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Dissertations / Theses on the topic 'Ottoman literature'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Consult the top 26 dissertations / theses for your research on the topic 'Ottoman literature.'

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1

Baktir, Hasan. "Representation Of The Ottoman Orient In Eighteenth Century English Literature." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/3/12608967/index.pdf.

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This thesis studies the representation of the Ottoman Orient in Eighteenth Century English Literature. The thesis argues that a comprehensive understanding of the representation of the Ottoman Orient in 18th century English literature requires a new perspective<br>thus investigates different aspects of the interaction between the Ottoman Orient and 18th century Europe. Said&#039<br>s Orientalism discusses how European writers created a separate discourse to represent the Orient. The present thesis does not completely reject Said&#039<br>s arguement<br>rather it argues that there was also a neg

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2

Ingram, Anders. "English literature on the Ottoman Turks in the sixteenth and seventeenth centuries." Thesis, Durham University, 2009. http://etheses.dur.ac.uk/86/.

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In the late sixteenth and early seventeenth century a large and complex English literature on the Ottoman Turks developed, characterised by its diversity in form, content, opinion and context. This was a literature in the sense of a large body of texts sharing a topic, written in a similar time and place and in similar context, but also in the sense of a discourse, sharing literary conventions, citing similar sources, recycling information, accepted ‘facts’, anecdotes and images and drawing upon the same authorities. I examine this literature from its sixteenth-century roots, tracing its growt

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3

Demata, Massimiliano. "Representations of the Ottoman Empire in travel literature, the Edinburgh Review and Byron's early poetry." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310181.

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4

Merle, Alexandra. "Le miroir ottoman une image politique des hommes dans la littérature géographique espagnole et française (XVIe-XVIIe siècles) /." Paris : Presses de l'Université de Paris-Sorbonne, 2003. http://catalog.hathitrust.org/api/volumes/oclc/53878556.html.

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5

McEvoy, Sadia. "The construction of Ottoman Asia and its Muslim peoples in Wellington House's propaganda and associated literature, 1914-1918." Thesis, King's College London (University of London), 2016. http://kclpure.kcl.ac.uk/portal/en/theses/the-construction-of-ottoman-asia-and-its-muslim-peoples-in-wellington-houses-propaganda-and-associated-literature-19141918(3f553c22-255e-4021-87cd-f5cb2f4c3eba).html.

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Whilst the subject of the British propaganda project during World War One has attracted a reasonable amount of attention, this has focused largely on Britain’s war with Germany, on the Home Front or else on efforts to win American support. Beyond the study of events in Armenia, very little consideration has been given to how propagandists and writers responded to her war with Turkey. This thesis uses a range of materials, primarily books, pamphlets and illustrated newspapers produced by Wellington House, or by writers associated with it, to chart the nature and development of Britain’s constru

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6

Cizakca, Defne. "The Encyclopaedia of Istanbul : a novel ; &, Ottoman crossroads : coffeehouses, politics, theatres and storytelling : critical essays." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6713/.

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This Creative Writing PhD consists of a novel, The Encyclopaedia of Istanbul, and accompanying critical essays, Ottoman Crossroads: Coffeehouses, Politics, Theatres and Storytelling. The Encyclopaedia of Istanbul is historical in nature, and magically real in temperament. It is an account of fin de siècle Constantinopolis, and contains forgotten fairy tales, remnants of an ancient manuscript culture, Armenian playwrights, Turkish feminists, Greek fortune-tellers and Sephardim cantors. It tells the tale of six intersecting lives in 1876, a time known as “the year of the three Sultans” in Ottoma

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7

Keskin, Tülay. "Feminist/nationalist discourse in the first year of the Ottoman revolutionary press (1908-1909) : readings from the magazines of Demet, Mehasin and Kadin (Salonica)." Online version, 2003. http://bibpurl.oclc.org/web/24867.

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8

Chataignier, David. "Les Tragédies à sujet turc sur la scène française : 1561-1681." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040005.

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Entre 1561 et 1681 plusieurs tragédies et tragi-comédies françaises empruntent leur sujet à un épisode de l’histoire récente de l’Empire ottoman. Si Solyman ou la mort de Mustapha (1639) de Jean Mairet, Ibrahim ou l’illustre bassa (1641-42) de Georges de Scudéry et Bajazet (1672) de Jean Racine sont probablement les œuvres les plus emblématiques de cette tendance, elles ne sont pas les seules. D’autres auteurs issus de milieux littéraires divers et appartenant à des époques différentes ont également souscrit à cette tradition. L’objet de notre thèse est d’explorer le ou les corpus « orientalis

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9

Salmon, Olivier. "Alep dans la littérature de voyage européenne pendant la période ottomane." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040063.

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Cette thèse établit un corpus de plus de quatre cents voyageurs et auteurs européens, passés ou non par Alep pendant la période ottomane (1516-1918), dont les œuvres évoquant la métropole syrienne relèvent de la littérature de voyage. Centre économique, religieux et culturel, situé à la croisée des routes entre l’Europe, l’Asie et l’Afrique, Alep est un lieu de séjour ou de passage pour de nombreux voyageurs aux motivations diverses. La mise en texte de leur expérience viatique peut prendre des formes variées et subit l’influence des modèles rhétoriques classiques, en particulier celui de l’él

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10

Kurt, Williams Cigdem. "Réécrire Molière en Turquie à l'âge des réformes : seconde moitié du XIXe siècle." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC008.

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Dans la seconde moitié du XIXe siècle, les comédies de Molière devinrent une source féconde pour les Ottomans qui cherchaient à renouveler les arts dramatiques populaires et à créer ainsi un nouveau théâtre national. Ce travail se concentre sur les deux grands vecteurs de la transmission à l’étranger du répertoire français au XIXe siècle (les pièces qui voyagent dans leur langue originale et les traductions et autres adaptations des pièces françaises en vogue) et poursuit le but d’analyser dans sa complexité la transmission du théâtre moliéresque dans l’Empire ottoman à l’Âge des réformes. Ce

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11

Agati, Xavier. "Repentance et résurrection d'un Empire : Césaire Dapontès et son "Livre des Règnes" (1770 - 1774)." Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0030.

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En 1770-1774, Césaire Dapontès conçoit le Livre des Règnes, un exposé des quatre-vingt-treize règnes des Empereurs romano-byzantins du IVe au XVe siècle enrichi de très nombreuses considérations plus indirectes à leur sujet. Cette œuvre constitue le 10ème tome d’une immense œuvre cyclique de dix-huit tomes disposés en résonance littéraire en l’honneur de la Mère de Dieu, dont les autres tomes les plus connus sont le Jardin des Grâces, le Médaillon de Raison, le Miroir des dames et les Fleurs de l’Entendement. Le contexte de la rédaction du Livre des Règnes est le déclenchement, le déroulement

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12

Jouhaud, Etienne. "Ego viator : Ecrire le Levant à la fin de la Renaissance." Thesis, Limoges, 2017. http://www.theses.fr/2017LIMO0078.

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A la fin de la Renaissance l'Empire ottoman est bien connu du public européen. Tout au long du XVIe siècle, récits de voyages, de captifs, ouvrages de mœurs, ouvrages cosmographiques dessinent une certaine image du « Turc » et de la partie du monde sur laquelle il a établi son pouvoir. Objet de fascination et de profonde inquiétude, l'Empire des sultans intéresse l’Europe chrétienne en proie à des guerres intestines. Les voyageurs qui entreprennent le voyage ou qui commencent à rédiger un récit de leur expérience à partir des années 1570 le font donc avec, à l'esprit, le parcours des auteurs q

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13

Chiti, Elena. "Écrire à Alexandrie (1879-1940) : Capital social, appartenances, mémoire." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3098.

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Cette thèse est une étude d’histoire culturelle sur les processus de construction des appartenances. Le cadre spatio-temporel de départ est la ville d’Alexandrie entre la fin du XIXe siècle et le premier tiers du XXe. Son statut compliqué d’interface entre plusieurs horizons politico-culturels (ottoman, arabe, européen) en fait un terrain privilégié pour analyser les notions d’étranger, égyptien, ottoman, local, national, cosmopolite comme catégories mouvantes, façonnées par les acteurs. Dans la volonté de faire de l’imaginaire un objet d’histoire, ces catégories sont appréhendées à travers le

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14

Akisik, Aslihan. "Self and Other in the Renaissance: Laonikos Chalkokondyles and Late Byzantine Intellectuals." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10884.

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The capture of Constantinople by the Ottoman armies of Mehmed II in 1453 was a cataclysmic event that reverberated throughout Renaissance Europe. This event intensified the exodus of Byzantines to Italy and beyond and they brought along with them the heritage of Greek antiquity. Laonikos Chalkokondyles contributed to the Renaissance with his detailed application of Herodotos to the fifteenth century, Apodeixis Historion, and made sense of the rise of the Ottomans with the lens of ancient history. The Apodeixis was printed in Latin, French, and Greek and was widely successful. The historian res

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15

O'Driscoll, Joshua. "Image and Inscription in the Painterly Manuscripts From Ottonian Cologne." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467286.

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Focusing on a small number of richly illuminated manuscripts produced in Cologne around the year 1000—and known to scholars since the early twentieth century as the so-called "painterly" group of manuscripts—this dissertation takes the close study of a well-defined group of objects as the starting point for an examination of issues central to broader histories of medieval art. A diptych-like pairing of miniatures with inscriptions, each of which is given a full page, constitutes a characteristic feature of these manuscripts. Because these inscriptions were written specifically to accompany the

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16

Neudeck, Otto. "Erzählen von Kaiser Otto : zur Fiktionalisierung von Geschichte in mittelhochdeutscher Literatur /." Köln ; Weimar ; Wien : Böhlau, 2003. http://catalogue.bnf.fr/ark:/12148/cb390290246.

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17

Poyraz, Serdar. "Science versus Religion: The Influence of European Materialism on Turkish Thought, 1860-1960." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1290905453.

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18

Yasin, Veli N. "The Rhetoric of Authority in Ottoman-Arab Letters." Thesis, 2015. https://doi.org/10.7916/D8NK3DBC.

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A comparative study of Arabic and Turkish literary modernity, this dissertation investigates the rhetoric of authority in Ottoman-Arab and -Turkish literary, literary-historical, and literary critical discourses in the nineteenth century. Bringing together examples of travelogue, fiction, literary history and criticism, I attend to the divided and divisive figures of the sovereign and the author in order to examine the crises and transformations of political and literary authority in this period. Through an extended conversation with the recent historiography of the late-Ottoman Empire, I illu

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19

Yildiz, Hülya. "Literature as public sphere : gender and sexuality in Ottoman Turkish novels and journals." 2008. http://hdl.handle.net/2152/9775.

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This study examines the mutually constitutive relationship between the print culture of the late nineteenth-century Ottoman Empire and the framework of social, cultural and political transformations in which that culture operated. This study crosses traditional disciplinary lines between literary studies and intellectual history by arguing for the modification of one of the central premises of modernization theory: the existence of an overtly masculine political public sphere standing in contrast to a supposedly nonpolitical feminine domestic and private sphere. By examining newspapers, magazi

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20

Tekin, Kenan. "Reforming Categories of Science and Religion in the Late Ottoman Empire." Thesis, 2016. https://doi.org/10.7916/D8HX1CV4.

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This dissertation shows that ideas of science and religion are not transhistorical by presenting a longue durée study of conceptions of science and religion in the Ottoman Empire. I demonstrate that the idea of science(s) was subject to a tectonic change over the course of a few centuries, namely between the early modern and modern period. Even within a specific epoch, conception of science and religion were in no way monolithic, as evidenced by the diversity of approaches to these categories in the early modern period. To point out continuity and change in the ideas of science and religion, I

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21

Bain, Alexandra. "The late Ottoman En'am-i șerif : sacred text and images in an Islamic prayer book." Thesis, 1999. https://dspace.library.uvic.ca//handle/1828/8702.

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The inclusion of representational imagery in a sacred context is extremely rare in the history of Islamic art. This dissertation examines the evolution of the Ottoman En'am-i Serif, a group of manuscripts dating from the sixteenth to the nineteenth centuries, in which sacred text was illuminated by sacred art. In the early period, the content of these prayer books consisted of entire chapters of the Qur'an and various prayers. In the seventeenth century, calligraphic images known as hilye were added, consisting of textual descriptions of the Prophet Muhammad's physical and moral characteristic

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22

Adak, Hülya. "Intersubjectivity : Halide Edib (1882-1964) or the "Ottoman/Turkish (women)" as the subject of knowledge /." 2001. http://wwwlib.umi.com/dissertations/dlnow/3019885.

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23

Al-Attar, I. "Textual representations of the socio-urban history of Baghdad : critical approaches to the historiography of Baghdad in the 18th and 19th centuries." Thesis, 2014. https://eprints.utas.edu.au/18555/2/Whole-attar-thesis.pdf.

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This thesis focuses on historiography, which is the study of history and methodology of the discipline of history. The problems of historical theory and the role of critical theory in historical understanding are the main objectives of this study. The thesis explores the urban history of Baghdad in the eighteenth and nineteenth centuries, to posit alternative historiographical methods that involve non-conventional textual representations as historical evidence. These textual representations include poetry, travelogues and narratives around non-monumental everyday urban places, all of which are

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24

Arici, Sila. "Aesthetics and politics in eighteenth century english women's travel writings on Ottoman Empire." Master's thesis, 2018. http://hdl.handle.net/10451/38144.

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This thesis studies Aesthetics and Politics in Eighteenth Century Women’s Travel Writings to Ottoman Empire. This thesis argues that a comprehensive understanding of the representation of the Ottoman Empire in eighteenth-century English women’s travel writing requires a new perspective through an analysis of cultural and political changes in the eighteenth century from Enlightenment to Romanticism. Of the only two eighteenth-century authors in the sample (Melman, 1995: 48) Lady Mary Montagu and Elisabeth Craven are two of the earliest English women travellers to Ottoman Empire; they both trave

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25

Blain, Charles-André. "Questions de sources : les janissaires ottomans dans les récits de voyage européens au XVIIIe siècle." Thèse, 2017. http://hdl.handle.net/1866/20681.

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26

Halbert, Harold William. "Hybrid motivations : language acquisition and the construction of identity in the slave texts of Wheatley, Sancho, Equiano, and Cugoano /." Diss., 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3010405.

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