Relevant bibliographies by topics / Orthodox hymnography

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Orthodox hymnography'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Orthodox hymnography"

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Ioniță, Alexandru. "Byzantine Liturgical Hymnography: a Stumbling Stone for the Jewish-Orthodox Christian Dialogue?" Review of Ecumenical Studies Sibiu 11, no. 2 (2019): 253–67. http://dx.doi.org/10.2478/ress-2019-0018.

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Abstract This article discusses the role of Byzantine liturgical hymnography within the Jewish-Orthodox Christian dialogue. It seems that problematic anti-Jewish hymns of the Orthodox liturgy were often put forward by the Jewish side, but Orthodox theologians couldn’t offer a satisfactory answer, so that the dialogue itself profoundly suffered. The author of this study argues that liturgical hymnography cannot be a stumbling stone for the dialogue. Bringing new witnesses from several Orthodox theologians, the author underlines the need for a change of perspective. Then, beyond the intrinsic pl
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Trefilova, Olga. "XIII International Conference “Modern Orthodox Hymnography”." Slavic World in the Third Millennium 19, no. 1-2 (2024): 195–203. http://dx.doi.org/10.31168/2412-6446.2024.19.1-2.14.

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The XIII International Conference “Modern Orthodox Hymnography”, organized by the Research Center for the Church Slavonic Language Studies in the Institute of Russian Language of the Russian Academy of Sciences and held on 14th March 2024, was devoted to the translation, transliteration, commenting, textual analysis and use of textual versions of Orthodox liturgical texts. Рapers were presented by scholars who study Greek Orthodox hymnal texts and their translations into Syriac, Church Slavonic, and English. Special attention was paid to the issues of Church Slavonic literature and textual stu
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Andrei, Bogdan. "Missiological Dimensions in Orthodox Christian Hymnography." Teologie și Viață XXXIII (XCIX), no. 9-12 (2025): 145–57. https://doi.org/10.47433/tv.xcixn9-12.145.

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Nikolakopoulos, Konstantin. "Die orthodoxe Kirchenmusik als ein bedeutendes Erbe von Byzanz und ihre moderne Rezeption im Westen am Beispiel des „Byzantinischen Kantorenchores München“." Review of Ecumenical Studies Sibiu 7, no. 3 (2015): 447–59. http://dx.doi.org/10.1515/ress-2015-0033.

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The Byzantine Music was created within the liturgical life of Orthodoxy and has been developed accordingly in the Eastern Church Worship. Together with the hymnography the Byzantine Music in Orthodoxy has from the beginning taken a central place, especially since there is absolutely no orthodox worship without psalmodic accompaniment. It is one of the most notable achievements in the Byzantine era, for which in the last decades also in Western Europe a great interest is awakened.
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Chukarkova, Olga V., and Vladislav V. Alpatov. "The Linguistic and Stylistic Means of Representation of Motives and Images in English-Language Orthodox Hymnography: Cognitive Aspect." Current Issues in Philology and Pedagogical Linguistics, no. 3 (September 25, 2023): 157–71. http://dx.doi.org/10.29025/2079-6021-2023-3-157-171.

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The article describes the linguistic and stylistic means used to create verbal images of saints in church hymnography. Original canons and akathists written by English native speakers are used for the research. These texts are chosen because they are considered to be a specific medium where elements of the scope of religious (Orthodox) concepts are represented. Hymnographic texts are written according to specific genre modals which imply the usage of a significant number of linguistic and stylistic means. Not only do these means determine the outer form of such texts, but they also relate to t
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Karczewski, Pantelejmon. "Wielkotygodniowe inspiracje w hymnografii Zaśnięcia Bogurodzicy." Elpis 23 (2021): 19–28. http://dx.doi.org/10.15290/elpis.2021.23.02.

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Dormition of the Mother of God is one of the most solemnly celebrated feasts in the Orthodox liturgical year. It has a rich hymnography, including an additional rite of the Funeral of the Mother of God. The texts of the feast are largely inspired by the hymnography of the Holy Week, and especially Holy Saturday. This paper presents, on the example of the feast of the Dormition, a general phenomenon of intertextuality in hymnography. Mutual interpenetration of hymns appears in the context of many feasts and many saints.
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Левушкина, Ружица, та Зоран Станчевич. "Сербское гимнографическое творчество конца ХХ начала ХХI веков". Fontes Slaviae Orthodoxae 1, № 1 (2019): 31–41. http://dx.doi.org/10.31648/fso.3017.

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This paper deals with contemporary Serbian hymnography. We learn in short about the life and hymnography works of Serbian authors who have written and are still writing hymnography texts. Most of them live and create their works today. Some of them wrote just one or two hymnography texts and they do not deal with it any more. Others continue creating. Only two Serbian hymnographers wrote in Church Slavonic language. One of them, the author of this paper, still writes, but he has not published his works in the printed form yet. Some Greek and Russian hymnographers wrote the services to Serbian
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Karavites, Peter. "Gregory Nazianzinos and Byzantine hymnography." Journal of Hellenic Studies 113 (November 1993): 81–98. http://dx.doi.org/10.2307/632399.

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Frequent references have been made by several scholars to the use of Gregory's writings as a ‘mine’ for Byzantine hymnography. The discussions have usually stopped with three or four quick citations of the instances that best exemplify the borrowing. To date there has not been any systematic effort to research the topic in greater detail. This failure is understandable. Such a research presupposes knowledge not only of Gregory's writings, a major task in itself since his works occupy four volumes of PG, but also of Byzantine hymnography which is scattered throughout several volumes used by the
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9

Hannick, Christian. "Reference materials on Byzantine and Old Slavic music and hymnography." Journal of the Plainsong and Mediaeval Music Society 13 (November 1990): 83–89. http://dx.doi.org/10.1017/s0143491800001343.

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One of the reasons for the neglect of Byzantine music, liturgy and hymnography within medieval studies undoubtedly lies in the difficulty of comprehending the special terminology. The indices in general accounts such as A History of Byzantine Music and Hymnography by Egon Wellesz (Oxford 1/1949, 2/1961), a work still not surpassed, help only those who are already acquainted with the liturgical practice of the Orthodox Church to find a way into the subject. The booklet by Dimitri Conomos, Byzantine Hymnography and Byzantine Chant (Brookline 1984), which is much more modest in scope, constitutes
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Рidhorbunskyi, Mykola. "South Slavic culture and its influence on the formation of liturgical collections of the Ukrainian Orthodox Church." National Academy of Managerial Staff of Culture and Arts Herald, no. 2 (September 17, 2021): 250–56. http://dx.doi.org/10.32461/2226-3209.2.2021.240076.

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The purpose of the article is to analyze the influence of the South Slavic spiritual culture on the formation and development of hymnography in the Ukrainian Orthodox Church in the 16th-17th centuries. The methodology includes a systematic analysis, which made it possible to analyze and study the influence of the South Slavic spiritual culture on the formation of hymnography in the Ukrainian Orthodox Church. To determine the temporal and quantitative characteristics of the analyzed material, statistical and chronological methods were used, which contributed to the identification of spelling an
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Dissertations / Theses on the topic "Orthodox hymnography"

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Engström, Maria. "Cheruvimskie pesnopenija v russkoj liturgičeskoj tradicii." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193.

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This thesis is a contribution to a growing field of studies on the reception of Byzantine culture in Russia. The object of investigation is the history of the Church Slavonic translation of the Cherubika, which constitute one of the most ancient and dogmatically important functional genres of Byzantine liturgical hymns. The chronological frame of this study is the 13th–17th century. Particular attention is focused on the last change in the liturgical texts in Muscovite Russia, in the mid-17th century. This liturgical reform, which led to the famous Schism in the Russian Church, is studied as p
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Books on the topic "Orthodox hymnography"

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Topping, Eva C. Sacred songs: Studies in Byzantine hymnography. Light and Life Pub., 1997.

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2

Cavarnos, Constantine. Immortality of the soul: The testimony of the Old and New Testaments, Orthodox iconography and hymnography, and the works of Eastern fathers and other writers of the Orthodox Church. Institute for Byzantine and Modern Greek Studies, 1993.

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1969-, Lunde Ingunn, ed. Kirill of Turov: Bishop, preacher, hymnographer. Dept. of Russian Studies, University of Bergen, 2000.

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Panagiōtou, A. D. Ho Iōannēs Mauropous hymnographos tou Hagiou Nikolaou. Ekdotikos Organismos P. Kyriakidē A.E., 2008.

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5

Sinopoulos, P. A. Hē metaphrastikē sigē stēn ekklēsiastikē hymnographia. [s.n.], 1986.

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6

Hierodiakonou, Andreas N. Apo tēn hymnographia tēs Hagias Hevdomadas. 2nd ed. [s.n.], 1987.

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7

Detorakēs, Theocharēs Eustratiou. Vyzantinē thrēskeutikē poiēsē kai hymnographia. 2nd ed. Rethymno, 1997.

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8

Paschos, P. V. Logos kai melos: Eisagōgē stēn Vyzantinē-leitourgikē hymnographia tēs Orthodoxou Ekklēsias. Ekdoseis Harmos, 1999.

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9

Cavarnos, Constantine. Saint Athanasios Parios: Eminent theologian, philosopher, educator, hymnographer, and writer of lives of saints; an account of his life, character, and teachings, together with a comprehensive list of his writings, discussions of them and selections from them. Institute for Byzantine and Modern Greek Studies, 2006.

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10

Pentiuc, Eugen J. Hearing the Scriptures. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190239633.001.0001.

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This book explores a specific area of “reception history”: Byzantine hymnography’s use and interpretation of Scriptures, primarily the Old Testament (Septuagint), as part of Orthodox tradition. Lexical-biblical-theological analyses of selected Holy Week hymns show the distinctiveness of “liturgical exegesis” (hymnographic biblical interpretation) and its complementarity to “patristic exegesis.” Even though patristic exegesis and liturgical exegesis are closely interrelated in terms of authorship and basic methodology, this volume seeks to show the main dissimilarities between patristic (i.e.,
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Book chapters on the topic "Orthodox hymnography"

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Wassilios Klein, Bonn. "Indian Christianity in Greek Orthodox Hymnography." In The Harp (Volumes 8 & 9), edited by V. C. Samuel, Geevarghese Panicker, and Rev Jacob Thekeparampil. Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463232986-030.

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Bodin, Per-Arne. "The Soviet past in contemporary Orthodox hymnography and iconography." In Memory and Religion from a Postsecular Perspective. Routledge, 2022. http://dx.doi.org/10.4324/9781003264750-18.

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Pentiuc, Eugen J. "Introduction." In Hearing the Scriptures. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190239633.003.0001.

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The introductory chapter deals with the Byzantine Orthodox Holy Week and its hymnography. This section of the book covers the Great Lent, a forty-day fasting period preceding Holy Week, as a baptismal/penitential liturgical cycle. The focus shifts then to Holy Week which culminates with Pascha or Easter vigil. The chapter reconstructs briefly the history of the Byzantine Holy Week with its main moments (i.e., Mar Sabas and Constantinopolitan rites and Constantinopolitan-Sabaic synthesis/symbiosis) and primary sources of evidence, such as the pilgrim Egeria’s Diary (384 C.E.) on Jerusalem rite.
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Nikolakopoulos, Konstantin. "3.5.1 Die Septuaginta als Quelle der griechisch-orthodoxen Hymnographie am Beispiel des byzantinischen Kanons." In Die Wirkungsgeschichte der Septuaginta. Gütersloher Verlagshaus, 2022. http://dx.doi.org/10.14315/9783641310967-045.

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Pervushin, Mikhail V. "Imagological Contrasts of Old Russian Literature (Evolution of the Image of Metropolitan Jonah of Kyiv)." In Hermeneutics of Old Russian Literature. Issue 23. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/horl.1607-6192-2024-23-179-200.

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The article examines the imagological contrasts of Old Russian literature. The events of Russian political history often became events of Russian literature. That is why they influenced the history of literature, in which the images of the heroes of these events stand out vividly. One such hero is St. Metropolitan Jonah of Kyiv. This is undoubtedly a significant figure for Russian Orthodoxy and the Russian state. He was born back in the 1390s in the principality of Galich-Mer, and died on March 31, 1461 in Moscow. With his personality begins the account of the independence of the Russian Churc
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Conference papers on the topic "Orthodox hymnography"

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Tuca, Nicusor. "A PHILOSOPHICAL PERSPECTIVE ON THE CHRISTIAN ORTHODOX HYMNOGRAPHY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s11.088.

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Naumow, Aleksander. "SAINTS METHODIUS AND CYRIL IN THE HYMNOGRAPHY OF THE ORTHODOX CHURCH OF THE CZECH LANDS AND SLOVAKIA." In THE PATH OF CYRIL AND METHODIUS – SPATIAL AND CULTURAL HISTORICAL DIMENSIONS. Cyrillo-Methodian Research Centre – Bulgarian Academy of Sciences, 2023. http://dx.doi.org/10.59076/2815-3855.2023.33.05.

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Orthodoxy in the Czech and Moravian territories in the New Age was initially present thanks to the Russian embassy and Russian visitors to the various Czech resorts, but it was also associated with the intensification of the Cyril and Methodius cult in Western and Eastern Europe (1848, 1863, 1869, 1880-1881, 1885), the development of Slavic philology and the pro-Russian Slavophile sentiments among the intelligentsia. In Slovakia, the situation was different - the Eastern rite was spread in the Uniate structures, with the nascent pursuit of Orthodoxy, especially among the Carpathian Ruthenians.
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Rašković, Ana. "SLUŽBA SVETOM KRALjU STEFANU MILUTINU U RUSKIM BOGOSLUŽBENIM RUKOPISIMA XVI–XIX VEKA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.319r.

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The cult of the Serbian Holy king Stephan Milutin existed in the Russian Orthodox Church from the second half of 16th to the beginning of the 19th century. This is evidenced by 12 liturgical manuscripts (Festal Menaions and various types of Sticherarions) from the most significant Russian monasteries – The Holy Trinity St. Sergius Monastery, Kirillo-Beloyersky Monastery and Moscow, in which the Holy king is mentioned under the date of October the 30th. Nine of the manuscripts (two menaions and seven sticherarions with Russian neumatic notation) preserved the Service to the Holy king Milutin by
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Braguta, Ecaterina. "Lexico-Grammatical Peculiarities of the Orthodox Hymnographic Text." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.12.

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Analyzing the achievements of Romanian philologists in the study of the religious text, we find an impressive number of works that reflect the features of the biblical text, given that it is the founding text in the Orthodox cult, of the liturgical texts, and the hymnographic text has a weak representation in the current research. Thus, in this article, we propose to specify the lexicalgrammatical peculiarities of the Orthodox hymnographic text, summarizing ourselves to a single type of text – the akathist, particularities which, for the most part, are common to other types of religious text,
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