy and the more problematic they become. In Foucauldian terms, knowledge about the Orient
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Abdullah bin Ahmad Al- Ghamidy, Abdullah bin Ahmad Al Ghamidy. "A Trip to the Orient by G?rard De Nerval : The Egyptian Woman as an Example." journal of king abdulaziz university arts and humanities 25, no. 1 (2017): 157–78. http://dx.doi.org/10.4197/art.25-1.7.

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The literature of travel is considered as an art form by many nations. During the 18th and 19th centuries there were an abundance of visits to the Middle East by Western travelers, some of whom were famous and influential. These visits engendered a variety of published documentation in Oriental literary and cultural values. The West had become interested in the Eastern World, specifically the Middle East, following the French Revolution and subsequent to the translation of the Holy Quran and of classical Arabic texts in literature, science, and philosophy such as 1001 nights and Calileh va Dem
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Karam, Savo. "Byron’s Politics in “The Giaour”: A Socio-Political Speculation." International Letters of Social and Humanistic Sciences 39 (September 2014): 77–84. http://dx.doi.org/10.18052/www.scipress.com/ilshs.39.77.

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Historically, Europe was fearful of the remarkably swift expansion of the Ottoman Empire in the 16th century. And it was not until the middle of the 18th century that the brutal struggle between Europeans and Turks ended; but the West then still situated Turkey in an indelible, despotic frame despite the fact that some scholars instigated an interest in Oriental culture. Western literature had for centuries portrayed the East in an aggressive and bigoted manner; this hostile perception distanced the West from the Orient. A new political situation prevailed as the West began a political propaga
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Haddad, Patrick. "Occidental Gender Trouble and the Creation of the Oriental Sodomite." Kohl: A Journal for Body and Gender Research 3, Winter (2017): 184–95. http://dx.doi.org/10.36583/kohl328.

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Recent debates on the issue of “Arab homosexuality” place the creation of that identity category in a framework of European “epistemic hegemony,” putting thus the blame on both Nahdawi writers who adopted a Victorian morality and ethics from their western counterparts, and on contemporary “Arab” LGBT activists that participate in neoliberal NGO practices. These two agents allegedly imbibe a matrix of cis-heteronormativity alien to their societies at the time. Literary critics such as Khaled El-Rouayheb and Joseph Massad, foremost writers on the subject of the Nahda and homosexuality, have pres
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