Academic literature on the topic 'Ottoman Ceremonials'

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Journal articles on the topic "Ottoman Ceremonials"

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Mustafa, Metin. "Iconography of Renaissance Ceremonials in the Early Modern World." Australian Journal of Islamic Studies 3, no. 1 (2018): 1–23. http://dx.doi.org/10.55831/ajis.v3i1.71.

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This article explores the iconography of Renaissance court ceremonials in the 16th century – how the East influenced the West – before the Orientalist trend and its impact on European visual culture during the latter part of the 17th and 18th centuries. From similar practices of using ceremonials and pageantries as representations of power and dynastic propaganda, to forging imperial and dynastic identities through myths, the Ottoman sultans and the dukes and princes of Florence and the Republic of Venice contributed to cross-cultural connections during the Renaissance period. As a result of t
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Angın, Diğdem. "Representation of Power: The Friday Prayer Ceremony in the Reign Of Sultan Abdulhamid II, and Its Urban and Architectural Reflections." Sketch: Journal of City and Regional Planning 06, no. 01 (2024): 44–61. https://doi.org/10.5281/zenodo.13828775.

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Ottoman Ceremonies organized by the palace are efficient instruments for analysing the social and ideological background of the era since they were the agents of the sultan to display his power to his subjects and foreign officials and to communicate with the public. Therefore, questioning the alteration in the ceremonies provides a more comprehensive understanding of the developments in society and the state. In thirty-three years of the oppressive reign of Sultan Abdülhamid II (1876-1909), ceremonials evolved into propaganda instruments, like never seen before in the times of his predec
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Kołodziejczyk, Dariusz. "SEMIOTICS OF BEHAVIOR IN EARLY MODERN DIPLOMACY: POLISH EMBASSIES IN ISTANBUL AND BAHÇESARAY." Journal of Early Modern History 7, no. 3 (2003): 245–56. http://dx.doi.org/10.1163/157006503772486883.

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AbstractCeremonial has always played a great role among European and Middle Eastern societies, reflecting the value systems cherished by their elites. Embassy instructions and envoys' reports provide valuable material concerning codes of behavior in early modern diplomacy. What was considered "proper," and how was an envoy expected to behave in order to stress his sovereign's dignity and power? Oriental courts in Istanbul and Bahçesaray developed elaborate ceremonials for foreign envoys. Forced into a deep prostration before the Muslim ruler, sometimes even threatened with physical violence, P
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Şahin, Kaya. "Staging an Empire: An Ottoman Circumcision Ceremony as Cultural Performance." American Historical Review 123, no. 2 (2018): 463–92. http://dx.doi.org/10.1093/ahr/123.2.463.

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Abstract This article discusses an Ottoman circumcision ceremony for three princes held in the summer of 1530. The event stemmed from a new Ottoman court ceremonial, and its sundry activities, including gift exchanges, mock battles, processions, skills demonstrations, and feasts, were spread over a twenty-day period. These activities enabled individuals and groups within the Ottoman political-military elite, and within the city of Constantinople, to perform their identities and assert their place in the Ottoman social order. The ceremony allows us to discuss the origins and contents of Ottoman
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Sari, Nil, S. N. Cenk Büyükünal, and Bedizel Zülfikar. "Circumcision ceremonies at the Ottoman Palace." Journal of Pediatric Surgery 31, no. 7 (1996): 920–24. http://dx.doi.org/10.1016/s0022-3468(96)90411-x.

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Kozub, Ekaterina. "Diplomatic Ceremonial of the 18th Century in the Ottoman Empire throught the Eyes of Russian Diplomats." ISTORIYA 12, no. 6 (104) (2021): 0. http://dx.doi.org/10.18254/s207987840014838-0.

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The article is devoted to the peculiarities of diplomatic ceremonial in the Ottoman Empire in the 18th century. Special attention is paid to such elements of the protocol as the meeting of foreign representatives, the presentation of gifts, the meal, the location of officials during the reception, and some other features. The authors analyze the notes and reports of Russian diplomats who visited the receptions of the Sultan of the Ottoman Empire and the Grand Vizier. Thanks to these sources, it was possible to learn the details of the ceremony and note the fact that Russian diplomats tried to
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Felek and İşkorkutan. "Introduction: Ceremonies, Festivals, and Rituals in the Ottoman World." Journal of the Ottoman and Turkish Studies Association 6, no. 1 (2019): 9. http://dx.doi.org/10.2979/jottturstuass.6.1.03.

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Hathaway. "The Ottoman Chief Harem Eunuch in Ceremonies and Festivals." Journal of the Ottoman and Turkish Studies Association 6, no. 1 (2019): 21. http://dx.doi.org/10.2979/jottturstuass.6.1.04.

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CAN, Seniha. "AN INVESTIGATION ON NIGHT OF QADIR CEREMONİES ORGANIZED AT THE AYASOFIA MOSQUE IN THE OTTOMAN STATE." IEDSR Association 7, no. 17 (2022): 243–50. http://dx.doi.org/10.46872/pj.473.

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Ceremonies and rituals formed by blending religious-based principles with culture in the social structure were found important in ottoman society. The nights, which are valuable both in the eyes of the administrators and on the basis,of the public have been tried to be evaluated with the enveloping effect of the belief in the creator and the social unity. The historical function of the place has shown itself effectively with the Laylat al-Qadr Night ceremonies held in the Hagia Sophia Mosque. In this study, it was aimed to reach the information about the Night of Qadr ceremonies held in Hagia
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Darling, Linda T. "Kanun and Kanunname in Ottoman Historiography." Journal of the Ottoman and Turkish Studies Association 9, no. 1 (2022): 151–77. http://dx.doi.org/10.2979/tur.2022.a876785.

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ABSTRACT: Ottoman kanun plays an important role in shaping perceptions of the Ottoman state, the sultan's authority, and the empire's unique combination of Islam and secularity. Much ink has been spilled on the subject of kanun, but there is still considerable confusion in the scholarship. This article provides a roadmap through publications on kanun and kanunnames and identifies problems in the literature and turning points in the scholarship. It focuses on the two main types of general kanunnames: ceremonial codes governing the administrative elite, and general taxation codes with sections o
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Books on the topic "Ottoman Ceremonials"

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Necipoğlu, Gülru. Architecture, ceremonial, and power: The Topkapi Palace in the fifteenth and sixteenth centuries. Architectural History Foundation, 1991.

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Nicolas, Vatin, ed. L'épitaphe ottomane musulmane (XVIe-XXe siècles): Contribution à une histoire de la culture ottomane. Peeters, 2007.

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Osmanlı Bankası. Arşiv ve Araştırma Merkezi., ed. Death in Istanbul: Death and its rituals in Ottoman-Islamic culture. Ottoman Bank Archives and Research Centre, 2005.

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Eldem, Edhem. Death in Istanbul: Death and its rituals in Ottoman Islamic culture. Ottoman Bank Archives and Research Centre, 2005.

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Jean-Louis, Bacqué-Grammont, Tibet Aksel, Mimar Sinan Üniversitesi, et al., eds. Cimetières et traditions funéraires dans le monde islamique: Actes du colloque international du Centre national de la recherche scientifique organisé par l'Université Mimar Sinan sous les auspices du Comité international d'études pré-ottomanes et ottomanes, en collaboration avec la Société d'histoire turque, l'Institut de recherche sur l'histoire, la civilisation et l'art islamiques (IRCICA) et l'Institut français d'études anatoliennes, Istanbul, 28-30 septembre 1991. Türk Tarih Kurumu Basımevi, 1996.

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Veistein, Gilles. Les Ottomans Et LA Mort: Permanences Et Mutations (The Ottoman Empire and Its Heritage, Vol 9). Brill Academic Publishers, 1997.

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Stephanov, Darin. Ruler Visibility and Popular Belonging in the Ottoman Empire, 1808-1908. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474441414.001.0001.

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‘What do we really speak of when we speak of the modern ethno-national mindset and where shall we search for its roots?’ This is the central question of a book arguing that the periodic ceremonial intrusion into the everyday lives of people across the Ottoman Empire, which the annual royal birthday and accession-day celebrations constituted, had multiple, far-reaching, and largely unexplored consequences. On the one hand, it brought ordinary subjects into symbolic contact with the monarch and forged lasting vertical ties of loyalty to him, irrespective of language, location, creed or class. On
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An Ottoman protocol register: Containing ceremonies from 1736 to 1808, BEO Sadaret defterleri 350 in the Prime Ministry Ottoman State Archives, Istanbul. The Ottoman Bank Archive and Research Centre, 2007.

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Necipoğlu, Gülru. Architecture, Ceremonial, and Power: The Topkapi Palace in the Fifteenth and Sixteenth Centuries (Architectural History Foundation Book). The MIT Press, 1992.

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Stephanov, Darin. Ruler Visibility and Popular Belonging in the Ottoman Empire, 1808-1908. Edinburgh University Press, 2020.

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Book chapters on the topic "Ottoman Ceremonials"

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Reindl-Kiel, Hedda. "Audiences, banquets, garments and kisses. Encounters with the Ottoman Sultan in the 17th century." In The Ceremonial of Audience. V&R unipress, 2019. http://dx.doi.org/10.14220/9783737008877.169.

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Lo, Betty. "Decorative Techniques in Oriental Swords: Savoir Faire in Craftsmanship and Artistry." In Martial Culture and Historical Martial Arts in Europe and Asia. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-2037-0_8.

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AbstractOne important aspect in the study and appreciation of arms is the techniques and methods for their decoration. The wide range of materials and techniques used in the creation of swords and daggers were intended to add to the aesthetic qualities of functional items, either for everyday or ceremonial use. Throughout the ages, beautiful swords and daggers were worn by the elite and were presented to warriors and courtiers as gifts to symbolize victory, honor, virility, and to reinforce the bond of loyalty. They were also worn by men as jewelry of prestige and status. Techniques used by ar
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Tamari, Salim. "The Sweet Aroma of Holy Sewage." In Great War and the Remaking of Palestine. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520291256.003.0003.

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This chapter analyzes how new urban sensibilities grew out of the secularization of public space. It involved the transformation of ceremonials from traditional religious celebrations to popular carnivalesque avenues for leisure (most notably the Nebi Rubeen and Nebi Musa festivals, known as mawasim), now stripped of their religious motifs. A significant drive boosting these urban developments was the substantial investment in public infrastructure dictated by German–Ottoman war planning. These schemes can be seen also as part of earlier Ottoman policies, beginning with the work of Midhat Pash
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ŞEKER, MEHMET. "ÜÇ MÜELLİFİN XVII. YÜZYILDA OSMANLILAR’DA MEVLİD GELENEĞİNE DAİR İZLENİMLERİ." In VEFATININ 600. YILINDA SÜLEYMAN ÇELEBİ VE MEVLİD GELENEĞİ. Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-50-4.ch10.

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There are several authors who mention mevlid ceremonies in the Ottomans and indite their impressions and observations by following the mevlid processions. We will try to convey the information given by three of these authors who lived and produced works in the 19th century; about the mevlids and mevlid processions with their own narratives to the extent possible. The first of these authors is the French author, Antoine Galland. We will share his observations about the mevlid processions through the eyes of a foreigner. Second of these authors is Hezarfen Hüseyin Efendi, who lived in the same c
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"Sephardi Synagogues in the Ottoman Empire and the Balkans." In Ceremonial Synagogue Textiles. The Littman Library of Jewish Civilization, 2019. http://dx.doi.org/10.2307/j.ctv1198t9h.14.

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Uğurlu, Ayşe Hilâl. "From Ceremony to Spectacle: Changing Perceptions of Hagia Sophia through the Night of Power ( Laylat al-Qadr ) Prayer Ceremonies." In Hagia Sophia in the Long Nineteenth Century. Edinburgh University Press, 2024. http://dx.doi.org/10.3366/edinburgh/9781474461009.003.0009.

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After Hagia Sophia was converted into an imperial mosque by the Ottoman Sultan Mehmed II (r. 1451–81), it became a key venue for imperial religious ceremonies. From the sixteenth century until the 1830s, Ottoman sultans customarily performed prayers for the Night of Decree (Laylat al-Qadr) at Hagia Sophia. Although sultans eventually departed from this tradition and began attending the Night of Decree prayers at other mosques, such as Nusretiye and later the Hamidiye Mosque at Yıldız, Hagia Sophia remained significant to Istanbulites as a setting for this ceremony. From the 1880s, the court al
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Hilsdale, Cecily J. "Imperial Monumentalism, Ceremony, and Forms of Pageantry." In The Oxford World History of Empire. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199772360.003.0007.

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Taking the figure of the obelisk as its organizing principle, this chapter considers the dynamic, performative, and commemorative dimensions of empire. Over time and across cultures, obelisks have come to anchor imperial ceremonial across such broad terrain as ancient Egypt, Augustan Rome, Byzantine Constantinople (New Rome), and Ottoman Kostantiniyye. In surveying these diverse contexts marked by great monoliths, this chapter traces the relationship between imperial ritual as performed in time and over time and the persistent monumental articulations that structured and memorialized those eph
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Azizova, Elnura. "XIV-XV. Yüzyıl Seyyahlarının Gözüyle Anadolu Beyliklerinde Sosyo-Kültürel Hayat: Osmanlı Beyliği Örneğinde." In Beylik’ten Cihan Devleti’ne Osmanlılar. TÜRKİYE BİLİMLER AKADEMİSİ, 2024. http://dx.doi.org/10.53478/tuba.978-625-6110-14-4.ch12.

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Considering the political history-oriented nature of the Middle Ages historiography, itineraries are considered to be among the sources of extraordinary importance in terms of presenting socio-cultural history material. A significant number of European travelers visited Anatolia as a part of the East, as a natural result of the cultural and religious research that followed the need to learn the political, administrative and military structure of the Turks, who had been “other” for Europe for centuries in the West-East antagonism. At the end of these journeys, important data about the political
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ÖCALAN, HASAN BASRI. "VAKIF KÜLTÜRÜ VE MEVLİD." In VEFATININ 600. YILINDA SÜLEYMAN ÇELEBİ VE MEVLİD GELENEĞİ. Türkiye Bilimler Akademisi, 2023. http://dx.doi.org/10.53478/tuba.978-625-8352-50-4.ch04.

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It is known that many services are brought via waqfs in the Islamic civilization. Beside health, public works, and religious services, many needs of society regarding social life were also met by waqfs. In this sense, it is possible to define Islamic civilization as a civilization of waqf. On the other hand, although the Prophet and His birthday is very important for the all Muslim societies, among the Turks a special attention is paid to it. Special ceremonies are performed in the night considered as His birthday which is also called mevlid-i nebî. Just like the present day, in the Ottoman re
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Brookes, Douglas Scott. "The Women in the Garden: The Female World of the Imperial Harem." In Death and Life in the Ottoman Palace. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399510424.003.0006.

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Chapter 5 addresses the women interred in the tomb garden, almost entirely female managers in the Imperial Harem at Topkapı Palace and, later, Dolmabahçe Palace. Their tombstones reveal their ‘job’ at court, including wet-nurse and nanny, but mostly kalfa or hazinedar, both titles of women supervisors in the harem, culminating in the Mistress of Ceremonial or Kâhya Kadın, the most powerful working woman (as opposed to princess) in the Ottoman Empire. The chapter considers the origins of these slave women (mostly ethnic Circassians and Georgians), the course of their lives in palace service, th
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Conference papers on the topic "Ottoman Ceremonials"

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RUSU, Eduard. "Alla Turca, the Origin of the main Percussion Instruments in Symphony Orchestras and the Romanian Principalities." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0003.

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Alla turca, percussion instruments of a symphony orchestra and the Romanian Principalities are, at first glance, a strange and inappropriate combination of words. Yet, if one goes deeper into the subject, one may easily find a silver thread running through them all, which facilitates the understanding of these combinations of words and especially the reason for their combination. In this case, the culture of mobility is extremely visible and interesting. Alla turca was a cultural phenomenon specific to Western Europe since the 17th century, which was due to the interest shown by Europeans in t
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Mischevca, Vlad. "Phanariot diplomacy (1711-1821)." In Latinitate, Romanitate, Românitate. Conferinţa ştiinţifică internaţională, Ediția a 7-a. Moldova State University, 2023. http://dx.doi.org/10.59295/lrr2023.18.

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The Phanariot princes, as in the previous era of autochthonous reigns, had diplomatic agents at the Sublime Porte (Capukehai) and benefited from the same ceremonial forms. Thus, throughout the period of the Phanariot reigns (1711-1821), the Romanian Principalities, through their diplomatic agents from Constantinople, who performed the function of representatives of the voivode with diplomatic envoy status, accredited by the Ottoman authorities (Grand vizier), affirmed their status autonomous within the Ottoman Empire. The increase in the importance of the Capukechais during the Phanariot reign
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