Relevant bibliographies by topics / Orsini fam

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Academic literature on the topic 'Orsini fam'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Orsini fam"

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Maiti, Abhishek, Sergej Konoplev, Courtney D. DiNardo, et al. "Outcomes of De Novo Acute Myeloid Leukemia with Monocytic Differentiation (FAB M4/5) Treated with Venetoclax and Decitabine." Blood 136, Supplement 1 (2020): 11–13. http://dx.doi.org/10.1182/blood-2020-138580.

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Background: Venetoclax (VEN) with hypomethylating agent (HMA) is a new standard for older/unfit patients (pt) with acute myeloid leukemia (AML). Approximately 20-40% pts do not respond to VEN+HMA regimens and subsequently have poor outcomes. Hence, mechanisms of resistance to VEN is an area of active investigation. Pre-clinical data suggests that monocytic differentiation (FAB AML M4/5) may be associated with intrinsic resistance to VEN in AML (Pei et al. Cancer Discovery 2020). We conducted a subgroup analysis of pts with de novo M4/M5 AML treated on a prospective trial with VEN+HMA and compa
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Ramos Perez, Jorge M., Veronica A. Guerra, Danielle Hammond, et al. "Response and Survival Outcomes with Hypomethylating Agents in Patients with Chronic Myelomonocytic Leukemia Based on Disease Phenotype and Risk Categories." Blood 136, Supplement 1 (2020): 8–9. http://dx.doi.org/10.1182/blood-2020-142469.

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INTRODUCTION: Chronic myelomonocytic leukemia (CMML) is a clonal hematologic disorder characterized by clinical and prognostic heterogeneity. Hypomethylating agents (HMA), either alone or in combination, are common therapeutic drugs used to treat CMML. Here we characterize 165 patients (pts) with CMML and describe their outcomes after being treated with frontline HMA-based therapy METHODS: We retrospectively reviewed the medical records of pts with CMML treated with frontline HMA-based therapy at the University of Texas MD Anderson Cancer Center (MDACC) from 2013 to 2020. We characterized the
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Kuendgen, Andrea, Meritxell Nomdedeu, Heinz Tuechler, et al. "Therapy-Related MDS Can be Separated into Different Risk-Groups According to Tools for Classification and Prognostication of Primary MDS." Blood 132, Supplement 1 (2018): 3103. http://dx.doi.org/10.1182/blood-2018-99-118215.

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Abstract The current classification system for Myelodysplastic Syndromes lumps all therapy-related (tMDS) into one subgroup assuming all tMDS had the same poor prognosis. We have put together a database including 2032 patients with a diagnosis of tMDS from several different IWG centers and the MDS clinical research consortium. With the idea of developing an individual scoring system for tMDS, we decided to start by optimizing the cytogenetic part of the IPSSR. First, we did an extensive review of karyotypes. Finally, 1245 patients had complete data and correct ISCN formula to be used for score
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Savona, Michael R., James K. McCloskey, Elizabeth A. Griffiths, et al. "Clinical Efficacy and Safety of Oral Decitabine/Cedazuridine in 133 Patients with Myelodysplastic Syndromes (MDS) and Chronic Myelomonocytic Leukemia (CMML)." Blood 136, Supplement 1 (2020): 37–38. http://dx.doi.org/10.1182/blood-2020-133855.

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Introduction: Hypomethylating agents (HMAs) or DNA methyltransferase inhibitors (DNMTi) such as decitabine or azacitidine are established standard of care for the treatment of MDS and CMML. The oral bioavailability of these agents has been limited due to rapid degradation by cytidine deaminase (CDA) in the gut and liver, hence requiring intravenous infusion or subcutaneous injections daily for 5-7 days every month (m). This parenteral administration requirement adds significant burden to older cancer patients due to daily time commitment and travel to treatment centers. It also increases expos
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Jaitner-Hahner, Ursula, Federica Matteini, Puxeddu Marianne Gackenholz, et al. "Bollettino della Deputazione di storia patria per l'Umbria n. 108/2 (2011)." January 31, 2012. https://doi.org/10.5281/zenodo.800675.

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Nel secondo tomo del BDSPU 2011 compaiono articoli relativi alle sezioni "Studi biografici" e "Manoscritti e documenti d'archivio", oltre a recensioni, elenchi di libri ricevuti, atti e notizie della Deputazione.
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Book chapters on the topic "Orsini fam"

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Mullis, Justin. ""All the Pretty Little Ponies"." In The Retro-Futurism of Cuteness. punctum books, 2017. https://doi.org/10.21983/p3.0188.1.06.

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Bronies are adult male fans of the hit animated TV series My Little Pony: Friendship Is Magic (2010–present). It is the latest incarnation of the 1980s My Little Pony franchise, a toy line of cute plastic pony figures created by Hasbro with an accompany-ing animated series. According to Patrick Edwards and Marsha Redden — the nation’s “premiere bronyologists” (Orsini) — self-identified bronies have a medium age of twenty-one and are predominately male, heterosexual, and college educated.1 What makes bronies truly remarkable is the sustained media coverage they have received over the past seven
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Vuelta García, Salomé. "El teatro del Siglo de Oro en el fondo Orsi de la Biblioteca Estense de Módena." In Studi e saggi. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.24.

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This paper offers an overall study of the texts derived from the Spanish classical theater contained in the Orsi collection of the Estense Library of Modena, which has so far not been adequately investigated. The remarkable interest of Giovan Gioseffo Orsi (1652-1733) and his entourage for the Spanish theater emerged, played in the public theaters, private villas, academies and Jesuit colleges of Modena and Bologna between the end of the XVII and the beginning of the XVIII century. In addition, several unknown adaptations and remakes come to light, deriving from Spanish pièces included in the
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"Frontmatter." In Discovering Orson Welles. University of California Press, 2019. http://dx.doi.org/10.1525/9780520940710-fm.

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Lord Hall, Joan. "Homoerotic Desire and Same-Sex Bonding: Challenges to Heterosexual Partnership?" In Sexual Desire and Romantic Love in Shakespeare. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474488563.003.0008.

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Chapter 7 discusses how far homoerotic same-sex relationships and close friendships (male and female) challenge heterosexual norms of romance. Shakespeare’s Sonnets, which explore bisexual passion, privilege love for the ‘fair youth’ above lust for the ‘dark’ mistress. In Shakespeare’s theatre the transvestite convention of a boy actor playing a girl (who then pretends to be a boy) generates same-sex desire, as when Orsino in Twelfth Night is attracted to Viola dressed as Cesario. The chapter also shows how extreme devotion to a close male friend, the case with Antonio in The Merchant of Venic
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"Introduction." In Eighteenth-Century Popular Culture, edited by John Mullan and Christopher Reid. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198711346.003.0001.

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Abstract In February 1754 George Woodward, The rector of East Hendred in Berkshire, wrote to his uncle complaining of The scarcity of new reading-matter in his rural parish: ‘I believe, if good S’. Charles [Grandison] had not so opportunely come to our Relief, we shd. have degraded our Taste so far, as to have horrow’d Valentine & Orson from y° Gentry in y° Kitchen, where he is Conn’d over every Night with wonderful Pleasure.’ Woodward comments wryly, and in The expectation that he will he understood, on a structural division between cultures. While The clergyman’s family gaThers in The pa
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Rosenbaum, Jonathan. "Editor’s Notes to the Welles Interview." In Orson Welles ’s Citizen Kane. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195158915.003.0003.

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Abstract Given the virtually mythological status of Citizen Kane in Welles ‘s career, it isn ‘t surprising that it has generated by far the most debate of all his films. Two publications in particular should be cited: “Raising Kane,” by Pauline Kael, which appeared originally in two successive issues of the New Yorker (February 20 and 27, 1971) and then as a lengthy preface to the script, published later the same year (The “Citizen Kane” Book, Boston: Atlantic/Little, Brown, and Robert L. Carringer ‘s The Makins of “Citizen Kane” (Berkeley: University of California Press, 1985). Kael ‘s essay
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Naremore, James. "Style and Meaning in Citizen Kane." In Orson Welles ’s Citizen Kane. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195158915.003.0005.

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Abstract According To Orson Welles ‘s one-time producer John Houseman, Welles was “at heart a magician, whose particular talent [lay] not so much in his creative imagination (which is considerable) as in his proven ability to stretch the familiar elements of theatrical effect far beyond their normal point of tension.” ‘ Left-handed as the compliment may seem, Welles was, among other things, a professional magician (“You know an awful lot of tricks,” Susan Alexander says to Charles Foster Kane during their first meeting, as he casts shadows on the wall to amuse her. “You ‘re not a professional
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Ray, Robert B. "Webley-Forsby." In The ABCs of Classic Hollywood. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195322910.003.0075.

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Abstract “A Webley-Forsby 45-automatic, eight-shot,” Spade replies, responding to Polhaus’s request to identify Archer’s murder weapon. “They don’t make them any more.” In fact, they never did. Even under its actual name, Webley-Fosbery produced only 38-caliber eight-shot revolvers. Hammett, who got both the name and the caliber correct, almost certainly underestimated this gun’s rarity: some reports suggest that as few as 40 were manufactured. By making Spade able to recognize an impossibly rare weapon that he would have almost certainly never seen, Hammett was endowing his hero with the kind
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Harper, Steven C. "Interesting Account." In First Vision. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199329472.003.0009.

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Transactive memories of Joseph Smith’s first vision—individual memories in communication and combination with each other—enter the historical record in the 1840s. The most significant and far-reaching of these memories is Orson Pratt’s “Interesting Account,” published in Scotland in 1840 after Smith confided his vision to Pratt in 1839. By sharing his memory, Smith ensured that published accounts of the 1840s consolidated via transaction. Individuals remembered and communicated memories, like Smith telling Pratt, who remembered and communicated via “Interesting Account.” That process placed me
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Harper, Steven C. "An Interview with Joseph Smith in 1859." In First Vision. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199329472.003.0012.

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Orson Pratt continued in the roles of selector and relater and repeater throughout his life. As far as the historical record shows, he wrote and spoke more on the topic of Smith’s first vision than any of his contemporaries. He shaped the saints’ collective memory of the vision. Pratt’s many recitals of the first vision were memorable, whereas others’, such as Tullidge’s poem, did not endure. Pratt enjoyed status and authority among the saints, but that alone hardly accounts for his success. His discursive choices brought Joseph Smith back to life and evoked his vision as reassurance that God
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