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Journal articles on the topic 'Ottoman Palaces'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Benyahia, Lamia, Abida Hamouda, and Narimene Moffok. "Decoding the Spatial Configuration of the Ottoman Palace “Khdewedj El Amia” in Algiers (Algeria) through Space Syntax." Prostor 29, no. 2 (62) (2021): 192–211. http://dx.doi.org/10.31522/p.29.2(62).4.

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Palaces of the Ottoman era, the Golden age of Islamic civilization, bear witness to a prestigious know-how, drawing its rules from a way of life governed by the Islamic Sharia, the socio-cultural context of the Berber-Arab population and the climate-physical environment. The palace of Khdewedj El Amia is one of the majestic palaces located at the Casbah of Algiers and constitutes the subject of this article whose objective is to decode its genome in order to understand the social logic of a space inhabited and designed by a princess who lost her sight. Hence the name El Amia, which means blind

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2

GEYİK, Nazlı Ece, and Musa BİLİK. "HATİCE SULTAN (NEŞETÂBÂD) SARAYI GRAVÜRÜ ÖRNEKLEMİNDE DEĞİŞEN İSTANBUL KÜLTÜRÜ." IEDSR Association 6, no. 12 (2021): 87–106. http://dx.doi.org/10.46872/pj.267.

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The fact that the Ottoman Empire was an exotic and mysterious Eastern country has been an important issue that has great meaning for Western orientalist engraving artists. The natural landscape, topographic image, mosques, palaces, daily life and the Bosphorus of Istanbul which is the capital of the Empire, were important elements that lived in the engravings of many painters. After going to Europe, many of these painters turned their paintings into an album with the technique of Engraving. These albums have survived to the present day as a historical document introducing the socio-cultural li

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3

Zia, Sana, and Safya Noor. "The Evolution of Ottoman Architecture and its Distinct Characteristics." Journal of Islamic Civilization and Culture 3, no. 01 (2020): 156–67. http://dx.doi.org/10.46896/jicc.v3i01.89.

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Architecture reflects and pinpoints its nation’s progress and mindset. Ottoman Empire, which ruled over three continents, is known for its unique and magnificent architecture represented by grand mosques, seminaries and imperial palaces .The so called Ottoman Architecture was created with in the domain of the Ottoman Empire and is known for its distinct characteristics. This architecture was initially influenced by Seljuk architecture. All Ottoman Sultans had special taste for architecture .Later on, the center was shifted to the capital of the fallen Byzantine Empire, and thus got inspiration

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4

Orhan, Ezgi. "REFLECTION OF POLITICAL RESTRUCTURING ON URBAN SYMBOLS: THE CASE OF PRESIDENTIAL PALACE IN ANKARA, TURKEY." Journal of Architecture and Urbanism 40, no. 3 (2016): 206–19. http://dx.doi.org/10.3846/20297955.2016.1210046.

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Ankara, capital of Turkey has been the revolution space of the country after the proclamation of republic in 1923. The city has carried out the urban symbols of the republican ideology and modernity vision created by the nationalist administrators and elites. The newly established state used architecture and urban planning in transmitting the ideals of national unity and sovereignty by breaking off its ties from Ottoman heritage. After the span of eighty years, Turkey has experienced a new political hegemony. Post-2000s’ political approach changed the urban symbols of early Republican period a

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5

Erarslan, Alev. "A New Element in Interior Decoration in 18th and 19th Century Ottoman Mansions: Istanbul Panoramas of Kalemişi as Wall Paintings." Athens Journal of Architecture 10, no. 2 (2024): 153–74. http://dx.doi.org/10.30958/aja.10-2-2.

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With the start of the Period of Westernization in Ottoman architecture at the beginning of the 18th century, not only palaces and shoreside residences of the sultans, but also kiosks (köşk), mansions (konak), summer pavilions (kasır), and other civil structures such as waterfront residences (yalı) came under the influence of European styles in interior decoration. A significant movement in civil architecture began in this period and it was first the Baroque, Rocaille and Empire styles that made their imprint on Ottoman structures, followed subsequently by other Western trends. A new element th

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6

Yücel, Naz. "On silences and the Ottoman Archives." Journal of Contemporary Iraq & the Arab World 16, no. 1 (2022): 43–58. http://dx.doi.org/10.1386/jciaw_00071_1.

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This article explores the making of the National Palaces Privy Purse Archive, which later was conjoined with the State Archives of the Presidency of the Republic of Turkey (the Ottoman Archives), and investigates the silences in the Ottoman and Iraqi historiographies that were produced in this process. Building on Michel-Rolph Trouillot’s scholarship, I argue that the moment of fact assembly and the moment of fact retrieval should be highlighted in understanding historiographic shifts as well as their related silences. This article further elaborates on the archival material in the Privy Purse

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7

Кононенко, Е. И. "The Indiscreet Splendour of the Ottomans, or About Art for Television Series Lovers: Review of: Gimborg, A., Velikolepny vek osmanskogo iskusstva. Dvortsy, mecheti, garemy i nochnoy Bosfor [The Magnificent Age of Ottoman Art. Palaces, Mosques, Harems and the Bosphorus by Night], Moscow: Mann, Ivanov, Ferber Publ., 2023, 224 p., (In Russian)." Terra artis. Art and Design, no. 2 (July 1, 2023): 135–43. http://dx.doi.org/10.53273/27128768_2023_2_135.

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Рецензия на книгу: Гимборг А. Великолепный век османского искусства. Дворцы, мечети, гаре- мы и ночной Босфор. М.: Манн, Иванов, Фербер, 2023. 224 с. Review of: Gimborg, A., Velikolepny vek osmanskogo iskusstva. Dvortsy, mecheti, garemy i nochnoy Bosfor [The Magnificent Age of Ottoman Art. Palaces, Mosques, Harems and the Bosphorus by Night], Moscow: Mann, Ivanov, Ferber Publ., 2023, 224 p., (In Russian).

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8

Çalışkan, Cemal İrfan. "Reviving Ottoman bird palaces and retro approach with additive manufacting method." Digital Applications in Archaeology and Cultural Heritage 14 (September 2019): e00115. http://dx.doi.org/10.1016/j.daach.2019.e00115.

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9

Artkan, Merve. "A RESEARCH ON THE USE OF OTTOMAN-ISLAMIC HERITAGE AS A CONSUMPTION OBJECT IN CONTEMPORARY ARCHITECTURAL PRACTICE." Journal of Islamic Architecture 6, no. 4 (2021): 338–48. http://dx.doi.org/10.18860/jia.v6i4.11811.

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The Islamic heritage contains a rich cultural diversity with residential and public buildings such as traditional houses, mosques, palaces, and caravanserais that belong to the Ottoman Empire period. The character of the Islamic tradition is reflected in the environment-form-space organizations and construction techniques of these buildings. But today, the influence of the Islamic heritage has begun to be represented with the dominance of consumption-oriented culture and technology. The references taken from the architecture influenced by Islam are reduced to pure visuality and fashion. Especi

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10

KAWAMOTO, Satoshi. "OTTOMAN CAPITALS AND PALACES IN ISTANBUL IN THE FIFTEENTH TO SIXTEENTH CENTURY." Journal of Architecture and Planning (Transactions of AIJ) 75, no. 654 (2010): 2055–61. http://dx.doi.org/10.3130/aija.75.2055.

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11

Al-Harithy, Howayda. "The Ottoman Hammam Al-Ward In Saida, Lebanon." Journal of Islamic Architecture 4, no. 2 (2016): 44. http://dx.doi.org/10.18860/jia.v4i2.3485.

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Hammam Al-Ward is an Ottoman monument in Saida. Siada (or Sidon) is a coastal city in Lebanon and a hidden treasure with numerous Mamluk and Ottoman monuments. These monuments are of various types, from mosques to hammams to palaces and khans. They remain unstudied and at times undocumented. This is an architectural monograph of Hammam Al-Ward placed within the urban history of the city and the social practices of its inhabitants. Through documentation and comparative analysis, the paper argues that the hammam was built during the early eighteenth century but carries within it an old tradition

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Christopoulou, Anastasia, Barbara Gmińska-Nowak, and Tomasz Ważny. "The History of Dowry Chests Captured in Wood: Dendrochronological Research on Chests from the Palace of the Grand Master of the Knights of Rhodes, Greece." Acta Universitatis Nicolai Copernici Zabytkoznawstwo i Konserwatorstwo 52 (January 26, 2022): 305–29. http://dx.doi.org/10.12775/aunc_zik.2021.009.

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Chests represented important piece of the household and sacral furniture until the end of 18th century. They were commonly used as containers, both for everyday needsand also for special occasions such as in the case of marriage/dowry chests. Nowadays chests can be found in museums, monasteries, palaces, historic buildings, but alsoin private collections, with some of them having great aesthetic, ethnographic and historical interest. In the current study we present the results of wood examinationof five chests exhibited in the Palace of the Grand Master of the Knights in Rhodes, Greece. Most o

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13

BEKTAS, YAKUP. "Displaying the American genius: the electromagnetic telegraph in the wider world." British Journal for the History of Science 34, no. 2 (2001): 199–232. http://dx.doi.org/10.1017/s0007087401004320.

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Shortly after he made a working model of his electromagnetic telegraph in 1837, Samuel F. B. Morse and his associates began an intense initiative to publicize and market it to the world. At first, using the social skills he had learned during his years as a portrait painter, Morse strove to gain the support of the upper classes in Europe. He and his agents saw the physical seats of institutions such as palaces and academy lecture halls as the most desirable settings for public demonstrations of the apparatus. To win public support back at home, they made a point of politicizing the invention b

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14

Wharton-Durgaryan, Alyson. "The Unknown Craftsman Made Real: Sopon Bezirdjian, Armenian-ness and Crafting the Late Ottoman Palaces." Études arméniennes contemporaines, no. 6 (December 30, 2015): 71–109. http://dx.doi.org/10.4000/eac.883.

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15

SOMAKÇI, Pınar. "OSMANLI SARAYLARINDA UYGULANAN MÜZİK EĞİTİMİ VE MÜZİK KURUMLARI/Music Education And Music Institutions In Ottoman Palaces." International Journal of Interdisciplinary and Intercultural Art 2, no. 2 (2017): 171–82. http://dx.doi.org/10.29228/ijiia.2.22.

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16

Erarslan, Alev. "Mimar Sinan Era Kulliyes in the Ottoman Urban Landscape." Belleten 84, no. 299 (2020): 75–104. http://dx.doi.org/10.37879/belleten.2020.75.

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The Master Ottoman Architect Sinan, known as Mimar Sinan, produced numerous works of different character, among these, mosques, madrasahs, masjids (prayer rooms), khans (inns), caravanserais, covered bazaars, hammams (bath-houses), darüşşifa (hospitals), imarets (hospices), darülkurra (Koranic schools), sibyan mektebi (primary schools), tekke (lodges), waterways, aqueducts, fountains and palaces. Sinan is an architect that imprinted his mark upon his era by not repeating himself in any of the structures he created. Appointed the head of the Sultan's Society of Architects in 1538, Sinan created

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17

SAHRAOUI, Meriem, Samia CHERGUI, Ali BELMEZITI, and Rachid ZEGAIT. "Ingenious Rainwater Harvesting System within the Algiers Ottoman Residential Buildings (Reconstitution and Performance Assessment)." International Journal of Conservation Science 14, no. 2 (2023): 399–416. http://dx.doi.org/10.36868/ijcs.2023.02.02.

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This article deals more particularly with the architectural reconstitution and the hydraulic checking of the rainwater harvesting system (RWH-system) installation in some residential buildings in Ottoman Algiers (16th to 18th centuries), where this water was intended for various domestic uses. This work was applied to two cases (Khdawedj-El'Amia and HassanPasha palaces). An architectural reconstitution by three-dimensional modeling was made based on investigations and bibliographic research on the system. In contrast, hydraulic verification was made according to the current European sizing sta

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18

CEVIK, GÜLEN. "American Missionaries and the Harem: Cultural Exchanges behind the Scenes." Journal of American Studies 45, no. 3 (2011): 463–81. http://dx.doi.org/10.1017/s0021875811000065.

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This article examines the impact on American furniture and clothing styles by women missionaries traveling to Turkey in the Victorian era. Although there has been much discussion of the impact of Western missionaries on Turkey and other parts of Asia, the reciprocal impact on American culture has not been adequately assessed. Missionary work, which started in the 1820s in a modest manner, turned into a systematic and large-scale activity, reaching its climax during the last quarter of the nineteenth century. Unlike Western diplomats, whose visits took place in the palaces of Istanbul, far from

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19

Baydoun, Ziad, Tenku Putri Norishah Tenku Shariman, and Fauzan Mustaffa. "Verification and Establishment of Techniques of Ajami Artwork." Arts 13, no. 4 (2024): 113. http://dx.doi.org/10.3390/arts13040113.

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Ajami, a technique of painted wood paneling, was popular in the Ottoman Empire from the 17th to the late 18th centuries. Ajami art became prominent in Syria after the decline of tile production, and it rose to a sophisticated level of art in both local and global markets. Today, however, Ajami art has become almost forgotten and unknown by the modern generation, due to being an exclusive art that can be seen only in palaces, museums, and historical houses. This study investigates the traditional method and techniques of making Ajami, with a focus on the work of a renowned Syrian Ajami art mast

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20

Acciai, Serena. "Developing Deroko's theories: Looking for the "incunabula" of Byzantine housing." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 71–96. http://dx.doi.org/10.5937/saj1901071a.

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Looking at the Byzantine palaces that have survived through centuries until today, such as the Palace of the Porphyrogenitus (Palace of Belisarius) in Istanbul, Aleksandar Deroko has underlined the essential distinction between two fundamental genres of Byzantine houses: monumental palaces made of stone and bricks and everyday houses made with a wooden structure. For centuries, the ordinary Byzantine house was considered as a "Turkish type". Deroko maintained that this classification was erroneous, as the Ottomans actually inherited "the Byzantine house" when they conquered the vast territory

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21

Kertész, Róbert, and Balázs Szőke. "Archaeological Research of the Ottoman Palace in Szolnok." Hungarian Archaeology 13, no. 2 (2024): 44–59. https://doi.org/10.36338/ha.2024.2.3.

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The Ottomans occupied Szolnok, a town by the Tisza River in the Great Hungarian Plain, in 1552, little more than a decade after conquering Buda. In the following period, it has become a major sanjak (sancak) seat in the northernmost Buda vilayet of the Ottoman Empire. Its administrative position changed in 1596, following the occupation of Eger, when it became part of the Eger pasalik and remained there until the Hungarian armies recaptured it in 1685. Little is known about the architecture of this period due to the lack of written sources and archaeological research. In his notes on his trip

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22

Karbalayeva, Amana. "Expansion and spread of the Jalalist movement in Azerbaijanat the end of the XVI century." Scientific Bulletin 3 (2021): 34–46. http://dx.doi.org/10.54414/ckml6947.

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At the end of the 16th century the protracted wars of the Ottoman Empire with European states and the Safavids worsened the situation of the people, led to an economic crisis, an increase in market prices, higher taxes, arbitrariness of officials. As most of these events took place in Eastern Anatolia, both sides (the Ottoman court and the Safavid government) intended to use Jalali's help in their struggle. However, the analysis of these events shows that since the historical lands of Eastern Anatolia are Azerbaijani lands, these events provide ample reason to assess Azerbaijan as the main cen

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23

Breitenfeldt, Jörg. "PROFESSIONAL INTERDISCIPLINARY POSITION AND ROLE OF ACADEMIC CONSERVATOR-RESTORERS IN THEORY AND PRACTICE Methodical symbiosis and transdisciplinary cooperation using the example of the rebuilding and conservation of two Ottoman palaces in Istanbul." Protection of Cultural Heritage, no. 8 (December 20, 2019): 37–42. http://dx.doi.org/10.35784/odk.1027.

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Professional ethics and tasks for conservator-restorers, in the preservation of cultural heritage in Europe today: considering the development of scientific conservation-restoration and the improvement of academic education for conservator-restorers in the course of the twentieth century, this paper will analyse the professional position of conservator-restorers and their role in the interdisciplinary cooperation with other professionals dealing with the preservation of cultural heritage. How does cooperation run in the planning stage and in theory and in practice on site? How can we different

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24

Findley, Carter Vaughn. "Economic Bases of Revolution and Repression in the Late Ottoman Empire." Comparative Studies in Society and History 28, no. 1 (1986): 81–106. http://dx.doi.org/10.1017/s0010417500011853.

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Central to late Ottoman history is a series of events that marks a milestone in the emergence of modern forms of political thought and revolutionary action in the Islamic world. The sequence opened with the rise of the Young Ottoman ideologues (1865) and the constitutional movement of the 1870s. It continued with the repression of these forces under Abdülhamid 11 (1876–1909). It culminated with the resurgence of opposition in the Young Turk movement of 1889 and later, and especially with the revolution of 1908. Studied so far mostly in political and intellectual terms, the sequence seems well

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25

Onal, Sevda. "Ottoman palace as a culture academy and poetry councils organized in the palace." International Journal of Academic Research 5, no. 5 (2013): 114–17. http://dx.doi.org/10.7813/2075-4124.2013/5-5/b.17.

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26

Kenan, Pala. "A Conceptual Study of The Role of Ottoman Palace Cuisine on Traditional Amasya Dishes and Gastronomy Culture." Ottoman: Journal of Tourism and Management Research 2021 Vol.6,, No.3 (2021): 949–59. https://doi.org/10.5281/zenodo.6505464.

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<strong>Abstract</strong> At the beginning of the Ottoman palace cuisine, it was different from today's cuisine in terms of content and taste. Parallel to the development process of the Ottoman Empire, diversity and innovations continued in its cuisine without deteriorating the traditional structure. The cuisine of Amasya was also influenced by these cultures. From this point of view, the motivation and aim of this study; written and visual sources of Ottoman and Amasya cuisine are examined in depth and the role of Ottoman Palace Cuisine on the traditional dishes of Amasya province, which

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Baldwin, James E. "Petitioning the Sultan in Ottoman Egypt." Bulletin of the School of Oriental and African Studies 75, no. 3 (2012): 499–524. http://dx.doi.org/10.1017/s0041977x12000535.

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AbstractThis article examines the role of petitions to the Sultan concerning private disputes in the legal system of Ottoman Egypt during the late seventeenth and early eighteenth centuries. Previous studies have seen petitioning as a means for subjects to complain about abuses carried out by Ottoman officials: few scholars have engaged with the many petitions involving private disputes between subjects. Based on both original petitions and Ottoman bureaucratic records, this article consists of two parts and an appendix. Part 1 describes the petitioning process, including the procedure followe

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Sari, Nil, S. N. Cenk Büyükünal, and Bedizel Zülfikar. "Circumcision ceremonies at the Ottoman Palace." Journal of Pediatric Surgery 31, no. 7 (1996): 920–24. http://dx.doi.org/10.1016/s0022-3468(96)90411-x.

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29

Genç, Vural. "An Iranian Shāh-nāma Writer at the Court of Bāyezid II: Malekzāda Āhi." Journal of Persianate Studies 13, no. 2 (2021): 119–45. http://dx.doi.org/10.1163/18747167-bja10009.

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Abstract Malekzāda Āhi was an Iranian-born Shāh-nāma writer (shāh-nāmaji, Ott. şehnameci) who served at the court of the Ottoman sultan Bāyezid II (r. 1481–1512) and composed the first Ottoman dynastic history to bear the title of “Shāh-nāma.” Accompanying the sultan since his years as a prince, Malekzāda wrote his Shāh-nāma after the tradition of Ferdowsi (d. 1019–20) and Nezāmi (d. 1209), in addition to many odes (qasidas) in praise of his patron. Despite his contemporary reputation as the “master of the verse (malek al-kalam)” in the sultan’s palace, a series of unfortunate accidents led to

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Yıkmış, Seydi, Kübra Sağlam, and Adem Yetim. "The examination of spices used in the Ottoman palace cuisine." Journal of Human Sciences 14, no. 1 (2017): 1000. http://dx.doi.org/10.14687/jhs.v14i1.4508.

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The human being has a vital prescription to eat and drink as much as the day-to-day process. This vital point constitutes the foundation stone of gastronomic tourism. In our globalized world, nations that express or offer their own values have become more successful. Therefore, the culture of Turkish food and nutrition refers as the key of national culture. Therefore, it is very important to examine the characteristics of the Ottoman cuisine to introduce food culture. Traditionally Ottoman cuisine, soups, meat dishes, olive oil vegetables, salads and spices used in desserts are important. Nowa

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31

Aknesil, Ayşe Erdem, Neşe Yüğrük Akdağ, and Zerhan Yüksel. "Acoustic Evaluation of a 19thCentury Ottoman Palace Theatre." Architectural Science Review 48, no. 2 (2005): 179–86. http://dx.doi.org/10.3763/asre.2005.4822.

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Döner, Şenay. "Betül İpşirli Argıt, Life after the Harem: Female Palace Slaves, Patronage and the Imperial Ottoman Court,." Osmanlı Araştırmaları 64, no. 64 (2024): 531–37. https://doi.org/10.18589/oa.1597927.

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Bauhn, Per. "Osman Hamdi Bey – an Ottoman Orientalist or a Humanist Ottoman?" ICO Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, no. 3-4 (July 20, 2023): 7–37. https://doi.org/10.69945/ico.vi3-4.25310.

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The paintings of Osman Hamdi Bey (1842–1910) have been described as examples of “Ottoman Orientalism” because of their alleged similarity to paintings made at the same time in Europe depicting scenes from the Middle East, involving opulent palace settings, harem interiors, mosques, bazaars with exotic goods for display, street scenes with people in traditional Oriental garb, and so on. However, as will be argued here, Osman Hamdi is better described as an “Humanist Ottoman”, certainly eager to preserve the memory of a rich Ottoman past, but also keen to celebrate human reason and the human que

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Poulios, Konstantinos. "From the Palace of Ryswick to the Sultan’s Seraglio: The Ottoman Translation and Interpretation of a Christian European Peace Treaty." Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies 6 (June 11, 2023): 99–124. http://dx.doi.org/10.12775/legatio.2022.04.

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The inclusion of peace treaty articles between Christian powers in an Ottoman historical work of the late seventeenth century is unquestionably distinctive. The article presents an Ottoman translation of the Treaty of Ryswick (1697) concluded between the French king and the German emperor. This translation is included by the late seventeenth – early eighteenth-century Ottoman historian and palace official Silāḥdār Fındıklılı Meḥmed Aġa in his historical work called ‘The Book of Victory’ (Nuṣretnāme). With this unique text as its basis, the article will first attempt to place the translation in

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35

AYTAÇ, Ahmet. "SOME DOCUMENTS FOUND İN THE PRESİDENTİAL OTTOMAN ARCHİVES ABOUT İZMİR FABRİC WEAVİNG." Zeitschrift für die Welt der Türken / Journal of World of Turks 14, no. 2 (2022): 229–38. http://dx.doi.org/10.46291/zfwt/140212.

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From Turkistan to Anatolia, weaving came with the Turks. In the Ottoman period, there was an important production in the production of fabrics as well as carpets and rugs.Izmir was one of the cities that had a well-deserved reputation in fabric production during the Ottoman period. It is known that in İzmir, where fabrics are sent to both the domestic market, the palace and the foreign market, it is common in workshop and factory style production, as well as personal production.There are many documents about Izmir fabrics in the Presidency Ottoman Archives. Some of these documents will be exam

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36

Hariton, Ana Maria. "Elemente de datare a hanurilor Patria şi Neculescului." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 1 (2010): 179–88. http://dx.doi.org/10.47950/caieteara.2010.1.13.

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"Paradoxically, when speaking about the urban architecture of Wallachia, we refer to buildings that transpose into the urban space the characteristics of vernacular architecture. However, the modelling infl uences of this type of formal expression are multiple and owe much to the transit of Bulgarian and Macedonian master masons through the Ottoman Empire. Representing the typical built stock of Bucharest up to the fi rst half of the nineteenth century, this architecture is going to be almost totally replaced by neoclassical, neo-Gothic and eclectic buildings. The late recognition of the value

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37

Oualdi, M'hamed. "Women, gender, and the palace households in Ottoman Tunisia." Journal of North African Studies 19, no. 3 (2014): 447–50. http://dx.doi.org/10.1080/13629387.2014.899104.

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Al-Olaqi, F. T. "IBRAHIM PASHA: A CHRISTIAN HERO IN THE OTTOMAN PALACE." Trames. Journal of the Humanities and Social Sciences 26, no. 4 (2022): 427. http://dx.doi.org/10.3176/tr.2022.4.05.

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Ürkündağ, Ayhan, and Alper Başer. "Finding the Guardians of Royal Blood: Observations on the Supply of eunuchs to the Harem in the Ottoman Empire and the Crimean Khanate through case studies and documents." GOLDEN HORDE REVIEW 11, no. 4 (2023): 902–17. http://dx.doi.org/10.22378/2313-6197.2023-11-4.902-917.

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Research objectives: The first aim of this study, which deals with the supply process of the eunuchs, who formed the backbone of the harem organization in the Ottoman Empire and the Crimean Khanate, is to determine how the career of the eunuchs began in the palace of the sultan or the khan. Research materials: The main sources of data for this research are documents held within the Department of Ottoman Archives of the Presidency of the Republic of Turkey Directorate of State. Upon these documents, Ottoman and Crimean chronicles of the period were examined and evaluated. Research and novelty o

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Disli, Gulsen. "An Analysis of Gendering of Space in Historical Hospitals of Anatolia." Kadın/Woman 2000, Journal for Women's Studies 22, no. 1 (2021): 1–24. http://dx.doi.org/10.33831/jws.v22i1.95.

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Medical ethics, clinical practices, as well as privacy considerations affected the gender-space relationship in spaces of healing. Researchers to date have been analysed the historical hospitals of Anatolia in terms of their architecture, planning, art history, history of medicine, and even in terms of their functional systems, but not yet regarding their gendered space segregation. There are also limited studies related to the gender, religion, and secularism in historical hospitals outside of Anatolia. Hence, in this paper, historical hospitals of Anatolia have been chosen as case studies an

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Shefer-Mossensohn, Miri. "The Many Masters of Ottoman Hospitals." Turkish Historical Review 5, no. 1 (2014): 94–114. http://dx.doi.org/10.1163/18775462-00501010.

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This article analyzes the management of imperial Ottoman hospitals in the urban centres during the early modern period. Presumably, as charitable institutions, the Islamic legal system provides a comprehensive system of legal and financial management that covers early modern imperial hospitals. In reality, however, the management of Ottoman hospitals was more complex, involving multiple stakeholders. In addition to the religious administrative functions, numerous state organs took over responsibilities associated with the management of early modern imperial hospitals. Offices and officials wit

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Başer, Alper. "The rebellion of Şahin Giray Sultan (1746–1747)." Golden Horde Review 10, no. 3 (2022): 672–92. http://dx.doi.org/10.22378/2313-6197.2022-10-3.672-692.

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Research objectives: This study aims to analyze the reasons, development, and consequences of Şahin Giray Sultan’s Rebellion in the history of the Crimean Khanate, based on data retrieved from Ottoman archival sources. Research materials: The main sources of data for this research are documents held in the Archive of the Topkapı Palace Museum and the Department of Ottoman Archives of the Presidency of the Republic of Turkey Directorate of State. These documents have been compared with the Ottoman-Tatar chronicles of the period (İzzi Tarihi, Çelebî Akay Tarihi, Tarih-i Said Giray Sultan). Resul

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Tommasino, Pier Mattia. "Travelling East, Writing in Italian." Philological Encounters 2, no. 1-2 (2017): 28–51. http://dx.doi.org/10.1163/24519197-00000022.

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The paper analyses the use of Italian as a literary language in the literature of European travel to the Ottoman Empire during the late Ranaissance. The choice of Italian will be explained as the link between its diffusion in Europe as a language of culture and its practical uses in the Mediterranean as a diplomatic and commercial code or as a tool of religious propaganda. During the late Renaissance, travels to the Ottoman Empire were the continuation of theperegrinatio academicaand theGrand Tourto Italy of high-educated European scholars. In light of this premises, I will present different v

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Мустакимов, Ильяс А., та Канат З. Ускенбай. "Османский документ о деятельности Бурундук-хана в начале XVI века". Qazaq Historical Review 1, № 4 (2023): 536–46. http://dx.doi.org/10.69567/3007-0236.2023.4.536.546.

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The article publishes for the first time a commented translation from the Ottoman into Russian of a unique historical document from the archives of the Topkapi Palace Museum in Istanbul: a short report presented to the court of the Ottoman Sultan in Istanbul no earlier than December 1510. The document was prepared by officials at the court of Sultan Bayezid II (1481–1512) based on reports from travelers who arrived in the Ottoman Empire from Central Asia. The document indicates the early interest of the Ottoman rulers in political events in Central Asia. According to the Ottoman officials, the

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Eraslan, Fatma. "Enderun Mektebinde Yabancılara Türkçe Öğretimine Bakış." Journal of Social Research and Behavioral Sciences 10, no. 22 (2024): 276–84. http://dx.doi.org/10.52096/jsrbs.10.22.17.

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In the Ottoman Empire, which ruled over three continents, the educational approach aimed to raise a society that spoke many languages and cultures and addressed the world, rather than addressing only the local or specific nation. The aim of this study is to investigate how Turkish was taught to foreigners during the Ottoman Empire and to closely examine the Enderun school. Enderun first began operating in the Edirne Palace. Dating back to the reign of Murat II, this school was fully organized during the Fatih period. After the conquest of Istanbul, Enderun continued its education in the Topkap

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İlhan, Mehmet Mehdi. "The Ottoman Archives and Their Importance For Historical Studies: With Special Reference to Arab Provinces." Belleten 55, no. 213 (1991): 415–72. http://dx.doi.org/10.37879/belleten.1991.415.

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Although the term Ottoman Archives should in fact include any archive that once fell within the boundaries of the Ottoman Empire, it only reminds us of the Başbakanlık (Primeministerial) Archives and that of Topkapı Palace in Istanbul. Furthermore the Ottoman archival material whether found in the National Archive of Cairo or in Ragusa Archive of Yoguslavia are of no lesser importance than those found in Başbakanlık Archive although not as abundant. The scholars of the Balkan states such as Albania, Bosnia, Bulgaria and Hungary have not only taken interest in the Ottoman archives in their own

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Özlü, Ni̇lay. "“Barbarous Magnificence in Glass Cases”: The Imperial Treasury and Ottoman Self-Display at the Topkapı Palace." Muqarnas Online 39, no. 1 (2022): 153–92. http://dx.doi.org/10.1163/22118993-00391p08.

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Abstract The Topkapı Palace and its treasures had long been a point of curiosity for Europeans, and when the doors of the Imperial Treasury finally opened for them in the mid-nineteenth century, the visitors—charged with Orientalist preconceptions—oscillate between admiration and disappointment. Capitalizing on the expertise they had gained in representing their artistic and cultural identity in world’s fairs, museums, and exhibitions, the Ottomans developed certain strategies for displaying their imperial heritage in the Topkapı Palace. During the reign of Abdülhamid II (r. 1876–1909), both t

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Flatz, Vera. "The Beginnings of an Empire. The Transformation of the Ottoman State into an Empire, demonstrated at the example of Grand Vizier Mahmud Pasha’s life and accomplishments." historia.scribere, no. 13 (June 22, 2021): 257. http://dx.doi.org/10.15203/historia.scribere.13.623.

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The Beginnings of an Empire. The Transformation of the Ottoman State into an Empire, demonstrated at the example of Grand Vizier Mahmud Pasha’s life and accomplishmentsThe following seminar paper deals with Grand Vizier Mahmud Pasha’s life and the processes that turned an Ottoman principality into the Ottoman Empire. Starting with Sultan Mehmed’s II appointment in 1444, important practices such as the nomination of a grand vizier changed significantly. Moreover, Mehmed II built a new palace which reflected the new imperial self-perception, a new code of law was installed, and the empire was ce

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Özlü, Nilay. "Under the shadow of occupation: cultural, archaeological, and military activities at Topkapı Palace during the armistice period, 1918–1923." New Perspectives on Turkey 71 (November 2024): 83–113. https://doi.org/10.1017/npt.2024.24.

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AbstractThis article looks at Topkapı Palace as a showcase reflecting the changing cultural heritage policies of the Allies, as well as of the İstanbul and Ankara governments, during the occupation of İstanbul from 1918 to 1923. It analyzes the military, archaeological, and cultural facets of the occupation, focusing first on the military takeover of the Topkapı gardens, then on the French archaeological mission at the Seraglio, and finally on conflicts over the possession of the imperial treasures and sacred relics. Drawing on primary sources from Ottoman, Turkish, French, and British archive

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Faroqhi, Suraiya. "Istanbul and Crete in the Mid-1600s: Evliya Çelebi’s Discourse on Orthodox Christians." Medieval History Journal 22, no. 2 (2019): 321–42. http://dx.doi.org/10.1177/0971945819871154.

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The subject of our discussion is the travelogue of Evliya Çelebi, born in 1611 to a goldsmith of the sultans’ palace known as Derviş Mehemmed Zılli and who probably died in Cairo around 1685. It is intriguing for a multitude of reasons, one of them especially relevant for the present purpose: While Evliya’s work covers the entire Ottoman Empire and adjacent territories in ten substantial volumes, we do not know the patrons and/or other addressees that the author may have envisaged. While the author often mentioned two grand viziers and other figures of the highest levels of the Ottoman elite,

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