Academic literature on the topic 'Orphée Noir'

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Journal articles on the topic "Orphée Noir"

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Gyssels, Kathleen. "Sartre postcolonial ? Relire Orphée noir plus d'un demi-siècle après." Cahiers d'études africaines 45, no. 179-180 (2005): 631–50. http://dx.doi.org/10.4000/etudesafricaines.14952.

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Kolovos, Nikos. "Ο Ορφέας του σκότους (Στον κινηματογράφο του Ζαν Κοκτό)". Σύγκριση 11 (31 січня 2017): 35. http://dx.doi.org/10.12681/comparison.10765.

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Lévénement le plus important de la «vie» d' Orphée fut sa descente dans l'Hadès, à laqualle il se résolut, demeuré inconsolable après la mort de sa bien- aimée Eurydice. La «mort» d' Orphée est le second événement extraordinaire de sa vie. Jean Cocteau s'est limité essentiellement à la description du premier événement pour tourner ses films «Orphée» (1950) et «Le Testament d'Orphée» (1959). Pour Cocteau, le cinéma était poétique par excellence, «un véhicule de poésie», selon ses propres termes. Car l'inventif langage audiovisuel lui donnait la possibilité de dépasser la réalité et de se mouvoi
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Cardoso, Igor Barbosa. "A katábasis de Orfeu no Brasil, por Cacá Diegues." CODEX – Revista de Estudos Clássicos 5, no. 1 (2017): 31. http://dx.doi.org/10.25187/codex.v5i1.10173.

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O mito de Orfeu foi reelaborado diversas vezes pelo cinema brasileiro. Procura-se contrapor a <em>katábasis</em> produzida por Cacá Diegues a de Marcel Camus, com <em>Orphée Noir</em> (1958), em dois momentos, em <em>A cidade grande</em> (1966) e <em>Orfeu</em> (1999). Argumenta-se que o bandido social e o traficante de drogas são personagens centrais para a produção de distintas composições do inferno feitas por Diegues.
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Bellocq, Santiago. "La concepción sartreana de la poesía." Boletín de Estética, no. 49 (March 18, 2020): 45–85. http://dx.doi.org/10.36446/be.2019.49.59.

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El siguiente trabajo aborda los desarrollos de Sartre sobre la cuestión de la poesía, los proyectos poéticos y su posibilidad de compromiso en Situations II, sus biografías existenciales Baudelaire y Saint Genet y su estudio de la poesía negra y malgache publicado como Orphée noir. Más allá de las críticas que se le han hecho de ignorar la esencia del fenómeno poético, una lectura atenta permite mostrar cómo su concepción sobre la poesía ha virado con los años al punto de considerarla una herramienta tan poderosa como la prosa para suscitar el compromiso y el llamamiento a la libertad mediante
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Kühl, Paulo. "Visões cinematográficas da ópera nos trópicos." ARJ – Art Research Journal / Revista de Pesquisa em Artes 4, no. 1 (2017): 57–75. http://dx.doi.org/10.36025/arj.v4i1.11087.

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Na visão europeia sobre o Brasil às Américas, há uma constante oposição entre natureza, muitas vezes vista como hostil, e civilização. A partir da chegada da corte portuguesa no Rio de Janeiro, há duas tendências gerais na visão sobre as transformações no país: ou a necessidade de se “forçar” a civilização na nova sede do império luso, através de diversos projetos, ou a de uma busca de “aclimatação” da cultura europeia. Processos complementares, que às vezes se apresentam como opostos. A proposta do presente artigo é discutir, através dos filmes Orphée Noir de Marcel Camus e Fitzcarraldo de We
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Bwejeri, Jean. "Orphée noir ou la lettre qui tue: éléments pour une évaluation du concept sartrien de négritude." Les Lettres Romanes 43, no. 1-2 (1989): 85–99. http://dx.doi.org/10.1484/j.llr.4.01047.

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Riesz, János. "« Orphée Noir » – « Schwarzer Orpheus » – « Black Orpheus » : Quand les marges se mettent en marche vers un centre commun." Revue de littérature comparée 314, no. 2 (2005): 161. http://dx.doi.org/10.3917/rlc.314.0161.

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Gomez-Muller, Alfredo. "La critique sartrienne de l'universel abstrait : éléments pour une pensée du multiculturel." Labyrinth 17, no. 1 (2015): 9. http://dx.doi.org/10.25180/lj.v17i1.11.

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Sartre's Critique of the Abstract Universal: Elements for a Multicultural Thinking The question of cultural justice, which refers in different contexts to the exigency of universality, constitutes a central aspect of Sartre's writings after World War II as f. ex. Réflexions sur la question juive (1946), Orphée noir (1948), Cahiers pour une morale (1947-1948), the famous Preface to Les damnés de la terre of Franz Fanon (1961), and his article on the "question basque" (1971). In this texts Sartre poses some questions, which are crucial for the contemporary multiculturalism debates, specially the
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Kothandan, Gugan, Changdev G. Gadhe, Anand Balupuri, Jagadeesan Ganapathy, and Seung Joo Cho. "The nociceptin receptor (NOPR) and its interaction with clinically important agonist molecules: a membrane molecular dynamics simulation study." Mol. BioSyst. 10, no. 12 (2014): 3188–98. http://dx.doi.org/10.1039/c4mb00323c.

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Porra, Véronique. "Sur quelques Orphée noirs. Reproduction, adaptation et hybridation du mythe d'Orphée en contexte post (-) colonial." Revue de littérature comparée 344, no. 4 (2012): 441. http://dx.doi.org/10.3917/rlc.344.0441.

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Dissertations / Theses on the topic "Orphée Noir"

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Malka, Marina Bonatto. "Vinicius e Orfeu : um estudo sobre Orfeu da conceição e Orphée noir." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/185950.

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Ce mémoire de master a l’objectif de contribuer avec aux rares études à propos de la dramaturgie de Vinicius de Moraes, spécifiquement en concernant Orfeu da Conceição (1954), la deuxième pièce de théâtre de l’auteur. Pour ce faire, il est récapitulé avant, pendant et après de la pièce les principaux oeuvres de Vinicius, comme ses poèmes, ses compositions musicales (la Bossa Nova et le MPB), sa dramaturgie et sa prose, au de-là de faits importants de sa vie personnelle, comme la Faculté du Catete, sa relation avec Waldo Frank, son emploi dans la diplomatie et ses mariages. De plus, il est fait
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Ferrán, Pérez Beatriz. "Identificación y caracterización de genes regulados por NOR-1 (Neuron-derived Orphan Receptor-1): implicación en el remodelado vascular y la diferenciación celular." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/396643.

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Las enfermedades cardiovasculares constituyen la primera causa de muerte a nivel mundial. El común denominador de las enfermedades cardiovasculares de componente isquémico es la aterosclerosis. La complicación trombótica de las placas ateroscleróticas puede ocasionar eventos clínicos como el infarto agudo de micardio o los accidentes cerebrovasculares. En la evolución de esta patología juegan un papel clave las células musculares lisas de la pared vascular, que experimentan cambios importantes en su fenotipo y en su patrón de expresión génica. En la regulación de dichos cambios participa la fa
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Edmonds, Radcliffe G. "A path neither simple nor single : the use of myth in Plato, Aristophanes, and the 'Orphic' gold tablets /." 1999. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9934046.

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Books on the topic "Orphée Noir"

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Senghor, Leopold S. Anthologie de la Nouvelle Poesie Negre et Malgache de Langue Francaise Avec: Sartre/ Jean­Paul. Orphee Noir. French & European Pubns, 1985.

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Cheney, Kristen. The Making of “Orphans”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190265076.003.0007.

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In Uganda, there has been a proliferation of foreign-supported orphanages encouraging poor parents to place their children in care and relinquish them for adoption to meet the demands of a very profitable “orphan rescue” movement. Instead of reuniting children with family, these institutions actively discourage contact to keep children in the orphanage or make them available for international adoption. Ugandan parents tend to think of these new practices as a global expansion of local informal fostering practices, but rarely do they have a clear understanding of the detrimental effects of inst
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Pollack, Harriet, ed. New Essays on Eudora Welty, Class, and Race. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496826145.001.0001.

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Responding to work begun in the 2013 collection Eudora Welty, Whiteness, and Race that mined and deciphered the complexity of her responses to the Jim Crow South, the thirteen diverse voices of New Essays on Eudora Welty, Class, and Race deepen, reflect on, and respond to those seminal discussions. These essays freshly consider such topics as Welty’s treatment of African-American signifying in her short stories, and her attention to public street performances interacting with Jim Crow rules in her unpublished photographs. They consider her strategic adaptations of Gothic plots, black pastoral,
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Book chapters on the topic "Orphée Noir"

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"Afrique-Eurydice: «Orphée noir» ou le mythe senghorien." In Le mythe au féminin et l’(in)visibilisation du corps. BRILL, 2021. http://dx.doi.org/10.1163/9789004470255_009.

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"Négritude: dimensions philosophiques et culturelles, nouveaux propos sur Orphée noir." In Philosophie et Culture: Actes du XVIIe congrès mondial de philosophie. Éditions du Beffroi, 1988. http://dx.doi.org/10.5840/wcp1719884164.

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Conference papers on the topic "Orphée Noir"

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Zanin, Vadim, and Yuliya Ivanova. "WORKS WITH AN INACCESSIBLE COPYRIGHT HOLDER (ORPHAN WORKS) AND PROBLEMS OF THEIR TRANSITION TO THE PUBLIC DOMAIN." In Current problems of jurisprudence. Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02058-6/108-119.

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An orphan work is a work for which the copyright has probably not expired, but at the same time there is no possibility to find the copyright holder. Such works cannot be published; they can only be accessed in libraries, archives, or private collections. In particular, such works may not be allowed to be published on the Internet, nor may they be included in anthologies or used in part in other works. The problem of such works greatly limits the scope of the public domain, since due to the lack of registered data on the owners of property rights, a significant part of the works that could be
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