Academic literature on the topic 'Original opera'
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Journal articles on the topic "Original opera"
Bland, Anita. "Original Opera in Middle School." Music Educators Journal 79, no. 6 (February 1993): 27–30. http://dx.doi.org/10.2307/3398546.
Full textLutsker, Pavel V. "Bertoldo, Bertoldino e Cacasenno: the Original Score Examined." Music Scholarship / Problemy Muzykal'noj Nauki, no. 2 (2022): 104–22. http://dx.doi.org/10.33779/2782-3598.2022.2.104-122.
Full textIvanytska, Yana. "Original and Editions of the Opera “Taras Bulba” by M. Lysenko." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, no. 1 (June 6, 2022): 69–82. http://dx.doi.org/10.31866/2616-7581.5.1.2022.258149.
Full textPlatoff, John. "How original was Mozart?: Evidence from opera buffa." Early Music XX, no. 1 (February 1992): 105–18. http://dx.doi.org/10.1093/earlyj/xx.1.105.
Full textOżarowska, Aleksandra. "Od czynów do słów: intersemiotyczne nadpisy w uwspółcześnionych spektaklach operowych." Przekładaniec, no. 43 (December 31, 2021): 162–79. http://dx.doi.org/10.4467/16891864pc.21.034.15148.
Full textGuinle, Francis. "Review: Record: The Beggar's Opera: Original Songs and Airs." Cahiers Élisabéthains: A Journal of English Renaissance Studies 37, no. 1 (April 1990): 126. http://dx.doi.org/10.1177/018476789003700132.
Full textROGERS, VANESSA L. "John Gay, Ballad Opera and theThéâtres de la foire." Eighteenth Century Music 11, no. 2 (August 7, 2014): 173–213. http://dx.doi.org/10.1017/s1478570614000049.
Full text[方博], Fang Bo. "The Transtextual Gender Construction in the Opera Madame White Snake." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 7 (June 21, 2021): 1–18. http://dx.doi.org/10.30819/aemr.7-1.
Full textBrett, Philip, Benjamin Britten, John Gay, Tyrone Guthrie, David Matthews, and Paul Hindmarsh. "The Beggar's Opera, Opus 43: Realized from the Original Airs of John Gay's Ballad Opera (1728)." Notes 55, no. 3 (March 1999): 735. http://dx.doi.org/10.2307/900454.
Full textJagosz, Michał. "Rywale, czyli opera mieszczańska w Krakowie. Historia, kontekst kulturowy, znaczenie." Kwartalnik Młodych Muzykologów UJ, no. 52 (1) (2022): 55–77. http://dx.doi.org/10.4467/23537094kmmuj.22.004.15648.
Full textDissertations / Theses on the topic "Original opera"
Golden, Carol Anne. "Venerable Doe. [Original opera]." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185390.
Full textKuniyasu, Kurt Kazuo 1958. "Twin oaks: A Comic Opera in One Act." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc1038755/.
Full textVolaj, Altin. "Ion, opera in seven scenes, based on Euripides original play." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/8143.
Full textThesis research directed by: School of Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Yang, Hyun Joo. "Which arias better represent Susanna's character : the original or replaced arias? /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/11199.
Full textShirey, Benjamin 1985. "Transient Delete: Original Composition with a Critical Examination of the Compositional Process and a Survey of Digital Technology in Opera." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849752/.
Full textHowlett, May Catherine. "The production of a contemporary chamber opera (The boy who wasn't there)." Thesis, Electronic version, 2005. http://hdl.handle.net/1959.14/769.
Full textDissertation, libretto and score of the opera.
Thesis (MA)--Macquarie University (Division of Humanities, Dept. of Contemporary Music Studies), 2005.
Bibliography: p. 138-141.
Introduction -- Historical background and literature review -- Structural and philosophic changes -- Chamber opera: a genre in evolution -- Chamber opera: its potential for the future -- The personal experiment -- Conclusion..
From its origins as chamber opera just over four hundred years ago, Opera developed through the 18th and 19th centuries, in length and complexity, to attain the status of 'grand', a term that most people associate with opera to this day ... At the beginning of the 20th century, radical innovations in the arts influenced by movements such as the Bauhaus phenomenon, added to the aftermath of a world war that shattered existing socio-political structures and artistic sentiments turned from extroverted displays of grandeur to the creation of more cerebral, introverted styles. ... On the threshold of a new millennium, small, often experimental companies, passionately convinced of the relevance of, and excited by the artistic potential inherent in this revitalized form of opera, formed a loose consortium of creative artists internationally, similar in spirit to the original Camerata of the 16th century, making use of current technologies. Whether these newer works may be styled 'chamber opera' or 'music theatre', they represent a form in evolution, capable of further development into a new genre, a vital nexus of traditional skills applied to current issues, peculiarly suited to integration with electronic modes such as television.
Mode of access: World Wide Web.
141 leaves music
Doyle, James Joseph. "Violetting Through August’s End (Or the Sunset in Water, the Carillon-chime in Square): an Original Chamber Opera and a Critical Essay on the Trajectory of American Minimalist Opera." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699885/.
Full textWeidlich, Richard. "Jean-Blaise Martin and the opera-comique: A studyof selected airs sung by the original baryton Martin." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280081.
Full textSansone, M. "Verismo : From literature to opera." Thesis, University of Edinburgh, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379337.
Full textMichon, Jacques. "Le "Ballad-Opera" forme originale du théâtre musical anglais." Lille : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb36105622j.
Full textBooks on the topic "Original opera"
Fieled, Adam. Opera Bufa (original Otoliths book pdf). Edited by Mark Young. Rockhampton, Queensland, Australia: Otoliths, 2007.
Find full textBirtwistle, Harrison. The second Mrs Kong: An original opera text. London: Universal Edition, 1994.
Find full textArthur, Sullivan. The Sorcerer: An original modern comic opera in two acts. London: Cramer., 2003.
Find full textM, MacMurray Jessica, ed. 101 opera librettos: Complete original language texts with English translations. New York: Black Dog & Leventhal, 2002.
Find full textDaniel, Tony. Savage Trade: Star Trek The Original Series. New York, NY: Pocket Books, 2015.
Find full textHorace. Opera: The works of Horace, with English notes original and selected... London: Griffin, 1991.
Find full textRobert, Cohen H., ed. Dix livrets de mise en scène lyrique datant des créations parisiennes, 1824-1843 =: The original staging manuals for ten Parisian operatic premières, 1824-1843 : in facsimile. Stuyvesant, N.Y: Pendragon Press, 1998.
Find full textWeber, Carl Maria von. Oberon old and new: [Burgess's new opera together with Planché's original text]. London: Hutchinson, 1985.
Find full textCox, Greg. Child of Two Worlds: Star Trek The Original Series. New York: Pocket Books, 2015.
Find full textMariotte, Jeff. The Folded World: Star Trek The Original Series. New York: Pocket Books, 2013.
Find full textBook chapters on the topic "Original opera"
Hogle, Jerrold E. "The Original Fantôme’s Mysteries." In The Undergrounds of The Phantom of the Opera, 3–39. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-11288-0_1.
Full textHogle, Jerrold E. "The Gothic and the ‘Otherings’ of ascendant culture: the original Phantom of the Opera." In Spectral Readings, 177–201. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230374614_11.
Full textManni, Paola. "Il Vocabolario Dantesco a cura dell’Accademia della Crusca e dell’Opera del Vocabolario Italiano (CNR)." In L'illustre volgare, 35–47. Firenze: Società Editrice Fiorentina, 2022. http://dx.doi.org/10.35948/dilef/978-88-6032-685-0.03.
Full textStaples, David. "National Opera House, 2008 (originally the Wexford Opera House) Wexford, Ireland." In Modern Theatres 1950–2020, 460–67. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781351052184-53.
Full textMaehder, Jurgen. "The Origins of Italian Literaturoper: Guglielmo Ratcliff, La figlia di Iorio, Parisina, and Francesca da Rimini." In Reading Opera, edited by Arthur Groos and Roger Parker, 92–128. Princeton: Princeton University Press, 1988. http://dx.doi.org/10.1515/9781400859597.92.
Full textFrigotto, Maria Laura, and Francesca Frigotto. "Resilience and Change in Opera Theatres: Travelling the Edge of Tradition and Contemporaneity." In Towards Resilient Organizations and Societies, 223–47. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82072-5_9.
Full textPrud'homme, Gabrielle. "Verdi at the Heart of the Dictatorship." In Music and Democracy, 107–38. Vienna, Austria / Bielefeld, Germany: mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-005.
Full textCavazza, Antonella. "“Vinci te stesso e vincerai il mondo”. Le fonti di un aforisma rinvenibile nelle opere di Dostoevskij dell’ultimo periodo." In Biblioteca di Studi Slavistici, 127–36. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-910-2.15.
Full text"The Original Tannhäuser Ballad." In A Knight at the Opera, 8–10. Purdue University Press, 2011. http://dx.doi.org/10.2307/j.ctt6wq715.5.
Full textPlatoff, John. "How original was Mozart?" In Essays on Opera, 1750–1800, 375–87. Routledge, 2017. http://dx.doi.org/10.4324/9781315094366-19.
Full textConference papers on the topic "Original opera"
Ye, Xiaochen. "Research on the Development Strategy of Shaanxi Historical Theme Opera "Dahan Suwu" Combining Original Chinese Opera Elements." In 2019 12th International Conference on Intelligent Computation Technology and Automation (ICICTA). IEEE, 2019. http://dx.doi.org/10.1109/icicta49267.2019.00122.
Full textLawrence, Willie, and Eiji Adachi. "Assessing the Occurrence of Blocking Operations in Database Schema Evolution: A Case Study." In Workshop de Visualização, Evolução e Manutenção de Software. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/vem.2021.17209.
Full textDe Lellis, Giovanni. "The OPERA experiment and its contribution to neutrino physics." In The 3rd International Symposium on “Quest for the Origin of Particles and the Universe". Trieste, Italy: Sissa Medialab, 2017. http://dx.doi.org/10.22323/1.294.0010.
Full textSato, Osamu. "Evidence for $\nu\mu\to\nu\tau$ oscillation by appearance mode from OPERA experiment." In KMI International Symposium 2013 on “Quest for the Origin of Particles and the Universe. Trieste, Italy: Sissa Medialab, 2015. http://dx.doi.org/10.22323/1.208.0016.
Full textМир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.
Full textCaruntu-Caraman, Livia. "Înregistrarea englezismelor în dicționar." In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.07.
Full textGarcía, Andrés M., Inés Santé, and Rafael Crecente. "Análisis de la evolución de pequeñas áreas urbanas utilizando análisis cluster y regresiones logísticas: un estudio de caso en Ribadeo (NO de España)." In Virtual cities and territories. Coimbra: Department of Civil Engineering of the University of Coimbra and e-GEO, Research Center in Geography and Regional Planning of the Faculty of Social Sciences and Humanities of the Nova University of Lisbon, 2011. http://dx.doi.org/10.5821/ctv.7698.
Full textvan der Wel, M. C., M. Kramer, and J. P. van Buijtenen. "Premixing Air and LCV Gas in a Gas Turbine Compressor." In ASME Turbo Expo 2002: Power for Land, Sea, and Air. ASMEDC, 2002. http://dx.doi.org/10.1115/gt2002-30015.
Full textKlein, Sikke, Ivar Austrem, and Jan Mowill. "The Development of an Ultra Low Emissions Liquid Fuel Combustor for the OPRA OP16 Gas Turbine." In ASME Turbo Expo 2002: Power for Land, Sea, and Air. ASMEDC, 2002. http://dx.doi.org/10.1115/gt2002-30107.
Full textPileggi, Paolo, Elena Lazovik, Ron Snijders, Lars-Uno Axelsson, Sietse Drost, Giulio Martinelli, Max de Grauw, and Joris Graff. "A Lesson on Operationalizing Machine Learning for Predictive Maintenance of Gas Turbines." In ASME Turbo Expo 2021: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/gt2021-59249.
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