Relevant bibliographies by topics / Ottoman Architecture

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ottoman Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Ottoman Architecture"

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Gusić, Monika. "Ottoman religious architecture in Croatia." St open 3 (April 28, 2022): 1–33. http://dx.doi.org/10.48188/so.3.3.

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Objective: To provide a description and analysis of built, surviving, and lost Ottoman religious monuments in Croatia within the historical and sociopolitical context. Methods: Based on the analysis of relevant published sources, historical maps, online sources, as well as site analysis, we provide a description of Ottoman architectural, religious, and cultural heritage in the contemporary Croatian regions of the Dalmatian hinterland and Slavonia. This includes the art historical interpretation of the remains of the three surviving 16th-century domed mosques in three Croatian towns: Klis (today, the Catholic Church of St. Vitus in the Fortress), Drniš (now incorporated into the Catholic Church of St. Anthony held by the Franciscans), and Đakovo (today, the Catholic Church of All Saints). Results: The period of Ottoman rule saw the construction of a great number of Ottoman religious buildings in what is now the territory of the Republic of Croatia. There were two methods of mosque establishment: from the ground up, or by repurposing an older building, generally of Christian origin. With cessation of Ottoman rule these objects decayed and became less interesting for reutilization for Christian religious purposes. Many such converted objects perished in spite of their new utilization. The site analysis revealed the continuity of these sacred places in spite of religious conversion of the sacral site. Conclusion: The introduction of Ottoman architectural and urbanistic features was the defining feature of urban development in Croatia during the Ottoman era. In the settlements, the Ottomans built both sacral and utilitarian profane buildings, but Ottoman religious buildings were the most prominent. In the territory of present day Croatia, only three such Ottoman places of worship remain in existence as structures, albeit reconverted into Catholic churches. Today, due to the conversion and renovation works, they represent a fusion of several stylistic periods.
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Erarslan, Alev. "Reflections of the Ottoman Period of Westernization in Religious Architecture: Facade Arrangement of the Balyan Mosques." Journal of Islamic Architecture 7, no. 3 (June 28, 2023): 518–28. http://dx.doi.org/10.18860/jia.v7i3.20630.

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The conceptualization of Western architecture became a prominent force in Ottoman architecture with the advent of the period of westernization that started at the beginning of the eighteenth century during the Tulip Era (1718-1730). The most important cultural dynamic that changed the course of Ottoman architecture was the imported architectural styles that originated in Europe. Welcoming the western influence became a state policy that persevered throughout the nineteenth century. In this century, the western-based architectural perspective of the Armenian-Ottoman Balyan Family came to the forefront. The Balyan Family of architects created an original architectural language by blending the elements of western and traditional architecture, justifiably imprinting their stamp on the Ottoman architecture of the nineteenth century. While predominantly producing civil and official buildings, the Balyan Family's mosques also stood out in this period with their new design features. This article seeks to present and analyze the arrangements and elements of the facades of eight mosques built by the Balyan Family in the 19th century, namely the Büyük Mecidiye Mosque, Küçük Mecidiye Mosque, Dolmabahçe Mosque, Nusretiye Mosque, Yıldız Hamidiye Mosque, Pertevniyal Valide Sultan Mosque, Teşvikiye Mosque, and Sadabad Mosque.
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Üstün, Berna, F. Özge Güven Ulusoy, Gamze Şensoy, and Fatma Kolsal. "A DESIGNER IN THE INTERSECTION OF ISLAMIC-OTTOMAN ARCHITECTURE: THE ARCHITECTURAL CONCEPT OF TURGUT CANSEVER (1920-2009)." Journal of Islamic Architecture 5, no. 4 (December 21, 2019): 229–42. http://dx.doi.org/10.18860/jia.v5i4.5346.

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Architects in the history of architecture try to be understood by their ideas that their designs need to be present on earth. Turgut Cansever (1920-2009) is an important opponent architect who was prized by Aga Khan Awards for architecture three times in his professional life and established his architectural understanding of the architecture of Ottoman and Islamic culture. This study aims to describe the life and work of the architect and his opinion about Islamic-Ottoman Architecture. Setting his architectural conception on a broader belief, Cansever strengthens his apprehension of architecture with his practice and literature studies. This unique approach in his works is shaped by a point of view that criticizes modernity but aims to validate it by reinterpreting in line with Islamic architecture. The references in the background of the structures of Cansever is thought to be too complex to read at a time. The understanding of Cansever's original designer perspective will be possible through the discussion of his synthesis resulted from the thoughts of Islamic architecture, Ottoman Architecture and modern architecture, and their reflections on his structures.
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Erzen-Jale, Nejdet. "Form and meaning in architectural theory." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 75–84. http://dx.doi.org/10.5937/saj1501075e.

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Often architectural theory has been articulated on prescriptive views about what architecture should be, rather than on views formulated from historical experiences and examples of architecture. In this paper I will try to offer readings of architectural form by looking at a historical example from classical Ottoman architecture and at contemporary examples, to show how different architectures treat form. In examples taken from Sinan's architecture, symbols are investigated in relation to movement, to urban settlement, to religion and power. It is hoped that this analysis will offer an understanding of how the significance of architecture in human experience and in the urban context goes beyond structure and function
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Sagdic, Zafer, and Ipek Kosova. "Learning Architectural History by Movie Making: Ottoman Architecture." Procedia - Social and Behavioral Sciences 106 (December 2013): 1753–59. http://dx.doi.org/10.1016/j.sbspro.2013.12.197.

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Zia, Sana, and Safya Noor. "The Evolution of Ottoman Architecture and its Distinct Characteristics." Journal of Islamic Civilization and Culture 3, no. 01 (July 17, 2020): 156–67. http://dx.doi.org/10.46896/jicc.v3i01.89.

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Architecture reflects and pinpoints its nation’s progress and mindset. Ottoman Empire, which ruled over three continents, is known for its unique and magnificent architecture represented by grand mosques, seminaries and imperial palaces .The so called Ottoman Architecture was created with in the domain of the Ottoman Empire and is known for its distinct characteristics. This architecture was initially influenced by Seljuk architecture. All Ottoman Sultans had special taste for architecture .Later on, the center was shifted to the capital of the fallen Byzantine Empire, and thus got inspirations from byzantine art .The most well۔known architect of that era was Sinan who revolutionized the art of architecture. He designed almost three hundred buildings distinguished for spacious courtyards surrounded by vast gardens. In the 18th century, Ottoman Sultanate came into contact with Europe, and therefore Baroque influences came to be seen in their architecture. Hence, internal decorations became prominent in the architecture.
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Ben-Ami, Ido. "Bewildered and Enchanted: Early Modern Imperial Ottoman Mosques and the Sense of Wonder." Journal of the Ottoman and Turkish Studies Association 10, no. 1 (March 2023): 57–78. http://dx.doi.org/10.2979/jottturstuass.10.1.06.

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ABSTRACT: this paper proposes that early modern Ottoman intellectuals familiar with a medieval cosmographic theory of wonder formed a large emotional community whose members valued and practiced this emotion towards imperial Ottoman mosques. To achieve this objective, I draw upon a variety of sources from the early modern period, including chronicles, treatises on architecture, and travelogues, created by individuals who belonged to this emotional community. Sources such as these contain words, symbols, and gestures, that aided the whole group in recognizing this desirable emotion in the context of imperial architecture. Through their writing, these individuals sought to instill cosmographic wonder among their readers, while at the same time conveying the message that imperial mosques represent the creation of God. Such a narrative was employed by the Ottomans as long as cosmographies were in demand. From the beginning of the seventeenth century, when updated studies on geography gradually replaced cosmographies, there were those within this emotional community who underwent an epistemological change. From this point on, wonder at Ottoman architecture was generated by different stimuli which were not necessarily related to the cosmographic theory of wonder.
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Yergün, Uzay, and Banu Çelebioğlu. "Steel Frame Construction Technology in Ottoman Architecture and “Metro Khan”." Advanced Materials Research 133-134 (October 2010): 131–35. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.131.

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From the first quarter of the 18th century, an expansion to European civilization was beginning in Ottoman Empire and with Tanzimat period, this westernization fact had transformed to a fundamental innovation act in the structure of the state and society. European capital image gained by İstanbul created a symbolic view of change. However, a contradiction of traditional urban tissue, consisted by the timber buildings, necessitated a fundamental change in the urban and architectural structure. According to this aim, new building types which were necessary for the Tanzimat reforms (a period of time of political reforms during the Ottoman sultanate of Abdulmecid (r.1839-61) began to be constructed by the European architectural design models, with modern building materials and production technologies. In this context, construction technologies like jack arches, steel framework, fer-concrete and reinforced concrete, which are formed with structural materials like modern brick, iron beam, and concrete, are the factors of formation of the historical development process of the Ottoman architecture after the first years of the 19th century. From the middle of 19th century, use of the “steel beam” was beginning in the building product technology, depending on the evolution of the industrial metal technology in European countries. Technological level of the steel construction after “Jack Arch”, which is formed with the iron beam, has brought new expansions to the building production. As from the first years of the 20th century, buildings constructed by steel construction technology began to take place in Ottoman architecture. In this paper, the place of the steel-framed building technology in Ottoman architecture, especially the steel frame construction in the Tanzimat period buildings and their architectural design criteria will be presented. Besides, the conclusions based on the comparisons of structural and architectural design with the European architecture buildings will be indicated. “Metro Khan”, dated 1914, is the first building that was erected with this construction technology. This building is constructed as an administration and station building of the under ground train, named “Tünel”, which connects Pera and İstanbul Seaport. This paper traces the importance of the building in terms of conservation and cultural values, while benefiting from its characteristic architecture and static projects.
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Zeneli, Fidan. "The Islamic Architectural Monuments in Kosovo During XVI – XVIII Centuries." Journal of Islamic Architecture 7, no. 3 (June 28, 2023): 486–92. http://dx.doi.org/10.18860/jia.v7i3.20784.

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This article aims to shed light on the construction of architectural monuments in Kosovo as early as the XVI-XVIII centuries, especially Islamic architecture. This style of construction, influenced by the eastern part of the continent, had its own construction features, which set it apart from other constructions built before Islam. Those features reached Albanian areas after the Ottoman Empire conquered them. This type of architecture expressed religious aspects in mosques and prayer facilities, but bridges, markets, shrines, and other objects were also constructed. The research results indicated that Ottoman architectural features were influenced by local traditional elements. A specific model was produced and used in all Albanian areas under Ottoman rule. Secondly, over time numerous objects were built following this model. As a result, cities and lives were changed. A comparative research methodology besides analysis and synthesis was followed to elaborate this paper, using relevant literature.
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Akboy-İlk, Serra. "Ali Saim Ülgen: Building a Historiography of Turkish Architecture." Turkish Historical Review 10, no. 1 (June 7, 2019): 71–97. http://dx.doi.org/10.1163/18775462-01001001.

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Ali Saim Ülgen (1913–63), a preservation architect, architectural historian, author, bureaucrat and educator, was a leading figure in the nascent field of heritage conservation during the early decades of the Republic of Turkey. This was a time when the Republican leaders sought to establish the national character of art and architecture by interpreting the “Turkishness” and uniqueness of the Ottoman heritage through the tenets of the Modern Movement. The reconciliation of the modernist rationale with nationalist historiography created contested paradigms in a nation searching for its cultural roots. Ülgen considerably contributed to the nationalist appropriation of the Ottoman heritage, but his taxonomical gaze stands out for its focus on contextual analysis. This essay addresses the dichotomy of documenting the Ottoman architectural patrimony through the lens of modernism, which is visible in Ülgen’s work, a remarkably understudied Republican intellectual.
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Dissertations / Theses on the topic "Ottoman Architecture"

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Sezer, Yavuz. "The architecture of bibliophilia : eighteenth-century Ottoman libraries." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/107311.

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Thesis: Ph. D. in Architecture: History and Theory of Architecture, Massachusetts Institute of Technology, Department of Architecture, September 2016.
Cataloged from PDF version of thesis. "September 2016."
Includes bibliographical references (pages 268-300).
Libraries were a new building type of Ottoman architecture by the beginning of the eighteenth century. However, they quickly gained a considerable place among the endowments of Ottoman elites and remained one of the most carefully approached architectural questions throughout the century. More than twenty purpose-designed libraries were built in Istanbul until the early nineteenth century. This dissertation investigates the social and cultural conditions that paved the way for this library movement, the dynamics that affected the variety of architectural formulas developed for these buildings, and the receptions of the trend in the elite circles. The Ottomans designed some of the libraries with allusions to the image of mosques and to that of the pilgrimage shrine, and thus created symbols of the highly venerable status they gave to the effort of learning, especially to religious studies. In several library buildings, they made identifiable quotations from other monuments. This variety in library architecture is interpreted here as a reflection of the rise of knowledge of architectural past as a subject of gentlemen's curiosity, akin to interests in history, geography and literature. The latter genres had remarkably large places in library collections compared to the public collections of earlier centuries that lacked their own buildings. The broad demand for the accessibility of books in a wide range of fields certainly formed a pillar of the library movement, but the rivalry emerged between the dignitaries to donate rich libraries as urban landmarks demonstrates the power of this investment as a social asset and a political gesture in the eighteenth century. These were predominantly manuscript libraries; manual reproduction of books and accessibility of rare items were quite important in this library regime.
by Yavuz Sezer.
Ph. D. in Architecture: History and Theory of Architecture
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Sumertas, Firuzan Melike. "Female Patronage In Classical Ottoman Architecture: Five Case Studies In Istanbul." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607671/index.pdf.

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The aim of this thesis is to discuss and illustrate the visibility of Ottoman imperial women in relation to their spatial presence and contribution to the architecture and cityscape of sixteenth and seventeenth century istanbul. The central premise of the study is that the Ottoman imperial women assumed and exercised power and influence by various means but became publicly visible and acknowledged more through architectural patronage. The focus is on istanbul and a group of buildings and complexes built under the sponsorship of court women who resided in the Harem section of Topkapi Palace. The case studies built in Istanbul in the sixteenth and seventeenth centuries are examined in terms of their location in the city, the layout of the complexes, the placement and plan of the individual buildings, their orientation, mass characteristics and structural properties. It is discussed whether female patronage had any recognizable consequences on the Ottoman Classical Architecture, and whether female patrons had any impact on the building process, selection of the site and architecture. These complexes, in addition, are discussed as physical manifestation and representation of imperial female power. Accordingly it is argued that, they functioned not only as urban regeneration projects but also as a means to enhance and make imperial female identity visible in a monumental scale to large masses in different parts of the capital.
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Rustem, Unver. "Architecture for a New Age: Imperial Ottoman Mosques in Eighteenth-Century Istanbul." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11074.

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The eighteenth century saw the Ottoman capital Istanbul undergo some of its most significant physical changes. Restored as the seat of government in 1703 after the court had spent fifty years in Edirne, the city became the site of lavish architectural patronage intended to reinscribe the sultans' presence. This campaign culminated in the years 1740-1800 with two distinct but related developments: the revival of the imperial mosque as a building type, and the creation of a new architectural style--the so-called Ottoman Baroque--informed by Western models. Though these shifts have typically been viewed within a well-established decline paradigm branding the material decadent and derivative, this study demonstrates that the eighteenth-century mosques were powerful symbols of sultanic authority designed to reassert and redefine the empire's standing on a changing world stage.
History of Art and Architecture
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Çulcu, Sevinç İpekoğlu Başak. "Evaluation of alterations in ottoman hans in tire for their restitution/." [s.l.]: [s.n.], 2005. http://library.iyte.edu.tr/tezler/master/mimarirestorasyon/T000395.pdf.

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Christensen, Peter Hewitt. "Architecture, Expertise and the German Construction of the Ottoman Railway Network, 1868-1919." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11375.

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The dissertation examines the production of knowledge and architecture through the German-sponsored construction of the Ottoman railway network, comprising four discrete projects: the railways of European Turkey, the Anatolian railways, the Baghdad railway and the Hejaz railway and its Palestinian tributaries. The German construction of the Ottoman railway network is an historic event that proffers the opportunity to critically reconsider the epistemological tenets of expertise in broader political, economic and cultural structures distinct from the normative creative processes that dominate the historiography of empires. The dissertation capitalizes on the ambiguous colonial nature of the German role in the architecture, engineering, and urbanism of the late Ottoman empire and situates it as a variegated and occasionally dialogic model of European cultural expansionism by way of a process identified here as ambiguous transmutation.
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Heng, Teh Joo. "A theory of persistence in city form : Bursa, a case of the Ottoman city in Turkey." Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/74806.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1989.
Includes bibliographical references (leaves 103-104).
The evolution of city form is an issue that has been studied extensively. Typically, however, the focus has been on change rather than persistence. During the process of change, many aspects of the city are left unaltered and remnants of the past survive vividly. Furthermore, the presence of the past constrains the way new intervention is carried out. I propose the hypothesis that a city has an inertia that resists change. This inertia is distributed unevenly among urban artifacts, and a hierarchy of artifacts in terms of their rates of change can be established The latent potential or capacity of urban artifacts permits them to adapt to changes without significant alterations in their physical structure. This capacity of artifacts allows them to support functions different from the ones for which they were conceived. This quasi-autonomous nature of urban artifacts also leads one to distinguish between an internal and external history of physical urban form. The research methodology develops Conzen's "plan units" as a tool to analyze the morphology of plan units and their built forms. Plan units are morphological frames for the built forms within. In the occurrence of critical events however, plan units may be amalgamated, subdivided, or even removed. The thesis also focuses on the genesis, evolution, and site succession of urban artifacts. Bursa, an ancient city in the western part of Anatolia is then adopted as a case study for the theory of persistence in city form. The morphology of a selected research area is studied in the aftermath of three critical events: Ahmet Vefik Pasa's intervention, the 1956 fire, and the beginning of industrialization.
by Teh Joo Heng.
M.S.
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Demirçivi, Mathilde. "Le Grand Bazar d’Istanbul et ses environs : formes, fonctions et transformations des han construits entre le début du XVIIIe s. et le milieu du XIXe s." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040229.

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Le han est un type architectural lié au commerce et au logement qui s’est développé dans l’ensemble du monde islamique. Le han traditionnel présente un plan à cour intérieure bordée d’un portique à l’arrière duquel sont disposées les cellules. A Istanbul, ce type d’édifice s’est surtout développé dans le quartier commerçant principal de la péninsule historique et dans le Grand Bazar. Son évolution a suivi celle de la ville. Cette étude se concentre sur les han construits entre le début du XVIIIe s. et le milieu du XIXe s. Durant cette période, les échanges entre l’Empire ottoman et l’Occident s’intensifient. En architecture, l’influence occidentale se manifeste d’abord dans le décor puis dans la typologie, tendance observée également dans les han. Par ailleurs, d’autres transformations, liées cette fois-ci à l’évolution interne de l’architecture ottomane, y sont perceptibles. Enfin, le modèle architectural du han traditionnel se transforme peu à peu et à partir du milieu du XIXe s. apparaît un type de han proche de modèles occidentaux. Les divers remaniements dans la ville d’Istanbul, notamment ceux qui ont suivi incendies et tremblements de terre, ont eu pour conséquence la disparition de nombreux han ou leur réfection. L’exploitation d’une documentation très variée (sources d’archives ottomanes, documents graphiques anciens, relevés, plans de restitutions, photographies et autres) et le croisement des différentes données permettent de combler certaines lacunes relatives à la commande, à la construction, aux réparations, aux diverses transformations ainsi qu’aux fonctions des han
The han is an architectural structure related to trade and housing which developed throughout the Islamic world. The traditional han consisted of an inner courtyard surrounded by a portico that gave access to rooms. In Istanbul, this kind of buildings is mostly located in the main commercial area of the historical peninsula and in the Grand Bazaar. The evolution of the han is linked to the development of the city. This study focuses on the han built between the early 18th century and the mid 19th century. During this period, there was an increasing exchange between the Ottoman and Western worlds. In the field of architecture, the western influence was at first noticed in the decorative elements and later in the architectural typology, a trend that is also valid for the han. In addition, one can observe further changes linked to the evolution of the ottoman architecture itself. Consequently, the architectural model of the traditional han gradually changed through time and by the middle of the 19th century, a type of han very similar to western buildings could be seen. Various changes in the cityscape of Istanbul, particularly after great fires and earthquakes led to the disappearance or restructuring of many han. This work is based on research of a wide range of documents (Ottoman archival documents, historical graphics, plans, restoration projects, photographs etc.) and the cross examination of these data made it possible to find unedited informations concerning patrons, original constructions, repairs, various transformations as well as the uses of the han
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Saf, Hayriye Oya Ergül Emre. "A typological analysis of parsel-house relationship im Ottoman Western Anatolian cities: The Case of Kula/." [s.l.]: [s.n.], 2004. http://library.iyte.edu.tr/tezler/master/mimarlik/T000447.pdf.

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PENONI, FRANCESCA. "The Armenian Religious Architecture in the Ottoman Empire and Turkey: between Memory and New Tendencies." Doctoral thesis, Politecnico di Torino, 2020. http://hdl.handle.net/11583/2823957.

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Hakky, Rafee. "The Ottoman külltye between the 14th and 17th centuries: its urban setting and spatial composition." Diss., Virginia Tech, 1992. http://hdl.handle.net/10919/39085.

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n order to serve the Muslim community, the Ottomans built nuclei which included educational and social services around the mosque. A nucleus of these was called a "külltye". Facilities in külltyes can be categorized under four main areas: religious, educational, social, and private. This research project attempted to examine the Ottoman külltye from an urban design point of view. It explored the külltye through two main questions: firstly. what was the relationship between the külltye and its surroundings. and secondly. how the kkülltye was designed. In order to answer these two questions, the külltye was studied at five scales: the state, the city, the immediate surroundings, the külltye itself, and flnal1y the individual open spaces in the külltye. This research work is basically a morphological study; however, when possible and appropriate the meaning behind the form is addressed. At the state scale it was found that a good level of sensitivity was utilized when planning for new külltyes. Larger cities had a larger number of külltyes and more complex programs for these külltyes. külltyes in small cities were programmed so as to serve the small community adequately without being oversized. külltyes in cities had more educational facilities while külltyes in the country were more oriented towards serving travelers. Within the city itself. central areas housed larger külltyes; while residential neighborhoods had smaller külltyes since they were intended to serve only that particular neighborhood. The number and kind of facilities were affected by the particular period during which külltyes were built. During the fifteenth and sixteenth centuries külltyes were large and housed a large variety of services. That period was a period of growth and prosperity. Later centuries exhibited a different trend where külltyes became smaller and included simpler programs. Reasons for this new trend could be the existence of enough services and the economic deterioration of the state.
Ph. D.
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Books on the topic "Ottoman Architecture"

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(2008), Frankfurter Buchmesse, ed. Ottoman architecture. Istanbul: Yapı Yayın, 2005.

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Vogt-Göknil, Ulya. Ottoman Turkey. [Köln]: Benedikt Taschen, 1990.

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Fowden, Elizabeth Key. Ottoman architecture in Greece. [Athens, Greece]: Hellenic Ministry of Culture, Directorate of Byzantine and Post-Byzantine Antiquities, 2009.

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John, Freely. A history of Ottoman architecture. Southampton: WIT Press, 2011.

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Aktuğ, İlknur. Batı Anadolu 14. yüzyıl beylikler mimarisinde yapım teknikleri. Ankara: Atatürk Kültür Merkezi Başkanlığı, 1999.

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Erzen, Jale N. Mimar Sinan cami ve külliyeleri: Tasarım süreci üzerine bir inceleme. [Ankara, Turkey]: ODTÜ Mimarlık Fakültesi, 1991.

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Erzen, Jale N. Mimar Sinan: Estetik bir analiz. [Ankara]: Şevki Vanlı Mimarlık Vakfı, 1996.

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Kiel, Machiel. Ottoman architecture in Albania, 1385-1912. Beşiktaş, Istanbul: Research Centre for Islamic History, Art and Culture, 1990.

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Ülgen, Aygün. Klâsik devir minareleri: Osmanlı cami plânında minarenin konumu. Cağaloğlu, İstanbul: Alfa Basım Yayım Dağıtım, 1996.

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Uluslararası Mimar Sinan Sempozyumu (1988 Ankara, Turkey). Uluslararası Mimar Sinan Sempozyumu bildirileri: Ankara, 24-27 Ekim 1988. Ankara: Türk Tarih Kurumu Basımevi, 1996.

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Book chapters on the topic "Ottoman Architecture"

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Kuran, Aptullah. "ARCHITECTURE: THE CLASSICAL OTTOMAN ACHIEVEMENT." In Süleymân the Second and His Time, edited by Halil Inalcik and Cemal Kafadar, 317–32. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463231774-022.

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Wodzicki, Luc. "Spaces of virtue. Transcultural affection and its representation in Ottoman-Venetian relations." In Emotions and Architecture, 25–52. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003358695-2.

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Sağdiç, Zafer. "Ottoman Architecture: Relationships between Architectural Design and Mathematics in Sinan’s Works." In Architecture and Mathematics from Antiquity to the Future, 95–106. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-00143-2_6.

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Batuman, Bülent. "Claiming the Neo-Ottoman Mosque: Islamism, Gender, Architecture." In Modernity, Memory and Identity in South-East Europe, 155–73. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08023-4_6.

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Elsemellawy, Amira Nagy. "European Imprint on the Urban and Architecture of the Ottoman Empire’s Port Cities: The Case of Alexandria." In Cities’ Identity Through Architecture and Arts, 35–55. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-99480-8_4.

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Akpolat, Mustafa Servet. "Adana-Mersin Railway Station Buildings: A Cross-Section of the Nineteenth Century Ottoman Architecture." In The Urban Book Series, 205–19. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93662-8_13.

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Özgüleş, Muzaffer. "Archival Documents as Sources of Historic Structures’ Construction Materials and Technique: Three Case Studies from Ottoman Architecture." In RILEM Bookseries, 1979–87. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-99441-3_212.

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Birel, A., B. Koçak, O. F. Bayrak, E. Durgut, M. Ispir, and A. Ilki. "Planning the Shaking Table Tests of a Historical Brick Minaret Representing Mid-Height Early Ottoman Period Architecture." In Lecture Notes in Civil Engineering, 71–83. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-3362-4_5.

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"Annotated List of Plates." In Ottoman Architecture, 91–102. Gorgias Press, 2023. http://dx.doi.org/10.31826/9781463245030-009.

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"Part Two." In Ottoman Architecture, 25–66. Gorgias Press, 2023. http://dx.doi.org/10.31826/9781463245030-007.

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Conference papers on the topic "Ottoman Architecture"

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Pavić, Josip. "The Ottoman fortress above Skradin in Dalmatia." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11419.

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Skradin is a town on the right bank of the Krka river, about 15 km upstream from Šibenik. Located deep in the hinterland, with good road connections, and a luxury of natural resources nearby, it’s no wonder that urban life flourished here since the Iron Age. But being below surrounding hills, this trading centre could never be successfully defended from a prolonged siege. This is why, throughout medieval times, Skradin was usually regarded as a less important neighbour of flourishing Šibenik. Various Croatian noble families, and occasionally the Venetians, ruled the town in fifteenth century. Conquered by the Ottomans in winter of 1521-22, Skradin soon again became an important trading point, the southernmost town in Krka sancak. It was reclaimed by Venetians temporarily from 1647 to 1670, and permanently from 1683. Today, due to the thorough destruction by the Venetian army, the earliest buildings in Skradin date to eighteenth century. The one exception is Turina, a small late medieval fort above the town. Recently branded as a fortress of Šubić family –the powerful magnates from late thirteenth century–, Turina was long considered to be Skradin’s main defensive point even in the Ottoman era. However, several archival sources suggested the existence of another fort, located on a much more favourable position. This theory was finally confirmed by surveying the nearby Gradina hill in the autumn of 2018.
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Pratiwi, Y. "THE COMBINATION OF OTTOMAN, SELJUK, AND CONTEMPORARY ARCHITECTURAL STYLES IN ÇAMLICA MOSQUE, ISTANBUL AS THE LARGEST MOSQUE IN TURKIYE." In 7th International Conference on Sustainable Built Environment. Universitas Islam Indonesia, 2023. http://dx.doi.org/10.20885/icsbe.vol4.art48.

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The Çamlıca Mosque was built in a combination of Ottoman, Seljuk and modern architectural styles. The purpose of this study is to examine the application of Ottoman, Seljuk, and Modern architectural styles to the Çamlıca Mosque and to examine the character of the components in the Çamlıca Mosque from the aspect of the yard, mihrab, minaret, dome and examines the facade, the structure of the building, and the functions of the mosque. This research is unique because it proves which architectural style stands out the most. The method used in this research is descriptive qualitative exploratory by conducting direct observations to determine the combination of Ottoman architectural style, Seljuk architectural style, and Contemporary architectural style. The results of this study can be explained that the main features of the Çamlıca Mosque still maintain the presence of the yard, mihrab, minaret, dome with other features namely Rewaqs and Iwan. The facade of the Çamlıca Mosque, especially the use of wall materials are concrete, glass, a combination of glass and wood, and contemporary marble, while the shape of the door is a combination of Seljuk, Ottoman, and contemporary architecture with floral motifs, geometry, and calligraphy. The structure of the building, especially the columns, has various shapes, sizes, colors, materials. The functions of the Çamlıca Mosque complex are only a mosque as a place of worship and a library and this is in accordance with the theory of mosque functions in Ottoman Architecture although some functions are absent. Other functions of the Çamlıca Mosque are contemporary functions, namely art galleries, art studios, indoor and outdoor play rooms, gardens, museums, and conference rooms. The conclusion of this study is that the main style that dominates the application of architecture in the Çamlıca Mosque is the contemporary style.
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Atay, Gülnihan, and Zühre Sü Gül. "Clay pots of Ottoman Architecture: Acoustics, structure and ventilation." In 179th Meeting of the Acoustical Society of America. ASA, 2020. http://dx.doi.org/10.1121/2.0001387.

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Ory, Vincent. "“Locking up the Strait in the fifteenth century’s Ottoman Mediterranean”: The Bosporus’ sea forts of Mehmet II (1452)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11333.

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In the fifteenth century, the Mediterranean world was in turmoil. A new sultan, Mehmet II, had just inherited a vast empire stretching over two continents in the centre of which the ruins of the Byzantine Empire survived through the city of Constantinople. In order to seal his accession, he therefore undertook important preparations to conquer the “City guarded by God”. Mehmet then ordered the construction, within 4 months, of an imposing fortress nicknamed Boǧazkesen (the throat cutter). This coup de force is a testimony to the incredible military and economic power of this growing empire that masters a new war technology: artillery. The Ottomans, who were still novices in this field, had therefore had to adapt their fortifications to the use of firearms. Using local and foreign architects and engineers, the Ottoman fortifications built in the fifteenth and sixteenth centuries bear witness to an architectural experimentation that seems to testify, like the work carried out in Rhodes by Pierre d’Aubusson or in Methoni by the Venetians, to a real research in terms of offensive and defensive effectiveness. In this context, the fortifications of Rumeli Hisarı and Anadolu Hisarı, built on either side of the narrowest point of the Bosporus in 1451-1452, are characterized by the presence of large coastal batteries that operate together. They were to block access to Constantinople by the Black Sea, combining sinking and dismasting fire.
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Benselama-Messikh, Safia. "Architecture militaire et typologies défensives d’Alger entre le XVIème et le XIXème siècle." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11467.

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Military architecture and defensive typologies of Algiers between the sixteenth and the nineteenth centuriesIn the Ottoman regency, the fortifications of Algiers evolve according to the politico-economic growth experienced by the city partly thanks to the development of the maritime piracy and the lusts it entails. Its stranglehold on the sea, arouses many projects of punitive expeditions. The construction of fortifications is then the major concern of its new leaders who between the sixteenth and the seventeenth centuries, fortify the city, its bay and the hinterland. These efforts develop over the three centuries of the Ottoman regency, a singular military architecture for the city of Algiers. The sixteenth century sees, a medieval reminiscence with the first fortifications, then, with the presence of Christians, a western influence the seventeenth century and the arrival of the Moriscos, brings a second breath to this defensive typology which is defined as a local style between domestic and military architecture. The question is: why Algiers has developed a particular defensive typology while the modernization of the artillery had led to an internationalization of the defensive system.
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Zengin, Başak. "HISTORICAL OTTOMAN BARRACKS AND AN EXAMPLE OF THEM: DAVUTPASA BARRACK, ISTANBUL, TURKEY." In DARCH 2021- 1st International Conference on Architecture & Design. International Organization Center of Academic Research, 2021. http://dx.doi.org/10.46529/darch.202140.

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Söğüt, Sibel Gürses. "Projects in Sultanahmet Square in the Late Ottoman Period." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/z_iccaua2021tr0031n18.

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In the 19th century, the foci of the spatial change in the capital of the Ottoman Empire were the squares dating back to the previous period. As buildings were endowed by their builders, the Byzantine forums had disappeared during the Ottoman Empire. During this period, the only place known and named as a square was the Hippodrome (Atmeydanı). To the south of Hagia Sophia, a part of the old Augustaion, whose exact boundaries cannot be determined, turned into a neighborhood. After the fire in 1913 which demolished the neighborhood, the area once more transformed into a square (Hagia Sophia Square). Today, this area is called Sultanahmet Square and is home to one of the first modern indicators of the period, the Darülfünun building, inaugurated in 1863 as university but later used as the Ministry of Justice building. In the blocks overlooking the square, a project for the Zaptieh building to replace the old Finance Administration building came to the fore in 1869, and later in 1871, the first model Central Prison was built next to the Ibrahim Pasha Palace. However, it was demolished in 1939 when the Courthouse was being built, and the prisoners were transferred to the Sultanahmet Jail, built in the “New Ottoman” style in 1918 to the east of Darülfünun. Decorated with symbols of power since the Byzantine, this square continued to be the “central square of the Empire” with different manifestations in the 19th century.
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Aydin Oksuz, Aysun. "THE RELATIONSHIP BETWEEN ARCHITECT AND PATRONAGE OF OTTOMAN MOSQUES IN 16TH CENTURY." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s12.009.

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Menouer, Ouassila. "Algiers fortified city vs. Algiers occupied in 1830." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18061.

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From the 16th century and under the Ottoman reign, the city of Algiers was called the protected city or "el Mahroussa", a name that comes to it, from the system of fortifications, which ensured its protection and its defense from the danger that came to it by seeing the sea. Despite its surrounding walls, the forts and the batteries that were attached to them, its fortified port, and the forts detached from its near and distant surroundings, Algiers was taken by French military troops on July 5, 1830. This contribution raises the question of the effectiveness of the modern fortifications erected during the Ottoman reign and their impact on the protection and defense of the city against the European attacks that it had known from the 16th century. It also presents the strategy adopted by the French military engineering for the capture of the city in 1830, a strategy based on the plan of attack drawn up by Captain Vincent-Yves Boutin in 1808, during his secret mission in Algeria. The contribution returns to the importance of the hinterland as a line of protection of territories against attacks by sea. Methodologically, it is essentially based on the exploitation of texts and historical accounts, as well as on archival documents (military reports, etc.), plans, and maps drawn up by French military engineers at the time of the first operations to occupy the city and its territory.
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Nguyen, Quy Thue, and Ramazan Livaoğlu. "Damage detection of Ottoman masonry minarets: A comparison between model-based and non-model-based approaches." In 3rd International Civil Engineering and Architecture Conference. Golden Light Publishing, 2023. http://dx.doi.org/10.31462/icearc.2023.sme284.

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