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Books on the topic 'Orientalist'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Tunstall, Dwayne A., and Coeli Fitzpatrick. Orientalist writers. Detroit: Gale Cengage Learning, 2012.

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2

Marc, Walter, ed. Exotic taste: Orientalist interiors. New York: Vendome Press, 2011.

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3

Collection, Najd. Najd Collection of orientalist paintings. London: Produced by Manara, 1991.

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4

Goebel, Rolf J. Constructing China: Kafka's orientalist discourse. Columbia, SC, USA: Camden House, 1997.

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5

1970-, Vijay R., and Gallery Espace (New Delhi, India), eds. Confessions of an evil orientalist. New Delhi: Gallery Espace Art, 2011.

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6

1939-, Baldwin Gordon, ed. Roger Fenton: The Orientalist suite. [Los Angeles]: J. Paul Getty Museum, 1996.

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7

Allan, David. Orfèvrerie française orientaliste du 19ème siècle -: French Orientalist silver of the 19th century. Paris: August Eight Limited, 2003.

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8

Khaldoun, Samman, and Al-Zoʻby Mazhar, eds. Islam and the Orientalist world-system. Boulder: Paradigm Publishers, 2008.

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9

Jacobson, Ken. Odalisques & arabesques: Orientalist photography 1839-1925. London: Quaritch, 2007.

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10

Gill, Hélène. The language of French orientalist painting. Lewiston, N.Y: Edwin Mellen Press, 2003.

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11

Art Gallery of Hamilton (Ont.), ed. Europe's exoticized East: Orientalist art of the 19th century. Hamilton, Ont: Art Gallery of Hamilton, 2010.

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12

Ghurāb, Aḥmad ʻAbd al-Ḥamid. Subverting Islam: The role of Orientalist centres. Washington: Minerva Press, 1995.

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13

Haering, Hans. Goethe und der Orientalist Georg Wilhelm Lorsbach. Wetzlar: Wetzlarer Goethe-Gesellschaft, 1993.

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14

R, Carter Steven. James Jones: An American literary Orientalist master. Urbana: University of Illinois Press, 1998.

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15

Kensington, Ltd Christie's South. 19th century European art: Including Orientalist pictures. London: Chrisite's, 2003.

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16

Howard, Tanner, and Wilson Hardy, eds. William Hardy Wilson: Artist, architect, orientalist, visionary. Sydney: Watermark Press, 2001.

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17

Kensington, Ltd Christie's South. 19th century European art, including Orientalist pictures. London: Christie's, 2002.

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18

Goldziher, Ignác. Renan als Orientalist: Gedenkrede am 27. November 1893. Zürich: Spur-Verl., 2000.

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19

Semmerling, Tim Jon. "Evil" Arabs in American popular film: Orientalist fear. Austin: University of Texas Press, 2006.

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20

Arnold, Raphael. William Jones: Ein Orientalist zwischen Kolonialismus und Aufklärung. Würzburg: Ergon, 2001.

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21

Nicholas, Tromans, Kabbani Rana, Yale Center for British Art., Tate Britain (Gallery), Pera Müzesi, and Matḥaf al-Shāriqah lil-Funūn, eds. The lure of the East: British Orientalist painting. London: Tate, 2008.

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22

Nicholas, Tromans, Kabbani Rana, Yale Center for British Art., and Tate Britain (Gallery), eds. The lure of the East: British orientalist painting. New Haven, CT: Yale University Press, 2008.

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23

Hans, Stein, ed. Wilhelm Pertsch: Orientalist und Bibliothekar : zum 100. Todestag. Gotha: Forschungs- und Landesbibliothek, 1999.

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24

Semmerling, Tim Jon. "Evil" Arabs in American popular film: Orientalist fear. Austin, TX: University of Texas Press, 2006.

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25

Nicholas, Tromans, and Kabbani Rana, eds. The lure of the East: British Orientalist painting. New Haven, CT: Yale University Press, 2008.

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26

Orientalist. Nabu Press, 2012.

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27

Orientalist writers. Detroit: Gale Cengage Learning, 2012.

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28

Orientalist Poetics. Routledge, 2017. http://dx.doi.org/10.4324/9781315247496.

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29

The Orientalist. Random House, 2005.

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30

Reiss, Tom. The Orientalist. Chatto and Windus, 2005.

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31

Eminent Orientalist. Cosmo (Publications,India), 2002.

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32

The Orientalist. London: Random House Publishing Group, 2010.

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33

The Orientalist. RB Large Print, 2005.

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34

Slaoui, Abderrahman. The Orientalist Poster. I. B. Tauris, 2000.

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35

Orientalist; Volume 1. Creative Media Partners, LLC, 2023.

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36

Orientalist; Volume 1. Creative Media Partners, LLC, 2023.

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37

Goonetilleke, William. Orientalist; Volume 1. Creative Media Partners, LLC, 2018.

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38

(Contributor), Fatema Mernissi, Christine Riding (Contributor), and Heather Birchall (Contributor), eds. British Orientalist Painting. Yale University Press, 2008.

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39

Sotheby's (Firm). Important Orientalist paintings. 1985.

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40

Altman, Michael J. Orientalism in Nineteenth-Century America. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.19.

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Abstract:

During the nineteenth century, Americans encountered Asia through a number of exchanges. Drawing on the work of Edward Said, this chapter surveys the development of American Orientalism across three areas: academic Orientalism, representative Orientalism, and Orientalist discourses of power. Academic Orientalism first developed in the United States as the work of British Orientalists in India filtered into the country. Later, Americans such as William D. Whitney placed American Orientalism on par with its European competitors. Meanwhile, Ralph Waldo Emerson, Henry David Thoreau, imagined Asia as a land of Oriental mysticism and contemplation in contrast to American materialism and reason. Finally, the World’s Parliament of Religion in 1893 used representations of the Orient to bolster claims of American cultural supremacy. Through all of these examples, Orientalism collapsed the line between religion and race such that the Orient always represented racial and religious inferiority to white Christian America.

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41

Barker, Susan. Orientalist and the Ghost. Transworld Publishers Limited, 2014.

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42

Fiddian, Robin. Borges the Post-Orientalist. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794714.003.0007.

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The chapter examines several works including ‘The East’, ‘A Thousand and One Nights’, and ‘Buddhism’, which are on subjects relating to the East, and finds conclusive evidence of a post-Orientalist optic in Borges’s writing at this point in his life. Japan inspires ‘The Stranger’ and ‘Nihon’, both included in The Limit and outstanding examples of Borges’s wit and craftsmanship. A comparison between ‘Nihon’ and ‘Story of the Warrior and the Captive Woman’ from an earlier collection illustrates Borges’s evolved approach to the binary opposition between civilization and barbarism, across the East–West divide. Two milongas are also studied in the context of the war in the South Atlantic (1982) and point to a disillusioned conclusion about Argentina 170 years on from formal independence in 1810.

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43

Orientalist photographs: 1870-1950. Paris: Flammarion, 2008.

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44

120 Great Orientalist Paintings. Dover Publications, 2010.

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45

The Orientalist; Volume 1. Franklin Classics, 2018.

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46

Goonetilleke, William. The Orientalist; Volume 1. Franklin Classics Trade Press, 2018.

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47

Barker, Susan. Orientalist and the Ghost. Transworld Publishers Limited, 2008.

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48

Gurney, John D. Browne: Study of an Orientalist. University of Cambridge ESOL Examinations, 2002.

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49

Freye, Andreas. Emil Kautzsch: Alttestamentler und Orientalist. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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50

Freye, Andreas. Emil Kautzsch: Alttestamentler und Orientalist. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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