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Journal articles on the topic 'Ottava'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Piątek, Marcin. "Oktawa w epice historycznej wieków dawnych – wybrane problemy (na przykładzie Pamiętnego uprowadzenia wojska z cieśni bukowińskiej… Stanisława Wincentego Jabłonowskiego)." Śląskie Studia Polonistyczne 14, no. 2 (2019): 137–49. http://dx.doi.org/10.31261/ssp.2019.14.08.

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The article is divided into two parts. The first one describes a career that ottava rima had in seventeenth-century heroic narrative poems. What the author references are the most valid opinions by scholars of the Polish verse pertaining to ottava rima, in addition to the opinions by the poets who struggled to write in this challenging stanza form. Part two of the article analyses selected stanzas (ottavas) from the narrative poem Pamiętne uprowadzenie wojska z cieśni bukowińskiej… (1745) by Stanisław Wincenty Jabłonowski. Aside from versological questions, also the most important problems are

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Barbiellini Amidei, Beatrice. "«In pubblico»: tra oralità e scrittura. La «vexata quaestio»: sulla tradizione dell'ottava rima dei cantari "popolari" e del Boccaccio." Carte Romanze. Rivista di Filologia e Linguistica Romanze dalle Origini al Rinascimento 10, no. 2 (2022): 231–52. http://dx.doi.org/10.54103/2282-7447/18739.

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Riassunto: Il saggio è un contributo alla vexata quaestio sull'origine dell'ottava rima narrativa. Si riflette su importanti spunti di Surdich e su dati noti per ipotizzare un'imitazione del metro del Cantare di Fiorio da parte del Boccaccio, che utilizza negli stessi anni nel Filocolo lo stesso tema romanzesco del Cantare e nel Filostrato l'ottava narrativa. Le operazioni inverse delle due opere giovanili rispetto al Cantare di Fiorio si aggiungono a molti altri elementi speculari nelle due opere boccacciane. Immaginare che l'autore del Cantare di Fiorio o chi per lui accogliesse il metro di

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3

Addison, Catherine Anne. "Ottava Rima and Novelistic Discourse." Journal of Narrative Theory 34, no. 2 (2004): 133–45. http://dx.doi.org/10.1353/jnt.2004.0007.

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4

Carminati, Maria Nella, Martin Fischer, Andrew Roberts, and Jane Stabler. "The Visual Impact of Ottava Rima." Byron Journal 32, no. 1 (2004): 39–44. http://dx.doi.org/10.3828/bj.32.1.5.

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5

Keach, William. "Political Inflection in Byron's "Ottava Rima"." Studies in Romanticism 27, no. 4 (1988): 551. http://dx.doi.org/10.2307/25600745.

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Bianchi, Franco. "Ottava Settimana Bianca Urologica a Courmayeur." Urologia Journal 55, no. 3 (1988): 349–50. http://dx.doi.org/10.1177/039156038805500329.

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7

Wolfson, Susan. "John Quincy Adams Seduced by Ottava Rima." Byron Journal 47, no. 1 (2019): 71. http://dx.doi.org/10.3828/bj.2019.10.

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8

Dowling, Gregory. "Going Beyond the Lyrical: A.E. Stallings’s Engagement with Don Juan." Byron Journal 49, no. 1 (2021): 55–67. http://dx.doi.org/10.3828/bj.2021.7.

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A.E. Stallings has long shown an interest in the poetry of Lord Byron. When invited to contribute to A Modern Don Juan (edited by Andy Croft and N.S. Thompson, 2014) she accepted with alacrity; the experiment in writing ottava rima proved extremely fruitful, not only providing her with a new metrical technique but also expanding her sense of what it was possible to treat in verse. This article examines the canto she contributed to Croft and Thompson’s 2014 volume and also another narrative poem in ottava rima, ‘Lost and Found’, written around the same time. As Stallings has herself observed, h

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Belousova, Anastasia S. "Strophic macrosyntax: Ottava rima, terza rima, sonnet (Russia and Italy)." Rhema, no. 4, 2019 (2019): 9–20. http://dx.doi.org/10.31862/2500-2953-2019-4-9-20.

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The article discusses the results obtained with the help of a computer program created for the automatic analysis of strophic syntax. The program was created using Boris Tomashevsky’s method, which is based on the analysis of punctuation at the end of the poetic lines (the strength of the syntactic pause is evaluated depending on the absence or presence of a punctuation sign: a comma, a dash, a semicolon or a full pause / question mark / exclamation mark). The application of this method to different types of poetic texts made it possible to describe general and unique trends, characterizing au

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10

Ricci, Antonello. "Autobiografia della poesia. Ottava rima e improvvisazione popolare nell'alto Lazio." La Ricerca Folklorica, no. 15 (April 1987): 63. http://dx.doi.org/10.2307/1479486.

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11

Andreoni, Annalisa. "Leopardi e l'eroicomico. Una questione da riconsiderare." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 3, no. 2 (2022): 207–36. http://dx.doi.org/10.54103/2724-3346/19520.

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Il saggio indaga il rapporto di Leopardi con la tradizione eroicomica. Partendo dalla giovanile Arte poetica travestita ed esposta in ottava rima, attraverso le tre traduzioni della Ba-tracomiomachia omerica e fino ai tardi Paralipomeni, viene riconsiderata la questione della pre-senza dell’eroicomico nell’opera leopardiana, individuando nuove prospettive di indagine in rapporto agli autori antichi e moderni.

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12

Crimi, Giuseppe. "Primi appunti per il testo e il commento della "Zaffetta" di Lorenzo Venier." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 3, no. 2 (2022): 9–31. http://dx.doi.org/10.54103/2724-3346/19515.

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Composta da Lorenzo Venier (1510-1550) nel 1531, probabilmente con la com-plicità di Pietro Aretino, La Zaffetta è un poemetto in ottava rima, di intonazione morale e satirica, che racconta la violenza di gruppo contro la cortigiana veneziana Angela Zaffetta. Nel contributo il componimento viene riesaminato alla luce dei testimoni noti e contestualizzato nella Venezia del Cinquecento.

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13

Onnismaa, Jussi. "”Filosofi isolla F:llä, vaikka asuukin Suomessa”." Aikuiskasvatus 40, no. 2 (2020): 152–53. http://dx.doi.org/10.33336/aik.95457.

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Georg Henrik von Wright (1916–2003) oli kantaa ottava intellektuelli par excellence. Alun perin ruotsiksi ilmestynyt kokoelma sisältää 13 kirjoitusta akateemikosta sekä hänen oman kirjoituksensa tieteenfilosofiasta. Hän oli 1900-luvun yhden tärkeimmän filosofin Ludwig Wittgensteinin ystävä ja hänen postuumien teostensa toimittaja, joka kutsuttiin 31-vuotiaana Wittgensteinin seuraajaksi Cambridgen professuuriin. Ensimmäisenä pohjoismaisena filosofina von Wright sai oman niteensä arvostettuun The Library of Living Philosophers -julkaisusarjaan.

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14

Wynn Owen, Andrew. "Order and Disorder in the Ottava Rima of Shelley and Byron." Essays in Criticism 67, no. 1 (2017): 1–19. http://dx.doi.org/10.1093/escrit/cgw030.

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Lecco, Margherita. "Buovo d’Antona. Cantari in ottava rima (1480), edited by Daniela Delcorno Branca." Romance Philology 63, no. 2 (2009): 184–88. http://dx.doi.org/10.1484/j.rph.3.23.

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Tennen, Deborah. "Megillat Ester in Ottava Rima:Mordecai Dato's poetry regarding sixteenth-century Italian Jewish women." Renaissance Studies 22, no. 4 (2008): 507–41. http://dx.doi.org/10.1111/j.1477-4658.2008.00493.x.

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17

Motta, Riccardo. "L'ATTIVITÀ LEGISLATIVA DEI GOVERNI (1948–83)." Italian Political Science Review/Rivista Italiana di Scienza Politica 15, no. 2 (1985): 255–92. http://dx.doi.org/10.1017/s0048840200003142.

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IntroduzioneL'attività legislativa dei governi che si sono succeduti nella quinta (1968–72), sesta (1972–76), settima (1976–79) e ottava (1979–83) legislatura è già stata parzialmente analizzata in alcune ricerche (specie in riferimento alla quinta e alla settima legislatura), ma ancora manca un quadro di insieme che ricomponga i vari problemi emersi nel corso di questo quindicennio. La presente ricerca cerca di colmare, per alcuni aspetti, questa lacuna e costituisce una prima indagine sugli aspetti quantitativi più rilevanti delle quattro legislature attraverso l'analisi dei disegni di legge

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18

Dhouib , Meriem. "Le Guerre in Ottava Rima : Violenza e Potere di un Genere Letterario del Cinquecento." آداب و إنسانيات 6, no. 7-8 (2019): 61–70. http://dx.doi.org/10.12816/0053942.

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Chadwick, O. "Shorter notice. I documenti diplomatici italiani. Ottava Serie, 1935-39. Vol VI. Andre (ed.)." English Historical Review 114, no. 455 (1999): 249. http://dx.doi.org/10.1093/enghis/114.455.249.

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Chadwick, O. "Shorter notice. I documenti diplomatici italiani. Ottava Serie, 1935-39. Vol VI. Andre (ed.)." English Historical Review 114, no. 454 (1999): 249. http://dx.doi.org/10.1093/ehr/114.454.249.

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21

Chadwick, O. "Shorter notice. I documenti diplomatici italiani. Ottava Serie, 1935-39. Vol VI. Andre (ed.)." English Historical Review 114, no. 455 (1999): 249. http://dx.doi.org/10.1093/ehr/114.455.249.

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22

Artico, Davide. "Buovo d’Antona fra originale veneziano e suo adattamento yiddish: la narrazione cavalleresca veicolo delle ideologie." Romanica Silesiana 17 (June 29, 2020): 43–54. http://dx.doi.org/10.31261/rs.2020.17.04.

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The paper contains some partial findings of a comparative research on the chivalry romance Buovo d’Antona as printed in Bologna and in Venice in the 1480s in a number of different, yet quite similar one to another, incunables; and its ottava rima adaptation in yiddish-taytsh, made by Elye Bokher (Elia Levita) in Padua around 1507, and then published as Bovo-Buch in Isny, Württemberg, as late as 1541. Respectively, the narratives implicitly deliver two different ideologies, meant as consequent sets of socially shared convictions about the good living. In particular, the place of women in societ

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23

Callaghan, Madeleine. "‘Chosen Comrades’: Yeats's Romantic Rhymes." Romanticism 23, no. 2 (2017): 155–65. http://dx.doi.org/10.3366/rom.2017.0322.

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Yeats's acute sense of the poet's labour, a labour that makes rhyme one of those ‘befitting emblems of adversity’ (‘My House’, Meditations in Time of Civil War, 30) energises his poetry. Rather than constricting poetry, rhyme can engender, if paradoxically, a kind of freedom for the poet; Yeats's choice of form reveals his Romantic influences while demonstrating his independence. Encompassing examples from Blake, Byron, Keats, and Shelley, this essay shows how Yeats learns from his chosen influences even as his mastery over their forms sponsors his ‘ghostly solitude’ (‘Nineteen Hundred and Nin

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Eisenberg, Michael. "Keyboard Seconda Pratica in Transmission: The Engraved Toccata ottava of Frescobaldi — from Pen to Print." Papers of the Bibliographical Society of America 104, no. 4 (2010): 463–88. http://dx.doi.org/10.1086/680972.

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25

Restrepo, Luis Fernando. "Apologías humanistas del Imperio y la Conquista. El Antijovio de Ximénez de Quesada y las Elegías de varones ilustres de Indias de Juan de Castellanos." Estudios de Literatura Colombiana, no. 43 (July 24, 2018): 175–84. http://dx.doi.org/10.17533/udea.elc.n43a10.

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En la cuarta parte de las Elegías de varones ilustres de Indias, Juan de Castellanos menciona la reiterada insistencia de Gonzalo Ximénez de Quesada en cuanto a que la forma poética más apropiada para cantar las gestas de la conquista de las Indias eran los antiguos versos castellanos, por “ser hijos nacidos de su vientre”, mientras que el Beneficiado de Tunja, por su parte, consideraba válido el uso de la entonces nueva métrica italiana, la ottava rima, pues eran versos engendrados en nuestra lengua, al uso moderno, para renovar la memoria de los conquistadores (Historia del Nuevo Reino de Gr

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26

Baldassari, Gabriele. "Le ecfrasi encomiastiche nella storia dell’“Inamoramento de Orlando” di Boiardo." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 4, no. 1 (2023): 59–102. http://dx.doi.org/10.54103/2724-3346/20493.

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Il contributo si concentra sulle due ecfrasi dinastiche nel poema di Boiardo (II XXV e XXVII), mettendo in rilievo alcuni aspetti del modo in cui sono costruite, con l’intento di comprendere meglio la loro funzione, la loro possibile collocazione cronologica e il loro rapporto con le vicende compositive del poema. Secondo la lettura proposta, l’ecfrasi del canto XXV non risponde solo alla necessità di correggere gli errori storici presenti nella genealogia che chiude il canto xxi, ma all’intento primario di glorificare l’aquila bianca estense e il suo ruolo di storico alleato della Chiesa, pro

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27

McHale, B. "Affordances of form in stanzaic narrative poetry." Literator 31, no. 3 (2010): 49–60. http://dx.doi.org/10.4102/lit.v31i3.57.

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This article develops the notion that poetry is crucially distinguished from other forms of verbal art by its foregrounding of segmentivity, the spacing of language. If a measure is regarded as the smallest unit of resistance to meaning, measure determines where gaps open up in a poetic text. Poetry is, however, not only measured, but typically countermeasured and narrative in poetry can also be countermeasured against the segmentation that is specific to narrative. The present article investigates segmentivity in one particular type of narrative poem, namely poems in discontinuous stanzaic fo

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Cardamone, Donna G., and Cesare Corsi. "THE CANZONE VILLANESCA AND COMIC CULTURE: THE GENESIS AND EVOLUTION OF A MIXED GENRE (1537–1557)." Early Music History 25 (August 17, 2006): 59–104. http://dx.doi.org/10.1017/s0261127906000131.

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This study springs from the conviction that it is time to enlarge our understanding of the canzone villanesca's genesis and evolution by engaging concepts from two related approaches, namely, genre criticism and speech-act theory. Heretofore, when adopting the formalist approach to genre, I defined the villanesca in terms of its ‘outer form’ (metre and structure), thereby reinforcing claims by Gennaro Monti and Alfred Einstein that the canzone villanesca is essentially a strambotto (or ottava rima) transformed by the addition of a refrain after each hendecasyllabic couplet. However, it has bec

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Errázuriz M., Carlos J. "PETRONCELLI, Mario, Diritto Canonico (ottava edizione aggiornata con il nuovo Codice), Jovene Editore, Nápoles 1983, 415 págs." Ius Canonicum 25, no. 49 (2018): 378–82. http://dx.doi.org/10.15581/016.25.19514.

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D’Ascenzi, Damiano. "Il rapporto con l’originale nel rifacimento in ottava rima del Candido attribuito a Gaetano Marré." Giornale storico della letteratura italiana 196, no. 653 (2019): 54–63. http://dx.doi.org/10.1484/j.gsli.5.129857.

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Chadwick, Owen. "I documenti diplomatici italiani, Ottava Serie: 1935–1939, Vol. VIII, (i gennaio – 23 aprile 1938)Gianluca André." English Historical Review 115, no. 464 (2000): 1360–61. http://dx.doi.org/10.1093/enghis/115.464.1360-a.

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Chadwick, O. "I documenti diplomatici italiani, Ottava Serie: 1935-1939, Vol. VIII, (i gennaio - 23 aprile 1938)Gianluca Andre." English Historical Review 115, no. 464 (2000): 1360–61. http://dx.doi.org/10.1093/ehr/115.464.1360-a.

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Tambasco, Itala. "La disperazione di giuda: suggestioni epico-cavalleresche in un poemetto di Giulio Liliano falsamente attribuito a Torquato Tasso." Revista de la Sociedad Española de Italianistas 17 (March 4, 2024): 143–56. http://dx.doi.org/10.14201/rsei.31429.

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Nel 1621, il libraio veneziano Giacomo Scaglia ebbe fra le mani una copia anonima del manoscritto di Giulio Liliani Impertinenza di Giuda in ottava rima, poemetto di novanta stanze, stampato nel 1601; egli lo attribuì erroneamente a Torquato Tasso e come tale lo fece pubblicare da Francesco Baba nel 1627. L’importanza di un poemetto che deve la sua ampia diffusione alla falsa paternità tassiana è per noi legata all’eccezionalità di un’opera interamente incentrata sulla figura di Giuda. La risemantizzazione del personaggio neotestamentario, inviso all’intransigenza dogmatica della Controriforma

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Artico, Tancredi. "Danese Cataneo, «felicissimo spirito» nelle carte tassiane. L’Amor di Marfisa e la Gerusalemme liberata." Italianistica Debreceniensis 23 (December 1, 2017): 8–20. http://dx.doi.org/10.34102/italdeb/2017/4633.

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Published in 1562, Danese Cataneo’s epic-chivalric poem Amor di Marfisa had a wide but undervalued influence in Torquato Tasso’s masterpiece, Gerusalemme liberata. In this short essay I’ll provide the necessary evidences to demonstrate the existence of a deep connection between those two poems, and establish how it is organized. In particular, Cataneo’s literary legacy, which is underlined by a long list of quote, is strongly perceptible for what concerns the expression of feelings and thoughts. Amor di Marfisa, in this regard, gives to the young Tasso an unusual example of epic poem intereste

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Duff, David. "Prospectuses, Specimens and National Works: Byron and John Hookham Frere." Byron Journal 52, no. 1 (2024): 45–64. http://dx.doi.org/10.3828/bj.2024.7.

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This article analyses Byron’s stylistic conversion of 1817 by examining the transformative impact of John Hookham Frere’s Prospectus and Specimen of an Intended National Work, by William and Robert Whistlecraft , which Byron acknowledged as his ‘immediate model’ for Beppo . Previous studies of this textual relationship have centred on ottava rima and emphasised the underlying influence of Italian burlesque poetry. I highlight other aspects of Frere’s poem, showing how its title page parodies publishers’ marketing devices and how it mixes mock-epic romance with wide-ranging satire of the Britis

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Shapovalova, A. A. "Giovanni Boccaccio. Filostrato; Diana’s Hunt." Voprosy literatury, no. 4 (August 10, 2023): 194–97. http://dx.doi.org/10.31425/0042-8795-2023-4-194-197.

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The review is devoted to a seminal event in Russian studies of Italian literature — the publication of a versified translation of Filostrato and Diana’s Hunt, Boccaccio’s first two works. Such a translation appears in the Russian language for the first time, thanks to the work of A. Triandafilidi and V. Oslon. Diana’s Huntis Boccaccio’s first completed poem in terza rima, a verse form previously used only by Dante. Filostrato holds a special place not only in Boccaccio’s legacy but also inworld literature. With its Graecised title and written in ottava rima, this narrative poem marks the depar

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Brambilla, Giovanni. "Riflessioni sul rumore intrusivo da sorgente specifica." RIVISTA ITALIANA DI ACUSTICA, no. 2 (February 2024): 55–62. http://dx.doi.org/10.3280/ria2-2023oa16408.

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La specifica tecnica UNI/TS 11844:2022, pubblicata a marzo 2022, propone una metodologia di determinazione dell'intrusivit&agrave; di una immissione sonora da sorgente identificata che si basa sui principi della "Signal Detection Theory" (SDT). L'entit&agrave; dell'intrusivit&agrave; &egrave; quantificata mediante il parametro "Detectability Level" D'L, calcolato comparando gli spettri, a 1/3 di ottava o in Bark per tenere conto del mascheramento uditivo, della stimata immissione sonora della sorgente specifica, ovvero il "segnale", e della immissione sonora residua misurata a

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Neri, Stefano. "Las prosas caballerescas castellanas y sus versiones italianas en ottava rima: el Palmerino y el Primaleone de Lodovico Dolce." Librosdelacorte.es, no. 22 (July 1, 2021): 326–52. http://dx.doi.org/10.15366/ldc2021.13.22.012.

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El artículo, centrado en las adaptaciones italianas en verso del Palmerín y del Primaleón de Lodovico Dolce, prosigue una línea de investigación empezada en trabajos anteriores. Se analizan aquí algunas de las transformaciones que afectan los textos en distintos niveles, desde los originales españoles (1511, 1512) hasta los poemas en octavas de Dolce (1561, 1562), pasando a través de las ediciones venecianas en castellano (1534) y de las traducciones italianas en prosa (1544, 1548). Se aborda, en especial, el estudio de algunos episodios amorosos y bélicos que, evidenciando cambios significati

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Chadwick, O. "Shorter notice. I Documenti Diplomatici Italiani. Ottava serie: 1935-1939: Vol. VII (1 luglio-31 dicembre 1937). G Andre [ed]." English Historical Review 114, no. 459 (1999): 1373. http://dx.doi.org/10.1093/ehr/114.459.1373.

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40

Millan, Braden, Shavy Nagpal, Maylynn Ding, Jason Y. Lee, and Anil Kapoor. "A Scoping Review of Emerging and Established Surgical Robotic Platforms With Applications in Urologic Surgery." September 2021, no. 5 (September 10, 2021): 300–310. http://dx.doi.org/10.48083/ewwq2677.

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Objectives Since the introduction of the first master–slave robotic platform for surgical procedures, there have been ongoing modifications and development of new platforms, but there is still a paucity of commercially available systems. Our study aims to identify all master–slave robotic surgical platforms currently commercially available or in development around the world with applications in urologic surgery. Methods A scoping literature search was performed using PRISMA methodology to identify all relevant publications in English in PubMed, PubMed Central, and Embase, with additional infor

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Conselvan, Federica. "Sulle orme di Rinaldo. Per una storia del personaggio nei poemi cavallereschi italiani." AOQU (Achilles Orlando Quixote Ulysses). Rivista di epica 6, no. 1 (2025): 41–73. https://doi.org/10.54103/2724-3346/29240.

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I personaggi dei poemi cavallereschi sono parte di una tradizione secolare che ne ha così ben definito le caratteristiche da farli diventare caratteri fissi, portatori di valori, pregi o difetti condivisi e universali. Rinaldo è il cavaliere ribelle, guascone, ladro e sempre pronto ad alternare l’impresa militare a quella amorosa; Orlando è il miles Christi, casto e integerrimo, devoto alla causa; Astolfo è il cavaliere bello e buffone. Se però queste lunghe vite di finzione si analizzano in una prospettiva diacronica, si può osservare che, pur mantenendo una fisionomia riconoscibile, i person

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Cattaneo, Tiziana M. P., Laura Marinoni, Stefania Mura, and Massimo Brambilla. "NIR Spectroscopy and Aquaphotomics Approach to Identify Soil Characteristics as a Function of the Sampling Depth." Advances in Environmental and Engineering Research 3, no. 1 (2021): 1. http://dx.doi.org/10.21926/aeer.2201008.

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Soil is a very complex medium made of minerals, organic matter, microorganisms, air, and water. Vibrational spectroscopy techniques are exceptionally well-suited to be used with portable and hand-held devices. In this study, NIR spectroscopy was applied using portable instrumentation and the holistic Aquaphotomics approach to identify the differences in three Mediterranean soil profiles from Sardinia (Italy). The soil samples (95) collected from alluvial and loess-sampling sites in the three study areas of North Sardinia (i.e., Arborea, Berchidda, and Ottava) underwent preliminary oven-drying

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Graham, Peter. "Byron Society of America Academic Session: 'Byron, Don Juan and Ottava Rima': Modern Languages Association of America Convention, 29 December 2006, Philadelphia Marriott, Philadelphia." Byron Journal 35, no. 1 (2007): 73–74. http://dx.doi.org/10.3828/bj.35.1.9.

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Heikkilä, Jaakko, and Jarkko K. Niemi. "Riskiperusteiset maksut eläintautivahinkojen rahoituksessa." Suomen Maataloustieteellisen Seuran Tiedote, no. 26 (January 31, 2010): 1–7. http://dx.doi.org/10.33354/smst.75788.

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Euroopan Unionissa on esitetty tuottajien vastuun lisäämistä vakavimpien eläintautien vahinkojen rahoituksessa. Toteutuskeinoina on mainittu muun muassa eläintautirahastomaksu tai -vakuutus. Tähän asti yhteiskunta on kantanut vastuun yhteiskunnallisesti merkittävimpien eläintautien välittömistä menetyksistä. Tilanne on hyödyttänyt riskinottoon halukkaita toimijoita. Esimerkiksi vuosina 1995–2004 EU:n eläintautirahasto maksoi vahingonkorvauksia yhteensä miljardi euroa, josta Iso-Britannian ja Alankomaiden osuus oli 85 % (mm. suu- ja sorkkatauti, klassinen sikarutto ja korkeapatogeeninen lintuin

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Gosfield, Avery. "I Sing it to an Italian Tune . . . Thoughts on Performing Sixteenth-Century Italian-Jewish Sung Poetry Today." European Journal of Jewish Studies 8, no. 1 (2014): 9–52. http://dx.doi.org/10.1163/1872471x-12341256.

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Although we know that Jewish musicians and composers were active in Renaissance Italy, very few compositions by Jewish authors or music specifically destined for the Jewish community has survived. There are few exceptions: Salamone Rossi’s works, the tunes from Guglielmo Ebreo da Pesaro’s dance manuals, Ercole Bottrigari’s transcriptions of Jewish liturgy, a handful of fragments. If we limit the list to pieces with specifically Jewish content, it becomes shorter still: Rossi’s HaShirim asher liShlomo and Bottrigari’s fieldwork. However, next to these rare musical sources, there are hundreds of

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Dry, David. "“Ready to Be Terminated”: Guy Jennison and Ottawa Traditions of Autonomy through Elimination." Native American and Indigenous Studies 11, no. 1 (2024): 3–34. http://dx.doi.org/10.1353/nai.2024.a924398.

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Abstract: The 1950s and 1960s policy of tribal termination is justly regarded as a genocidal federal effort to extinguish tribal sovereignty and identity. Some tribal leaders, however, like Guy Jennison, chief of the Ottawa Tribe of Oklahoma from 1930 to 1962, supported termination. Jennison’s advocacy for termination developed out of an Ottawa political tradition that sought greater autonomy through embracing federal policies aimed at tribal elimination. In this political tradition, the Ottawa endeavored to escape federal control through eliminatory policies while subverting the eliminatory i

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Choudhury, Anindita. "National Hero U. Ottama." International Journal of Science and Research (IJSR) 10, no. 1 (2021): 912–14. https://doi.org/10.21275/sr21116152911.

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N., Contran, Ledda L., Mulas M., Cerana R., and Lubino M. "Physiological Responses to Drought Stress in Jatropha curcas Seedlings." Journal of Experimental Agriculture International 16, no. 3 (2017): 1–13. https://doi.org/10.9734/JEAI/2017/33639.

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<strong>Aims: </strong>The aim of the study was to investigate the physiological mechanisms of <em>Jatropha curcas</em> seedlings exposed to drought and the possible influence of seedling age. <strong>Study Design:</strong> A pot experiment was carried out using a completely randomized design with two seedling ages (2- and 3-month-old seedlings), two treatments per age (Watered: fully irrigated, and Unwatered: Not irrigated), six replicates (24 pots). <strong>Place and Duration of Study:</strong> The experiment was performed in a greenhouse facility located at the Experimental Station “Mauro D

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Cappelletti, Lorenzo. "Il contesto storico del miracolo eucaristico alatrino del 1227/1228." Theologica Leoniana 5, no. 5 (2016): 141–51. https://doi.org/10.5281/zenodo.13799158.

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La vista, per quanto si guardi l’ostia consacrata, per definizione vede soltanto l’ostia. Quanto più “convincente” e soddisfacente per i sensi doveva essere poter assistere alla trasformazione delle specie stesse in carne, laddove accadeva, come nel caso dei miracoli eucaristici! Ecco che numerosi miracoli eucaristici del tipo di quello alatrino, cioè con cambiamento duraturo in carne e sangue delle specie, sono registrati fra XI e XIII secolo. In Italia si ricordano in particolare quelli di Roma (intorno al 1049), Ferrara (fra 1158 e 1175), Trani (1200),

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Orser, Lauren, Paul MacPherson, and Patrick O’Byrne. "Cas de syphilis à Ottawa : une épidémie en évolution." Relevé des maladies transmissibles au Canada 48, no. 2-3 (2022): 85–92. http://dx.doi.org/10.14745/ccdr.v48i23a04f.

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Contexte : L’incidence de la syphilis infectieuse au Canada a diminué au cours des dernières décennies. Cependant, on observe une augmentation du nombre de nouveaux cas depuis 2001 à Ottawa. L’épidémie locale touche principalement des hommes gais, bisexuels et autres hommes ayant des relations sexuelles avec des hommes (gbHARSAH), mais ces dernières années, elle s’est étendue à des populations hétérosexuelles. La propagation a coïncidé avec une augmentation du nombre de femmes enceintes ayant obtenu un résultat positif au test de dépistage de la syphilis lors du dépistage prénatal. Cette étude

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