Relevant bibliographies by topics / Original

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Original'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 June 2025

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Journal articles on the topic "Original"

1

Fitzpatrick, Joseph. "Original Sin or Original Sinfulness?" New Blackfriars 90, no. 1028 (2009): 458–73. http://dx.doi.org/10.1111/j.1741-2005.2009.01288.x.

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Fitzpatrick, Joseph. "Original Sin or Original Sinfulness?" New Blackfriars 90, no. 1029 (2009): 560–76. http://dx.doi.org/10.1111/j.1741-2005.2009.01289.x.

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Fitzpatrick, Joseph. "Original Sin or Original Sinfulness?" New Blackfriars 90, no. 1030 (2009): 701–17. http://dx.doi.org/10.1111/j.1741-2005.2009.01290.x.

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Fitzpatrick, Joseph. "Original Sin or Original Sinfulness?" New Blackfriars 91, no. 1031 (2010): 66–82. http://dx.doi.org/10.1111/j.1741-2005.2009.01291.x.

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Fabian, A. "Gemälderestaurierung - vom Original zum Original?" KUR - Kunst und Recht 13, no. 5 (2011): 143. http://dx.doi.org/10.15542/kur/2011/5/4.

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SHEN, CHUNG-HUA, and TAI-HSIN HUANG. "Original." International Economic Journal 13, no. 3 (1999): 97–123. http://dx.doi.org/10.1080/10168739900080024.

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Groundwater-Smith, Susan, and Jim O'Brien. "Original." Journal of In-service Education 31, no. 4 (2005): 751–62. http://dx.doi.org/10.1080/13674580500200387.

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Capdevila-Mirabet, J. M. "ORIGINAL." Angiología 61, no. 2 (2009): 73–74. http://dx.doi.org/10.1016/s0003-3170(09)12003-5.

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Salazar-Agorria, A., M. Vega de Céniga, L. Estallo-Laliena, U. Aguirre-Larracoechea, V. Portugal-Porras, and A. Barba-Vélez. "ORIGINAL." Angiología 61, no. 2 (2009): 74–75. http://dx.doi.org/10.1016/s0003-3170(09)12004-7.

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de Haro-Miralles, J. "ORIGINAL." Angiología 61, no. 3 (2009): 129–30. http://dx.doi.org/10.1016/s0003-3170(09)13003-1.

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Dissertations / Theses on the topic "Original"

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Bouyacoub, Asma. "L'enfant, originel et original, chez Violette Leduc et Marie NDiaye." Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20112.

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Cette étude aborde plusieurs thèmes inhérents à l’enfance telle qu’elle est perçue par Violette Leduc et Marie NDiaye qui, en dépit de leurs différences, notamment leur place dans le paysage littéraire, se rejoignent dans leurs visions du monde enfantin, ce qui nous a permis de relever nombre de leurs convergences. En effet, dans leurs œuvres, les liens familiaux sont marqués par l’omniprésence ou l’absence des parents, par la prédominance de l’apparence et de l’argent au sein même de la famille, d’où l’inscription sociale de cette dernière et, partant, la détermination de l’enfant par la société. Le domaine familial ainsi s’élargissant, cela nous mène à l’interversion des rôles d’ascendants et de descendants. Dans ce monde changeant de la famille, l’enfant perd parfois son identité et ses repères. Toutefois, à travers tous ces aspects, nous constatons que, malgré les tentatives, soit des géniteurs autoritaires soit de la société réglementée, de restreindre la liberté et le champ de l’enfance, celle-ci est en continuel renouvellement. Cette perpétuelle renaissance est celle de l’enfant, qui s’exprime sous maintes manifestations, mais également celle de son univers peuplé de créatures animés ou non animées. Multiple, l’enfance est ainsi à l’image de son écriture, nos deux auteures, dans leur processus scriptural, choisissant le camp de l’enfance pour la défendre, et pour écrire (de manière romancée ou fidèle) la leur, originelle et originale<br>This study addresses several themes relating to childhood, as viewed by Violette Leduc and Marie NDiaye. There are many similarities in how these two authors perceive childhood, even though their positions in the literary landscape are quite different. In both of their works, a child's parents are either completely absent or else ever-present, and family relationships are influenced by objects of value to society such as money and appearance. This naturally leads us to consider the relationship between children and society, and how each one views the other. As social values impinge on the family, familial roles become reversed and children lose both their identity and their bearings. Nevertheless, despite attempts by parents and society to impose rules on children that restrict their freedom, we argue that childhood is constantly in a state of renewal. This manifests itself in many different ways, including the varied creatures and objects which fill a child's environment. Childhood, and its depiction within literature, is both rich and complex. As the authors write in defence of childhood, they alternate between fiction and autobiography. In doing so, they provide a perspective on childhood which is at the same time original and which takes its origins in their own respective childhoods
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Kline, Katherine. "Original alterity." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112401.

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In this thesis I examine the notion of ethical subjectivity as characterized by an original relationship to alterity. Drawing upon Derrida, Levinas and psychoanalytic theory, I give a picture of a subject who is fundamentally responsive and inexorably bound to others, and I discuss the ethical and political implications of this condition. I extend the discussion of 'others' to include technology, suggesting that our ethical responsibility to alterity has been radicalized through deconstruction.
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Bergman, Malin, and Beatrice Dinu. "Original Copies." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223235.

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This thesis aims to investigate copying in architecture in relation to context. Is it possible to copy a building?With the advances of 3D-scanning and digital fabrication, the possibilities for copying form and material are constantly increasing. However, more so than the artistic object, architecture is always contextual - a building exists on a specific site. Therefore, when investigating copies in architecture, context becomes crucial. How does context change the specifics of the building?While studying the copy in relation to context and the adaptations, the relation between the original and the copy is highlighted. At what point does the copy detach itself from the original? Is there a copy or just multiple originals?In relation to these questions, there are several issues that surface, that might be defined by studying the subject. What is architecture? What is a building? What makes a building a piece of architecture? Who has authorship over a piece of architecture? And most importantly: where in a building lies the originality?
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Bürger, Thomas. "Original, Kopie, Fälschung." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-136811.

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In der Ausstellung „Original und digital – Schätze der SLUB und die Kunst ihrer Reproduktion“ werden in der Schatzkammer und im Buchmuseum der SLUB Dresden die technischen Möglichkeiten von Nachdruck, Faksimile und digitaler Kopie vor Augen geführt. Während im Krieg beschädigte oder zerstörte Originale dank ihrer Reproduktion in Form von Abschriften oder Faksimiles erhalten sind, bietet die Digitalisierung heute exzellente Möglichkeiten, den Schutz von Originalen mit weltweiter Verfügbarkeit für Kultur und Wissenschaft in exzellenter Qualität zu verbinden.
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Protásio, Luís Fernando 1981. "A tradução original." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269519.

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Orientador: Maria Viviane do Amaral Veras<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-22T18:30:30Z (GMT). No. of bitstreams: 1 Protasio_LuisFernando_M.pdf: 2079799 bytes, checksum: b780b8bdf5be46864de9844132593e06 (MD5) Previous issue date: 2013<br>Resumo: No contexto teórico contemporâneo dos estudos da linguagem e, em particular, dos estudos da tradução, os discursos produzidos e difundidos parecem cada vez mais deferir em favor da precariedade das distinções absolutas que marcariam aquilo que, classificado como sistemático, tradicional, clássico, convencional, exigiria, portanto, uma postura salvadora. Projetados fundamentalmente a partir dos modelos da filosofia continental, esses discursos atribuem ao século 20 a superação dessas distinções (teoria e prática, corpo e espírito, original e tradução) e o apagamento das fronteiras que, nessa leitura, ameaçariam o sucesso do sagrado projeto democrático. Entretanto, ao renunciar às fronteiras e revogar as distinções, criando um espaço ambíguo transterritorial fundado na coincidência primordial de identidades legítimas (em certo sentido, o espaço ocupado pela Linguística Aplicada e pretendido pelos Translation Studies), o que se produz, na maioria das vezes, é um discurso totalitário que coloca ênfase naquilo que supõe abandonar, isto é, sublinha o mecanismo da proibição e repete (reproduz) a lógica da simbolização que presume renunciar. Considerado esse contexto, a proposta deste trabalho é pensar, a partir da experiência da escritora canadense Nancy Huston, o estatuto da autotradução como uma prática que (1) interdita os discursos totalitários dos estudos da linguagem e dos estudos da tradução produzidos contemporaneamente e (2) desponta como um performativo que divulga os limites teóricos de quaisquer modelos em que a ética comparece como um espaço institucionalizado de sacralização da diferença e de comemoração da exceção<br>Abstract: The produced and spread discourse in the contemporary theoretical context of language studies - and particularly of translation studies - seems to more and more grant in favor of the precariousness of the absolute distinctions. Being classified as systematic, traditional, classical, and conventional, distinctions such as theory and practice, body and spirit, original and translation would mark what would require a redeeming approach. Designed fundamentally from the models of continental philosophy, such discourses ascribe to the 20th century the overcoming of the aforementioned distinctions, and the erasing of the boundaries which, accordingly, would threaten the success of the sacred democratic project. However, once boundaries are renounced and distinctions are revoked, an ambiguous, transterritorial space founded on the primordial coincidence of legitimate identities arises - in a sense, the space occupied by Applied Linguistics and intended by Translation Studies. Consequently, most of the time what is produced is a totalitarian discourse that emphasizes what it supposedly abandons, i.e., highlights the prohibition mechanism and repeats (reproduces) the presumably disowned logic of symbolization. Acknowledging such context, and taking into account the experience of Canadian writer Nancy Huston, this study considers the status of self-translation as a practice that (1) interdicts the totalitarian discourses of both language and translation studies contemporarily produced, and (2) arises as performative practice that exposes the theoretical limits of any models in which ethics appears as an institutionalized space of both sacralization of difference and celebration of exception<br>Mestrado<br>Teoria, Pratica e Ensino da Tradução<br>Mestre em Linguística Aplicada
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Horany, Sarah B. (Sarah Beth). "Original Short Stories." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501088/.

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This thesis consists of three original short stories: "August Morning," "Weekend Idyll," and "Free Ride." In addition, an appendix has been added which contains "Hamilton House Roundabout," the original version of "Weekend Idyll." It is included to illustrate the dramatic changes that can occur in the writing process. "August Morning" focuses on a young man's struggle to gain his freedom from his family, particularly his overbearing father. Whether or not he succeeds is ultimately up to the reader. "Weekend Idyll" follows a young woman as she tries to live a dream she has long believed in. Ultimately, her vision is shattered. The final story, "Free Ride," centers on a hapless teenager who finds happiness only in the exhiliaration of racing. Ultimately, it kills him. I wrote stories rather than an analysis primarily for practical reasons. As a teacher I found an exercise in writing more readily transferrable to my classroom.
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Ingimundardottir, Gudrun 1963. "Dawn (Original composition)." Thesis, The University of Arizona, 1990. http://hdl.handle.net/10150/291376.

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Rothacker, Kurt Van Meter 1964. "Paean (Original composition)." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/291824.

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This original composition is primarily in the key of C and is in a style of expanded tonality. Although the work loosely follows an established formal structure, the harmonic changes exist freely within this structure and occur more as modal changes rather than diatonic. The structure of the work is a loose sonata form including introduction, transitions and retransitions, and coda.
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Azevedo, Carlos. "Portfolio of original compositions." Thesis, University of Sheffield, 2017. http://etheses.whiterose.ac.uk/18604/.

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Soria, Luz Rosalia. "Portfolio of original compositions." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/portfolio-of-original-compositions(721ea6ce-c0bc-4bd3-aa2d-1d0cecbb684e).html.

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This portfolio of compositions investigates the adaptation of state-space models, frequently used in engineering control theory, to the electroacoustic composition context. These models are mathematical descriptions of physical systems that provide several variables representing the system’s behaviours. The composer adapts a set of state-space models of either abstract, mechanical or electrical systems to a music creation environment. She uses them in eight compositions: five mixed media multi-channel pieces and three mixed media pieces. In the portfolio, the composer investigates multiple ways of meaningfully mapping these system’s behaviours into music parameters. This is done either by exploring and creating timbre in synthetic sound, or by transforming existing sounds. The research also involves the process of incorporating state-space models as a real-time software tool using Max and SuperCollider. As real-time models offer several variables of continuous evolutions, the composer mapped them to different dimensions of sound simultaneously. The composer represented the model’s evolutions with either short/interrupted, long or indefinitely evolving sounds. The evolution implies changes in timbre, length and dynamic range. The composer creates gestures, textures and spaces based on the model’s behaviours. The composer explores how the model’s nature influences the musical language and the integration of these with other music sources such as recordings or musical instruments. As the models represent physical processes, the composer observes that the resulting sounds evolve in organic ways. Moreover, the composer not only sonifies the real-time models, but actually excites them to cause changes. The composer develops a compositional methodology which involves interacting with the models while observing/designing changes in sound. In that sense, the composer regards real-time state-space models as her own instruments to create music. The models are regarded as additional forces and as sound transforming agents in mixed media pieces. In fixed media pieces, the composer additionally exploits their linearity to create space through sound de-correlation.
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Books on the topic "Original"

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Wangemann, Jutta, ed. RosebudDas Original: Das Original. Kiepenheuer & Witsch, 2002.

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Iskandar, H. M. Tuah. Original. Alaf 21, 2001.

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David, Mellor, ed. Editions Alecto: Original graphics, multiple originals, 1960-1981. Lund Humphries, 2003.

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James, P. D. Original sin. Random House Large Print, 1995.

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León, Luis de. Poesía original. Excmo. Ayuntamiento de Cuenca, 1991.

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Pulver, Mary Monica. Original sin. Walker and Co., 1991.

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group), Brand New Heavies (Musical. Original flava. Acid Jazz, 2017.

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Lucas, Frank. Original gangster. St. Martin's Press, 2010.

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Brennan, Allison. Original sin. Ballantine Books, 2010.

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Dodson, Brandt. Original sin. Harvest House Publishers, 2006.

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Book chapters on the topic "Original"

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Chiantaretto, Jean-François. "The Original, the Originary." In The Loss of Self: Self-Writing as a Tool in Borderline Psychoanalysis. Routledge, 2025. https://doi.org/10.4324/9781003542483-3.

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Pfisterer, Ulrich. "Original → Fälschung und Original." In Metzler Lexikon Kunstwissenschaft. J.B. Metzler, 2011. http://dx.doi.org/10.1007/978-3-476-00331-7_130.

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Weik, Martin H. "original." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_13256.

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Slavin, Malcolm Owen. "Original Loss and Original Sin." In The Story of Original Loss. Routledge, 2024. http://dx.doi.org/10.4324/9780367367091-8.

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Benninghoff-Lühl, Sibylle. "Ein Original." In »Figuren des Zitats«. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-04295-8_4.

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Gerich, Mara. "Original Manuscripts." In Teachers‘ Counseling Competence in Parent-Teacher Talks. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15619-0_2.

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Whimster, William F. "Original articles." In Biomedical Research. Springer London, 1997. http://dx.doi.org/10.1007/978-1-4471-3590-6_9.

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Weldon, Clodagh. "Original Sin." In Encyclopedia of Psychology and Religion. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_480.

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Dyson, A. E. "Original Fallacy." In The Fifth Dimension. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-13961-3_6.

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Weik, Martin H. "tone original." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_19730.

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Conference papers on the topic "Original"

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"Original research." In 2005 12th IEEE International Conference on Electronics, Circuits and Systems. IEEE, 2005. http://dx.doi.org/10.1109/icecs.2005.4633464.

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Masiero Sgrinzatto, Chiara. "Venice Original." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. ACM, 2021. http://dx.doi.org/10.1145/3483529.3483754.

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Williamson, John, and Roderick Murray-Smith. "Rewarding the original." In the 2012 ACM annual conference. ACM Press, 2012. http://dx.doi.org/10.1145/2207676.2208301.

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Zeoli, April, Shannon Frattaroli, Christine Kwiatkowski, and Daniel Webster. "119 Original research." In SAVIR 2017. BMJ Publishing Group Ltd, 2017. http://dx.doi.org/10.1136/injuryprev-2017-042560.119.

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Esbulatova, A. Zh, and K. N. Voinov. "Original and effective teaching." In Наука России: Цели и задачи. НЦ "LJournal", 2021. http://dx.doi.org/10.18411/sr-10-04-2021-66.

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Teaching is the constant process in our life. It makes our parents, teachers/pedagogues at school or in the universities, mentors, experts, coaches, well-known academic, preachers and so on. The additional such factor maybe (and do indeed) Internat. Moreover, the common link among people is essentially exchanged as well. Many persons prefer have short conversation using SMS-communications, and it isn’t face-to-face unfortunately. In any transport (metro, bus, trolleybus) a man seeks interesting or useful information but has not noticed persons’ associates. It’s not good. We can see the next negative situation at home in a family. For example: let’s suppose that one student arrived home. Members of his family ask him about his routine business. And they usually here that everything is OK. Even during his eating, he tries to read the information which he sees in his mobile telephone or in the planetable. Besides, he sends different short communications and gives answers. There are not any friendly dialogs with his family (father, mother, grandfather, grandmother, brother or sister). That’s why in this article you can understand the new way how to exchange such negative situation in full.
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Torrence, Ann. "Martin Newell's original teapot." In ACM SIGGRAPH 2006 Teapot. ACM Press, 2006. http://dx.doi.org/10.1145/1180098.1180128.

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Quan, Wenjun, Qing Zhou, Hai Nan, and Ping Wang. "An Original Data Understanding Process." In the 2nd International Conference. ACM Press, 2018. http://dx.doi.org/10.1145/3207677.3277974.

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Matasar, S. Y. "FAKE NEWS – COPY WITHOUT ORIGINAL." In Proceedings of the IX (XXIII) International Scientific and Practical Conference of Young Scientists. TSU Press, 2022. http://dx.doi.org/10.17223/978-5-907572-04-1-2022-12.

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Oanta, Emil M., Iustin Priescu, and Catalin Apostolescu. "Randomness testing original software instrument." In Advanced Topics in Optoelectronics, Microelectronics, and Nanotechnologies XI, edited by Marian Vladescu, Ionica Cristea, and Razvan D. Tamas. SPIE, 2023. http://dx.doi.org/10.1117/12.2643225.

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Ni, Xiuyan, Shujian Bu, Lucas Adams, and Igor L. Markov. "Prioritizing Original News on Facebook." In CIKM '21: The 30th ACM International Conference on Information and Knowledge Management. ACM, 2021. http://dx.doi.org/10.1145/3459637.3481943.

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Reports on the topic "Original"

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Bordo, Michael, and Christopher Meissner. Original Sin and the Great Depression. National Bureau of Economic Research, 2020. http://dx.doi.org/10.3386/w27067.

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Devereux, Michael, and Steve Pak Yeung Wu. Foreign Reserves Management and Original Sin. National Bureau of Economic Research, 2022. http://dx.doi.org/10.3386/w30418.

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Stemkoski, Lee. Investigating Euler's Polyhedral Formula Using Original Sources. The MAA Mathematical Sciences Digital Library, 2009. http://dx.doi.org/10.4169/loci003297.

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Bertaut, Carol, Valentina Bruno, and Hyun Song Shin. Original Sin Redux: Role of Duration Risk. National Bureau of Economic Research, 2025. https://doi.org/10.3386/w33816.

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Frankenstein, Susan. FASST Soil Moisture, Soil Temperature: Original Versus New. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada483823.

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Author, Not Given. Cedar project: Original goals and progress to date. Office of Scientific and Technical Information (OSTI), 1990. http://dx.doi.org/10.2172/5005497.

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Cybenko, G., D. Kuck, D. Padua, and A. Sameh. Cedar Project---Original goals and progress to date. Office of Scientific and Technical Information (OSTI), 1990. http://dx.doi.org/10.2172/6298484.

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Cybenko, G., D. Kuck, D. Padua, and E. Gallopoulos. Cedar Project---Original goals and progress to date. Office of Scientific and Technical Information (OSTI), 1991. http://dx.doi.org/10.2172/5217286.

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Goldich, Robert L., Gary J. Pagliano, Barbara L. Schwemle, and Thomas J. Nicola. Defense Department Original Transformation Proposal: Compared to Existing Law. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada435553.

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Kontogeorgakos, D., H. Connaway, G. Yesilyurt, and A. Wright. Neutronics Analyses of the Minimum Original HEU TREAT Core. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1224961.

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