Academic literature on the topic 'Oscar Wilde, dandyism, camp'

<p> <em>Abstract</em>-Dandyism is a very important and significant social phenomenon in 19^th century Europe. This paper focuses on Oscar Wilde and Wilde’s numerous works. Aestheticism was used as a tool by the dandy in his rebellious performances in London, manifesting the contradiction between the spiritual and the material, the aristocracy and the bourgeoisie, and art and nature. The social backgrounds and life experiences of Wilde influenced his transformation into dandies during the time of the Victorian period. With his strong sense of fashion and style, and their elegant ironic use of language, the dandies focused on the importance of artificial forms - himself included — in daily life and work. The dandies’ concern was pleasure seeking through consuming the visual and actual. To this end Wilde developed unique aesthetic theories regarding evil; he looked for the beautiful in the ugly and repulsive. At the same time, Oscar Wilde criticized the hypocrisy of bourgeois morality and values, showing the genuinely ugly and evil reality beneath bourgeois industrial society, and focusing on revolt and resistance against the bourgeois world.</p><p><em>Index Terms</em>-Dandyism, Aestheticism, Revolt</p>

The article critically examines some recent scholarly papers on «Igor-Severyanin and Oscar Wilde». As a young poet, Igor-Severyanin felt like a Doppelganger of the English scandalous esthete, followed the dandyism principles and practiced self-promotion in his own life, which was also reflected in his early poetry. The article criticizes Ya. Galkina's philological analysis of Igor-Severyanin's sonnet «Oscar Wilde. Asso-sonnet» (1911) and examines the same poetic text (its composition, figurative system, conceptuality and subjects) on several language levels (lexico-semantic, phonetic, grammatical and other) at once. At the stylistic level the special attention is paid to some visual and expressive means of creating the O. Wilde's image by Igor-Severyanin: those aspects, being of a certain interest to the scholars interested in the above topic, remain misrepresented or ignored in most recent studies.

O presente artigo almeja discorrer sobre a ligação entre o dandismo e os corpos queers através do conceito do camp e da performatividade. Para tal, traça uma ligação histórica entre o dândi e os corpos aristocráticos e argumenta que os dândis formam uma espécie de proto-subjetividade queer através da discussão sobre os julgamentos de Oscar Wilde, vistos aqui como espetáculos midiáticos públicos que acabaram por incutir em esferas diversas, como a judicial, a médica e a pública, a ideia de traços e poses que poderiam se cristalizar como indicadores da existência da homossexualidade. A hipótese aqui levantada é que o dândi, por sua ambígua relação com a norma, possibilita novas formas de resiliência e contestação através da artificialidade, do tédio e da performance. Como forma de discutir sobre essa possibilidade de subversão e também como tentativa de ampliar o emprego de uma sensibilidade dândi e camp para além da cultura anglo-saxã, o objeto analisado no presente artigo é o filme brasileiro contemporâneo <em>A Seita</em> (André Antônio, 2015).

Abstract Critics have long highlighted the centrality of forgery in Oscar Wilde. This essay focuses instead on the idea of the confidence trick in Wilde’s life and work, with a special focus on ‘The Portrait of Mr. W. H.’. The capstone of the confidence trick is the so-called long con, a type of elaborate deception that resembles an extended theatrical performance. With its properties of narrativity and plot-making, the long con subsumes forgery. Its use in literature points to literature itself as a piece of trickery. Through cultural, biographical and textual analysis, this essay dwells on the various striking ways by which Wilde’s fictions are entangled with reality as they are pervaded by the long con trope. By considering Wilde’s perceived image in his 1882 American tour and his brushing shoulders with famous conmen, the essay first suggests that the confidence trick and dandyism share common ground. It demonstrates that the confidence trick is akin to Wilde’s ‘lying’ and catalytic as an aesthetic performance. The cultural consciousness of the confidence trick is strongly present in such works as An Ideal Husband and The Importance of Being Earnest, which are built around long cons. ‘Mr. W. H.’ features a long con and in targeting the reader operates as one. Paradoxically, because of its open exploration of forgery, the story as a confidence trick in literature is failproof, imperceptible, and so perfect.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico
This present dissertation intends to accompany Oscar Wilde's steps through late Victorian London, the booming center of an already decadent Empire. At this time being, positivist and imperialist discourses explain the reality. Both the medical science and the law fight over the theme of homosexuality. In a time when the symbolic authority to name homosexual desire is being questioned, Wilde is brave enough to state the precedence of the artist in naming the world. His life and works cause exalted reactions. His excentricities outrage London's high-society, of which Wilde becomes the arbiter of elegance, despite being a complete outsider: Irish and homosexual. He lives Aestheticism and dandism to the fullest, he lives a purposedly gay lifestyle and excites the fear of exerting some sort of "corruption" or "influence" over young men of the British society. His writing, through the use of paradoxes and symbolic invertions, shows the underpinnings of the aparently neutral text of normative reality. In his judgment, he is turned into the scapegoat of a severely repressed and puritan society. His works have founded the camp sensibility and a decidedly homosexual aesthetics
A presente dissertação busca acompanhar os passos de Oscar Wilde pela Londres da era vitoriana tardia, o centro pujante de um Império já em decadência. Nesse momento, o status quo produz um discurso positivista e imperialista sobre o mundo. A homossexualidade é disputada pelos discursos da ciência médica e da jurisprudência. Numa época em que a autoridade simbólica para nomear o desejo homoerótico se encontra questionada, Wilde tem a ousadia de afirmar a primazia do artista em nomear o mundo. Com sua vida e sua obra, Wilde provoca reações exaltadas. Suas excentricidades chocam a alta sociedade londrina, da qual se torna o árbitro da elegância, apesar de sua posição de outsider: irlandês e homossexual. Vivendo plenamente os ideários do Esteticismo e do dandismo, tem um estilo de vida acintosamente gay e suscita o medo da "corrupção" e da "influência" sobre os homens jovens por parte da sociedade inglesa. As masculinidades estão sendo elaboradas nesse momento e há o medo de que os homens jovens deixem de ser viris cavalheiros para se tornarem afeminados dândis. Em seus escritos, por meio de paradoxos e inversões simbólicas, Wilde também mostra a costura por baixo do texto aparentemente neutro da realidade normativa. Em seu julgamento, é transformado em bode expiatório de uma sociedade severamente reprimida e puritana. Suas obras permanecem hoje como fundadoras da sensibilidade camp e de uma estética decididamente homossexual

A major reconceptualization of the imagination that reinstates its hidden links with the historically neglected sense of smell, this book is the first to examine the role played by scent and perfume in Victorian literary culture. Perfume-associated notions of imaginative influence and identity are central to this study, which explores the unfamiliar scented world of Victorian literature, concentrating on texts associated with aestheticism and decadence, but also noting important anticipations in Romantic poetry and prose, and earlier Victorian poetry and fiction. Throughout, literary analysis is informed by extensive reference to the historical and cultural context of Victorian perfume. A key theme is the emergence of the olfactif, the cultivated individual with a refined sense of smell, influentially represented by the poet and critic Algernon Charles Swinburne, who is emulated by a host of canonical and less well-known aesthetic and decadent successors such as Walter Pater, Edmund Gosse, John Addington Symonds, Lafcadio Hearn, Michael Field, Oscar Wilde, Arthur Symons, Mark André Raffalovich, Theodore Wratislaw, and A. Mary F. Robinson. This book explores how scent and perfume pervade the work of these authors in many different ways, signifying such diverse things such as style, atmosphere, influence, sexuality, sensibility, spirituality, refinement, individuality, the expression of love and poetic creativity, and the aura of personality, dandyism, modernity, and memory. A coda explores the contrasting twentieth-century responses of Virginia Woolf and Compton Mackenzie to the scent of Victorian literature.