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1

Poslon, Danijela, and Srđan Banac. "Amoksicilinski osip." Medicina Fluminensis 59, no. 1 (2023): 94–99. http://dx.doi.org/10.21860/medflum2023_292455.

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Cilj: Amoksicilinski osip je generalizirani makulopapulozni egzantem koji se javlja nakon primjene semisintetskih penicilina u liječenju bolesnika koji imaju klinički neprepoznatu infektivnu mononukleozu. Često se kod takvih bolesnika pogrešno postavlja dijagnoza alergije na penicilin. Cilj ovog rada bio je prikazati pojavu osipa u djevojčice koja je liječena amoksicilinom zbog znakova upale gornjih dišnih putova. Nije imala tipičnu kliničku prezentaciju infektivne mononukleoze. Prikaz slučaja: Četverogodišnja djevojčica primljena je zbog akutnih simptoma kataralne upale gornjih dišnih putova i vrućice do 39,7 °C uz zimicu i tresavicu, na što je uvedena terapija amoksicilinom. Nakon prve doze amoksicilina javio se osip – prvo na glavi, iza uški, da bi se zatim difuzno proširio „spustivši“ se na trup i ektremitete. S obzirom na perzistirajuću vrućicu, širenje i konfluiranje osipa i grlobolju, djevojčica je hospitalizirana. Pri prijamu je bio prisutan makulopapulozni eritematozni osip, crveno ždrijelo s hipertrofičnim tonzilama i uvećani angularni limfni čvorovi. CRP je iznosio 37,1, a krvna slika bila je obilježena relativnom neutrofilijom. Iz biokemijske analize seruma za izdvojiti su bile normalne vrijednosti transaminaza. Serologijom je potvrđena akutna infekcija Epstein-Barrovim virusom. Nakon simptomatskog liječenja kožni simptomi su se postupno povukli. Pacijentica je četvrtog dana hospitalizacije postala afebrilna, a šestog dana otpuštena je kući. Zaključak: Patogeneza ovakvog kožnog osipa još je uvijek nedovoljno istražena. Najčešće je riječ o prolaznoj imunološkoj reakciji zbog virusne infekcije, a ne o razvoju prave alergijske reakcije na amoksicilin, na što se najčešće u praksi pogrešno posumnja. Zaključno, na infektivnu mononukleozu treba posumnjati čak i kada nema tipičnih kliničkih elemenata za tu bolest poput limfocitoze i povišenih vrijednosti transaminaza.
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2

Radovan, Marko. "Razumevanje in zmanjševanje osipa v e-izobraževanju." Andragoška spoznanja 18, no. 1 (2012): 28. http://dx.doi.org/10.4312/as.18.1.28-37.

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V prispevku bomo obravnavali problematiko osipa v programih e-izobraževanja. Zagovorniki e-izobraževanja poudar- jajo več prednosti tega izobraževanja v primerjavi s klasičnim, na primer večjo odprtost, raznolikost učnega gradiva, prilagajanje načina in hitrosti učenja ipd. Kljub tem prednostim in naraščanju števila programov ter vključitvi e-izobraževanja v nacionalne strategije po vsem svetu pa se izvajalci e-izobraževanja srečujejo tudi s problematiko osipa. Raziskave namreč kažejo, da je osip v izobraževalnih programih, ki se izvajajo v e-obliki, večji kot v klasičnih programih. Razloge, ki vplivajo na ta osip, pa je treba upoštevati pri načrtovanju in izpeljavi e-izobraževalnih programov.
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3

Terras, Victor, and Jane Gary Harris. "Osip Mandelstam." World Literature Today 63, no. 1 (1989): 126. http://dx.doi.org/10.2307/40145197.

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4

Bethea, David M., and Jane Gary Harris. "Osip Mandelstam." Slavic and East European Journal 34, no. 1 (1990): 109. http://dx.doi.org/10.2307/309324.

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5

Valeev, R. M., I. V. Kulganek, V. Yu Zhukov, O. N. Polyanskaya, and R. G. Fedorchenko. "OSIP KOWALEWSKIY’ DIARIES." Chronos Journal 33, no. 6 (2019): 15–23. http://dx.doi.org/10.31618/2658-7556-2019-33-6-15-23.

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6

Ulbrechtová, Helena. "Osip Mandelštam o Krymu." Slavia 93, no. 3 (2024): 286–301. http://dx.doi.org/10.58377/slav.2024.3.03.

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The essay aims to rethink the concept of memory and its application in O. Mandelstam’s work. The term ‘culture’ is also questioned and it is substituted by the term ‘civilisation’. The author emphasises the role of the eyewitness, which forms a ground for the evocation of ancient culture / civilisation. The essay is divided into four parts: the first briefly summarises the state of research on memory in Mandelstam, the second analyses the theme of Crimea in relation to memory, the third part describes Mandelstam’s poetic Crimean landscape, and the fourth part analyses three texts as an example of ciphered eyewitness account.
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7

Volkova, Polina S. "Osip Mandelstam: Music as Philosophy." Russian Studies in Philosophy 59, no. 2 (2021): 146–53. http://dx.doi.org/10.1080/10611967.2021.1928953.

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8

Surat, Irina Z. "On Osip Mandelstam’s Poem “Impressionism”." Studia Litterarum 6, no. 3 (2021): 166–83. http://dx.doi.org/10.22455/2500-4247-2021-6-3-166-183.

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This article focuses on Osip Mandelstam’s poem “Impressionism”. The main objective of this work is to analyze the key motifs and images of the poem and to offer an integral, non-contradictory reading of the poem based on its immediate context as well as on the specific features of Mandelstam’s poetics. Mandelstam treated impressionism with great enthusiasm considering it an innovative phenomenon in art; impressionism in its broad meaning most fully corresponded with his idea of the life-giving capacities of art as reflected in this poem. The article discloses the plot of the gradual immersion in the world of an impressionist painting in Mandelstam’s poem. A verse-by-verse analysis of the text complemented by the parallel reading of the fragments of Mandelstam’s prose, and also with impressionist paintings the poet was familiar with as a backdrop, allows me to define the particularities of Mandelstam’s symphonic and solid perception of plastic arts, including impressionist painting. The article shows how the antinomies of Mandelstam’s creative art affect the poetic text. “Impressionism” is not a reflection of specific motifs of particular paintings but a cocreative effort of resurrecting reality in art that Mandelstam thought to be the art’s prime purpose.
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9

Lekmanov, Oleg Andershanovich. "ON OSIP MANDELSTAM’S POEM «CHERNOZEM»." Russkaya literatura 2 (2021): 215–18. http://dx.doi.org/10.31860/0131-6095-2021-2-215-218.

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The article offers the analysis of «Chernozem» («Humus»), a complex late-period poem by Osip Mandelstam. The author relies on the poet’s own opinion about «Chernozem», cited in the letter of S. B. Rudakov to his wife, and suggests that the poem should be read as a manifesto of the «New Ac-meism», in which the stone is replaced by the Voronezh humus.
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10

Shields, A. "TAMBOURINE: Osip Mandelstam (1891 1938)." Literary Imagination 9, no. 3 (2007): 339. http://dx.doi.org/10.1093/litimag/imm029.

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11

Surat, Irina Z. "The Unknown Osip Mandelstam’s Letter." Literary Fact, no. 1 (31) (2024): 95–103. http://dx.doi.org/10.22455/2541-8297-2024-31-95-103.

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The article publishes the newly discovered Osip Mandelstam’s letter to Eudoxia Nikitina (1923), which dropped out of sight of researchers and was not captured in studies of the poet’s biography or compilations of his editions. The subject line is the return of books previously borrowed from the addressee. The commentary to the letter contains information on Mandelstam’s literary relations with Nikitina, an analysis of certain features of the content of the text, and a clarification of some realities mentioned therein. The material is accompanied by the publication of the autographs (manuscripts) from the State Literary Museum’s collection (Moscow, Russia). The article reconstructs an unknown episode from Mandelstam’s life in Moscow in 1923 and his relations with Eudoxia Nikitina and Nikolai Aseyev.
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12

Coetzee, J. M. "Osip Mandelstam and the Stalin Ode." Representations 35, no. 1 (1991): 72–83. http://dx.doi.org/10.1525/rep.1991.35.1.99p0064y.

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13

Zhuchkova, Anna V. "Enigma of Osip Mandelstam's The Ode." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 47 (June 1, 2017): 109–22. http://dx.doi.org/10.17223/19986645/47/8.

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14

Mets, Alexander. "Three notes on Osip Mandelstam’s biography." Literary Fact, no. 12 (June 2019): 317–31. http://dx.doi.org/10.22455/2541-8297-2019-12-317-331.

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15

Coetzee, J. M. "Osip Mandelstam and the Stalin Ode." Representations 35 (1991): 72–83. http://dx.doi.org/10.2307/2928717.

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16

Warwick, Ioanna-Veronika. "An Apple Tree for Osip Mandelstam." Iowa Review 20, no. 3 (1990): 40. http://dx.doi.org/10.17077/0021-065x.3912.

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17

Foeckel, S., J. Kuthan, D. Sisalem, and I. Schubert. "OSIP: Eine Open Source SIP Architektur." PIK - Praxis der Informationsverarbeitung und Kommunikation 24, no. 1 (2001): 18–23. http://dx.doi.org/10.1515/piko.2001.18.

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18

Zhang, Diandian, Han Zhang, Jeronimo Castrillon, et al. "Optimized Communication Architecture of MPSoCs with a Hardware Scheduler." International Journal of Embedded and Real-Time Communication Systems 2, no. 3 (2011): 1–20. http://dx.doi.org/10.4018/jertcs.2011070101.

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Efficient runtime resource management in multi-processor systems-on-chip (MPSoCs) for achieving high performance and low energy consumption is one of the key challenges for system designers. OSIP, an operating system application-specific instruction-set processor, together with its well-defined programming model, provides a promising solution. It delivers high computational performance to deal with dynamic task scheduling and mapping. Being programmable, it can easily be adapted to different systems. However, the distributed computation among the different processing elements introduces complexity to the communication architecture, which tends to become the bottleneck of such systems. In this work, the authors highlight the vital importance of the communication architecture for OSIP-based systems and optimize the communication architecture. Furthermore, the effects of OSIP and the communication architecture are investigated jointly from the system point of view, based on a broad case study for a real life application (H.264) and a synthetic benchmark application.
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19

Koukin, Mikhail, and Oleg Lekmanov. "On the Six Lines of Osip Madelstam." Literary Fact, no. 1-2 (2016): 332–47. http://dx.doi.org/10.22455/2541-8297-2016-1-2-332-347.

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20

DURANLI, Muvaffak. "OSİP SENKOVSKİY İN RUS TÜRKOLOJİSİNİN GELİŞİMİNE KATKISI." Turk Dunyasi Dergisi, no. 45 (May 31, 2018): 77–91. http://dx.doi.org/10.24155/tdk.2018.58.

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21

M., Nerler P. "Osip Mandelstam - The Translator of Georgian Poetry." Institute for Russian and Altaic Studies Chungbuk University, no. 19 (August 31, 2019): 287–328. http://dx.doi.org/10.24958/rh.2019.19.287.

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22

Kotin, Joshua. "Osip and Nadezhda Mandel’shtam and Soviet Utopianism." Modernism/modernity 24, no. 1 (2017): 161–83. http://dx.doi.org/10.1353/mod.2017.0007.

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23

Haynes, K., and A. Kahn. "'Difficult Friend': Geoffrey Hill and Osip Mandelstam." Essays in Criticism 63, no. 1 (2013): 51–80. http://dx.doi.org/10.1093/escrit/cgs028.

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24

Simonek, Stefan. "Osip Mandel'štam aus der Sicht des Performativen." Opera Slavica, no. 3 (2020): 65–68. http://dx.doi.org/10.5817/os2020-3-8.

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25

Kondratenko, Julia D. "Petersburg «Summer stanzas» (1903) by Osip Mandelstam." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2019): 76–80. http://dx.doi.org/10.20339/phs.2-19.076.

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26

Dymshits, Valery. "“The Sky, Flying Like a Bird!” (Finland in the Prose of Isaak Babel and Osip Mandelstam)." Judaic-Slavic Journal, no. 1 (2018): 44–58. http://dx.doi.org/10.31168/2658-3364.2018.1.2.3.

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The images of Finland in the prose of Isaac Babel and Osip Mandelstam are similar in many aspects. Both writers shared the view of this country as a kind of substitute for the Promised Land. Both authors used the image of the open sky over an empty space as a topos for the Finnish space they associated with the romantic picture of the biblical desert. Such “biblical” association influenced not only the description of Finland but also the portrayals of Finns in Isaac Babel’s and Osip Mandelstam’s prose. The article argues that their strong emotional attachment to Finland was typical for many Russian Jews of their social class and generation.
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27

Rayfield, Donald, and Charles Isenberg. "Substantial Proofs of Being: Osip Mandelstam's Literary Prose." Modern Language Review 84, no. 2 (1989): 538. http://dx.doi.org/10.2307/3731670.

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28

Kazarin, V. P., and M. A. Novikova. "3½ MEETINGS OF OSIP MANDELSTAM AND VERA SUDEIKINA." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications, no. 3 (2020): 169. http://dx.doi.org/10.32838/2663-6069/2020.3-2/27.

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29

Hasty, Olga Peters, and Clare Cavanagh. "Osip Mandelstam and the Modernist Creation of Tradition." Russian Review 56, no. 2 (1997): 303. http://dx.doi.org/10.2307/131667.

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30

Harris, Jane Gary, Charles Isenberg, and Osip Mandelshta. "Substantial Proofs of Being: Osip Mandelshtam's Literary Prose." Russian Review 48, no. 1 (1989): 110. http://dx.doi.org/10.2307/130278.

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31

Zhao, Wenchao, Sheng-Ning Hsu, Bryan W. Boudouris, and Letian Dou. "Two-Dimensional Organic Semiconductor-Incorporated Perovskite (OSiP) Electronics." ACS Applied Electronic Materials 3, no. 12 (2021): 5155–64. http://dx.doi.org/10.1021/acsaelm.1c00934.

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32

Brusilovskaya, Liliya B. "OSIP MANDELSTAM AS "THE РOET OF THE THAW"". RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, № 6 (2019): 229–40. http://dx.doi.org/10.28995/2686-7249-2019-6-229-240.

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33

Poyntner, Erich, and Clare Cavanagh. "Osip Mandelstam and the Modernist Creation of Tradition." Slavic and East European Journal 42, no. 1 (1998): 140. http://dx.doi.org/10.2307/310064.

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34

Lavrinec, Pavel. "Reception of Osip Mandelstam’s Creativity in Interwar Lithuania." Literatūra 62, no. 2 (2020): 80–91. http://dx.doi.org/10.15388/litera.2020.2.4.

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The presented materials on the reception of Osip Mandelstam’s work were revealed in memoir testimonies, published epistolaries, works on the biography of the writer and scientist Vincas Krėvė and his colleague at the University of Lithuania in Kaunas (Vytautas Magnus University since 1930) Mykolas Banevičius (Mikchail Podshibyakin), and periodicals in Lithuanian and Russian languages. The study showed that among the Lithuanian poets and translators there were connoisseurs of poetry and prose by Mandelstam, but translations into Lithuanian language did not appear during the interwar years. A possible explanation for this is the lack of a demand for this kind of creativity, as the materials of the reception of contemporary Russian literature show. The only text by Mandelstam published in Lithuania in Russian is a translation of the story by Henri Barbusse, reprinted in 1926 by a Kaunas newspaper from a Soviet edition. The only characteristic of his poetry is presented in an article in Russian about the latest Russian poetry, published in 1931 in an academic journal under a pseudonym; its most likely author could be M. Podshibyakin.
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35

Brio, Valentina. "Osip Mandelstam in the Works of Polish Poets." Literatūra 62, no. 2 (2020): 112–28. http://dx.doi.org/10.15388/litera.2020.2.6.

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This article analyzes poems written by Polish authors about Osip Mandelstam. Fifteen poems by famous Polish authors, such as Artur Międzyrzecki, Wiktor Woroszylski, and Jarosław Marek Rymkiewicz, are examined. Polish poets perceive Mandelstam‘s tragic fate through the prism of the poet‘s image and significance of poetry as they appear in the context of the lives of the Polish literary and cultural tradition. These authors see Mandelstam as a martyr, an outstanding poet. To them, their mission is to bear testimony.
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36

Roy, David J. "Reflecting on Suffering… …with the Poet Osip Mandelshtam." Journal of Palliative Care 18, no. 4 (2002): 251–52. http://dx.doi.org/10.1177/082585970201800401.

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37

Burkhart, Dagmar. "Osip Mandelʼštam and the Grand Lie of Stalinism". Russian Literature 71, № 1 (2012): 53–74. http://dx.doi.org/10.1016/j.ruslit.2012.04.004.

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38

Zeeman, Peter. "Reference and Interpretation, with Examples from Osip Mandel'štam." Russian Literature 18, no. 3 (1985): 257–97. http://dx.doi.org/10.1016/0304-3479(85)90004-3.

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39

Goldberg, Stuart. "The Poetics of Return in Osip Mandel'štam's ‘Solominka’." Russian Literature 45, no. 2 (1999): 131–47. http://dx.doi.org/10.1016/s0304-3479(99)00017-4.

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40

Cavanagh, Clare, and Charles Isenberg. "Substantial Proofs of Being: Osip Mandelstam's Literary Prose." Slavic and East European Journal 34, no. 3 (1990): 388. http://dx.doi.org/10.2307/309085.

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41

Forrester, Sibelan. "Osip Mandelstam. Voronezh Notebooks. Translated by Andrew Davis." Translation Review 99, no. 1 (2017): 62–63. http://dx.doi.org/10.1080/07374836.2017.1367166.

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42

Katsis, Leonid F. "The Russian Jew Osip Mandelstam and Jewish Kiev." East European Jewish Affairs 40, no. 2 (2010): 159–72. http://dx.doi.org/10.1080/13501674.2010.494049.

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43

Stepanov, Andrei, and Liisa Bourgeot. "Kirja-arvostelut." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 3 (October 2, 2016): 106–10. http://dx.doi.org/10.30665/av.66171.

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Andrei Stepanov Tšehovin moderni Tintti Klapuri: Chronotopes of Modernity in Chekhov
 Liisa Bourgeot Ääni ja hiljaisuus Mandelštamin runoissa Jussi Hyvärinen: “Sana, palaa musiikkiin”. Musiikki Osip Mandelštamin maailmankuvassa 1908–1925
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44

Rayfield, Donald, Peter Zeeman, and Osip Mandelstam. "The Later Poetry of Osip Mandelstam: Text and Context." Modern Language Review 85, no. 2 (1990): 540. http://dx.doi.org/10.2307/3731939.

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45

Timenchik, Roman. "Notes of a commentator 7. On Osip Mandelstam’s iconography." Literary Fact, no. 10 (2018): 368–84. http://dx.doi.org/10.22455/2541-8297-2018-10-368-384.

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46

Levchenko, Valery V. "Fragments of Soviet Historical Science in Osip Weinstein’s letters." Vestnik of Saint Petersburg University. History 64, no. 4 (2019): 1459–87. http://dx.doi.org/10.21638/11701/spbu02.2019.419.

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47

Orlitskii, Yurii B. "THE RHYTHMIC ORIGINALITY OF THE OSIP MANDELSTAM CYCLE "ARMENIA"." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 6 (2019): 10–23. http://dx.doi.org/10.28995/2686-7249-2019-6-10-23.

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48

Kalmykova, Vera V. "Osip Mandelstam as the author of the unwritten “Poetics”." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 61–72. http://dx.doi.org/10.20339/phs.5-22.061.

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In Russia 1910–20s — the time of the formation of poetics as a scientific discipline. Poetics as a science also attracted the attention of O.E. Mandelstam, who correlate his poetic practice with the current state of philology. N.S. Gumilev assumed that Mandelstam would write a study on poetics. In the articles and essays of the 1910 –30s, many categories of poetics were comprehended by Mandelstam: poet and poetry, art and reality, author, reader, the theme of a work of art, language and speech, etc. The original terminology of Mandelstam, which has no scientific character (“omitted links”, “meanings”, “Mention keyboard”).
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49

Grießl. "Osip Mandel’štams Gedicht ‚Чернозем‘ als Prozess der dichterischen Selbstfindung". Wiener Slavistisches Jahrbuch 8 (2020): 185. http://dx.doi.org/10.13173/wienslavjahr.8.2020.0185.

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50

Bethea, David M., and Zeeman Peter. "The Later Poetry of Osip Mandelstam: Text and Context." Slavic and East European Journal 34, no. 2 (1990): 263. http://dx.doi.org/10.2307/309159.

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