Relevant bibliographies by topics / Ottoman Palaces

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ottoman Palaces'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Ottoman Palaces"

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Benyahia, Lamia, Abida Hamouda, and Narimene Moffok. "Decoding the Spatial Configuration of the Ottoman Palace “Khdewedj El Amia” in Algiers (Algeria) through Space Syntax." Prostor 29, no. 2 (62) (2021): 192–211. http://dx.doi.org/10.31522/p.29.2(62).4.

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Palaces of the Ottoman era, the Golden age of Islamic civilization, bear witness to a prestigious know-how, drawing its rules from a way of life governed by the Islamic Sharia, the socio-cultural context of the Berber-Arab population and the climate-physical environment. The palace of Khdewedj El Amia is one of the majestic palaces located at the Casbah of Algiers and constitutes the subject of this article whose objective is to decode its genome in order to understand the social logic of a space inhabited and designed by a princess who lost her sight. Hence the name El Amia, which means blind
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GEYİK, Nazlı Ece, and Musa BİLİK. "HATİCE SULTAN (NEŞETÂBÂD) SARAYI GRAVÜRÜ ÖRNEKLEMİNDE DEĞİŞEN İSTANBUL KÜLTÜRÜ." IEDSR Association 6, no. 12 (2021): 87–106. http://dx.doi.org/10.46872/pj.267.

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The fact that the Ottoman Empire was an exotic and mysterious Eastern country has been an important issue that has great meaning for Western orientalist engraving artists. The natural landscape, topographic image, mosques, palaces, daily life and the Bosphorus of Istanbul which is the capital of the Empire, were important elements that lived in the engravings of many painters. After going to Europe, many of these painters turned their paintings into an album with the technique of Engraving. These albums have survived to the present day as a historical document introducing the socio-cultural li
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Zia, Sana, and Safya Noor. "The Evolution of Ottoman Architecture and its Distinct Characteristics." Journal of Islamic Civilization and Culture 3, no. 01 (2020): 156–67. http://dx.doi.org/10.46896/jicc.v3i01.89.

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Architecture reflects and pinpoints its nation’s progress and mindset. Ottoman Empire, which ruled over three continents, is known for its unique and magnificent architecture represented by grand mosques, seminaries and imperial palaces .The so called Ottoman Architecture was created with in the domain of the Ottoman Empire and is known for its distinct characteristics. This architecture was initially influenced by Seljuk architecture. All Ottoman Sultans had special taste for architecture .Later on, the center was shifted to the capital of the fallen Byzantine Empire, and thus got inspiration
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Orhan, Ezgi. "REFLECTION OF POLITICAL RESTRUCTURING ON URBAN SYMBOLS: THE CASE OF PRESIDENTIAL PALACE IN ANKARA, TURKEY." Journal of Architecture and Urbanism 40, no. 3 (2016): 206–19. http://dx.doi.org/10.3846/20297955.2016.1210046.

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Ankara, capital of Turkey has been the revolution space of the country after the proclamation of republic in 1923. The city has carried out the urban symbols of the republican ideology and modernity vision created by the nationalist administrators and elites. The newly established state used architecture and urban planning in transmitting the ideals of national unity and sovereignty by breaking off its ties from Ottoman heritage. After the span of eighty years, Turkey has experienced a new political hegemony. Post-2000s’ political approach changed the urban symbols of early Republican period a
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Erarslan, Alev. "A New Element in Interior Decoration in 18th and 19th Century Ottoman Mansions: Istanbul Panoramas of Kalemişi as Wall Paintings." Athens Journal of Architecture 10, no. 2 (2024): 153–74. http://dx.doi.org/10.30958/aja.10-2-2.

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With the start of the Period of Westernization in Ottoman architecture at the beginning of the 18th century, not only palaces and shoreside residences of the sultans, but also kiosks (köşk), mansions (konak), summer pavilions (kasır), and other civil structures such as waterfront residences (yalı) came under the influence of European styles in interior decoration. A significant movement in civil architecture began in this period and it was first the Baroque, Rocaille and Empire styles that made their imprint on Ottoman structures, followed subsequently by other Western trends. A new element th
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Yücel, Naz. "On silences and the Ottoman Archives." Journal of Contemporary Iraq & the Arab World 16, no. 1 (2022): 43–58. http://dx.doi.org/10.1386/jciaw_00071_1.

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This article explores the making of the National Palaces Privy Purse Archive, which later was conjoined with the State Archives of the Presidency of the Republic of Turkey (the Ottoman Archives), and investigates the silences in the Ottoman and Iraqi historiographies that were produced in this process. Building on Michel-Rolph Trouillot’s scholarship, I argue that the moment of fact assembly and the moment of fact retrieval should be highlighted in understanding historiographic shifts as well as their related silences. This article further elaborates on the archival material in the Privy Purse
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Кононенко, Е. И. "The Indiscreet Splendour of the Ottomans, or About Art for Television Series Lovers: Review of: Gimborg, A., Velikolepny vek osmanskogo iskusstva. Dvortsy, mecheti, garemy i nochnoy Bosfor [The Magnificent Age of Ottoman Art. Palaces, Mosques, Harems and the Bosphorus by Night], Moscow: Mann, Ivanov, Ferber Publ., 2023, 224 p., (In Russian)." Terra artis. Art and Design, no. 2 (July 1, 2023): 135–43. http://dx.doi.org/10.53273/27128768_2023_2_135.

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Рецензия на книгу: Гимборг А. Великолепный век османского искусства. Дворцы, мечети, гаре- мы и ночной Босфор. М.: Манн, Иванов, Фербер, 2023. 224 с. Review of: Gimborg, A., Velikolepny vek osmanskogo iskusstva. Dvortsy, mecheti, garemy i nochnoy Bosfor [The Magnificent Age of Ottoman Art. Palaces, Mosques, Harems and the Bosphorus by Night], Moscow: Mann, Ivanov, Ferber Publ., 2023, 224 p., (In Russian).
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Çalışkan, Cemal İrfan. "Reviving Ottoman bird palaces and retro approach with additive manufacting method." Digital Applications in Archaeology and Cultural Heritage 14 (September 2019): e00115. http://dx.doi.org/10.1016/j.daach.2019.e00115.

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Artkan, Merve. "A RESEARCH ON THE USE OF OTTOMAN-ISLAMIC HERITAGE AS A CONSUMPTION OBJECT IN CONTEMPORARY ARCHITECTURAL PRACTICE." Journal of Islamic Architecture 6, no. 4 (2021): 338–48. http://dx.doi.org/10.18860/jia.v6i4.11811.

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The Islamic heritage contains a rich cultural diversity with residential and public buildings such as traditional houses, mosques, palaces, and caravanserais that belong to the Ottoman Empire period. The character of the Islamic tradition is reflected in the environment-form-space organizations and construction techniques of these buildings. But today, the influence of the Islamic heritage has begun to be represented with the dominance of consumption-oriented culture and technology. The references taken from the architecture influenced by Islam are reduced to pure visuality and fashion. Especi
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KAWAMOTO, Satoshi. "OTTOMAN CAPITALS AND PALACES IN ISTANBUL IN THE FIFTEENTH TO SIXTEENTH CENTURY." Journal of Architecture and Planning (Transactions of AIJ) 75, no. 654 (2010): 2055–61. http://dx.doi.org/10.3130/aija.75.2055.

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Dissertations / Theses on the topic "Ottoman Palaces"

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Ben, Mohamed Sadok. "Palais du Bardo à Tunis : une histoire architecturale au temps des réformes." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040067.

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Pour l’étude de l’histoire architecturale du palais beylical du Bardo à Tunis, nous avons jugé utile de répartir notre recherche en trois grandes parties. La première partie, intitulée présentation historique, est réservée à l’étude des sources et des conditions générales de la création architecturale à Tunis pendant l’époque des réformes (1824-1881). La deuxième partie, intitulée palais du Bardo : étude monographique, est consacrée à l’étude architecturale des monuments qui subsistent encore dans le palais du Bardo ainsi qu’à l’étude des chantiers de construction et de restauration qui se son
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Tate, Jennifer Leigh. "The language of the Dolmabahçe Palace : communicating change in the Tanzimat-Era Ottoman Empire." 2013. http://hdl.handle.net/2152/21401.

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The Dolmabahçe Palace in Istanbul, Turkey, stretches along the European side of the Bosphorus shore in monumental glory, opened with great fanfare in 1856. An unapologetically lavish and bold statement from an Empire that would not last another century, the palace sits at a crossroads between Ottoman and Turkish history, representing in one era optimism for the future and in another era the decaying remains of the past. Despite its construction in a time of modernization and liberalization within the Empire, current interpretations of the palace describe it as both a symptom and a cause of thi
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Necipoğlu-Kafadar, Gülru. "The formation of an Ottoman imperial tradition the Topkapı Palace in the fifteenth and sixteenth centuries /." 1986. http://catalog.hathitrust.org/api/volumes/oclc/22326561.html.

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Books on the topic "Ottoman Palaces"

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Ortaylı, İlber. Topkapi palace: Milestones in Ottoman history. Blue Dome Press, 2008.

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Sevgi, Aktaş, and Çakmakçıoğlu Orhan, eds. Ahşap saraylar: Kaybolan kent hayalleri. Yapı Endüstri Merkezi Yayınları, 2001.

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Sözen, Metin. Saray: Devletin evi. Sandoz, 1990.

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author, Uçar Ahmet 1960, ed. Esenler'in tarihi. Esenler Belediyesi, 2013.

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Tuglali, Pars. The Ottoman palace women. Cem Yaymevi, 1985.

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Tuğlacı, Pars. Osmanlı saray kadınları =: The Ottoman palace women. Cem Yayınevi, 1985.

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Göncü, T. Cengiz, and Fahrettin Gün. 19th century harem in the Ottoman palace. Edited by Turkey. Büyük Millet Meclisi. Milli Saraylar Daire Başkanlığı. TBMM Milli Saraylar, 2017.

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Martin, Smith Grace, ed. The food culture of the Ottoman Palace. Society of Friends of Topkapı Palace Museum, 2001.

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Özyetgin, A. Melek. American - Ottoman relations through Yıldız palace photography collection. Yıldız Technical University, 2018.

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Ortaylı, İlber. Private and royal life in the Ottoman palace. Blue Dome Press, 2014.

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Book chapters on the topic "Ottoman Palaces"

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Imber, Colin. "The Palace." In The Ottoman Empire, 1300–1650. Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-137-01406-1_4.

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İpşirli Argıt, Betül. "Manumitted Female Palace Slaves and Their Material World." In Ottoman Studies / Osmanistische Studien. V&R unipress, 2020. http://dx.doi.org/10.14220/9783737010375.189.

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Bakirer, Omür. "27. TRAVELLERS IN THE OTTOMAN EMPIRE AND TOPKAPI PALACE." In Archaeology, Anthropology and Heritage in the Balkans and Anatolia, edited by David Shankland. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463225438-012.

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Rogers, Michael. "The Palace, Poisons and the Public. Some Lists of Drugs in mid- 16th Century Ottoman Turkey." In Studies in Ottoman History, edited by Colin Heywood and Colin Imber. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463231729-021.

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Onur, Petek. "The New Ottoman Henna Nights and Women in the Palace of Nostalgia." In Modernity, Memory and Identity in South-East Europe. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08023-4_8.

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Elam, Nilgün. "Erken Osmanlı Tarihinde ‘Üstü Örtülmüş’ Taht Oyunları." In Beylik’ten Cihan Devleti’ne Osmanlılar. TÜRKİYE BİLİMLER AKADEMİSİ, 2024. http://dx.doi.org/10.53478/tuba.978-625-6110-13-7.ch12.

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Halil Celebi was son of Orhan Gâzi and Theodora Cantacuzena. The Orhan Gâzi’s beloved prince is considered as if he never existed and is not mentioned by Ottoman palace historians. However, in the “Roman History” of Nikephorus Gregoras and the “Historia” of Emperor John VI Kantakuzenos, this prince is narrated to have caused intense diplomacy among the Genoese of Phocaea, the Ottoman and Byzantine palaces. They state that Halil Celebi was kidnapped by Genoese pirates and Orhan Gâzi, who did not have a navy yet, applied to the emperor Ioannes V Palaiologos to liberate the prince from captivity.
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Erdoğan, Nevnihal. "History of Edirne and the City’s Form." In The Architecture Heritage of Edirne. BENTHAM SCIENCE PUBLISHERS, 2024. http://dx.doi.org/10.2174/9789815223040124010002.

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Situated in Thrace (Trakya) on the European side of the Marmara Region of Turkey, the city of Edirne is today important as a border city that ranks as a cultural and university center. Because it served as one of the Ottoman Empire’s three historical capital cities (the others being Bursa and Istanbul), the city is an open-air museum with very important monuments and architectural elements. Among the historical buildings still extant are mosques, charity complexes, bridges, old shop buildings, caravansaries, palaces, historical houses, and their quarters. Developing out of its former role as a
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Peirce, Leslie P. "The Imperial Harem Institution." In The Imperial Harem. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195076738.003.0006.

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Abstract Very little is known about the internal functioning of the harem and of relationships among its residents in the period under study. Ottoman narrative sources are virtually silent with regard to life within the harem. Just as the harem was hidden from a man’s eyes, so was talk of life within it meant to be beyond the reach of his ears. In the absence of indigenous descriptions of the workings of the harem institution, we must turn to accounts written by European observers of the Ottomans, our only contemporary sources. In the sixteenth and particularly the seventeenth centuries, many
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Schiffer, Reinhold. "Ottoman Meals and British Palates." In Oriental Panorama. BRILL, 1999. http://dx.doi.org/10.1163/9789004651173_015.

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MENTİŞ, AYLİN, and AYLİN MENTİŞ. "Mehter ın the Ottoman Palace." In Farklı Yönleriyle Müzik Eğitimi. Bidge Yayınları, 2024. https://doi.org/10.70269/10.70269/2349993424.

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Conference papers on the topic "Ottoman Palaces"

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Söğüt, Sibel Gürses. "Projects in Sultanahmet Square in the Late Ottoman Period." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/z_iccaua2021tr0031n18.

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In the 19th century, the foci of the spatial change in the capital of the Ottoman Empire were the squares dating back to the previous period. As buildings were endowed by their builders, the Byzantine forums had disappeared during the Ottoman Empire. During this period, the only place known and named as a square was the Hippodrome (Atmeydanı). To the south of Hagia Sophia, a part of the old Augustaion, whose exact boundaries cannot be determined, turned into a neighborhood. After the fire in 1913 which demolished the neighborhood, the area once more transformed into a square (Hagia Sophia Squa
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Chergui, Samia, and Dehbia Haddad. "Les abords de la citadelle d’Alger au XIXème siècle." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11370.

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The surroundings of the Algiers’s citadel in the nineteenth centuryThe major works undertaken between 1817 and 1830 transformed the citadel of Algiers into a most important place of sovereignty and power, boasting different administrative, economic and religious centres. However, today, the physiognomy of the surroundings of this palace-fortress is marked by the upheaval of the French colonial period between 1830 and 1870. The creation of the Boulevard de la Victoire and the demolition, for security reasons, of the surrounding buildings, definitively altered the landscape and urban typology of
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