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1

Jung, Dietrich. "Edward Said, Michel Foucault og det essentialistiske islambillede." Dansk Sociologi 20, no. 3 (2009): 33–50. http://dx.doi.org/10.22439/dansoc.v20i3.3081.

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Edward Saids Orientalism blev kendt som en anvendt udgave af Michel Foucaults diskursteori. Said hævdede at være inspireret af især Foucaults Archaeology of Knowledge og Discipline and Punish i sine analyser af det essentialiserede islambillede i orientalistikken. Med udgangspunkt i Saids hævdede inspiration fra Foucault kritiserer denne artikel Orientalism’s teoretiske ramme fra et sociologisk perspektiv. Dermed følger artiklen Sadik al-Azm’s argument, at Said ikke havde øje for det fænomen, som al-Azm kaldte ”orientalism in reverse”: Islamistiske og arabisk-nationalistiske tænkeres anvendels
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Salhi, Zahia Smail. "The Arab World and the Occident: Toward the Construction of an Occidentalist Discourse." مجلة كلية الشريعة و الدراسات الإسلامية 39, no. 2 (2021): 205–22. http://dx.doi.org/10.29117/jcsis.2021.0306.

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Purpose: This article aims to engage in a meaningful discussion of Occidentalism as a discourse that draws its roots from Orientalism. It scrutinizes the limitations of Occidentalism in investigating the East-West encounter from the perspective of Orientals (Arab intellectuals) and the multifarious ways the latter relate to and imagine the Occident. It will cast a critical eye on the multiple and diverse constructions of Occidentalism as a discourse, arguing that unlike Orientalism, which homogenizes the Orient, Occidentalism does not Occidentalize/homogenize the Occident. Methodology: We take
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Andreouli, Eleni, and Caroline Howarth. "Everyday Cosmopolitanism in Representations of Europe among Young Romanians in Britain." Sociology 53, no. 2 (2018): 280–96. http://dx.doi.org/10.1177/0038038518777693.

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The article presents an analysis of everyday cosmopolitanism in constructions of Europe among young Romanian nationals living in Britain. Adopting a social representations approach, cosmopolitanism is understood as a cultural symbolic resource that is part of everyday knowledge. Through a discursively oriented analysis of focus group data, we explore the ways in which notions of cosmopolitanism intersect with images of Europeanness in the accounts of participants. We show that, for our participants, representations of Europe are anchored in an Orientalist schema of West-vs.-East, whereby the W
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El Bakkali, Abdelaaziz, and Tayeb Ghourdou. "The Western Framing of the Female Captive: A Hermeneutic Study of Captivity in Morocco." European Journal of Language and Culture Studies 1, no. 5 (2022): 17–22. http://dx.doi.org/10.24018/ejlang.2022.1.5.21.

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The study of the Western consumption of the female captive remains central to the circulation of cultural and social constructions in the mainstream visual and literary texts. Due to the massive upsurge of such constructs, the hermeneutic study of the existing images about captivity in the East has stipulated new perspectives into the production of these substantial messages that determine genuine challenges to the preexisting canonical view of cultural representations. As many scholars have advanced critics about the female images in many narratives, Western cinema has shown significant portr
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Sajjad, Tazreena. "What’s in a name? ‘Refugees’, ‘migrants’ and the politics of labelling." Race & Class 60, no. 2 (2018): 40–62. http://dx.doi.org/10.1177/0306396818793582.

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Through a critical examination of European immigration policy and using the case of Afghan asylum seekers in the European continent, this article argues that the politics of labelling and the criminalisation and securitisation of migration undermine the protection framework for the globally displaced. However, the issue goes deeper than state politicking to circumvent responsibilities under international law. The construction of migrants as victims at best, and as cultural and security threats at worst, particularly in the case of Muslim refugees, not only assists in their dehumanisation, it a
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Wissam, Bitari. "Feminist Occidentalist Discourse in ‘Shehrazad Goes West: Different Cultures, Different Harems’ by Fatima Mernissi." Feminist Research 5, no. 2 (2021): 45–46. http://dx.doi.org/10.21523/gcj2.21050201.

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Occidental discourses tend to revise orientalist images about the orient. Many authors have taken the responsibility of giving a new voice to the occident and among those is Fatima Mernissi. In this regard, this paper aims at discussing the shift that has marked the writings of Fatima Mernissi with a particular focus on her book, ‘Shehrazad Goes West: Different Cultures, Different Harems’. It is undeniable that Fatima Mernissi‘s thoughts have known a radical change in terms of ideology and discourse. ‘Shehrazad Goes West’ seems to promote an Occidentalist discourse that isn’t based on appropri
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Bourenane, Abderrahmene. "Authenticity and discourses in Aladdin (1992)." Journal of Arab & Muslim Media Research 13, no. 2 (2020): 235–50. http://dx.doi.org/10.1386/jammr_00021_1.

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Since the first encounters between the East and the West, many Western artistic productions have been produced to introduce the Orient to the Occident. Antoine Galland’s translation of the oriental folkloric tales, known as One Thousand and One Nights marked a cultural transfer through introducing an exotic, colourful and adventurous, yet unsafe, life-threatening and mysterious image of the Orient. Scholars question the authenticity of the translation, and reject the true belonging of the tale of Aladdin’s Wonderful Lamp to the oriental cultural heritage suggesting its Western construction. Th
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Kazamias, Alexander. "Dependence and transposition: Orientalist representations of the Arabs in modern Greek culture." Journal of Greek Media & Culture 8, no. 2 (2022): 161–84. http://dx.doi.org/10.1386/jgmc_00056_1.

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This article analyses Greek orientalism towards the Arabs from the end of the eighteenth to the late twentieth century. It examines an extensive body of texts, beginning with Adamantios Korais’ rallying call for Bonaparte’s invasion of Egypt and ending with the post-Suez attacks on Nasser’s anti-colonial policies by leading post-war Greek writers. The analysis approaches the representations of the Arabs as a branch of a wider Greek orientalist discourse that, for the most part, has focused historically on the Turks. In so doing, it conceptualizes Greek orientalism as partly a ‘borrowed constru
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9

Johnston, Andrew James. "Chaucer‘s Postcolonial Renaissance." Bulletin of the John Rylands Library 91, no. 2 (2015): 5–20. http://dx.doi.org/10.7227/bjrl.91.2.1.

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This article investigates how Chaucer‘s Knight‘s and Squire‘s tales critically engage with the Orientalist strategies buttressing contemporary Italian humanist discussions of visual art. Framed by references to crusading, the two tales enter into a dialogue focusing, in particular, on the relations between the classical, the scientific and the Oriental in trecento Italian discourses on painting and optics, discourses that are alluded to in the description of Theseus Theatre and the events that happen there. The Squire‘s Tale exhibits what one might call a strategic Orientalism designed to draw
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Chagnon, Nicholas. "It’s a Problem of Culture (for Them): Orientalist Framing in News on Violence Against Women." Race and Justice 10, no. 4 (2018): 480–500. http://dx.doi.org/10.1177/2153368718768374.

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This research examines chronological patterns in the social construction of violence against women in the United States and abroad as represented by coverage in the New York Times. It is found that while criminal justice–oriented discourse dominates coverage, the news is less often applying a social problem frame to violence against women occurring in the United States and increasingly linking such violence to culture when it happens in Islamic societies. Thus, coverage contributes to cultural acceptance of an Orientalist binary that juxtaposes “progressive” Western nations with “backward” Eas
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Gil-Bardají, Anna. "La construction sémiotique de l’altérité dans les péritextes de la traduction de Julián Ribera de « L’histoire de la conquête de l’Espagne » d’ibn al Qutiyya de Cordoue." FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 7, no. 1 (2009): 39–59. http://dx.doi.org/10.1075/forum.7.1.02gil.

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This article works from the premise that translation, given its hybrid nature, plays a decisive role in constructing discourses of otherness and identity. Orientalist translation is an excellent source for studying the discourse of otherness, while also providing a wealth of information of how “Self” is perceived and represented. In the case of Spanish orientalism, the construction of such discourses is particularly complex due to the nature of the topic under study: al-Andalus, the Arabic name given to those parts of the Iberian Peninsula governed by Muslims at various times in the period bet
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Lixl, Andreas, and Rolf G. Goebel. "Constructing China: Kafka's Orientalist Discourse." German Studies Review 22, no. 1 (1999): 128. http://dx.doi.org/10.2307/1431603.

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Kempf, Franz R., and Rolf J. Goebel. "Constructing China: Kafka's Orientalist Discourse." German Quarterly 72, no. 1 (1999): 97. http://dx.doi.org/10.2307/407921.

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14

Huang, Yunying. "On Sinofuturism." Screen Bodies 5, no. 2 (2020): 46–62. http://dx.doi.org/10.3167/screen.2020.050205.

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Dominant design narratives about “the future” contain many contemporary manifestations of “orientalism” and Anti-Chineseness. In US discourse, Chinese people are often characterized as a single communist mass and the primary market for which this future is designed. By investigating the construction of modern Chinese pop culture in Chinese internet and artificial intelligence, and discussing different cultural expressions across urban, rural, and queer Chinese settings, I challenge external Eurocentric and orientalist perceptions of techno-culture in China, positing instead a view of Sinofutur
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Putri, Alyssa Syahmina, and Herlin Putri Indah Destari. "On the Orientalism and Neo-Orientalism in Ayad Akhtar’s Disgraced: Analysis on the Dynamics of Amir and Emily’s Relationship." Jurnal Humaniora 31, no. 3 (2019): 282. http://dx.doi.org/10.22146/jh.39065.

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This study analyses the three essential elements of the interracial relationship between Amir and Emily in Ayad Akhtar’s Pulitzer Prize-winning play, Disgraced. They are: Emily’s painting of Amir, her husband, in the style of Portrait of Juan de Pareja by Diego Velázquez; Emily’s White Saviour Complex; and the violence she suffered in the hands of Amir. The first two parts of the analysis will utilise the combination of Identity Construction theory by Stuart Hall, Edward Said’s Orientalism, and the post 9/11 discourse of neo-Orientalism. The last part of the analysis will foreground the entire
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Çi̇çek, Nazan. "“Bulgarian Horrors” Revisited: the Many-Layered Manifestations of the Orientalist Discourse in Victorian Political Construction of the External, Intimate and Internal Other." Belleten 81, no. 291 (2017): 525–68. http://dx.doi.org/10.37879/belleten.2017.525.

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This study largely drawing upon the established conceptual framework of Orientalism in Saidian terms shall analyse the British perceptions and representations of the Bulgarian Crisis of 1876, a salient feature of the Eastern Question, as they appeared in British parliamentary debates. It will also make occasional yet instructive references to the coverage of the Crisis as well as the image of the Ottoman Empire and the Balkans which were organic parts of the Crisis, in some influential periodicals of the era such as the Times and the Contemporary Review in order to better contextualize the deb
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ΓΑΖΗ, ΕΦΗ. "«ΟΡΙΕΝΤΑΛΙΣΜΟΣ». ΤΟ ΚΕΙΜΕΝΟ ΩΣ ΓΕΓΟΝΟΣ". Μνήμων 21 (1 січня 1999): 237. http://dx.doi.org/10.12681/mnimon.795.

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<p>Effie Gazi, «Orientalism». The «text» as «event».</p><p>This paper traces the impact of Edward Said's «Orientalism» on thesocial sciences in the twenty years that followed its first publication.Main emphasis is put on the analytical tools and interpretative strategiesgenerated through a critical reading of «Orientalism» by various disciplinesand fields. In this direction, four interlinked debates are identified:a) one focussing on the function of «Orientalism» as an heuristic toolrather than a general theory in order to overcome the reductionism inherentin holistic framewo
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Zorgati, Ragnhild Johnsrud. "The Painter and the Princess: Constructing Feminism/Decentring Orientalism between Copenhagen, Istanbul, Cairo and Tunis." Cultural History 9, no. 1 (2020): 46–71. http://dx.doi.org/10.3366/cult.2020.0208.

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This article explores the encounters between a Polish-Danish painter and an Egyptian princess in the second part of the nineteenth century, at the junction of Orientalism, modernism and Islamic reformism. The painter Elisabeth Jerichau-Baumann is known for her Orientalist paintings and autobiographical writings, while Princess Nazli Fadhel was a hostess of influential intellectual salons in Cairo and Tunis and, as such, a contributor to the world of art, literature and politics. Jerichau-Baumann and Nazli Fadhel were both creative and controversial personalities engaged in the cultural and pol
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Goebel, Rolf J. "Constructing Chinese History: Kafka's and Dittmar's Orientalist Discourse." PMLA 108, no. 1 (1993): 59. http://dx.doi.org/10.2307/462852.

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Bischof, Karin, Florian Oberhuber, and Karin Stögner. "Gender-specific constructions of the ‘other religion’ in French and Austrian discourse on Turkey’s accession to the European Union." Journal of Language and Politics 9, no. 3 (2010): 364–92. http://dx.doi.org/10.1075/jlp.9.3.02bis.

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This article presents results from a qualitative analysis of religious and gender-specific ‘othering’ in Austrian and French media discourse on Turkey’s accession to the EU (2004–2006). A typology of arguments justifying inclusion and exclusion of Turkey from Europe or the EU is presented, and gender-specific othering is placed in the context of differing national discourses about Europe and diverging visions of secularisation and citizenship. Secondly, various topoi of orientalism are reconstructed which play a crucial role in both national corpora, and it is shown how various historically sh
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Skeet, Charlotte Helen. "Orientalism in the European Court of Human Rights." Religion & Human Rights 14, no. 1 (2019): 31–63. http://dx.doi.org/10.1163/18710328-13021145.

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Abstract This article provides an anti-Orientalist critique of jurisprudence within the European Court of Human Rights. Discussion is located in the context of the longstanding debate over what it is to be “European” and an awareness of how these wider discourses shape rights adjudication at national and intra-national levels in Europe. Argument draws on literature from post-colonial theorists, cultural studies, and feminist legal theory which identify and discuss “Orientalist” discourses to analyse the production of legal knowledge and jurisprudence from the European Court of Human Rights. Th
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Marandi, Seyed Mohammad, and Hossein Pirnajmuddin. "Constructing an Axis of Evil." American Journal of Islamic Social Sciences 26, no. 2 (2009): 23–47. http://dx.doi.org/10.35632/ajiss.v26i2.377.

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A major phenomenon in recent decades within Orientalist discourse is the indigenous Orientalism that can be seen in the works of some scholars, writers, and thinkers. These writers are sometimes referred to as “captive minds,” “brown sahibs,” or what Malcolm X would call the “houseNegro.”1 Defined by their intellectual bondage and dependence on the West and, at times, likened to pop psychologists in their writings about the “natives,” their western counterparts believe them because, as native informants, they are seen to be in a position to produce authentic representations of the Oriental psy
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Marandi, Seyed Mohammad, and Hossein Pirnajmuddin. "Constructing an Axis of Evil." American Journal of Islam and Society 26, no. 2 (2009): 23–47. http://dx.doi.org/10.35632/ajis.v26i2.377.

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A major phenomenon in recent decades within Orientalist discourse is the indigenous Orientalism that can be seen in the works of some scholars, writers, and thinkers. These writers are sometimes referred to as “captive minds,” “brown sahibs,” or what Malcolm X would call the “houseNegro.”1 Defined by their intellectual bondage and dependence on the West and, at times, likened to pop psychologists in their writings about the “natives,” their western counterparts believe them because, as native informants, they are seen to be in a position to produce authentic representations of the Oriental psy
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Culcasi, Karen. "Cartographically constructing Kurdistan within geopolitical and orientalist discourses." Political Geography 25, no. 6 (2006): 680–706. http://dx.doi.org/10.1016/j.polgeo.2006.05.008.

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Gil-Bardají, Anna. "Looking-glass game or the semiotics of otherness in Andalucía contra Berbería by Emilio García Gómez." Babel. Revue internationale de la traduction / International Journal of Translation 65, no. 3 (2019): 374–98. http://dx.doi.org/10.1075/babel.00096.gil.

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Abstract This article analyses the semiotic construction of the Other in the peritexts of three Medieval Arabic chronicles from al-Andalus (the Arabic name for the Iberian Peninsula governed by Muslims from 711 to 1492), published under the title Andalucía contra Berbería by the outstanding Spanish Arabist Emilio García Gómez. Few studies have dealt, from a critical perspective, with the discourse (or discourses) concerning Arabic cultures and societies constructed by European academic Orientalism in general, or by the Spanish Arabism in particular. Assuming that translation, given its hybrid
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Akabli, Jamal, and Chadi Chahdi. "Hollywood’s (Mis) Construction of Gender: The Aesthetics and Politics of Stigmatising Arab/Muslim Women." International Journal of Linguistics, Literature and Translation 5, no. 8 (2022): 17–28. http://dx.doi.org/10.32996/ijllt.2022.5.8.3.

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The image of the Arab and Muslim woman, whether as sexually obsessed and oppressed or simply a backward terrorist invented and reinvented in the studios of Orientalist filmmakers, has been an object for decades (and hardly a subject) of imperial Orientalist discourse. From being depicted as repressed mysterious harems sexually outfoxing one another to gain the sheik’s attention to eroticised veiled belly dancers alluring the audience to eventually fanatical extremists threatening the United States, Arab and Muslim women’s representation reflects that Hollywood cinema had reached its sexist and
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NAS, Alparslan. "Imagining the Periphery: The Construction of Orientalist Discourse in Turkish Airlines Advertisements." Galatasaray Üniversitesi İleti-ş-im Dergisi, no. 24 (October 27, 2016): 145. http://dx.doi.org/10.16878/gsuilet.258975.

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Moumni, Omar. "The Anxieties of the Silent Colonial Discourse in the Sheik." MANUSYA 12, no. 4 (2009): 42–48. http://dx.doi.org/10.1163/26659077-01204004.

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In this paper I examine the Orientalist discourse of the silent movie The Sheik and its contribution to the cultural construction of the Western empire. I argue that despite the orientalizing representation of the Arab “other,” this discourse fails to complete its mission and hence problematizes the cultural identity of the sheik. The movie focuses on the sheik as a villainous Arab whose identity, as the film develops, is revealed to be of European origin. This hybridity problematizes the colonial identitarian discourse, reflects cultural anxieties intrinsic to the West and disrupts the coloni
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Paramita, I. Gusti Agung, Ida Bagus Gde Yudha Triguna, and I. Wayan Budi Utama. "Identity politics of Hindu society in Bali." International journal of social sciences 5, no. 4 (2022): 316–24. http://dx.doi.org/10.21744/ijss.v5n4.2037.

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Balinese researchers such as Nordholt and Picard have extensively explored the discourse of identity formation in Balinese society from the colonial era to modern Bali. Picard, for example, considers Balinese identity to be formed through dialogic construction, namely the contact of Balinese people with their interlocutors (foreigners). But in its development, the Balinese try to construct their own identity according to the references given by the orientalists. In this study, it was found that there was a continuity of discourses with nuances of identity politics in Balinese society such as t
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Dyusekenev, Damir. "Transformation of Russian Orientalism in the Late Imperial and Early Soviet Works of A. Sorokin." Philology & Human, no. 2 (July 21, 2021): 126–33. http://dx.doi.org/10.14258/filichel(2021)2-11.

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The article describes the ways of Kazakh nomads’ representation in the late imperial and early Soviet works of A. Sorokin in the discourse of Russian orientalism. Within the framework of postcolonial research, the most essential features of Russian orientalism are shown, such as the romanticized image of the “children of the steppe” and the spiritual impoverishment of the “Russian man”, the opposition of modernity and naturalness, the City and the Steppe, where A. Sorokin's own author’s myth construction also plays an important role. It is argued that in the new realities of the early Soviet p
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Thake, Conrad. "Envisioning the Orient: The New Muslim Cemetery in Malta." Muqarnas Online 33, no. 1 (2016): 221–51. http://dx.doi.org/10.1163/22118993_03301p009.

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This paper analyzes a project for a new Muslim cemetery in Malta that was realized in 1873–74. It investigates the process of commissioning and implementing the project through an intricate set of relationships between the colonial authorities in Malta, then a British island-colony in the Mediterranean, and the Ottoman, Tunisian, and Moroccan authorities. It considers the key roles played by the various institutional agents and protagonists involved in conceptualizing and executing the project, from the Ottoman sultan Abdülaziz I, acting through his political and cultural interlocutor, the Ott
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Prawadika Aji, Angga. "From Scorching Desert to Tropical Paradise: New Form of Video Game Orientalism in Far Cry 3." Jurnal Media dan Komunikasi Indonesia 2, no. 1 (2021): 73. http://dx.doi.org/10.22146/jmki.60739.

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This paper provides an analysis of different form of orientalism found in the third title of the popular Far Cry game series. The open world system offered by Far Cry 3 brings a new nuance in the discourse of orientalism in video games, especially within the context of military shooter game. It provides both opportunities and challenges for developers to build ‘world’ as real as possible for players to explore. This construction process often reflects the orientalism practices shown by game developers in describing Eastern society and culture. Through a variety of activities such as hunting, e
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Lambrev, Veselina, Bozhin Traykov, and Anna Kirova. "Constructing Roma students as ethnic ‘others’ through orientalist discourses in Bulgarian schools." International Studies in Sociology of Education 27, no. 1 (2018): 23–41. http://dx.doi.org/10.1080/09620214.2018.1425894.

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Grey, Alexandra, and Gegentuul Baioud. "English as Eastern: Zhuang, Mongolian, Mandarin, and English in the linguistic orders of globalized China." International Journal of the Sociology of Language 2021, no. 271 (2021): 35–64. http://dx.doi.org/10.1515/ijsl-2020-0040.

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Abstract Socially constructed and globally propagated East-West binaries have influenced language ideologies about English in the People’s Republic of China (PRC), but they are not hegemonic. This essay explores how East-West language ideologies are reformed in mergers with Mandarin-minority language ideologies. It discusses two separate but similar recent studies of minority language speakers and language ideologies in the PRC, respectively by Grey and Baioud. Each study reveals aspects of how Mandarin and English are being socially constructed as on the same side of a dichotomous and hierarc
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Lin, Grace Cheng-Ying Lin. "Chinese Identity Construction and Reconstruction as a Response to Pandemic Orientalism in Canada." British Journal of Chinese Studies 12, no. 1 (2022): 114–17. http://dx.doi.org/10.51661/bjocs.v12i1.180.

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During the COVID-19 pandemic, Chineseness has been embedded in a set of efficacious public health practices employed by China, Hong Kong and Taiwan to prevent virus spread. These measures were interpreted apprehensively by the West, including Canada, highlighting the knowledge hierarchies between the West (norm) and the East (other) as constructed by an Orientalist mindset. To Canadian Sinophone communities, these knowledge conflicts serve as a medium through which identity is constructed or deconstructed. Their trust in the public health measures has competed against other forces in political
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Doğan, Setenay Nil. "From national humiliation to difference: The image of the Circassian beauty in the discourses of Circassian diaspora nationalists." New Perspectives on Turkey 42 (2010): 77–101. http://dx.doi.org/10.1017/s0896634600005586.

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AbstractThe Circassian Beauty, attributed to the women of the Caucasus, is a historical image of idealized feminine aesthetics that has prevailed in Orientalist literature, art and knowledge production as well as Turkish popular culture. This article argues that this image has been central to the gendered construction of diasporic identity among Circassian diaspora nationalists in Turkey. It aims to explore the multiple meanings attached to the image of the Circassian Beauty, and the ways in which these meanings are historically transformed in line with the political and historical transformat
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Yucesoy, Hayrettin. "BETWEEN NATIONALISM AND THE SOCIAL SCIENCES: AN EXAMINATION OF MODERN SCHOLARSHIP ON THE 'ABBĀSID CIVIL WAR AND THE REIGN OF AL-MA'MŪN." Medieval Encounters 8, no. 1 (2002): 56–78. http://dx.doi.org/10.1163/157006702320365940.

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AbstractThis article attempts to examine the modern historical constructions of the 'Abbāsid Civil War, and the reign of the caliph al-Ma'mūn in the early ninth century C.E. This article argues that concepts such as nationalism, sectarianism, historical positivism, center-periphery relations, realpolitik and political pragmatism have created questionable categories into which this era is molded. However, such categories which draw their legitimacy from orientalist, nationalist and social-scientistic discourses reflect, despite their contributions to our knowledge and understanding, more accura
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Arens, Katherine. "Rolf J. Goebel. Constructing China: Kafka's Orientalist Discourse. Columbia, S.C.: Camden House, 1997. Pp. 137. $54, £45." Austrian History Yearbook 32 (January 2001): 294–96. http://dx.doi.org/10.1017/s0067237800011462.

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Serkova, Vera. "Matrix of “Cultural Disadvantage”." Logos et Praxis, no. 3 (December 2020): 17–26. http://dx.doi.org/10.15688/lp.jvolsu.2020.3.2.

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The article analyzes the matrix as a special form of understanding and describing the phenomena of a foreign culture. The principles of the formation of ideas about the "cultural disadvantage" of Russians are analyzed. Over time, the "Western" discourse about Russia becomes more sophisticated and harsher; it can take the form of economic sanctions, political pressure, recommendations, and clothe itself in the form of "soft" and "hard" power. But its structure remains unchanged, which allows us to see the matrix basis of this kind of representations. The matrix construction is used as a set of
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Mukherjee, Amitrajeet. "Terror Recollected in Tranquility: The Oriental Gothic and the Sublime Imagination of Thomas De Quincey." International Journal of English and Comparative Literary Studies 2, no. 3 (2021): 45–54. http://dx.doi.org/10.47631/ijecls.v2i3.221.

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This paper explores Thomas De Quincey’s seminal text Confessions of an English Opium Eater, examining the artistic vision of the writer and locating the author and his text within the context of the growing British Imperial project in the early 19th century. By locating the substance of his addiction, opium, within the economic, political, and cultural discourses that were developing in Britain at the time, this paper aims to deconstruct the ambivalent relationship that De Quincey, and by extension large segments of British society, had towards an imagined construction of the Orient. By analyz
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Daulay, Resneri, and Tomi Arianto. "THE CONSTRUCTION OF POSTCOLONIAL DISCOURSE IN THE STORY ROBOHNYA SURAU KAMI BY A. A. NAVIS." IdeBahasa 2, no. 1 (2020): 13–26. http://dx.doi.org/10.37296/idebahasa.v2i1.36.

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The story of Robohnya Surau Kami by A. A. Navis is an indirectly provocative work of fiction which arouse eastern society, represented in the life of Minangkabau people at that time, to realize their helplessness in order to take the initiative and express their silenced voices. This short story directs people to carry out a reformist movement in their constraints to the traditions they have lived for centuries because of colonialism. This short story was made in the 1990s where many Minangkabau Ulemas tended to focus more on education and intellectual activity rather than physical resistance.
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Ciecko, Anne. "Mary Hallock-Greenewalt's Spectral Middle East." Feminist Media Histories 3, no. 1 (2017): 25–49. http://dx.doi.org/10.1525/fmh.2017.3.1.25.

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This essay dialogically examines materials from Mary Hallock-Greenewalt's largely self-curated and reflexively annotated archive, illuminating overlooked facets of her life and work, in particular her bicultural upbringing, elements of syncretism that inform her oeuvre, and her practices of self-mythologizing. The text is divided into interconnected sections that explore the following facets of the spectral Middle East in Hallock-Greenewalt's life and work: the remembrance of the Syrian mother, the activation of pervasive Orientalist discourses, genealogical expansions through the figure of Ha
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Kirk, Matthew D. "Gendering journalistic voices for gendered political violence? Agential representations of Palestinian female suicide bombers in UK broadcast news media." Northern Lights: Film & Media Studies Yearbook 19, no. 1 (2021): 43–58. http://dx.doi.org/10.1386/nl_00022_1.

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In the late twentieth century, the rise of the female suicide bomber phenomenon was prevalent in Chechnya, Lebanon and Sri Lanka. Arguably, in terms of academic engagement and visibility within the wider public consciousness, the first wave of Palestinian female suicide bombers during the second intifada (2000‐05) encapsulates particular notoriety in relation to the perceived deviance of Palestinian female participation in political violence. Key to this construction is the role of news media as an agent of power. This article examines coverage of Palestinian female suicide bombers during the
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Bishop, Paul. "Book Reviews : Constructing China: Kafka's Orientalist Discourse. By Rolf J. Goebel. Columbia, SC: Camden House, 1997. Pp. 137. £45.00." Journal of European Studies 28, no. 1 (1998): 206–7. http://dx.doi.org/10.1177/004724419802800139.

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Bishop, Paul. "Book Reviews : Constructing China: Kafka's Orientalist Discourse. By Rolf J. Goebel. Columbia, SC: Camden House, 1997. Pp. 137. £45.00." Journal of European Studies 28, no. 109-110 (1998): 206–7. http://dx.doi.org/10.1177/004724419802810939.

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Abdul karim zamri, Norena, and ADAM Abdul Karim Zamri. "IN THE LENSE OF THE ODD: CONSTRUCTING THE OTHERNESS IN MALAYSIAN HISTORY." Asia Proceedings of Social Sciences 6, no. 1 (2020): 84–88. http://dx.doi.org/10.31580/apss.v6i1.1271.

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This study provides an understanding of Otherness concept in contemporary social and cultural thought. It tries to delves on the many histories consumed by the Malaysian publics. It is based on the premised that historical knowledge of the nation is ethnicized. This study is aware that there is no official history of the nation. What has come to be known as the nation’s history evolved over space and has been accepted currently as mainstream history. By combining the fields of postcolonial theory and culture studies, it uses a theoretical framework that attaches contemporary cultural debates r
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Khrenov, Nikolai A. "The concept of the «Other» in the construction of civilizational identity." Verhnevolzhski Philological Bulletin 4, no. 27 (2021): 187–96. http://dx.doi.org/10.20323/2499-9679-2021-4-27-187-196.

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Being a part of a large-scale study, the article is devoted to the relationship between three civilizations, America, China, and Russia, at the turn of the XXth and XXIst centuries. The author focuses on civilization as the Other in the construction of civilizational identity. It has been noted that in forming and maintaining civilizational identity the Other turns out to be not only irremovable, but also unavoidable. Moreover, the presence of the Other is a condition for constructing civilizational identity. Besides, it does not matter whether this Other acts as a friend or an enemy. There ca
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Bardají, Anna Gil. "Academic discourse and translation from Arabic." Babel. Revue internationale de la traduction / International Journal of Translation 55, no. 4 (2009): 381–93. http://dx.doi.org/10.1075/babel.55.4.05gil.

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Translation, like any other mechanism of text production, has the intrinsic potential of both producing and reinforcing a specific discourse. In spite of the never-ending debate about the discursive character of academic knowledge and Edward Said’s particular interpretation of Foucault in Orientalism, it is difficult to deny that for a long time many European universities have fostered some of the most important misconceptions about Arab culture(s). In this kind of academic discourse, translation plays a central role. Translated texts are one step further than those texts written about the oth
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MEHAN, Asma. "“TABULA RASA” PLANNING: CREATIVE DESTRUCTION AND BUILDING A NEW URBAN IDENTITY IN TEHRAN." JOURNAL OF ARCHITECTURE AND URBANISM 41, no. 3 (2017): 210–20. http://dx.doi.org/10.3846/20297955.2017.1355277.

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The concept of Tabula Rasa, as a desire for sweeping renewal and creating a potential site for the construction of utopian dreams is presupposition of Modern Architecture. Starting from the middle of the 19th century to the first half of the 20th century, Iranian urban and architectural history has been integrated with modernization, and western-influenced modernity. The case of Tehran as the Middle Eastern political capital is the main scene for the manifestation of modernity within it’s urban projects that was associated with several changes to the social, political and spatial structure of
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McKenna, Steve. "A critical analysis of North American business leaders’ neocolonial discourse: global fears and local consequences." Organization 18, no. 3 (2011): 387–406. http://dx.doi.org/10.1177/1350508411398728.

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Using a postcolonial analytic frame and critique this article investigates the nature of the discourse used by 24 North American business leaders to describe, understand and make sense of the economic development of China and India and contemporary international encounters. In particular the article investigates how business leaders discursively characterize this ‘threat’, how they (re)present China and India and, how they discursively construct the requirements of a response to this ‘threat’. An analysis of the interviews indicates the persistence of the discourse of (neo)colonialism (Orienta
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