Relevant bibliographies by topics / Orpheus descending (Williams, Tennessee)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Orpheus descending (Williams, Tennessee)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Orpheus descending (Williams, Tennessee)"

1

Koutsoudaki, Mary. "Ο μύθος του Ορφέα στο θεατρικό έργο του Tennessee Williams". Σύγκριση 11 (31 січня 2017): 69. http://dx.doi.org/10.12681/comparison.10766.

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Τ Williams' use of Dionysicism is evident in his theater. A very interesting sample of this use can be found in Battle of Angels, Orpheus Descending, Camino Real and Suddenly Last Summer. These plays present various treatments of the ritual and the myth in the playwright's effort to give a universal meaning to the plights of modern man. The Orphic identity of Dionysus is predominant in Battle of Angels (1940), which was one of Williams' favorite plays. The use of Orphic Dionysicism expresses the playwright himself who believed that Battle of Angels was «coming directly from his heart as an exp
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2

Eming, Jutta. "Das Heilige in der Neuen Welt: Sarah Ruhls Passion Play: A Cycle und Tennessee Williams’ Orpheus Descending." European Medieval Drama 17 (January 2013): 117–39. http://dx.doi.org/10.1484/j.emd.5.110134.

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3

Gontarski, S. E. "Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre." New Theatre Quarterly 37, no. 1 (2021): 82–99. http://dx.doi.org/10.1017/s0266464x20000810.

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The world around Tennessee Williams in the 1960s, 1970s, and into the 1980s was changing at an astonishing pace, the cultural revolution of the period rendering most of his themes of sexual closeting and repression almost inconsequential. At least the entrenched cultural taboos against which he wrote seem to have disappeared by the mid-1960s and 1970s. In the 1980s, Broadway productions of his work grew infrequent, while those mounted tended to have short runs. He told interviewers from Theatre Arts magazine: ‘I think my kind of literary or pseudo-literary style of writing for the theatre is o
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4

Rafati, Atieh. "An Analysis of Tennessee Williams’ “Orpheus Descending” Based on the Features of Expressionist Drama." English Language and Literature Studies 2, no. 1 (2012). http://dx.doi.org/10.5539/ells.v2n1p118.

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Masoud, Ahmadi Mosaabad, and Ahmad Gholi. "The Role of Symbol in Delivering the Theme of Reviving Power of Sex in Tennessee Williams’ Orpheus Descending." English Language and Literature Studies 1, no. 2 (2011). http://dx.doi.org/10.5539/ells.v1n2p123.

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Dissertations / Theses on the topic "Orpheus descending (Williams, Tennessee)"

1

Najar, Jean. "Costume design and production for Orpheus Descending, by Tennessee Williams." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1329156125.

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Zhang, Nan. "A Lighting Design Process for a Production of Tennessee Williams' Orpheus Descending." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392023032.

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Brown, David Asher. "The sound ascending." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3382.

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The sound ascending is a musical theater work for two actors, four singers and piano. This project was a collaboration with playwright, Jason Tremblay. The story is a loose adaptation of Orpheus descending, by Tennessee Williams. Displaced from the rural, American South, most of our story takes place in Mazer, Afghanistan. Jason and I attempted to create an untraditional model. The work lies somewhere between a musical, oratorio and a song cycle. We both walked away with mixed feelings about the success of the work, following a preliminary premiere. I believe that the work is successful in its
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Books on the topic "Orpheus descending (Williams, Tennessee)"

1

Tennessee, Williams. The Theatre of Tennessee Williams, Vol. 3: Cat on a Hot Tin Roof / Orpheus Descending / Suddenly Last Summer. New Directions Publishing Corporation, 1991.

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2

Nelson, Benjamin. The Major Plays of Tennessee Williams: Cat on a Hot Tin Roof/the Glass Menagerie/Orphedeus Descending/a Streetcar Named Desire and Others (Monarch Notes). Monarch Press, 1985.

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Merrill, Brockway, Haxton Brooks, Langella Frank, and Films for the Humanities & Sciences (Firm), eds. Tennessee Williams: Orpheus of the American stage. Films for the Humanities, 1995.

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Galens, David. Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas (Drama for Students). Gale Cengage, 2002.

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5

Galens, David. Drama for Students: Presenting Analysis, Context, and Criticism on Common Studies Dramas (Drama for Students). Thomson Gale, 2001.

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Drama for Students. Gale Cengage, 2008.

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Drama for Students: Presenting Analysis, Context and Critism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1999.

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Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 2000.

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Galens, David. Drama for Students: Presenting Analysis, Context and Critism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1999.

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10

Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas (Drama for Students) Volume 4. Thomson Gale, 1998.

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Book chapters on the topic "Orpheus descending (Williams, Tennessee)"

1

"Battle of Angels and Orpheus Descending (1939–1941 and 1957)." In The Theatre of Tennessee Williams. Bloomsbury Publishing Plc, 2014. http://dx.doi.org/10.5040/9781472515452.ch-002.

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2

"Fantasies of the Deep South: Orpheus Descending." In Tennessee Williams in Sweden and France, 1945–1965. Methuen Drama, 2019. http://dx.doi.org/10.5040/9781350022096.ch-005.

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3

Clum, John M. "The sacrificial stud and the fugitive female in Suddenly Last Summer, Orpheus Descending, and Sweet Bird of Youth." In The Cambridge Companion to Tennessee Williams. Cambridge University Press, 1997. http://dx.doi.org/10.1017/ccol0521495334.008.

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