Relevant bibliographies by topics / Othello

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Othello'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Othello"

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Hogan, Lalita Pandit. "Emotional Tears and Racial Stigma in Orson Welles's Othello and Vishal Bhardwaj's Omkara." Projections 18, no. 1 (2024): 53–72. http://dx.doi.org/10.3167/proj.2024.180104.

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Abstract On the basis of two film adaptations of Shakespeare's Othello, Orson Welles's (1952/1955) Othello and Vishal Bhardwaj's Omkara (2006), this article focuses on Othello's emotional tears, and how they mitigate, or not, the effects of racial stigmatization. The “Othello dilemma,” as I call it, refers to how Othello continues to be understood as an example of his race, rather than as an individual. How do the two films deal with this dilemma? This article draws on current research in cognitive neuroscience to underscore the pro-social function of emotional tears. Both films avoid direct v
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Kowalcze-Pawlik, Anna. "The Moor’s Political Colour: Race and Othello in Poland." Multicultural Shakespeare: Translation, Appropriation and Performance 22, no. 37 (2020): 171–90. http://dx.doi.org/10.18778/2083-8530.22.10.

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This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation by Józef Paszkowski, and on the stage, in two twentieth-century theatrical adaptations that provide contrasting images of Othello: 1981/1984 televised Othello, dir. Andrzej Chrzanowski and the 2011 production of African Tales Based on Shakespeare, in which Othello’s part is played by Adam Ferency (dir. Krzysztof Warlikowski). The paper details the political and social contexts
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Sapa, Gregorius, Maksimilianus Doi, and Febe F. I. Wanggai. "THE DETERIORATION OF HERO IN WILLIAM SHAKESPEARE’S OTHELLO THE MOOR OF VENICE." Lantern: Journal of Language and Literature 8, no. 1 (2024): 39–52. http://dx.doi.org/10.37478/lantern.v8i1.3833.

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This study aimed at describing Othello’s deterioration in William Shakespeare’s The Moor of Venice through the intrinsic aspects of the drama. This study adopted structuralism approach and the theory of wholeness to answer the problem issued. This study used descriptive qualitative design that the data were taken from William Shakespeare the Tragedy of Othello the Moor of Venice edited by Alvin Kernan (1963). The results denote that Othello has flaws which lead to his deterioration. Gullible and excessive in loving his wife are the flaws that produce jealousy. Finally, without knowing the fact
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Hizam, Akram Nagi, and Fangyun Guo. "Aspects of Cartographic Demonization in Shakespeare’s Othello." Journal of Critical Studies in Language and Literature 6, no. 3 (2025): 29–35. https://doi.org/10.46809/jcsll.v6i3.354.

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This research paper examines the concept of cartographic demonization in Shakespeare’s Othello, focusing on how geography and spatial metaphors are employed to geographically demonize and marginalize Othello as an outsider, based on his geographical background. Cartographic demonization, defined as the process of using maps, geographical representations, or spatial imagery to produce negative views of certain individuals or locations, is essential to comprehending Othello’s depiction as the “tainted Other.” The study explores how spatial and racial constructs contribute to Othello’s alienation
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Setyaningrum, Rizky. "OTHELLO’S VERBAL DEFENCE: DISTORTING REALITY IN SHAKESPEARE’S OTHELLO." IJOLTL: Indonesian Journal of Language Teaching and Linguistics 3, no. 2 (2018): 133–46. http://dx.doi.org/10.30957/ijoltl.v3i2.452.

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The study describes Othello’s verbal defences by means of Perry London’s Verbal Defences theory as reflected in William Shakespeare’s Othello, the Moor of Venice. The study was a content analysis whose primary data were words, phrases, sentences and dialogues in the play. The secondary data were articles discussing the Othello, the Moor of Venice. Data were analyzed through determining Othello’s arguments on ego verbal defence mechanisms using Perry London’s Verbal Defences theory. This study revealed that three elements of verbal defences, namely, emotional insulation, intellectualization, an
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Sniderman, Alisa Zhulina. "In the Dark: Sex, Lies, and Fake News in Sam Gold’s Othello." TDR/The Drama Review 61, no. 4 (2017): 128–33. http://dx.doi.org/10.1162/dram_a_00696.

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Sam Gold’s production of Othello explores the interrelated themes of war and the cultural construction of identity by foregrounding the play’s encounters between Christianity and Islam. Instead of focusing solely on Othello’s race, Gold’s political and ethical reevaluation of Shakespeare’s Othello examines the many facets of blackness, from a color assigned to people to the epistemological state of being in the dark.
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Maharani, Puja, and Tomi Arianto. "ANXIETY THAT CONVEYING TRAGEDY IN OTHELLO DRAMA BY SHAKESPEARE." JURNAL BASIS 9, no. 2 (2022): 303–12. http://dx.doi.org/10.33884/basisupb.v9i2.6421.

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Humans are always in touch with the needs in this life. In order to survive, one of the most important examples is the need for safety needs. The phenomenal drama Othello by Shakespeare was chosen as the main data source in this research. This research aimed to analyze the unfulfilled of safety needs in the form of anxiety and its impact on the main character in Shakespeare's drama "Othello". This drama was set in 1603 with a tragedy and was written by the world-famous playwright William Shakespeare. The story that ended in tragedy is inseparable from the anxiety used by others to overthrow po
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Awad, Yousef, and Mahmoud F. Al-Shetawi. "Jamal Mahjoub’s The Carrier as a Re-writing of Shakespeare’s Othello." International Journal of Applied Linguistics and English Literature 6, no. 5 (2017): 173. http://dx.doi.org/10.7575/aiac.ijalel.v.6n.5p.173.

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This paper examines how Arab British novelist Jamal Mahjoub appropriates and interpolates Shakespeare’s Othello. Specifically, this paper argues that Mahjoub’s historical novel The Carrier (1998) re-writes Shakespeare’s Othello in a way that enables the novelist to comment on some of the themes that remain unexplored in Shakespeare’s masterpiece. Mahjoub appropriates tropes, motifs and episodes from Shakespeare’s play which include places like Cyprus and Aleppo, Othello’s identity, abusive/foul language, animalistic imagery, and motifs like the eye, sorcery/witchcraft, the storm and adventurou
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Stein, Mark. "The Othello Conundrum: The Inner Contagion of Leadership." Organization Studies 26, no. 9 (2005): 1405–19. http://dx.doi.org/10.1177/0170840605055339.

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The purpose of this paper is to contribute to the literature on leadership, emotions and organizations by examining Shakespeare’s Othello. While much of the existing literature focuses exclusively on the external dimensions of leadership, this paper adds a new dimension by focusing as well on the internal workings of the mind of the leader, here that of Othello. This focus is made possible by postulating that the subordinate Iago — whose relationship to Othello is central to the plot — represents an inner character within Othello’s mind, as well as an external character. As an inner character,
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Johanyak. "Shifting Religious Identities and Sharia in Othello." Religions 10, no. 10 (2019): 587. http://dx.doi.org/10.3390/rel10100587.

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Despite twenty-first century research advances regarding the role of Islam in Shakespeare’s plays, questions remain concerning the extent of William Shakespeare’s knowledge of Muslim culture and his use of that knowledge in writing Othello. I suggest that the playwright had access to numerous sources that informed his depiction of Othello as a man divided between Christian faith and Islamic duty, a division which resulted in the Moor’s destruction. Sharia, a code of moral and legal conduct for Muslims based on the Qur’an’s teachings, appears to be a guiding force in Othello’s ultimate quest fo
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Dissertations / Theses on the topic "Othello"

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Redi, Marta <1988&gt. "Four Representations of Othello." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2464.

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La tesi si pone l'obiettivo di analizzare la tragedia "Othello" di William Shakespeare, comparandola con alcuni adattamenti. Partendo dall'analisi dell'opera shakespeariana e analizzandone soprattutto l'aspetto linguistico, la tesi si sposterà sull'adattamento lirico di Giuseppe Verdi, sottolineandone la nuova vena "romantica". Procederà poi con il film di Orson Welles, cercando di dare una possibile lettura del film-capolavoro del regista statunitense. Concluderà, infine, con l'adattamento moderno di Carmelo Bene per cerare di dimostrare una sorta di vicinanza tra il drammaturgo inglese e il
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Queneau-Martel, Martine Joannis Claudette. "Othello : les représentations du personnage à Paris au XIXe siècle : année de muséologie 2002-2003 /." Orsay : M. Queneau, 2003. http://catalogue.bnf.fr/ark:/12148/cb39264002v.

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Jay, Corey M. "The Unraveling of Shakespeare's Othello." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/117.

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This thesis analyzes one of Shakespeare’s greatest tragedies from the perspective of its costumes, and chronicles the start-to-finish process of the costume design for the April 2012 production of Othello held at Pomona College. Incorporating the Pre-Raphaelite art movement with high fashion’s late Alexander McQueen, this thesis brings to light Othello’s predominant themes of race and honesty by means of luxurious textiles and distinct silhouettes.
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McGrath, Alyssa F. "Aaron, Othello, and Caliban: Shakespeare's Presentation of Ethnic Minorities in Titus Andronicus, Othello, and The Tempest." Marietta College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1367332575.

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Persson, Maja. "Svartsjuka i transformation : En komparativ undersökning av William Shakespeares drama Othello och den moderna filmatiseringen Othello (1995)." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-146452.

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Glotzer, Anna Nicole. ""Richard Wright's Native Son and Paul Robeson's Othello: Representations of Black Male Physicality in Contemporary Adaptations of Othello."." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1523290957796557.

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Bourkiba, Larbi Abdelrhaffar. "Parody and ideology: The case of Othello." Doctoral thesis, Universitat de València, 2005. http://hdl.handle.net/10803/9791.

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This disertation is composed of a preface introducing the themes, the data and the reasons after their selection. My concern is to investigate some artistic and social aspects of parody, through the study of Shakespeare's Othello, and Dowling's 19th century and Welles' and Marowitz' 20th century parodies. Chapter one includes the theory. It studies the concepts of parody and ideology, and gives an approach of the politics of reworking Shakespeare. Shakespeare's patronage writings were found conservative. His elevation in the 18th century as a hero of wit against the 'French' and his canonizi
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Phillips, Matthew Scott. "A Moor propre: Charles Albert Fechter's Othello." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407486785.

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Peters, Jeri Lynn. "The trouble with gender in Othello a Butlerian reading of William Shakespeare's The tragedy of Othello, the Moor of Venice /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/2007%20Spring%20Theses/PETERS_JERI_4.pdf.

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Fu, Luella. "Tragic Pleasure in Shakespeare's King Lear and Othello." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/57.

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This thesis is an examination of reader or audience response to Shakespeare’s tragedies. Primarily, it identifies key pleasures that Shakespeare’s King Lear and Othello offer. The complementary nature of these two plays is such that the analysis of their various pleasures allows for an in-depth treatment of the topic and also reflects the diversity of emotional response elicited by Shakespeare’s tragedies. The kinds of pleasure addressed in this study are catharsis as explained by Aristotle, the delight of violent passion as advocated by DuBos, pleasure from details in the work, satisfaction f
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Books on the topic "Othello"

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Shakespeare, William. Othello. Barron's Educational Series, 2002.

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Shakespeare, William. Othello. Penguin Group USA, Inc., 2008.

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Shakespeare, William. Othello. ICON Classics, 2005.

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Hampton-Reeves, Stuart. Othello. Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-1-137-26810-5.

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Orlin, Lena Cowen, ed. Othello. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-137-11548-5.

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Davison, Peter. Othello. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19430-8.

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Shakespeare, William. Othello. Harcourt Brace Jovanovich, 1987.

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Company, Royal Shakespeare. Othello. Royal Shakespeare Company, 1999.

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Norman, Smith Christopher, ed. Othello. University of Exeter, 1991.

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ill, Osada Ryuta, and Shakespeare William 1564-1616, eds. Othello. Amulet Books, 2009.

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Book chapters on the topic "Othello"

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Bradley, A. C. "Othello." In Shakespearean Tragedy. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22059-5_5.

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Bradley, A. C. "Othello." In Shakespearean Tragedy. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22059-5_6.

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Grene, Nicholas. "Othello." In Shakespeare’s Tragic Imagination. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24970-1_5.

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Goodland, Katharine, and John O’Connor. "Othello." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_23.

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Goodland, Katharine, and John O’Connor. "Othello." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_62.

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Goodland, Katharine, and John O’Connor. "Othello." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_23.

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Goodland, Katharine, and John O’Connor. "Othello." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_63.

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Brown, John Russell. "Othello." In A. C. Bradley on Shakespeare’s Tragedies. Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-0-230-20714-1_10.

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Paris, Bernard J. "Othello." In Bargains with Fate. Springer US, 1991. http://dx.doi.org/10.1007/978-1-4899-6146-4_4.

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Grene, Nicholas. "Othello." In Shakespeare’s Tragic Imagination. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1057/9780230379190_5.

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Conference papers on the topic "Othello"

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Ho, Yang, and Chang Chen. "A Study on Reinforcement Learning in Tri-Othello." In 2024 International Computer Symposium (ICS). IEEE, 2024. https://doi.org/10.1109/ics64339.2024.00013.

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Eskin, Eleazar, and Eric Siegel. "Genetic programming applied to Othello." In The proceedings of the thirtieth SIGCSE technical symposium. ACM Press, 1999. http://dx.doi.org/10.1145/299649.299771.

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Hingston, P., and M. Masek. "Experiments with Monte Carlo Othello." In 2007 IEEE Congress on Evolutionary Computation. IEEE, 2007. http://dx.doi.org/10.1109/cec.2007.4425000.

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Szubert, Marcin, Wojciech Jaskowski, and Krzysztof Krawiec. "Coevolutionary Temporal Difference Learning for Othello." In 2009 IEEE Symposium on Computational Intelligence and Games (CIG). IEEE, 2009. http://dx.doi.org/10.1109/cig.2009.5286486.

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Frankland, Clive, and Nelishia Pillay. "Evolving game playing strategies for Othello." In 2015 IEEE Congress on Evolutionary Computation (CEC). IEEE, 2015. http://dx.doi.org/10.1109/cec.2015.7257065.

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Makris, Vassilis, and Dimitris Kalles. "Evolving Multi-Layer Neural Networks for Othello." In SETN '16: 9th Hellenic Conference on Artificial Intelligence. ACM, 2016. http://dx.doi.org/10.1145/2903220.2903231.

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Vijayakumar, Arvind. "Developing an artificial intelligence bot for Othello." In 2015 IEEE Integrated STEM Education Conference (ISEC). IEEE, 2015. http://dx.doi.org/10.1109/isecon.2015.7119927.

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Somasundaram, Thamarai Selvi, Karthikeyan Panneerselvam, Tarun Bhuthapuri, Harini Mahadevan, and Ashik Jose. "Double Q–learning Agent for Othello Board Game." In 2018 Tenth International Conference on Advanced Computing (ICoAC). IEEE, 2018. http://dx.doi.org/10.1109/icoac44903.2018.8939117.

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Smerdis, Miltiadis, Pavlos Malakonakis, and Apostolos Dollas. "CarlOthello : An FPGA-Based Monte Carlo Othello player." In 2010 International Conference on Field-Programmable Technology (FPT). IEEE, 2010. http://dx.doi.org/10.1109/fpt.2010.5681471.

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Marie, Laurence. "« Othello à Paris, ou les scandales en série ? »." In Théâtre et scandale (II) : scandales d’hier, scandales d’aujourd’hui. Fabula, 2020. http://dx.doi.org/10.58282/colloques.6665.

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Reports on the topic "Othello"

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Is Othello Boss Syndrome Affecting Your Organization? IEDP Ideas for Leaders, 2014. http://dx.doi.org/10.13007/315.

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