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Journal articles on the topic 'Origin of violin'

Author: Grafiati

Published: 28 June 2021

Last updated: 29 July 2025

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1

Mihălcică, Mircea, Mariana Domnica Stanciu, Silviu Marian Nastac, et al. "Signature Modes of Old and New Violins with Symmetric Anatomical Wood Structure." Applied Sciences 11, no. 23 (2021): 11297. http://dx.doi.org/10.3390/app112311297.

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The paper aims to investigate old and new violins from the perspective of the correlation between the anatomical structure of spruce and maple wood, and the dynamic response of violins. Thus, in the first stage, for each violin, the characteristics of the annual rings were measured on the entire width of the top plate, determining the degree of symmetry of the face with respect to the longitudinal axis of the violin body. Then, each violin was dynamically tested with the impact hammer, determining its own frequency spectrum, mainly the so-called “signature” mode and quality factors. The most i

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ARSEL, Sıla, and Murat KARABULUT. "INVESTIGATION OF THE DEVELOPMENT PROCESS OF THE VIOLIN INSTRUMENT AND ITS USE IN MUSIC EDUCATION." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 1 (2023): 155–69. http://dx.doi.org/10.46291/zfwt/150112.

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Instruments reflect the characteristics of the societies they live in and their cultural heritage values. In this context, the horse and arrow-bow duo draws attention as the cultural heritage of Turkish culture. When the string instruments were researched in order to go down to the origins of the violin instrument, the ancient key of the Turkish hand; arrow and bow duo is reached. It is seen that the string instruments came to Anatolia from the Central Asian lands through the Nomadic Turks and then reached the European lands with the cultural sharing that took place during the silk Road trade.

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Ioniţă, Raluca Dobre. "14. Pablo De Sarasate - Andalusian Romance for Violin and Piano." Review of Artistic Education 25, no. 1 (2023): 94–100. http://dx.doi.org/10.2478/rae-2023-0014.

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Abstract Pablo de Sarasate was a famous violinist and composer of Spanish origin. In his creations, Sarasate highlighted to the maximum the technical and interpretative potential of the violin, composing both works for violin and orchestra (including fantasias on operatic themes) and musical miniatures for violin and piano. Sarasate’s musical language is mainly inspired by Spanish folklore.

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Raymaekers, Wim. "Bridge shapes of the violin and other bowed instruments, 1400–1900: the origin and evolution of their design." Early Music 48, no. 2 (2020): 225–50. http://dx.doi.org/10.1093/em/caaa027.

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Abstract As one goes back in time, the number of extant bowed instruments decreases gradually, and this is particularly true for loose parts such as bridges, pegs and tailpieces. The current article traces the development of bridges of instruments of the violin family, based on a study of extant instruments and around 800 iconographic sources. This study reveals the origins of the various elements of bridges found on modern instruments of the violin family, and reconstructs the different stages of their evolution. Many elements of the modern violin bridge were already present, sometimes hidden

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Vasylevych, Marta. "Ivan Khandoshko. Restitution of Ukrainian Cultural Heritage: Relevance of the Present." Folk art and ethnology, no. 2 (June 30, 2023): 39–45. http://dx.doi.org/10.15407/nte2023.02.039.

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The challenges of the present force us to delve as deeply as possible into our past, bringing back from oblivion everything that will help us to restore historical justice and enrich Ukrainian culture. The article is dedicated to the description of the figure of the virtuoso violinist Ivan Yevstakhiiovych Khandoshkin in the light of his Ukrainian origin. He has been considered as the founder of Russian violin school until recently. The heritage of I. Khandoshkin has been still interpreted by Russian researchers exclusively as a component of Russian musical culture and all the details of his wo

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Macedo, Tahysa Mota, Cecília Gonçalves Costa, Haroldo Cavalcante de Lima, and Claudia Franca Barros. "Wood anatomy of historic French violin bows made of Pernambuco wood." IAWA Journal 41, no. 3 (2020): 320–32. http://dx.doi.org/10.1163/22941932-bja10011.

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Abstract Paubrasilia echinata is recognized as the best wood in the manufacture of high-quality bows for string instruments. The wood anatomy of five historic French violin bows of the 19th and 20th century made of Pernambuco wood were investigated in order to reveal the wood anatomic features of these historical bows, to determine which P. echinata morphotype (arruda, café or laranja) was used in their manufacture and to identify the state of origin of the wood. Five bow samples were compared to 33 P. echinata specimens from the Brazilian states of Rio de Janeiro, Bahia, Paraíba and Rio Grand

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7

Fang, Fang. "A Brief Analysis of Brahms Violin Concerto in D Major, Op.77." Arts Studies and Criticism 4, no. 2 (2023): 42. http://dx.doi.org/10.32629/asc.v4i2.1459.

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Brahms is a giant in the era of romantic music, his works contain complex and delicate ideological changes in the hearts of the characters. His creative inspiration is deeply influenced by Schumann and other musicians, and the musical language expression in his works is sometimes tactful and sometimes obscure. Brahms has composed a large number of musical works throughout his life, including a large number of orchestral works, piano ensemble works, string ensemble works, solo piano songs, piano four-hand joint play, vocal duets, chorus, and solo works. Brahms's violin concerto consists of thre

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8

Thomson, George. "Early Gravestone Morphologies and Their Origin with Reference to Discoid-, Mushroom-, and Violin-Shaped Gravemarkers." Markers: Annual Journal of the Association for Gravestone Studies 40, no. 1 (2025): 98–122. https://doi.org/10.1353/mrk.2025.a957068.

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Yang, Wenbo. "The Evolution and Integration of the Chinese Dulcimer: A Study of Cross-Cultural Musical Fusion." Communications in Humanities Research 62, no. 1 (2025): None. https://doi.org/10.54254/2753-7064/2025.20902.

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The Chinese dulcimer (yangqin) is an instrument of Western origin (Persian origin) that was originally known as the board zither. It was introduced to China through the Silk Road, either by land or ocean during the Ming and Qing dynasties. The Chinese dulcimer has been integrated into Chinese traditional opera as an accompaniment instrument and it is also played by local bands in various cities in China. Consequently, the Chinese dulcimer has gradually become a traditional symbol of Chinese music and has become a representative instrument of Chinese traditional music abroad, despite its Wester

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10

Kao, Josephine Amber. "The Intrinsic Duality of Movement and Sound: Investigating the Intersections of Dance and Music Through Bach." Congress on Research in Dance Conference Proceedings 2012 (2012): 85–89. http://dx.doi.org/10.1017/cor.2012.10.

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To the musician, the polyphony inherent within Bach's music offers multiple interpretations for a persuasive performance. “Which measures are climactic? Which phrases deserve rubato?” These notations of a violin score translate into movements of the bow arm and fingering for the left hand, which then convey intentions and emotions. The score does not merely imply the music to be played, but instead describes how a body moves in order to play the music and, thus, in the case of Bach, express emotion. How might the relation of polyphony and space be conceptualized through the embodiment of music

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11

Nidecka, Ewa. "Piano concerto no. 1 by Andrzej Nikodemowicz – a hidden desire for freedom." Notes Muzyczny 1, no. 9 (2018): 123–59. http://dx.doi.org/10.5604/01.3001.0012.9902.

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Piano concerto no. 1 (1994) by Andrzej Nikodemowicz (1925-2017) is among seven piano concertos written by the composer. Its first version is the Violin concerto created in 1973. Because of the difficult violin part, the composer remade the composition for the piano. The first performance of the Piano concerto no. 1 took place in 1998 in Lviv. While writing the piece, Andrzej Nikodemowicz was persecuted by the Soviet authorities in Lviv for his religious views, that is why the piece expresses his hidden desire for creative freedom. It remains close to expressionist tradition influenced by Scria

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Fedyukov, Vladimir Ilyich, Ekaterina Yurevna Saldaeva, Maria Sergeyevna Chernova, and Vasilii Yuryevich Chernov. "Research into Dendro-Acoustic Properties of Intro-duced Clones’ Wood as Material for Manufacturing Musical Instruments." South-east European forestry 10, no. 2 (2019): 173–79. http://dx.doi.org/10.15177/seefor.19-18.

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Background and Purpose: Studies of the physical-mechanical and acoustic properties of maple wood as a potential material for musical instruments manufacturing are extremely scarce. Related to this, dendro-acoustic studies of maples introduced by geographic origin are of great practical importance in order to create target plantations with predicted technical quality of wood. Materials and Methods: Maples from abroad introduced by geographic origin into the Botanical Garden of the Volga State University of Technology of the Republic of Mari El of Russia were used for the research. For compariso

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13

Échard, Jean-Philippe, and Laura Albiero. "Identifying Medieval Fragments in Three Musical Instruments Made by Antonio Stradivari." Fragmentology 4 (December 15, 2021): 3–28. http://dx.doi.org/10.24446/v4ub.

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This article identifies ten fragments, used as reinforcements in the sounding boxes of three instruments made by Antonio Stradivari (Cremona, c.1648-1737), which are now kept at the Ashmolean Museum in Oxford (the ‘Cipriani Potter’ violin, 1683, and the ‘Hill’ guitar, 1688), and at the musée de la Musique in Paris (the ‘Vuillaume’ guitar). The fragments appear to come from a single book of hours, made in Italy no later than the mid-fifteenth century. This identification allows the documentation of the use of parchment fragments in the making process of Stradivari. The authors discuss what the

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14

Krzymowska-Szacoń, Kinga. "Voice from the Wound: Selected Post-War Works by Szymon Laks as a Composer’s Path to Resilience." Roczniki Humanistyczne 72, no. 12 (2024): 55–69. https://doi.org/10.18290/rh247212.4.

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Szymon Laks was a Polish composer of Jewish origin, which led to his imprisonment in the Auschwitz-Birkenau Nazi concentration camp. In the years preceding the World War II, he wrote mainly neoclassical works, whereas after 1945, his individual idiom has been established, shaped by tragic events and clearly readable in such works as String Quartet no. 3, Huit chants populaires juifs et al. The article aims at exposing that in his post-war music Laks encoded a unique message – a testimony of trauma. According to the trauma theory, it not only enabled the composer’s recovery process, but also be

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15

Zhang, Zihao, Chao Xiong, Yu Yang, Chunyan Liang, and Shaoping Jiang. "What Makes the River Chief System in China Viable? Examples from the Huaihe River Basin." Sustainability 14, no. 10 (2022): 6329. http://dx.doi.org/10.3390/su14106329.

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Eco-environmental issues are a complex problem for the development of contemporary China, among which river water pollution control is one of the most challenging issues. In the continuous pursuit of river pollution control, the Chinese government has adopted the river chief system (RCS) model to appoint government officials as river chiefs of each section. This review first analyzes the water quality data of the Huaihe River basin over the past five years using Origin 2021. A violin plot shows that the water quality of the Huaihe River basin improved, and CODMn and NH3-N were significantly re

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Zhang, Zuo, and Zhe Wang. "Cyberspace-based urban networks: Visualising and exploring China's intercity interaction from a new perspective." Environment and Planning A: Economy and Space 54, no. 3 (2022): 454–60. http://dx.doi.org/10.1177/0308518x221076498.

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The rapid urbanisation of China has increased public awareness of rising housing prices, particularly in large and medium-sized cities. The popularisation of the Internet in China has driven a shift in the public's attention to housing prices, moving from geographic space to cyberspace. Based on web search engine data using geotag, this paper attempts to create a better visualisation of the shift in the public's attention to housing prices from the perspectives of geographic space and cyberspace. Intercity interaction is also analysed in the context of cyberspace-based urban networks, through

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17

Shakhov, Anton S., and Irina B. Alieva. "The “Third Violin” in the Cytoskeleton Orchestra—The Role of Intermediate Filaments in the Endothelial Cell’s Life." Biomedicines 10, no. 4 (2022): 828. http://dx.doi.org/10.3390/biomedicines10040828.

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The endothelium plays an important role in the transcytosis of lipoproteins. According to one of the theories, endothelial injury is a triggering factor for the development of atherosclerosis, and intracellular structures, including components of the endotheliocyte cytoskeleton (microtubules, actin, and intermediate filaments), are involved in its development. In contrast to the proteins of tubulin-based microtubules and actin microfilaments, intermediate filaments are comprised of various tissue-specific protein members. Vimentin, the main protein of endothelial intermediate filaments, is one

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18

Bezpalko, Vladyslav, and Ivan Kuzminskyi. "Musical everyday life of Volhynia in the middle of 16th ‒ early 17th cc." Text and Image: Essential Problems in Art History, no. 1 (2019): 5–32. http://dx.doi.org/10.17721/2519-4801.2019.1.01.

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The presented article is the first study of this kind, where the musical life of Volhynia of the mid 16th - early 17th century is specially considered. In the study, we almost exclusively focused on the secular segment of musical everyday life. On the basis of the analysis of historical acts, fiscal accounting documents and other sources, three thematic sections were formed. The first section is devoted to the study of musicians in Volhynia. In the fiscal accounting documents, initially the Grand Duchy of Lithuania, and later the Polish–Lithuanian Commonwealth (Lesser Poland Province of the Po

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19

Cheuquel Jara, Ornella, Jetzabel Rodríguez Alegría, Claudio Carvajal-Parodi, et al. "Dolor musculoesquelético y discapacidad del cuadrante superior en estudiantes de instrumentos de cuerda: Un estudio piloto transversal (Musculoskeletal pain and upper quadrant disability in stringed-instrument students: A cross-sectional pilot study)." Retos 55 (April 15, 2024): 679–89. http://dx.doi.org/10.47197/retos.v55.104062.

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Antecedentes: El dolor musculoesquelético (DME) es prevalente en los músicos y se localiza principalmente en el cuadrante superior, afectando la funcionalidad. Los movimientos repetitivos, el tipo de instrumento, la edad y el sexo condicionan este comportamiento, entre otros factores. Si bien la evidencia es limitada, pareciera ser que los músicos de cuerdas se encuentran dentro de quienes más frecuentemente reportan dolor y discapacidad de origen musculoesquelético. Objetivo: Caracterizar el DME y el nivel de discapacidad en el cuadrante superior asociado a la práctica de instrumentos de cuer

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20

Золотарьова, Н. С., та Т. О. Оліферовська. "ВПЛИВ ВИКОНАВСЬКОЇ ШКОЛИ НА ІНТЕРПРЕТАЦІЮ ТВОРУ (на прикладі віолончельного концерту А. Дворжака)". Музикознавча думка Дніпропетровщини, № 15 (4 листопада 2019): 149–63. http://dx.doi.org/10.33287/221912.

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The purpose of this article is analysis of possible versions concerning the interpretation of the Antonin Dvorak’s concert for cello with orchestra, h-moll or. 104, their origin and influence on the manner of performance. Moscow and Leningrad schools are taken as an example. Schools of S. Kozolupov and O. Strimer represent vividly different views on means of theory and interpretation. In my opinion, the most colorful and controversial on the matter of interpretation are the following representatives of the music schools: M. Rostropovich as a representative of the S. Kozolupov views and D. Shaf

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Abdokov, Yuri B. "Boris Tchaikovsky: Youth Quartets. The Experience of Discovering the Unknown Scores." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА 3 (September 2024): 206–22. http://dx.doi.org/10.35852/2588-0144-2024-3-206-222.

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This article is the first to examine the scores for two violins, viola, and cello composed in his youth by one of the greatest Russian composers of the twentieth century, Boris Alexandrovich Tchaikovsky (1925–1996). These ensemble scores, discovered after Tchaikovsky’s death, have never been published or included in reference or encyclo- pedic directories, including the authorized list of works. They are not sketches or drafts of unfinished pieces, but rather complete works written between 1940 and 1945. The Lento (1940) and the Scherzo (1941) have survived as manuscript scores; the single-par

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Mościcki, Michał. "Ornat – geneza, symbolika, sposoby dekoracji." Teologiczne Studia Siedleckie XIII (2016) 13, no. 2016 (2021): 91–115. https://doi.org/10.5281/zenodo.5547128.

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Chasuble - origin, symbols, ways to decorate Chasuble is a decorative outer vestment used by Catholic priests to celebrate Mass. Its decorativeness, as well as the decorativeness of all vestments, emphasizes the celebrant and the significance of the liturgical activities. Chasuble comes from the Roman &bdquo;paenula”, that is a light coat protecting from rain. It was commonly used by Christian priests since the fourth century, and it became a characteristic feature of the priesthood from the seventh century. Liturgical vestments started to develop since the ninth century, when they were

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K., Zajtseva. "MANDOLIN IN THE HISTORY OF PERFORMANCE: VARIETIES AND DESIGN FEATURES." Journal of science. Lyon, no. 37 (November 30, 2022): 11–16. https://doi.org/10.5281/zenodo.7409649.

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<strong>Abstract</strong> The article deals with the problems of performing arts on the mandolin, which is currently experiencing a stage of growth and a new wave of interest in it. In modern performing practice, two types of mandolin are most often used: baroque (six-string) and Neapolitan (four-string). However, the historical path of the development of mandolin performance indicates the presence of a large number of varieties of the instrument that existed in the 18th-19th centuries in various cities of Italy: Milan, Rome, Genoa, Brescia. It was the geography of the origin and existence of

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24

Cantú, Zahira, and Alejandra Martínez Galán. "Lesbofobia en la familia nuclear: un desamparo ante la violencia en las lesbofamilias." Albores 2, no. 2 (2023): 21–35. http://dx.doi.org/10.61820/alb.v2i2.750.

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Lesbophobia in the family of origin hinders the re- cognition of violence in sex-affective relationships of lesbian women. Qualitative research with six lesbofamilies of San Juan del Rio and Querétaro is done through a focused life story via a semi-structured interview. The results show a normalization of violen- ce in the sex-affective relationships related with the lesbophobia in the family of origin. The findings are limited to the sample size, even though the results do lead to the importance of approaching lesbophobia as a political and social problem.

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Коденко, И. И. "КООРДИНАТЫ ДРАМАТУРГИЧЕСКОЙ ЦЕЛОСТНОСТИ В АУТЕНТИЧНОМ ИСПОЛНИТЕЛЬСТВЕ (НА ПРИМЕРЕ РОМАНТИЧЕСКОЙ И БАРОЧНОЙ ИНТЕРПРЕТАЦИЙ КОНЦЕРТА ДЛЯ СКРИПКИ, СТРУННЫХ И BASSO CONTINUO A-MOLL И. С. БАХА)". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 116–23. https://doi.org/10.5281/zenodo.1805844.

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The article is devoted to one of the key issues of modern musical performance – the performance reproduction of the features of the musical stylistics specific to the era or historical period when this or that composition was created and performed. The issue of preserving the dramatic integrity with performers’ different approaches to the composition-object being interpreted has been chosen as the central aspect of the problem under study. It is noted that within the authentic performance (in the foreign musicology, the HIPP system – Historically Informed Performance Practice

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26

Simpson, Sarah. "Violent Origins of Continents." Scientific American 302, no. 1 (2010): 60–67. http://dx.doi.org/10.1038/scientificamerican0110-60.

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FAGAN, JEFFREY, and SANDRA WEXLER. "FAMILY ORIGINS OF VIOLENT DELINQUENTS*." Criminology 25, no. 3 (1987): 643–70. http://dx.doi.org/10.1111/j.1745-9125.1987.tb00814.x.

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Hodálová, Iva, and Jr Pavol Mereďa. "Viola suavis var. pannonica (Violaceae), a new white-flowered violet from central Europe." PhytoKeys 242 (May 9, 2024): 9–20. https://doi.org/10.3897/phytokeys.242.121734.

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Viola suavis var. pannonica (Violaceae) from central Europe is described here as a new variety to science. It is most similar to the blue-flowered V. suavis var. suavis and the white-flowered V. suavis var. catalonica and V. suavis subsp. naqshii, but exhibits differences in several characters, such as petal colour, spur shape, fimbriae length on the stipules, bracteoles position on the peduncle and lamina sinus shape. Although the new taxon is often considered a colour mutation of V. suavis var. suavis, previous genetic analyses revealed that these white-flowered plants do not arise recurrent

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Baddi Zabeh, Mohammad H., Helio I. Ayala Moreno, and David E. Castillo Martinez. "Causas de la migracion centramericana a Mexico y su constante violacion a los parametros internacionales de derechos humanos." Hegemonia: Revista de Ciências Sociais, no. 29 (April 24, 2020): 85–105. http://dx.doi.org/10.47695/hegemonia.vi29.303.

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En la presente investigación se dará a conocer las formas en que se violan los derechosde los migrantes, en territorio mexicano. Y lo que esto desencadena, los verdaderos motivos por los cuales abandonan sus lugares de origen, así como las problemáticas actuales que generan la privación de los derechos. La violencia contra la mujer migrante, y la trata de personas. Solucionantes, como la política migratoria actual, creadora de empleos y apoyo a personas migrantes

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Schmid, Aloísio Leoni, Juarez Bergmann Filho, and Rodrigo Mateus Pereira. "Em busca da identidade dos instrumentos musicais no Brasil: um estudo exploratório da literatura de cordel." Anais do Museu Paulista: História e Cultura Material 25, no. 1 (2017): 279–300. http://dx.doi.org/10.1590/1982-02672017v25n0111.

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RESUMO O presente trabalho procura, em consulta a uma coleção de 2340 obras da Literatura de Cordel, explorar identidades culturais presentes nos instrumentos musicais aparentemente mais populares junto à população cultora de tal forma literária - sertão nordestino e parte da Região Norte do Brasil - desde o final do século XIX até o presente. Há no trabalho o pressuposto de que a Literatura de Cordel representa, muito mais que o trabalho criativo dos seus autores, as práticas vigentes no grupo social que a origina. Assim, à procura de menções a instrumentos musicais, este estudo detém-se em a

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31

Robert, Jacobs. "Born Violent: The Origins of Nuclear Power." Asian Journal of Peacebuilding 7, no. 1 (2019): 9–29. http://dx.doi.org/10.18588/201905.00a074.

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Jacobs, Robert. "Born Violent: The Origins of Nuclear Power." Asian Journal of Peacebuilding 7, no. 1 (2019): 9–29. http://dx.doi.org/10.18588/202005.00a074.

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Gerbing, David W. "The Integrated Violin-Box-Scatter (VBS) Plot to Visualize the Distribution of a Continuous Variable." Stats 7, no. 3 (2024): 955–66. http://dx.doi.org/10.3390/stats7030058.

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The histogram remains a widely used tool for visualization of the distribution of a continuous variable, despite the disruption of binning the underlying continuity into somewhat arbitrarily sized discrete intervals imposed by the simplicity of its pre-computer origins. Alternatives include three visualizations, namely a smoothed density distribution such as a violin plot, a box plot, and the direct visualization of the individual data values as a one-dimensional scatter plot. To promote ease of use, the plotting function discussed in this work, Plot(x), automatically integrates these three vi

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34

Kennis, Jan, Violaine Nicolas, Jan Hulselmans, et al. "The impact of the Congo River and its tributaries on the rodent genus Praomys: speciation origin or range expansion limit?" Zoological Journal of the Linnean Society 163, no. 3 (2011): 983–1002. https://doi.org/10.1111/j.1096-3642.2011.00733.x.

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Kennis, Jan, Nicolas, Violaine, Hulselmans, Jan, Katuala, Pionus G. B., Wendelen, Wim, Verheyen, Erik, Dudu, Akaibe M., Leirs, Herwig (2011): The impact of the Congo River and its tributaries on the rodent genus Praomys: speciation origin or range expansion limit? Zoological Journal of the Linnean Society 163 (3): 983-1002, DOI: 10.1111/j.1096-3642.2011.00733.x, URL: http://dx.doi.org/10.1111/j.1096-3642.2011.00733.x

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Dalal, K., F. Rahman, and B. Jansson. "The origin of violent behaviour among child labourers in India." Global Public Health 3, no. 1 (2008): 77–92. http://dx.doi.org/10.1080/17441690701238114.

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Luengo, Pedro. "Entre órganos y violines: Guillermo d’Enoyer y el VI conde de Luque (1739-1796)." Laboratorio de Arte, no. 33 (2021): 321–34. http://dx.doi.org/10.12795/la.2021.i33.16.

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El contexto musical de la corte del VI conde de Luque ha sido subrayado por estudios previos, pero no así el origen de sus instrumentos. Este trabajo pretende reconstruir algunos procesos de adquisición y construcción, así como sus autores. Para ello, se ha partido de la documentación histórica conservada. Como resultado se han identificado varias obras del organero francés Guillermo d’Enoyer, la construcción de instrumentos de cuerda frotada para una orquesta completa, así como la adquisición de violines italianos o una caja de música. Gracias a estos datos se entiende con más detalle el grad

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Lawson, David M. "Attachment, interpersonal problems, and family of origin functioning: Differences between partner violent and nonpartner violent men." Psychology of Men & Masculinity 9, no. 2 (2008): 90–105. http://dx.doi.org/10.1037/1524-9220.9.2.90.

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Berger, M., E. Bonneville, P. Andre, and C. Rigaud. "L'enfant très violent: origine, devenir, prise en charge." Neuropsychiatrie de l'Enfance et de l'Adolescence 55, no. 7 (2007): 353–61. http://dx.doi.org/10.1016/j.neurenf.2006.11.003.

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Shimizu, Mikio. "Violent Primitive Earth Might have Harmonized with the Origin of Life." International Astronomical Union Colloquium 161 (January 1997): 431–36. http://dx.doi.org/10.1017/s0252921100014949.

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AbstractAt the end of the planetesimal infall on the surface of the primitive earth, hot dry beaches might have been useful for the formation of various activated monomers and oligomers (peptides and small RNAs). We discuss the possibility that a small system composed of small RNAs (∼ 10 mers) and dipeptides might have mimicked the contemporary biosystem, based on experimental results suggesting the presence of previously overlooked weak but specific interactions between three bases and one amino acid (of genetic code type) and also those between a dipeptide and a biosubstrate (of ligase, tran

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Chyba, Christopher F. "The violent environment of the origin of life: Progress and uncertainties." Geochimica et Cosmochimica Acta 57, no. 14 (1993): 3351–58. http://dx.doi.org/10.1016/0016-7037(93)90543-6.

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Arehart-Treichel, Joan. "Brain Aberrations Provide Clues to Origins of Violent Behavior." Psychiatric News 42, no. 19 (2007): 21. http://dx.doi.org/10.1176/pn.42.19.0021a.

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Richards, Arnold D. "Freud and Monotheism: Moses and the Violent Origins of Religion." Psychoanalytic Quarterly 88, no. 1 (2019): 243–49. http://dx.doi.org/10.1080/00332828.2019.1558878.

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Arseneault, Louise, Mary Cannon, Robin Murray, Richie Poulton, Avshalom Caspi, and Terrie E. Moffitt. "Childhood origins of violent behaviour in adults with schizophreniform disorder." British Journal of Psychiatry 183, no. 06 (2003): 520–25. http://dx.doi.org/10.1192/bjp.183.6.520.

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Background People with psychosis have an elevated risk of violence. Aims To examine whether violent behaviour in adults with psychosis can be accounted for by psychotic symptoms or physical aggression in childhood. Method We used data from a prospective longitudinal study of a complete birth cohort born in New Zealand. When cohort members were 26 years old, information was obtained on past-year psychiatric diagnosis of schizophreniform disorder and on violent behaviour. Childhood psychotic symptoms were measured at age 11 years using a diagnostic interview, and childhood physical aggression wa

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Arseneault, Louise, Mary Cannon, Robin Murray, Richie Poulton, Avshalom Caspi, and Terrie E. Moffitt. "Childhood origins of violent behaviour in adults with schizophreniform disorder." British Journal of Psychiatry 183, no. 6 (2003): 520–25. http://dx.doi.org/10.1192/02-485.

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BackgroundPeople with psychosis have an elevated risk of violence.AimsTo examine whether violent behaviour in adults with psychosis can be accounted for by psychotic symptoms or physical aggression in childhood.MethodWe used data from a prospective longitudinal study of a complete birth cohort born in New Zealand. When cohort members were 26 years old, information was obtained on past-year psychiatric diagnosis of schizophreniform disorder and on violent behaviour. Childhood psychotic symptoms were measured at age 11 years using a diagnostic interview, and childhood physical aggression was ass

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Müller-Funk, Wolfgang. "Freud and monotheism: Moses and the violent origins of religion." Political Theology 20, no. 4 (2018): 354–56. http://dx.doi.org/10.1080/1462317x.2018.1505381.

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Khai, Mykhailo. "Musical and instrumental culture of Ukrainians as a component of the formation of national outlook." Aspects of Historical Musicology 19, no. 19 (2020): 94–119. http://dx.doi.org/10.34064/khnum2-19.06.

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Background. One of the integrating, determining and identifying forces of the social progress of the entire human community is the custom and folklore tradition of the smallest sub-ethnic units / constituents individual nations and peoples, their verbal and ethno-cultural (including ethno-musical) sources, that, like rivers and brooks, fill the ocean of culture promoting for life and further development. The structure of the traditional Ukrainian musical culture, along with the well-known the old practices of group singing, itinerant kobzars and lira players, also consists of a powerful musica

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AYANGIL, RUHI. "Western Notation in Turkish Music." Journal of the Royal Asiatic Society 18, no. 4 (2008): 401–47. http://dx.doi.org/10.1017/s1356186308008651.

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The adoption of western notation (which is an example of graphic notation) as the “official system” in Turkey dates from after 1828. Sultan Mahmud II (reigned 1808–1839) abolished the Janissary force in 1826 and with it the musical unit of that army, it was a band for wind and percussion instruments (Mehterhâne-i Hümâyûn). He then organised his new army on western lines and thus introduced an institution of western origin, the military band, as the musical unit of his modern army. This new institution, which was European in its music system, instruments, repertoire and first and foremost its m

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Agócs, Kati. "TWO RECENT CONCERTOS BY GEORGE TSONTAKIS." Tempo 62, no. 246 (2008): 11–21. http://dx.doi.org/10.1017/s0040298208000247.

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Music's ability to animate a range of expressive nuances between the tangible and the intangible, and to play many different roles in spiritual life, are but two reasons why artists with mystical inclinations often choose it over other media. The composer George Tsontakis (born 1951 in Astoria, New York, of Cretan origins) writes music that frequently explores mystical themes both directly and more obliquely. The goal of this – the first major journal article on his work – is to touch upon important attributes of that language and its development by comparing two recent works, both of which ha

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Corvo, Kenneth. "Violence, Separation, and Loss in the Families of Origin of Domestically Violent Men." Journal of Family Violence 21, no. 2 (2006): 117–25. http://dx.doi.org/10.1007/s10896-005-9011-1.

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Levin, Aaron. "Origins of Violent Behavior Continue to Be Challenging to Pin Down." Psychiatric News 51, no. 7 (2016): 1. http://dx.doi.org/10.1176/appi.pn.2016.4a9.

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