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Dissertations / Theses on the topic 'Orientalist'

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1

Cristofi, Renato Brancaglione. "O orientalismo arquitetônico em São Paulo - 1895 - 1937." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20122016-152110/.

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Esta dissertação tem como objetivo central a compreensão do Orientalismo Arquitetônico em São Paulo, entre 1890 à 1937. Almeja-se por assim, entender a historicidade deste fenômeno, desde a incorporação do vocabulário arquitetônico até a constituição de um diversificado, heterogêneo e particularizado campo social de produção pelas ruas da cidade. Leva-se em conta, como motivos definidores de sua vivência cultural: seus agentes-produtores, seus interlocutores sociais, seus sentidos e signos sociais nas especificidades da São Paulo da Primeira República. O que para além das características e var
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Khosravi, Mojgan. "Shirin Neshat: A Contemporary Orientalist." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/73.

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This thesis analyzes Shirin Neshat’s Women of Allah photographs by exploring key socio-political events that have shaped Iranian history since the reign of Cyrus the Great, ca. 600 B.C. Since Neshat’s photographs have been largely intended for a Western audience, it is important to explore the concept of colonialism that has created East/West polarities and so greatly influenced our modern era. This paper intends to demonstrate that Neshat’s images perpetuate Edward Said’s concept of Orientalism, which allocates the Oriental to an inferior position vis-à-vis his Occidental counterpart. For a W
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Schnell, Andréa Elizabeth. "Gertrude Bell : an Orientalist in context." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112515.

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This thesis is about the life and work of Gertrude Bell, a British woman born in the late nineteenth century, whose extensive knowledge of Middle East cultures and people won her a job as the Oriental Secretary in Iraq after World War One. Modern historians, including Toby Dodge and Edward Said, consider Bell to be an irredeemable orientalist, one whose work is only ethnocentric and essentialist. Using the work of Billie Melman and Mohja Kahf, my aim is to contextualize Bell's work, and to see if, given the various circumstances in which she worked, a more sympathetic reading is not possible,
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Naimi, Mohammed Nour. "T.E. Lawrence and the Orientalist tradition." Thesis, University of Essex, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293424.

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Larsson, Emelie. "Orientalisk institution eller institutionaliserad orientalism? : En arkivvetenskaplig studie av Carolina Redivivas orientaliska handskriftssamling." Thesis, Uppsala universitet, Institutionen för ABM, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-253477.

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This thesis aims to shed light on the collection of Oriental manuscripts at the Uppsala University Library Carolina Rediviva and how the collection is a part of the collective memory. The main question which is central for this thesis is: have orientalism and structures of power influenced the acquisition, arrangement and methods of accessability regarding the Oriental manuscripts? If yes, in what way and why? If no, how has this been avoided? The theoretical framework consists of four approaches: phenomenology, sociology of knowledge, orientalism and power which are applied to the archival co
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Arnold, Raphael. "William Jones : ein Orientalist zwischen Kolonialismus und Aufklärung /." Würzburg : Ergon, 2001. http://catalogue.bnf.fr/ark:/12148/cb39995705w.

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Johnson, Maya Ayana. "Harem Fantasies and Music Videos: Contemporary Orientalist Representation." W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626527.

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Chaudhuri, Rosinka. "Orientalist themes and English verse in nineteenth-century India." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:737ba2e1-99f4-4abb-ac87-4e344be4d15c.

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This thesis demonstrates how a specific tradition of English poetry written by Indians in the nineteenth-century borrowed its subject matter from Orientalist research into Indian antiquity, and its style and forms from the English poetic tradition. After an examination of the political, historical and social motivations that resulted in the birth of colonial poetry in India, the poets dealt with comprise Henry Louis Vivian Derozio (1809-31), the first Indian poet writing in English ; Kasiprasad Ghosh (1809-73), the first Bengali Hindu to write English verse; and Michael Madhusudan Dutt (1824-7
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Freye, Andreas [Verfasser]. "Emil Kautzsch (1841–1910) : Alttestamentler und Orientalist / Andreas Freye." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/1173658270/34.

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Maatouk, Stefan. "Orientalism - A Netflix Unlimited Series : A Multimodal Critical Discourse Analysis of the Orientalist Representations of Arab Identify on Netflix Film and Television." Thesis, Malmö universitet, Malmö högskola, Institutionen för globala politiska studier (GPS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-43793.

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Orientalism was a term developed by post-colonial theorist Edward Said to describe the ways in which Europeans, or the West, portrayed the Orient as inferior, uncivilized, and wholly anti-Western. Netflix Inc., the world’s largest subscription-based streaming service, which as of 2018, expanded its streaming venue to over 190 countries globally, is the wellspring of knowledge for many people. Through the multimodal critical discourse analysis of 6 Netflix films and television programmes (Stateless, Gods of Egypt, Messiah, Al Hayba, Sand Castle, and Fauda) the study examines the extent to which
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Kelso-Marsh, Caleb. "It's Chinatown: Orientalist discourse and the city in the noir tradition." Thesis, Kelso-Marsh, Caleb (2015) It's Chinatown: Orientalist discourse and the city in the noir tradition. Honours thesis, Murdoch University, 2015. https://researchrepository.murdoch.edu.au/id/eprint/27071/.

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This thesis provides an analysis of the films Chinatown (1974) and Blade Runner (1982) on the basis of three characteristics. Both films stem from the tradition of film noir. While there is debate over the use of the term as a genre category, it is widely agreed to refer to a specific period of cinema between 1940 and the late 1950s from which these two films draw stylistic inspiration. One way in which this influence is evident is in Chinatown and Blade Runner’s use of cityscape. Both films are set in LA, a city in which the majority of traditional film noirs are also set. It is my argument t
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Abdel-Naim, Samir A. "Orientalism in transit : orientalist discourse and post-colonial theory in literary representation of Eastern Europe in Olivia Manning's The Balkan trilogy and The Levant trilogy." Thesis, University of Reading, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494775.

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This thesis 'Orientalism in Transit' examines the literary-cultural representation of Eastern Europe within the discourse of Orientalism as pioneered by Edward Said and, subsequently, by other post-colonial theorists. It, thus, aims to push the boundaries of postcolonial theory beyond its conventional literary-critical landscape. The thesis investigates the complexity and the ambivalence of the place of Eastern Europe in some literary-cultural texts, with particular attention to The Balkan Trilogy and The Levant Trilogy. Eastern Europe emerges as a paratext, a place that is represented paradox
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Bryce, Derek. "Turkey and Western subjectivity : Orientalist ontology and the occlusion of Ottoman Europe." Thesis, Glasgow Caledonian University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518237.

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This thesis takes up what is perceived by the author to be a lacuna in Edward W. Said's (1978) study, Orientalism. It is argued that so over-determined is Said's focus on the political, aesthetic and intellectual Western 'Orientalising' of the Arab-Islamic Middle East and North Africa that specific attention is insufficiently directed to the case of the principal imperial state in the region, the Ottoman Empire and its successor, the Turkish Republic. The study begins by exploring the work of Said's principle theoretical source, Michel Foucault specifically as it pertains to the history of the
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Haber, Peter. "Zwischen jüdischer Tradition und Wissenschaft : der ungarische Orientalist Ignác Goldziher (1850-1921) /." Köln : Böhlau, 2006. http://catalogue.bnf.fr/ark:/12148/cb41016656j.

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Tammita-Delgoda, Asoka SinhaRaja. "'Nabob, historian and orientalist' : the life and writings of Robert Orme (1728-1801)." Thesis, King's College London (University of London), 1991. https://kclpure.kcl.ac.uk/portal/en/theses/nabob-historian-and-orientalist--the-life-and-writings-of-robert-orme-17281801(1b07b46e-f262-4424-b139-d268b416f66a).html.

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Peernajmodin, Hossein. "Orientalist representations of Persia in the works of Spenser, Marlowe, Milton, Moore and Morier." Thesis, University of Birmingham, 2002. http://etheses.bham.ac.uk//id/eprint/56/.

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This study aims at investigating the representations of Persia in a number of canonical and non-canonical texts in English literature. The theoretical framework comes from Edward Said’s analysis of orientalism. It is argued that the case of Persia instances the heterogeneous and striated character of orientalism (‘representations’ rather than ‘representation’ in the title). It is shown that while a number of relatively similar set of motifs and topoi, mainly derived from classical tradition and contemporary travel writing, circulate in the works of the three Renaissance authors included (Spens
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Taylor, Kathleen. "The creation of a legendary Orientalist : Sir John Woodroffe as 'Arthur Avalon' in Calcutta." Thesis, SOAS, University of London, 1998. http://eprints.soas.ac.uk/28512/.

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The thesis studies the collaboration between Sir John Woodroffe and his Bengali friend Atal Bihari Ghose. Together they created the pseudonymous orientalist Arthur Avalon who produced a considerable volume of works on Tantra from 1913 onwards, and brought about a revolution in attitudes to this previously despised branch of the Hindu religion. Woodroffe became identified with Avalon in the public eye, but Ghose was Woodroffe's chief source of the textual knowledge in which 'Arthur Avalon' appeared to be deeply versed. I try to assess Woodroffe's own relationship to Sanskrit and to the texts, a
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Sutton, Summer Stephanie. "Implications of "Neo-Orientalist" conservation in Fez, Morocco : need for an innovative non-profit alternative." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/72875.

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Thesis (S.M. in Architecture Studies)--Massachusetts Institute of Technology, Dept. of Architecture, 2012.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (p. 113-117).<br>The exotic and mystical image of Morocco has been imbedded in the minds of outsiders even before the French protectorate was established in the early 20th century. Many countries whose modern history has its origins in an outside hegemonic power tend to be ambivalent towards the impact of the colonizer's continued presence in the contemporary culture. Morocco, for example, has grown to embrace
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Bergsten, Lisa. "Evil Monsters and Machines : A Techno-Orientalist Perspective on Threat Perception in the United Kingdom." Thesis, Försvarshögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-9697.

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This thesis looks at the construction of China as a security threat in the United Kingdom, through the theoretical lens of techno-Orientalism. The main argument is that techno-Orientalist ideas influence the Western perception of China as a security threat, which leads to the creation of certain fears regarding China which affects the identity creation of both the United Kingdom and China. Techno-Orientalism shows how the West perceives itself as losing its grip on modernity, and thus the future; the East is being perceived as the producers of technology which lead to the opposite of the desir
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McFarland, Kelly M. "All About the Wordplay: Gendered and Orientalist Language in U.S.-Egyptian Foreign Relations, 1952-1961." Kent State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=kent1279302593.

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Pradittatsanee, Darin. "Spiritual quest, Orientalist discourse, and "assimilating power" : Emerson's dialogue with Indian religious thought in cultural context /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9978259.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 319-335). Also available for download via the World Wide Web; free to University of Oregon users.
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Hesslind, Hazzel. "Synen på de forna amerikanska högkulturerna i grundskolans läroböcker." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49989.

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Patel, Shaista. "Legalizing the racialization of Muslim : an anti-Orientalist discourse analysis of the Anti-terrorism Act of Canada." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31994.

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The central argument in this research is that the knowledges produced through the Antiterrorism Act naturalize the Orientalist construction of male Muslim bodies as threats to the nation, while simultaneously legitimizing the Canadian nation as white. This study disrupts the binary of the security versus civil liberties debates surrounding the dominant discourses about the Anti-terrorism Act. Using race, space and the law as critical tools of analysis, I examine the Orientalist rationalities underpinning the successful mobilization of the Antiterrorism Act as a "juridical discourse" of the Can
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Gill, Jagvinder. "Re-oriented Britain : how British Asian travellers and settlers have utilised and reversed Orientalist discourse 1770-2010." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/35727/.

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Beginning with Edward Said's seminal text, I will question the assumption of Orientalism as a universal and didactic discourse that was conducted exclusively from the West to and for the East. Said's overarching condemnation of Orientalism as an exclusively Western hegemonic structure overlooks the paradigm that Indians were not just collaborative producers of the Orientalist text but selective readers as well. I will argue that the contribution made by the influx of colonised people from the periphery to the colonial centre from the eighteenth century onwards has historically been overlooked.
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Bijdiguen, Loubna. "Colonial and Orientalist veils : associations of Islamic female dress in the French and Moroccan press and politics." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/14844/.

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The veiled Muslimah or Muslim woman has figured as a threat in media during the past few years, especially with the increasing visibility of religious practices in both Muslim-majority and Muslim-minority contexts. Islamic dress has further become a means and technique of constructing ideas about the ‘other’. My study explores how the veil comes to embody this otherness in the contemporary print media and politics. It is an attempt to question constructions of the veil by showing how they repeat older colonial and Orientalist histories. I compare and contrast representations of the dress in Mo
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Balakireva, Victoria. "The Mah Jong Game of Life : Storytelling, Identity and Orientalist Discourse in Amy Tan’s The Joy Luck Club." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-45260.

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This project examines the connection between the representations of Chinese American women and the Orientalist discourse, as depicted in Amy Tan’s The Joy Luck Club. Using a deconstructive and intersectional approach, the project focuses on four interconnected constituents that regulate the novel’s main structural and thematic elements: Narrative Structure; Mother-Daughter Relationships; Language, Writing and Identity; and Feminist Affirmations. The project’s aim is to understand the logic of the novel’s representation by juxtaposing and analyzing the contrasting arguments within each of the s
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Elgamri, Elzain. "Islam in the British broadsheets : how historically-conditioned orientalist discourses inform representations of Islam as a militant monolithic entity." Thesis, University of Westminster, 2005. https://westminsterresearch.westminster.ac.uk/item/92w4y/islam-in-the-british-broadsheets-how-historically-conditioned-orientalist-discourses-inform-representations-of-islam-as-a-militant-monolithic-entity.

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From the Iranian revolution in 1979 to the London underground suicide bombings on the 7th of July 2005, the image of Islam as a militant anti-Western faith featured dominantly in the global mass media. This thesis examines the claim that the Western media representation of Islam, the second largest religion in the world with over one billion followers, is predominantly negative and demonizing. Current debates attribute this demonizing and reductive representation to the historically polarised relationship between Islam the West. Central to this argument is that the Western media in general, an
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Barbo, Adrianne Marie. "From Post-Cards to Stand-Up: Cross Cultural Representations of the Veil in France and the Maghreb." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1436979499.

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Perry, Nicole. "Karl May's Winnetou : the image of the German Indian, the representation of North American First Nations from an Orientalist perspective." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99741.

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Karl May is considered Germany's most published author of popular literature. His influence on generations of German youth cannot be overlooked. Winnetou is one of his major works and depicts the adventures of Old Shatterhand, the German immigrant, and his Blood Brother, the Apache Winnetou. Generations of children grew up reading their adventures and escaping in their imaginations to battle unsavoury Yankees as well as hostile tribes.<br>May's descriptions of the First Nations of North America have aided in skewing the perception of the North American First Nations in Germany. This thesis aim
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Gradholt, Christian. "”Hvad vilja orientalisterne?” : Idéer och konflikter vid den åttonde internationella orientalistkongressen i Stockholm och Kristiania 1889." Thesis, Södertörns högskola, Idéhistoria, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-40547.

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Den här uppsatsen undersöker den åttonde internationella orientalistkongressen i Stockholm och Kristiania 1889, efter vilken den vetenskapliga disciplinen orientalistik och dess internationella relationer och möteskultur ställdes under omförhandling. Genom att lansera en i dessa sammanhang ny och välkomnande hållning gentemot icke-européer orsakade kongressens generalsekreterare Carlo Landberg en konflikt med de orientalister som strävade efter att behålla kongressens tydligt europeiska och vetenskapliga prägel. Ytterligare en orsak till konflikt var den karaktär av utställning och spektakel s
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Rasul, K. M. "The archaeology of history : An analytical study examining the strategy of the historical construction of the images and concepts of the other in the context of colonialist/orientalist discourse." Thesis, University of Essex, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380557.

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Gewider, Rabia Saad. "Libya in the modern Orientalist world-system : a critical analysis of English Language acquisition (ELA) as a factor in Libya's new developmental strategy." Thesis, Brunel University, 2012. http://bura.brunel.ac.uk/handle/2438/10621.

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This thesis is a critical examination of the „new vision‟ strategies that the Libyan government undertook in order to promote the deeper integration of the Libyan economy into the global economy of the Modern Orientalist World-System (MOWS). This process has been taking place since the lifting of the trade embargo on Libya by President Bush in April 2004. A crucial part of this new vision strategy was the promotion of human capital development amongst the Libyan population and with a particular emphasis upon English Language Acquisition (ELA). The argument, derived from neo-liberal thought, is
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Sun, Ying, and Bin Yu. "Images of China : An Empirical Study of Western Tourist Material." Thesis, Högskolan Väst, Institutionen för ekonomi och it, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-4384.

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This thesis aims to explore and describe the images of China in the Western tourist material. There is much literature talking about images of China; however, among the existing scholarship so far few have investigated from the angle as we do. We use social constructivism and representation as main theories and combined with central concepts of the tourist gaze, stereotypes and the other, and post-colonialism and orientalism. Moreover, we conduct a case study by applying qualitative discourse analysis in order to find out the stereotypes and orientalist ideas of China depicted in the tourist m
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Gorani, Dukagjin. "Orientalist ethnonationalism : from irredentism to independentism : discourse analysis of the Albanian ethnonationalist narrative about the National Rebirth (1870-1930) and Kosovo Independence (1980-2000)." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/24085/.

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The thesis focuses on the chronological identification and detection of the discursive analogies between the category of 'the nation‘ and those of 'the West‘, 'Europe‘, 'democracy‘ and 'independence‘ in the Kosovo Albanian ethnonationalist narrative. The study represents a multi-dimensional exercise analysing the ethnonationalist discourse from a wide array of sample text which was produced during two relevant historical periods: the period between 1870-1930 and the period between 1980-2000. The first interval covers the period which is known in the Albanian history as the 'National Rebirth‘.
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Linon-Chipon, Sophie. "Gallia orientalis : voyages aux Indes orientales, 1529-1722, poétique et imaginaire d'un genre littéraire en formation /." Paris : Presses de l'Université de Paris-Sorbonne, 2003. http://catalogue.bnf.fr/ark:/12148/cb39024672h.

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Texte remanié de: Th. doct.--Litt. française--Paris 4, 1993. Titre de soutenance : Le genre de la relation de voyage française sur la route maritime des épices : des origines à 1722.<br>Bibliogr. p. 603-679. Index. L'ouvrage porte par erreur : ISSN 0756-7847.
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Smith, Blake. "Myths of Stasis : south Asia, Global Commerce and Economic Orientalism in Late Eighteenth-Century France." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0043.

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Cette thèse analyse la place de l'Inde et des échanges commerciales franco-indiennes dans l'élaboration en la France du dix-huitième siècle de la notion orientaliste que l'Asie n'est pas capable des progrès économiques<br>This thesis examines the place of India and of Franco-Indian commercial exchange in the construction in eighteenth-century France of the Orientalist conception that Asia is incapable of economic progress
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au, maria degabriele@police wa gov, and Maria Degabriele. "Postorientalism : orientalism since orientalism." Murdoch University, 1997. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20080122.112339.

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This dissertation examines a range of popular contemporary texts in a post-Saidian context. It begins with an analysis of Orientalism, as that text influences almost any discussion of representations of Easmest relations. Now, almost twenty years after Orientalism was first published in 1978 it is still a crucial text, and it still needs to be understood and argued with. The other texts looked at in this dissertation include novels, drama, films, opera, a musical, and the print and electronic mass media. They are texts that either represent or comment on EastIWest relations. The main texts I e
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Degabriele, Maria. "Postorientalism: orientalism since orientalism." Thesis, Degabriele, Maria (1997) Postorientalism: orientalism since orientalism. PhD thesis, Murdoch University, 1997. https://researchrepository.murdoch.edu.au/id/eprint/20/.

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This dissertation examines a range of popular contemporary texts in a post-Saidian context. It begins with an analysis of Orientalism, as that text influences almost any discussion of representations of Easmest relations. Now, almost twenty years after Orientalism was first published in 1978 it is still a crucial text, and it still needs to be understood and argued with. The other texts looked at in this dissertation include novels, drama, films, opera, a musical, and the print and electronic mass media. They are texts that either represent or comment on EastIWest relations. The main texts I e
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Degabriele, Maria. "Postorientalism: orientalism since orientalism." Degabriele, Maria (1997) Postorientalism: orientalism since orientalism. PhD thesis, Murdoch University, 1997. http://researchrepository.murdoch.edu.au/20/.

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This dissertation examines a range of popular contemporary texts in a post-Saidian context. It begins with an analysis of Orientalism, as that text influences almost any discussion of representations of Easmest relations. Now, almost twenty years after Orientalism was first published in 1978 it is still a crucial text, and it still needs to be understood and argued with. The other texts looked at in this dissertation include novels, drama, films, opera, a musical, and the print and electronic mass media. They are texts that either represent or comment on EastIWest relations. The main texts I e
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Rodrigues, Gabriella Barbosa 1986. "Arqueologia bíblica = um estudo de narrativas e discursos acerca de sua constituição como disciplina." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279191.

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Orientador: Pedro Paulo Abreu Funari<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-19T12:57:56Z (GMT). No. of bitstreams: 1 Rodrigues_GabriellaBarbosa_M.pdf: 5062296 bytes, checksum: 6f6b8d5d419368ac1675ac4dc9e3758f (MD5) Previous issue date: 2011<br>Resumo: Este trabalho pretende apresentar a história das primeiras pesquisas arqueológicas na região da antiga Palestina, ao investigar o desenvolvimento da disciplina que ficou conhecida como Arqueologia Bíblica. Trata-se de uma discussão sobre as
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An, Tsun-Wei. "El papel de los paratextos en la traducción de la narrativa china al castellano y la creación de la imagen del “Otro chino”." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/670327.

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Aquest treball se centra a revelar la imatge de l'altre xinès que es pot trobar implícitament a les portades de la narrativa xinesa contemporània traduïdes al castellà i/o al català que es van publicar a Espanya entre 1949 i 2019. La traducció, des de l'antiguitat, ha tingut un paper clau en la comunicació entre països i cultures. En aquest procés, a part del text, els paratextos també s'encarreguen de transmetre la informació i els coneixements socials d'altres cultures. A més, ofereixen un espai encara més lliure perquè els agents mediadors despleguin la seva ideologia per produir una imatge
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Estaklhr, Yassaman. "Subversion du discours orientaliste dans le tome premier de l'Histoire de la Turquie d'Alphonse de Lamartine." Licentiate thesis, Stockholms universitet, Romanska och klassiska institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-127585.

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The first volume of Histoire de la Turquie published in 1854 by the French writer Alphonse de Lamartine, is entirely dedicated to the life of Prophet Muhammed. This book raises issues which deserve to be examined in the light of Orientalism (1978) by Edward Said, who criticized the persistent Eurocentric prejudice against Arabo-Islamic peoples and their culture. That is the main purpose of this study. Based on the premise that the character of Muhammed is portrayed posi-tively by Lamartine, we hypothesized that Histoire de la Turquie is a coun-terexample to the thesis of Said. In other words,
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Delvallez, Legendre Sophie. "Les influences hispano-orientales dans l’oeuvre poétique, graphique et dramatique de Victor Hugo (1820-1860)." Thesis, Rennes 2, 2012. http://www.theses.fr/2012REN20011/document.

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Dans cette thèse, nous nous intéressons d’abord aux origines du cadre arabo-espagnol en montrant comment la société du XIXe siècle est tournée vers l’Orient et comment l’art est pénétré par ce nouveau monde, notamment grâce à l’orientalisme et au romantisme. Nous abordons l’iconographie orientale hugolienne par le biais de ses souvenirs personnels, des traces laissées par ses voyages, en tenant compte de sa biographie mais aussi de la peinture et de la littérature arabo-espagnoles pour étudier des figures et mouvements emblématiques de l’Orient hugolien. Ensuite nous approchons l’univers arabo
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Allard, Elisabeth Bolorinos. "My enemy or my brother? : Spanish representations of Muslim and Jewish culture during the colonial campaigns in Morocco, 1909-1927." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:6e0bcfff-12a2-4b59-92d4-57f9fff5adec.

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This thesis examines Spanish representations of Muslim and Jewish cultures in Morocco during the colonial campaigns in the Rif (1909-1927) in relation to constructions of Spanish identity during this period. It focuses on visual and textual narratives in the press (colonial photojournalism) and on three literary texts: Carmen de Burgos' En la guerra (1909), Ernesto Giménez Caballero's Notas marruecas de un soldado (1923) and Arturo Barea's La ruta (1943). The analysis undertaken centres on the use of the motifs of the body and the city and references to the medieval Castilian ballad tradition
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Serafim, Fernando Ulisses Mendonça. "Camilo Pessanha no contexto da sinologia do seu tempo: idiossincrasias." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-13012016-133230/.

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O presente trabalho se propõe a analisar algumas concepções sobre o Oriente, correntes na primeira metade do século XX, que interferiram diretamente na escrita de Camilo Pessanha (1867-1926) sobre a vida chinesa. Morador de Macau por cerca de 26 anos, escreveu alguns poucos textos em prosa que tematizam a cultura e os costumes da China, além de ter tido contato com sinólogos de destaque. Os pareceres de Pessanha sobre o Oriente, bem como o de outros atores importantes, são relevantes na medida em que revelam influências do orientalismo, do exotismo e da sinologia, de maneira a reproduzir ou de
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Contrera, Ximena Isabel Leon. "Um filme falado: a História e o Mediterrâneo na obra de Manoel de Oliveira." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-06122012-123348/.

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A partir da análise de Um Filme Falado (2003), de Manoel de Oliveira, são discutidas questões relacionadas à historiografia, à narrativa histórica por meio do cinema, bem como à crítica do orientalismo, eurocentrismo, relacionado-as à historiografia lusa e à do Mediterrâneo. São levados em conta aspectos de outras obras do realizador português, em especial Non, ou a vã glória de mandar (1990). Para a interpretação da película são consideradas obras da historiografia e de análise fílmica, bem como da crítica ao orientalismo, promovendo um diálogo com a historiografia em especial aquela que abor
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Morais, Veridiana Delia Bueno de. "O Iraque na TV Brasileira." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8154/tde-10102011-103949/.

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O presente trabalho discorre sobre as imagens e ideias que as emissoras difundiram sobre o Iraque durante a cobertura das invasões do país, especialmente em 2003. Além de um estudo sobre as ramificações do processo de comunicação, como estão distribuídos os conglomerados que detêm os canais de informação, o material usado no Brasil e como as emissoras aberta, pública e por cabo abordaram o tema.<br>This research discuss about the images and ideas diffused by news networks about Iraq during covering invasions in the country, especially in 2003. Besides a study about the ramifications of the c
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譚美兒 and Mei-yee Eve Tam. "Orientalism and photography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B4413938X.

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Wallen, John. "Burton and Orientalism." Thesis, Royal Holloway, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538763.

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My thesis aims to analyse the ways in which the Victorian intellectual and traveller, Richard Francis Burton, has been viewed by contemporaries and more modern critics. In 3 particular, I point out that while most views of Burton in the nineteenth and early twentieth centuries were positive, in recent times his achievements have been rather neglected in certain academic circles (though there has been no shortage of interest in his life with the publication of a steady stream of biographies). As I show in the thesis, this is largely due to the negative views of Burton expressed in Edward Said's
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Tam, Mei-yee Eve. "Orientalism and photography." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262099.

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