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Dissertations / Theses on the topic 'Othello'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Redi, Marta <1988&gt. "Four Representations of Othello." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2464.

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La tesi si pone l'obiettivo di analizzare la tragedia "Othello" di William Shakespeare, comparandola con alcuni adattamenti. Partendo dall'analisi dell'opera shakespeariana e analizzandone soprattutto l'aspetto linguistico, la tesi si sposterà sull'adattamento lirico di Giuseppe Verdi, sottolineandone la nuova vena "romantica". Procederà poi con il film di Orson Welles, cercando di dare una possibile lettura del film-capolavoro del regista statunitense. Concluderà, infine, con l'adattamento moderno di Carmelo Bene per cerare di dimostrare una sorta di vicinanza tra il drammaturgo inglese e il
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2

Queneau-Martel, Martine Joannis Claudette. "Othello : les représentations du personnage à Paris au XIXe siècle : année de muséologie 2002-2003 /." Orsay : M. Queneau, 2003. http://catalogue.bnf.fr/ark:/12148/cb39264002v.

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3

Jay, Corey M. "The Unraveling of Shakespeare's Othello." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/117.

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This thesis analyzes one of Shakespeare’s greatest tragedies from the perspective of its costumes, and chronicles the start-to-finish process of the costume design for the April 2012 production of Othello held at Pomona College. Incorporating the Pre-Raphaelite art movement with high fashion’s late Alexander McQueen, this thesis brings to light Othello’s predominant themes of race and honesty by means of luxurious textiles and distinct silhouettes.
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4

McGrath, Alyssa F. "Aaron, Othello, and Caliban: Shakespeare's Presentation of Ethnic Minorities in Titus Andronicus, Othello, and The Tempest." Marietta College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1367332575.

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5

Persson, Maja. "Svartsjuka i transformation : En komparativ undersökning av William Shakespeares drama Othello och den moderna filmatiseringen Othello (1995)." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-146452.

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6

Glotzer, Anna Nicole. ""Richard Wright's Native Son and Paul Robeson's Othello: Representations of Black Male Physicality in Contemporary Adaptations of Othello."." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1523290957796557.

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7

Bourkiba, Larbi Abdelrhaffar. "Parody and ideology: The case of Othello." Doctoral thesis, Universitat de València, 2005. http://hdl.handle.net/10803/9791.

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This disertation is composed of a preface introducing the themes, the data and the reasons after their selection. My concern is to investigate some artistic and social aspects of parody, through the study of Shakespeare's Othello, and Dowling's 19th century and Welles' and Marowitz' 20th century parodies. Chapter one includes the theory. It studies the concepts of parody and ideology, and gives an approach of the politics of reworking Shakespeare. Shakespeare's patronage writings were found conservative. His elevation in the 18th century as a hero of wit against the 'French' and his canonizi
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8

Phillips, Matthew Scott. "A Moor propre: Charles Albert Fechter's Othello." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407486785.

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9

Peters, Jeri Lynn. "The trouble with gender in Othello a Butlerian reading of William Shakespeare's The tragedy of Othello, the Moor of Venice /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/2007%20Spring%20Theses/PETERS_JERI_4.pdf.

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10

Fu, Luella. "Tragic Pleasure in Shakespeare's King Lear and Othello." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/57.

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This thesis is an examination of reader or audience response to Shakespeare’s tragedies. Primarily, it identifies key pleasures that Shakespeare’s King Lear and Othello offer. The complementary nature of these two plays is such that the analysis of their various pleasures allows for an in-depth treatment of the topic and also reflects the diversity of emotional response elicited by Shakespeare’s tragedies. The kinds of pleasure addressed in this study are catharsis as explained by Aristotle, the delight of violent passion as advocated by DuBos, pleasure from details in the work, satisfaction f
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11

Schmeal-Swope, Catherine Isabel. "Costume Design and Production for Othello, by William Shakespeare." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306343922.

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12

Pilla, Eleni. "The renegotiation of space in film versions of Othello." Thesis, Royal Holloway, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439434.

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13

Grosh, Joanna R. "Sacrificial figures in Romeo and Juliet, Othello, and Lear /." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487678444258777.

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14

Comisso, Giulia <1994&gt. "A rhetorical analysis of Iago's deceptions in Shakespeare's "Othello"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19030.

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Iago è considerato un personaggio malvagio, impegnato nel portare a compimento la distruzione di Otello. Nel tentare di realizzare i propri piani Iago coinvolge, tramite inganno, numerosi altri personaggi, costringendoli ad agire secondo i propri desideri. L’obiettivo del presente studio è quello di analizzare la strategia manipolatoria tramite la quale Iago condiziona le credenze e le azioni delle proprie vittime. Il modello che emerge dallo studio delle interazioni di Iago con gli altri personaggi del dramma si articola in tre fasi. La prima corrisponde all’instaurazione di un rapporto di fi
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15

Rosenquist, Emil. "Hur presterar ett artificiellt neuralt nätverk gentemot sökalgoritmen alpha-beta pruning i spelet Othello? : Jämförelse av ANN system och ABP system på spelet Othello." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-17011.

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Deterministiska turbaserad tvåspelarspel är ett område som används inom AI forskning för att jämföra AI system. Detta arbete fokuserar på att jämföra teknikerna artificiell neuralt nätverk och alpha-beta pruning i spelet othello. Arbetet undersökte hur dessa tekniker presterar i relation till beräkningstiden. Othello positionerna representeras i en 8 x 8 matris som teknikerna använder för att hitta det optimala draget. Systemen värderades enligt en definierat metod som använder ett befintlig AI system för othello Edax. De testades på 154 othello partier med 77 stycken förbestämda startposition
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滝川, 睦., та Mutsumu TAKIKAWA. "中傷・主体性・自己劇化 - Othello -". 名古屋大学文学部, 2003. http://hdl.handle.net/2237/9284.

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17

Rafferty, Barclay. "Adaptations of Othello : (in)adaptability and transmedial representations of race." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/12075.

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This thesis examines adaptations of William Shakespeare’s The Tragedy of Othello, the Moor of Venice (c. 1601–4) across media, comparing cinematic, televisual, musical, visual art, and online adaptations, among others, in an endeavour to determine its adaptability in various periods and cultural and societal contexts, with a focus on the issue of race. Shakespeare’s seeming endorsement of a racial stereotype has proved to be challenging in adaptations, which have not always been successful in either reproducing or interrogating the issue, despite the fact that the play has continuously been en
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18

Guevara, Perry Daniel. "(Un)Doing Desdemona gender, fetish, and erotic materiality in Othello /." Connect to Electronic Thesis (CONTENTdm), 2009. http://worldcat.org/oclc/457178998/viewonline.

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19

Somers, Kathleen Emerald. "Pierced Through the Ear: Poetic Villainy in Othello." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2436.

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The paper examines Othello as metapoetry. Throughout the play, key points of comparison between Iago and Shakespeare's methodologies for employing allegory, symbolism, and mimetic plot and character construction shed light upon Shakespeare's self-reflexive use of poetry as an art of imitation. More specifically, the contrast between Shakespeare and Iago's poetry delineates between dynamic and reductive uses of allegory, emphasizes an Aristotelian model of mimesis that makes reason integral to plot and character formation, and underscores an ethical function to poetry generally. In consequence
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20

Copas, Leigh. "Courtship, Loe, and Marriage in Othello: Shakespeare's Mockery of Courtly Love." TopSCHOLAR®, 2006. http://digitalcommons.wku.edu/theses/449.

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Othello is the forgery of a comedic play turned tragedy, for the play begins where the ordinary comedy would end. While many critics prefer to discuss the racial and exotic aspects of William Shakespeare's tragedy, there are several critics who focus on the role of love and the marital relationships that are also important in terms of interpreting the actions of key characters. Carol Thomas Neely, Maurice Charney, and several other literary critics have focused primarily on the role of marriage and love in Othello. The topic of marriage is generally discussed in terms of the wooing scene (Act
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21

Seymour, Justin E. "The Use of Modem Film to Examine Iago in Shakespeare's Othello." Xavier University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352849007.

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22

Hays, Michael Louis. "Shakespearean tragedy as chivalric romance : rethinking Macbeth, Hamlet, Othello and King Lear /." Cambridge : D. S. Brewer, 2003. http://www.loc.gov/catdir/toc/fy045/2003004936.html.

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23

McCleary, Mary. "Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi." Thesis, Boston University, 2012. https://hdl.handle.net/2144/32035.

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Thesis (Ph.D.)--Boston University<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>The dissertation examines adaptations of Shakespearean plays in the operatic libretti of Giuseppe Verdi (1813-1901), who dominated Italian opera in the second half of the nineteenth century. Although Verdi re
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24

Rich, Sarita Clara. "Reviving the Latent Content of Alchemy in William Shakespeare's Othello." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2720.

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While many of Shakespeare's alchemical allusions are noted for their language of positive regeneration and healing, the playwright's departures from these conventional uses of alchemy deserve further attention. This essay presents an examination of inversions in the redemptive alchemical paradigm of Othello, a play whose connections to alchemy are not announced by obvious references to gold making, the philosopher's stone, or other key terms relating to the discourse of the opus that a modern audience is likely to recognize. I argue that in Othello, alchemical allusions are more subtly deploye
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25

Hunter, Christopher P. Jr. "Scorched Earth: Unlocking the Mysteries of Shakespeare's Greatest Villain, Iago in Othello." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2696.

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The following thesis is an in-depth actor analysis chronicling my approach to the role of Iago in TheatreUNO’s 2019 production of Othello by William Shakespeare. This thesis will include analysis of the text, character objectives, techniques used, observations about the application of contemporary realistic acting technique to classical verse text, self-evaluation and personal reflection. This thesis will be supported by production materials including a fully scored script. This play was directed by David W. Hoover, and performed April 25- May 4, 2019,as part of the TheatreUNO 2018-2019 academ
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26

Hlynur, Davíð Hlynsson. "Predicting expert moves in the game of Othello using fully convolutional neural networks." Thesis, KTH, Robotik, perception och lärande, RPL, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-210914.

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Careful feature engineering is an important factor of artificial intelligence for games. In this thesis I investigate the benefit of delegating the engineering efforts to the model rather than the features, using the board game Othello as a case study. Convolutional neural networks of varying depths are trained to play in a human-like manner by learning to predict actions from tournaments. My main result is that using a raw board state representation, a network can be trained to achieve 57.4% prediction accuracy on a test set, surpassing previous state-of-the-art in this task.  The accuracy is
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27

Boccardo, Beatrice <1993&gt. "Moving through Time and Race: Othello and The Tempest adapted for New Millennials." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14212.

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This research analyses three contemporary Shakespearean adaptations for young adults: Tracy Chevalier’s New Boy, Grace Tiffany’s Ariel and Jacqueline Carey’s Miranda and Caliban. I focus on how the concepts of time, plot and identity are treated by these authors, who adapted complex plays that deal with controversial themes, such as diverse forms of violence, for New Millennials. The first chapter represents an introduction to the importance of adaptations of Shakespeare’s works today, especially those meant for an audience of adolescents. In this section, the role of popular culture and, in p
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Windsor, Jeffrey Wayne. ""Th' offense pardons itself" : sex and the church in Othello and Measure for measure /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1466.pdf.

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Büttner, Emelie. "Spilling the beans on Shakespeare : A study on how idioms are used in Othello." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-70396.

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The purpose of this paper is to investigate how idioms help the building of opposing characters in a literary work and also what similarities and differences there are in the usage of idioms between the characters. The material, i.e. the idioms, in this study was manually collected from Othello written by William Shakespeare. The material was analyzed and categorized according to a list of idiomatic properties. The material was also analyzed according to the tone of the idioms. The results showed that there was not any prominent difference in usage of idioms between the two characters; neither
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30

Christofides, R. M. "Shakespeare and equivocation : language and the doom in Hamlet, Othello, Macbeth, and King Lear." Thesis, Cardiff University, 2008. http://orca.cf.ac.uk/55788/.

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Equivocation is a condition of language that runs riot in Hamlet, Othello, Macbeth, and King Lear. Whether as ambiguity or dissimulation, equivocation propels the plots of these plays to their tragic finales. The Doom as depicted in pre-Reformation churches is invoked in the plays as a force that could end both equivocation and tragedy. However, Shakespeare withholds this divine intervention, allowing the tragedy to play out. Chapter One outlines the thesis, explains the methodological approach, and locates the thesis in relation to the major fields of Shakespeare studies. Chapter Two focuses
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Connelly, Daniel R. "White screen, black masks : Othello and the performativity of race on stage and screen." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14709.

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This thesis attempts to expose stereotypologies of black African skin as performed on the Shakespearean stage and before the Shakespearean camera. My research engages with a number of Tudor/Stuart travel narratives and plays containing imperialistic denigrations of Negritude. To accompany these early revelations of the 'unknown' black Other, I effect a close performative and historical consideration of Shakespeare's Othello (1602). By critiquing the repetitive containment of the character of Othello, the Moor, by successive theatrical ideologies, I work towards a full analysis of his twentieth
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Wambach, Amie Elisabeth. "Disabled Epistemologies: Failures of Knowledge and Care in Shakespeares's Merchant of Venice and Othello." BYU ScholarsArchive, 2021. https://scholarsarchive.byu.edu/etd/8969.

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The presence of disabled characters like blind Gobbo in The Merchant of Venice and epileptic Othello are handy physical metaphors for the failures of epistemology that occur in both plays. Disability is often construed as a sort of saboteur of knowledge—disability of all kinds inhibiting the ability to perceive the world as an abled person would. But disability also produces a new, necessary sort of knowledge in order to survive and thrive in an unaccommodating world. A disabled epistemology suggests that knowing is contingent on individual, specific experience of the world. Tied to this iss
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33

Chahed, Lakhoua Khaoula. "Sexe et pouvoir dans les tragédies de Shakespeare : Hamlet, Othello, King Lear et Macbeth." Paris 10, 1996. http://www.theses.fr/1996PA100144.

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Cette etude se propose, a travers une combinaison d'approches theoriques, de contexte historique et d'analyse textuelle de reconstruire les quatre tragedies de shakespeare : hamlet, othello, king lear et macbeth et de decouvrir l'inconscient d'une culture qui a reprime l'authentique de l'etre, en particulier de la femme, a un point ou cette derniere a essaye d'echapper a cette culture pour decouvrir son identite. Cette recherche combine l'etude sociale et l'histoire intellectuelle de la periode shakespearienne. Elle examine comment les relations entre les sexes a une epoque de transition influ
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Kamenetsky, D. "A Comparison of Neural Network Architectures in Reinforcement Learning in the Game of Othello." Thesis, Honours thesis, University of Tasmania, 2005. https://eprints.utas.edu.au/252/1/dkThesis_Final_4.pdf.

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Over the past two decades, Reinforcement Learning has emerged as a promising Machine Learning technique that is capable of solving complex dynamic problems. The benefit of this technique lies in the fact that the agent learns from its experience rather than being told directly. For problems with large state-spaces, Reinforcement Learning algorithms are combined with function approximation techniques, such as neural networks. The architecture of the neural networks plays a significant role in the agent's learning. Past research has demonstrated that networks with a constructive architecture out
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Aebischer, Pascale. "Representing personal violence and suffering in Shakespeare's Titus Andronicus, Romeo and Juliet, Hamlet, and Othello." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322602.

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36

Arvidsson, Jessica. "I frestarens grepp : En arketypanalytisk undersökning av temat manipulation med utgångspunkt i Karin Boyes Kallocain." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-14380.

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I den här uppstatsen undersöker jag temat manipulation. Jag tittar på vad det har för inverkan på berättelsers utformning samt om det finns andra teman som ofta kombineras med manipulationstemat. Min utgångspunkt är Karin Boyes Kallocain och därifrån kommer jag dra paralleller till William Shakespeares Othello och Aldous Huxleys Brave New World. Genom att vända mig till just de här två berättelserna får jag en inblick i såväl genretillhörighet som temats utveckling över tid. Uppsatsens teoretiska utgångspunkt är C.G. Jungs teori om det kollektiva omedvetna med mänskliga grundläggande urbilder
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滝川, 睦., та Mutsumu Takikawa. "詩神が孕む -Othelloにおける男性同士の絆-". 名古屋大学文学部, 2000. http://hdl.handle.net/2237/5526.

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Falk, Sofia. "Litteratursamtal om Tusen strålande solar och Othello : Läsarter i litteratursamtal med elever från språkintroduktion och gymnasieskolan." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-134859.

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The objective of this thesis is integrating book talks. The aim is to explore and describe which forms ofreadings of the books appear in the analyzed book talks. The content analysis is based upon soundrecordings of the book talks and the questions that provide their basis. Tengberg’s (2011) forms ofreading make up the analysis categories. Questions are: (1) Which forms of reading are expressed in thebook talks? (2) Toward which forms of reading do the questions direct the reader? (3) Which forms ofreading are most frequent in the book talks? The result show that five out of six forms of readi
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Omar, Lamis Ismail. "A cognitive approach to the translation of creative metaphor in Othello and Macbeth from English into Arabic." Thesis, Durham University, 2012. http://etheses.dur.ac.uk/6965/.

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Despite the intriguing nature of metaphor and its acknowledged importance in the discipline of Translation Studies (TS), a relatively small number of studies have explored the translation of metaphor from the perspective of Conceptual Metaphor Theory, and very few of them adopted an experiential approach to the object of analysis. This research aims at exploring the translatability of creative metaphor in six Arabic translations of Shakespeare’s Othello and Macbeth based on a combined methodology that adopts the Conceptual Theory of Metaphor and the descriptive approach to text analysis in TS.
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Okamura, Brittanee. ""Other Ways of Othering": The Subversion of Racist Motives in Excluding the Other in Othello and the Jew of Malta." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1288.

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The means by which Othello and Barabas experience their racial othering is not directly by racist intentions. In experiencing their otherness through alternative motives, they then deny the power that their excluders initially desire.
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Rafimomen, Afsaneh. "Nature et pouvoir dans les tragédies de Shakespeare, quel conflit ? : l'exemple de Hamlet, Othello, King Lear et Macbeth." Nice, 2011. http://www.theses.fr/2011NICE2012.

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Cette étude présente, dans une première partie, une réflexion sur l'idée de nature dans quatre tragédies de William Shakespeare dans la perspective d'un lien que nous établissons, dans une deuxième partie, avec l'idée fondamentale de pouvoir. L'analyse des personnages en tant qu'éléments centraux à cette tension entre les deux notions, le rappel de la façon dont Shakespeare les situe par rapport à l'une et à l'autre, nous amènent à envisager le passage de la dyade "nature/ pouvoir" à la triade "nature- homme - pouvoir" comme le ressort essentiel de la tragédie shakespearienne. Cette prise de c
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Evans, Judith Bruce. "The rush to knowledge perception and interpretation in Shakespeare's Much Ado About Nothing, Othello and The Winter's Tale /." Connect to Electronic Thesis (CONTENTdm), 2008. http://worldcat.org/oclc/441849997/viewonline.

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Rosario, Catherine. "Black rams and extravagant strangers : Shakespeare's Othello and its rewritings, from nineteenth-century burlesque to post-colonial tragedy." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/14856/.

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The labyrinthine levels through which Othello moves, as Shakespeare draws on myriad theatrical forms in adapting a bald little tale, gives his characters a scintillating energy, a refusal to be domesticated in language. They remain as Derridian monsters, evading any enclosures, with the tragedy teetering perilously close to farce. Because of this fragility of identity, and Shakespeare’s radical decision to have a black tragic protagonist, Othello has attracted subsequent dramatists caught in their own identity struggles. Nineteenth-century white burlesquers, anxious to bolster their sense of t
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44

Seo, Young-Su. "Genetic and molecular basis of resistance in Phaseolus vulgaris cv. Othello to the geminivirus, Bean dwarf mosaic virus (BDMV) /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2003. http://uclibs.org/PID/11984.

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Corbett, Lisa Ashley. "Male Dominance and female exploitation: A study of female Victimization in William Shakespeare's Othello, Much Ado about nothing, and Hamlet." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2009. http://digitalcommons.auctr.edu/dissertations/93.

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This study is a feminist-based reading of three of William Shakespeare’s works: Othello, Much Ado About Nothing, and Hamlet. The reading, although borrowing from the feminist perspective, is not a full-blown feminist reading of Shakespeare’s works. The focus of the study comprises the social circumstances and the misogynistic actions of the male characters and how these impact on the lives of the female characters. The relationships between the male and female characters are often characterized by physical and psychological victimization arid their feelings of misery and shame, and even total
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Selvin, Rachel A. ""This Rough Magic:" Imagination, Resurrection, and the Dream World Crisis in Shakespearean Tragedy." Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/169.

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In this thesis, I explored the relationship between Shakespearean tragedy and romance, specifically how each genre treated themes regarding resurrection and the imagination. In romance, I discovered that the imagination became a portal to reality--a way through which characters understood and accepted impermanence, decay, and death. I used romance to illuminate tragedy's failures, showing that in both King Lear and Othello the imagination acts as a mask against the real. I called these imaginative spaces “dream worlds”--fantastical plains in which characters chased their impossible longings fo
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47

Liu, Xinan. "NOVEL COMPUTATIONAL METHODS FOR SEQUENCING DATA ANALYSIS: MAPPING, QUERY, AND CLASSIFICATION." UKnowledge, 2018. https://uknowledge.uky.edu/cs_etds/63.

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Over the past decade, the evolution of next-generation sequencing technology has considerably advanced the genomics research. As a consequence, fast and accurate computational methods are needed for analyzing the large data in different applications. The research presented in this dissertation focuses on three areas: RNA-seq read mapping, large-scale data query, and metagenomics sequence classification. A critical step of RNA-seq data analysis is to map the RNA-seq reads onto a reference genome. This dissertation presents a novel splice alignment tool, MapSplice3. It achieves high read alignme
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48

Bauer, Sabine C. "'Speak of me as I am' : British politics of race and portrayals of Othello in criticism and on stage, 1603-1993." Thesis, University of Birmingham, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416758.

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49

Prytz, Ann-Louise. "Den älskande kvinnan i Shakespeares dramatik : En dramatikanalys av dramerna Othello och Romeo och Juliet med fokus på Desdemona och Juliet." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-39171.

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The essay The loving women in Shakespeare’s dramas is based on the fact that the dramas are performed circa 400 years after they were written. That makes it intresting to examine the caractars, and especially the female parts, and particularly the loving woman. To fulfill that, I have inquired Desdemona in Othello and Juliet in Romeo and Juliet. I have used eight parts of the drama analysis modelled by Birthe Sjöberg as the main research methode. The scientific aim is to investigate the loving woman in two plays of Shakespeas dramaproduction, Othello and Romeo and Juliet. The question at issue
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50

Scott, Lindsey A. "Caught between presence and absence : Shakespeare's tragic women on film." Thesis, University of Chester, 2008. http://hdl.handle.net/10034/100153.

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In offering readings of Shakespeare’s tragic women on film, this thesis explores bodies that are caught between signifiers of absence and presence: the woman’s body that is present with absent body parts; the woman’s body that is spoken about or alluded to when absent from view; the woman’s living body that appears as a corpse; the woman’s body that must be exposed and concealed from sight. These are bodies that appear on the borderline of meaning, that open up a marginal or liminal space of investigation. In concentrating on a state of ‘betweenness’, I am seeking to offer new interpretive pos
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