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Journal articles on the topic 'Osamu Dazai'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Rogers, Lawrence, Dazai Osamu, and James O'Brien. "Dazai Osamu: Selected Stories and Sketches." Journal of the Association of Teachers of Japanese 21, no. 1 (April 1987): 113. http://dx.doi.org/10.2307/488901.

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2

전봉이. "The Study of Dazai osamu “Sinrou”." Journal of Japanese Studies ll, no. 33 (September 2007): 139–54. http://dx.doi.org/10.15733/jast.2007..33.139.

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3

황진. "A study on “sarumenkanja” by Dazai Osamu." Japanese Language and Literature Association of Daehan ll, no. 56 (November 2012): 275–87. http://dx.doi.org/10.18631/jalali.2012..56.016.

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4

정부용. "Osamu Dazai and the City of Tokyo." Journal of the society of Japanese Language and Literature, Japanology ll, no. 74 (August 2016): 185–210. http://dx.doi.org/10.21792/trijpn.2016..74.010.

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5

Kawana, Karen Kazue. "Ficção e realidade nas obras de Dazai Osamu." Estudos Japoneses, no. 33 (November 25, 2013): 35–44. http://dx.doi.org/10.11606/issn.2447-7125.v0i33p35-44.

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6

정부용. "Dazai Osamu and Joris Karl Hysmans 『À Rebours』." Journal of the society of Japanese Language and Literature, Japanology ll, no. 54 (August 2011): 247–72. http://dx.doi.org/10.21792/trijpn.2011..54.013.

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7

Kawana, Karen Kazue. "Destesto Ficção: Osamu Dazai e o Watakushi Shôsetsu." Revista Criação & Crítica, no. 17 (December 22, 2016): 61. http://dx.doi.org/10.11606/issn.1984-1124.v0i17p61-74.

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Este artigo traz uma introdução ao conceito de watakushi shôsetsu, uma forma de autoficção derivada do naturalismo e do realismo europeu que se tornou popular no Japão na primeira metade do século XX, e algumas reflexões sobre a questão da ficção e da realidade por meio da análise de textos de um dos representantes do gênero, o escritor Osamu Dazai.

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8

이경희. "Variations on ‘Sado’ by Yasuda Yojūrō and Dazai Osamu." Journal of Japanese Language and Literature 73, no. 2 (May 2010): 311–27. http://dx.doi.org/10.17003/jllak.2010.73.2.311.

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9

GANTAR, Lija. "Ancient Greek Legend in Modern Japanese Literature: “Run, Melos!” by Dazai Osamu." Acta Linguistica Asiatica 7, no. 2 (December 29, 2017): 51–68. http://dx.doi.org/10.4312/ala.7.2.51-68.

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Dazai Osamu (1909-1948), a modern Japanese writer, wrote “Run, Melos!” in 1940. The short story is a rework of an Ancient Greek legend of Damon and Pythias from the 4th century B.C., which was introduced to Dazai through Schiller’s version of the legend, “The Hostage”. The legend, based on a true event, represents the perfect friendship and was reworked a number of times by different antique writers. After having been forgotten for a while, it reappeared in the Middle Ages as a fictional story and has gotten many new adaptations from then on. One of them was Schiller’s ballad in 1798, which – alongside an anecdote from Dazai’s own life – represented the basis for Dazai’s story. Even though “Run, Melos!” is not an autobiographical work, Dazai managed to pass his own feelings onto the characters, add some biblical elements, and included a never-before-employed dark twist in the story, thus making his version more realistic than the preceding ones. Despite the distance in time and place between him and the legend, with “Run, Melos!”, Dazai managed to retell a Western literature story, making it a part of the Japanese literature as well, adding motifs and themes influenced by his own life, time, and place.

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10

O'Brien, James, Phyllis I. Lyons, Osamu Dazai, and James Westerhoven. "The Saga of Dazai Osamu: A Critical Study with Translations." Journal of the Association of Teachers of Japanese 20, no. 2 (November 1986): 279. http://dx.doi.org/10.2307/488999.

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11

Walker, Janet A., Phyllis I. Lyons, Osamu Dazai, and James Westerhoven. "The Saga of Dazai Osamu; A Critical Study with Translations." Journal of Japanese Studies 13, no. 2 (1987): 457. http://dx.doi.org/10.2307/132478.

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12

Heinrich, Amy Vladeck, Phyllis I. Lyons, and James Westerhoven. "The Saga of Dazai Osamu: A Critical Study with Translations." Monumenta Nipponica 40, no. 4 (1985): 438. http://dx.doi.org/10.2307/2384830.

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13

Pollack, David, and Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu." Monumenta Nipponica 46, no. 1 (1991): 112. http://dx.doi.org/10.2307/2385151.

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14

Andō, Hiroshi. "La genèse de La Déchéance d'un homme de Dazai Osamu." Littérature 125, no. 1 (2002): 42–54. http://dx.doi.org/10.3406/litt.2002.1744.

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15

Layoun, Mary N., and Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu." Journal of Japanese Studies 18, no. 1 (1992): 200. http://dx.doi.org/10.2307/132718.

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16

Chow, Rey, and Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu." Comparative Literature 45, no. 3 (1993): 297. http://dx.doi.org/10.2307/1771511.

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17

Morita, James R., and Phyllis L. Lyons. "The Saga of Dazai Osamu: A Critical Study with Translations." World Literature Today 59, no. 4 (1985): 658. http://dx.doi.org/10.2307/40142170.

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18

Miller, Marilyn Jeanne, and Alan Wolfe. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu." World Literature Today 65, no. 2 (1991): 369. http://dx.doi.org/10.2307/40147322.

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19

Liman, Anthony V., and Phyllis I. Lyons. "The Saga of Dazai Osamu. A Critical Study With Translation." Pacific Affairs 59, no. 2 (1986): 332. http://dx.doi.org/10.2307/2758973.

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20

Kawana, Karen Kazue. "Mulheres pela perspectiva masculina na literatura japonesa: As protagonistas-narradoras de Dazai." Literatura e Sociedade, no. 22 (December 7, 2016): 30. http://dx.doi.org/10.11606/issn.2237-1184.v0i22p30-41.

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Na literatura japonesa, homens escrevem como mulheres ao menos desde o século X, portanto, o fato de Dazai Osamu (1909-1948) escrever contos com narradoras na segunda metade do século XX não é algo novo, entretanto, neste artigo, procuramos mostrar que elas possuem características peculiares que as distinguem das figuras femininas presentes nas obras de contemporâneos como Kawabata Yasunari e Tanizaki Jun’ichirô.

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21

Mulyaningrum, Meilia, Dian Bayu Firmansyah, and Haryono Haryono. "Analisis Kekerasan Simbolik dalam Cerpen Viyon no Tsuma Karya Dazai Osamu." Chi'e: Journal of Japanese Learning and Teaching 8, no. 1 (March 28, 2020): 68–76. http://dx.doi.org/10.15294/chie.v8i1.36737.

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This study aims to described the symbolic violence done by Otani and its mechanism on Dazai Osamu’s short story, Viyon No Tsuma. Close reading and note taking method was conducted to collect the data. Collected data such as form of words, sentences, sentence fragments, paragraph, and paragraph fragments, were grouped in a table form and analyzed using analytic descriptive method. Data analysis results showed that (1) Otani’s habits are calm, even when he was drunk, and dress neatly. However, by the time flies, Otani changes to be rude and irresponsible man; (2) the fields existed in the short story are economic field and social field; (3) the highest capital is owned by Otani, it is a symbolic capital in the form of the nobility of Otani’s family; (4) All of symbolic violences are done by mechanism of eufemisation.

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22

정부용. "A study on the unreal world in the works of Dazai Osamu." Journal of the society of Japanese Language and Literature, Japanology ll, no. 51 (November 2010): 351–76. http://dx.doi.org/10.21792/trijpn.2010..51.018.

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23

Field, Norma. "Suicidal Narrative in Modern Japan: The Case of Dazai Osamu. Alan Wolfe." Modern Philology 90, no. 4 (May 1993): 567–72. http://dx.doi.org/10.1086/392114.

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24

Marcus, Marvin. "Suicidal Narrative in Japan: The Case of Dazai Osamu (review)." MFS Modern Fiction Studies 37, no. 2 (1991): 335–36. http://dx.doi.org/10.1353/mfs.0.0482.

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25

Cohn, Joel, and Ralph F. McCarthy. "Self Portraits: Tales from the Life of Japan's Great Decadent Romantic, Osamu Dazai." Monumenta Nipponica 46, no. 4 (1991): 545. http://dx.doi.org/10.2307/2385192.

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26

Yee, Sun Kyung. "Subcultural Adaptations of Dazai, Osamu in Light Novel : Focused on the Creative Techniques." Journal of Japanology 47 (November 30, 2018): 185–205. http://dx.doi.org/10.21442/djs.2018.47.10.

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27

이지현. "Dazai Osamu: ‘Alienated Persons’ and ‘Neighborly Love’ - Based on ‘A Farewell with Regret’ -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 83 (November 2018): 429–47. http://dx.doi.org/10.21792/trijpn.2018..83.021.

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28

홍명희. "The Postwar Japanese Society in the Literature of DAZAI Osamu - In Conjunction with the ‘DAZAI myth’ Formed by the Postwar Media -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 82 (August 2018): 473–92. http://dx.doi.org/10.21792/trijpn.2018..82.023.

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29

OHNOGI, Hiroaki. "An analysis of the images of characters in “KOBU-TORI” written by Osamu DAZAI." Proceedings of the Annual Convention of the Japanese Psychological Association 74 (September 20, 2010): 1PM083. http://dx.doi.org/10.4992/pacjpa.74.0_1pm083.

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30

김성희. "Consideration of "the leaf" in "later years" of Osamu Dazai -Mainly on "life awareness"-." Japanese Language and Literature Association of Daehan ll, no. 53 (February 2012): 211–26. http://dx.doi.org/10.18631/jalali.2012..53.012.

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31

이은희. "A Comparative Study on Flame by Dazai Osamu and Die Verwandlung by F. Kafka." Journal of the society of Japanese Language and Literature, Japanology ll, no. 82 (August 2018): 411–34. http://dx.doi.org/10.21792/trijpn.2018..82.020.

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32

Yasuda, Anri. "The Fashion Statements of Dazai Osamu: Sartorial and Literary Expressions of Gender in Wartime Japan." Journal of Popular Culture 50, no. 6 (December 2017): 1293–314. http://dx.doi.org/10.1111/jpcu.12613.

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33

김나경. "≪Prayer≫ in the Pacific War And “The Seagull” Osamu Dazai around “eight days in December”." Journal of North-east Asian Cultures 1, no. 33 (December 2012): 525–40. http://dx.doi.org/10.17949/jneac.1.33.201212.031.

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34

이은희. "『The New Version of Consideration of Hamlet』Written by Osamu Dazai - On the Emphasis of ‘Warai’ -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 61 (May 2013): 375–96. http://dx.doi.org/10.21792/trijpn.2013..61.018.

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35

정부용. "Imaginary World of Water in Dazai Osamu Based on 『Water and Dream』 in Gaston Bachelard (1)." Journal of the society of Japanese Language and Literature, Japanology ll, no. 62 (August 2013): 341–66. http://dx.doi.org/10.21792/trijpn.2013..62.017.

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36

정부용. "The Literature of Dazai Osamu and the Space of City - Concerned on the Aesthetics of Tokyo -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 77 (May 2017): 283–310. http://dx.doi.org/10.21792/trijpn.2017..77.015.

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37

고현혜. "A Study on the Double Suicide Motifs in the Works of Lee Sang and Dazai Osamu." Journal of Humanities, Seoul National University ll, no. 70 (December 2013): 325–80. http://dx.doi.org/10.17326/jhsnu..70.201312.325.

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38

Wiyatasari, Reny. "TEKNIK PENERJEMAHAN TINDAK TUTUR DIREKTIF DALAM CERPEN DOKTOR SIHIR KARYA IWAYA SAZANAMI DAN LARILAH MELOS KARYA DAZAI OSAMU." IZUMI 4, no. 2 (March 17, 2016): 42. http://dx.doi.org/10.14710/izumi.4.2.42-55.

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This paper aims to identify the technique translation of directive speech act that used in two Japanese stories of Mahou Hakushi by Iwaya Sazanami and Hashire Merosu by Dazai Osamu. Those stories are two translation works of Japanese literature in the book of Antologi Kesusastraan Anak Jepang (Nihon Jidou bungaku Senshuu). This book contains children’s literature that translated from Japanese to Indonesian by Antonius Pujo. Those two stories selected because there are many speech act in that, and the directive is considered as most interesting speech act than the other ones. This paper used descriptive qualitative method. The total number of the collected data are 50. The result show there are seven types of translation technique with total usage frequency 72 times. Those techniques are as follow : amplification 18 times, linguistic amplification 16 times, estabilsh equivalent 15 times, literal translation 11 times, reduction 5 times, modulation 5 times, transposition 2 times.

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39

김경숙. "A Study of the Sociocultural State of Japan after the Lost War －Focusing on the later works of Osamu Dazai－." Journal of Japanese Culture ll, no. 78 (August 2018): 255–75. http://dx.doi.org/10.21481/jbunka..78.201808.255.

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40

정부용. "A Study on Water Imaginary World by Dazai Osamu - Center on the View of 『Water and Dream』 by Gaston Bachelard -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 67 (November 2014): 403–30. http://dx.doi.org/10.21792/trijpn.2014..67.019.

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41

이지현. "The Pacific War and Radio Broadcasting: A Study on the Representations of the Radio in the Literature of Osamu Dazai." Journal of the society of Japanese Language and Literature, Japanology ll, no. 75 (November 2016): 301–17. http://dx.doi.org/10.21792/trijpn.2016..75.016.

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42

김나경. "The reinterpretation of “distress” in the mid-term literature of Dazai Osamu -The “Fugaku Hyakkei” and “golden landscape” in the center-." Japanese Modern Association of Korea ll, no. 48 (May 2015): 151–70. http://dx.doi.org/10.16979/jmak..48.201505.151.

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43

백지연. "Recognition of postwar experience and imagination of democracy: ‘Life’ and ‘Woman’ in the novels of Kim Seung-ok and Dazai Osamu." 한국학논집 ll, no. 72 (September 2018): 151–78. http://dx.doi.org/10.18399/actako.2018..72.006.

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44

김나경. "In the sense of beauty of the Pacific War -Centered on「about clothes」and「a child of the fashionable」of Osamu Dazai-." Japanese Language and Literature Association of Daehan ll, no. 62 (May 2014): 119–35. http://dx.doi.org/10.18631/jalali.2014..62.007.

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45

Pazó Espinosa, José. "Donald Keene: una vida dedicada a la literatura japonesa." Mirai. Estudios Japoneses 3 (June 19, 2019): 1–21. http://dx.doi.org/10.5209/mira.64774.

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Donald Keene ha sido seguramente el estudioso de la literatura japonesa más importante de la segunda mitad del siglo XX. Neoyorquino por origen, se formó en la Universidad de Columbia y en la escuela de lenguas del ejército de los EE.UU. La segunda guerra mundial, lo llevó a Hawai primero, y de allí pasó a Japón. Continuó su formación en Cambridge (UK), y tras dos años en Japón se convirtió en el mayor especialista occidental en literatura japonesa, y uno de sus mejores traductores. En su obra destacan las traducciones de Chikamatsu, Matsuo Basho, Osamu Dazai o Yukio Mishima, por citar algunos ejemplos. Al pasar gran parte de su vida profesional entre Nueva York y Japón, contribuyó en gran medida a dar a conocer la literatura japonesa en los círculos intelectuales y editoriales estadounidenses e internacionales en general. En este artículo efectuamos un repaso de su vida y su obra y argumentamos que el reconocimiento del lugar de la literatura japonesa en el canon universal se debe en gran parte a su aportación como estudioso y divulgador. De forma paralela, se convirtió en un referente para el mundo literario japonés y en uno de los puentes de la cultura nipona con el exterior.

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46

Lyons, Phyllis I. "Return to Tsugaru: Travels of a Purple Tramp. By Dazai Osamu. Translated by James Westerhoven. Tokyo: Kodansha International, 1985. xxviii, 189 pp. Photographs, Appendixes, Map. $16.95." Journal of Asian Studies 45, no. 3 (May 1986): 590–92. http://dx.doi.org/10.2307/2056547.

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47

이은희. "A Comparative Study between Dazai Osamu 『The Same Rights of Men and Women』 and Anton Checkhov 『On the Harmful Effects of Tobacco』 - On the Emphasis of “Laughter” -." Journal of the society of Japanese Language and Literature, Japanology ll, no. 71 (November 2015): 419–40. http://dx.doi.org/10.21792/trijpn.2015..71.019.

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48

Powell, Brian. "The saga of Dazai Osamu: a critical study with translations. By Phyllis I. Lyons. pp. xvi, 410, 9 pl. Stanford, Calif., Stanford University Press, 1985. US $38.50." Journal of the Royal Asiatic Society of Great Britain & Ireland 119, no. 1 (January 1987): 171–72. http://dx.doi.org/10.1017/s0035869x00167644.

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49

Goldstein, Sanford. "Other Worlds: Arishima Takeo and the Bounds of Modern Japanese Fiction, and: The Saga of Dazai Osamu: A Critical Study with Translations (review)." MFS Modern Fiction Studies 31, no. 4 (1985): 861–63. http://dx.doi.org/10.1353/mfs.0.1147.

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50

Gessel, Van C. "The Saga of Dazai Osamu: A Critical Study with Translations. By Phyllis I. Lyons. Stanford, Calif.: Stanford University Press, 1985. xi, 410 pp. Appendixes, Selected Bibliography, Index. $38.50." Journal of Asian Studies 45, no. 2 (February 1986): 405–6. http://dx.doi.org/10.2307/2055873.

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