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1

Barbara, Taylor. Be your own map expert. Sterling Pub. Co., 1994.

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2

Frémont, John Charles. Fremont's greatest western exploration: In Fremont's own words, with modern maps. SET, 1999.

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3

Hedin, Sven Anders. Southern Tibet: Discoveries in former times compared with my own researches in 1906-1908. B.R. Pub. Corp., 1991.

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4

Browne, Donald R. Electronic media and indigenous peoples: A voice of our own? Iowa State University Press, 1996.

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5

Brink, Elisabeth. Save your own. Houghton Mifflin, 2006.

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6

Stapleton, Richard John. Business voyages: Mental maps, scripts, schemata, and tools for discovering and co-constructing your own business worlds. Xlibris, 2008.

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7

Stapleton, Richard John. Business voyages: Mental maps, scripts, schemata, and tools for discovering and co-constructing your own business worlds. Xlibris, 2008.

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8

Knepfer, Gael. Women of power: Playing by their own rules. Hutchinson Australia, 1990.

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9

MacLeod, Charlotte. An owl too many. Mysterious Press, 1991.

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10

Hobbs, Valerie. Maggie and Oliver, or, A bone of one's own. Scholastic, 2011.

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11

Maxwell, Elisabeth. A mind of my own: My life with Robert Maxwell. HarperCollins, 1994.

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12

Wendell, Holmes Oliver. Autocrat of the Breakfast Table: Or Every Man His Own Boswell. Kessinger Publishing, 2003.

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13

Vos, Peter, Michiel Meulen, Henk Weerts, and Bazelmans, eds. Atlas of the Holocene Netherlands. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724432.

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The landscape of the Netherlands has been changing constantly since the end of the last ice age, some 11,700 years ago. Where we walk today was once a polar desert, a river delta or a shallow sea. The end of the last ice age marked the beginning of a new geological period - the Holocene, the relatively warm geological epoch in which we are still living today. The Atlas of the Holocene Netherlands contains special maps, supplemented by archaeological and historical information. These maps show the geographical situation for thirteen different points in time since the last ice age, based on tens
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14

MacLeod, Charlotte. An owl too many: A Professor Shandy novel. Chivers, 1992.

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15

Hobbs, Valerie. Maggie and Oliver, or, A bone of one's own. Henry Holt, 2011.

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16

Stapleton, Erin K. The Intoxication of Destruction in Theory, Culture and Media. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463724531.

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This book examines the desire for, and intoxication with, destruction as it appears in cultural objects and representation, arguing that all cultural and aesthetic value is fundamentally predicated on its own fragility, as well as the living transience of those who make and encounter it. Beginning with a philosophy of expenditure after Georges Bataille, each chapter maps different operations of destruction in media and culture. These operations are expressed and located in representations of human extinction and explosive architecture, in the body and in sexuality, and in media and digital arc
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17

author, Dai Shifu, and Yang Minli author, eds. Zhongguo guo jia xing xiang yu zi zhu pin pai chuan bo: China's national image and its own brands spread. Ren min chu ban she, 2020.

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18

Fielding, Henry. Tom Jones. Edited by John Bender and Simon Stern. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536993.001.0001.

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Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his mon
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19

Hansen, Susan Ahmadi. Making Your Own Maps. Capstone, 2022.

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20

Make Your Own Maps. Sterling, 2008.

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21

Make your own Maps. ILEX, 2008.

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22

Making Your Own Maps. Pebble Books, 2022.

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23

Hansen, Susan Ahmadi. Making Your Own Maps. Capstone, 2022.

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24

Hansen, Susan Ahmadi. Making Your Own Maps. Capstone, 2022.

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25

Hansen, Susan Ahmadi. Making Your Own Maps. Capstone, 2022.

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26

Hansen, Susan Ahmadi. Making Your Own Maps. Raintree Publishers, 2023.

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27

Make Your Own Maps. Sterling, 2008.

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28

Making Your Own Maps. Raintree Publishers, 2024.

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29

British Library. Colour Your Own Historical Maps. Pavilion Books, 2016.

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30

Talbert, Richard. Communicating Through Maps. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195386844.003.0018.

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This chapter considers the conceptual foundations of Roman map-making and worldview, and finds that instead of representing the earth as accurately as was possible at the time, the few surviving maps depict, and glorify, Roman rule of the larger part of the inhabited world. In their own distinctive ways the colossal Marble Plan of the city of Rome and the elongated Peutinger world-map were each costly signals. A sense of Roman worldview can also be recovered from geographical portable sundials.
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31

Thoreau, Henry David. Walden. Edited by Stephen Allen Fender. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538065.001.0001.

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‘The mass of men lead lives of quiet desperation.’ In 1845 Henry David Thoreau left his home town of Concord, Massachusetts to begin a new life alone, in a rough hut he built himself a mile and a half away on the north-west shore of Walden Pond. Walden is Thoreau’s classic autobiographical account of this experiment in solitary living, his refusal to play by the rules of hard work and the accumulation of wealth and above all the freedom it gave him to adapt his living to the natural world around him. This new edition of Walden traces the sources of Thoreau’s reading and thinking and considers
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32

Luckhurst, Roger, ed. Late Victorian Gothic Tales. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199538874.001.0001.

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He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siècle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and
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33

Haggard, H. Rider. King Solomon's Mines. Edited by Roger Luckhurst. Oxford University Press, 2016. http://dx.doi.org/10.1093/owc/9780198722953.001.0001.

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Don’t you see that we are buried alive?’ When Allan Quatermain is approached by Sir Henry Curtis and his friend Captain Good to search for Sir Henry’s missing brother, deep in the African interior, he agrees to lead their expedition. Quatermain has a map to the fabled King Solomon’s Mines, whose treasure the missing man sought to attain. Their journey takes them to Kukuanaland, where they find a warrior tribe in thrall to King Twala. Soon the white men are embroiled in a desperate tribal battle, and Quatermain’s expedition can only reach its goal with the aid of Gagool, the ancient ‘mother’ no
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34

Defoe, Daniel. Roxana. Edited by John Mullan. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536740.001.0001.

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Roxana (1724), Defoe’s last and darkest novel, is the autobiography of a woman who has traded her virtue, at first for survival, and then for fame and fortune. Its narrator tells the story of her own ‘wicked’ life as the mistress of rich and powerful men. A resourceful adventuress, she is also an unforgiving analyst of her own susceptibilities, who tells us of the price she pays for her successes. Endowed with many seductive skills, she is herself seduced: by money, by dreams of rank, and by the illusion that she can escape her own past. Unlike Defoe’s other penitent anti-heroes, however, she
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35

Barbara, Taylor. Be Your Own Map Expert (Information Books - Project Books). Hodder Wayland, 1993.

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36

Stevenson, Robert Louis. Treasure Island. Edited by Peter Hunt. Oxford University Press, 2011. http://dx.doi.org/10.1093/owc/9780199560356.001.0001.

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There were only seven out of the twenty-six on whom we knew we could rely; and out of those seven one was a boy.’ When a mysterious seafarer puts up at the Admiral Benbow, young Jim Hawkins is haunted by his frightening tales; the sailor’s sudden death is the beginning of one of the most exciting adventure stories in literature. The discovery of a treasure map sets Jim and his companions in search of buried gold, and they are soon on board the Hispaniola with a crew of buccaneers recruited by the one-legged sea cook known as Long John Silver. As they near their destination, and the lure of Cap
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37

de Vignemont, Frédérique. The Bodyguard Hypothesis. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.003.0010.

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How are the sense of ownership and the sense of agency related? Does one need to be able to control one’s body to experience it as one’s own? One may suggest that the sense of bodily ownership is grounded in action-orientated representations of the body. However, this agentive hypothesis cannot explain how one can experience as one’s own a rubber hand that is not under control, while not experiencing as one’s own tools that are under control. The chapter then argues that one needs to distinguish between two kinds of hot body maps: the working body map involved in instrumental actions, and the
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38

Suksi, Aara. Scandalous Maps in Aeschylean Tragedy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198744771.003.0012.

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In Homeric epic, describing a map of the world, like epic song itself, is a privilege granted by the divine Muses and figured in Hephaestus’ shield-making. In two examples from Aeschylean tragedy, a defiant hero appropriates the map-making prerogative of the gods established in Homeric epic. In each case, in a bid to restructure the existing order, the hero lays claim to the divine ability to map the space of the world without invoking the Muses. In Prometheus Bound, Prometheus’ gift of a map to mortal Io is not just an altruistic favour. It is also a part of his strategy for controlling and d
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39

Fremont's greatest western exploration.: In Fremont's own words, with modern maps. Set, Inc., 1999.

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40

Create Your Own Pirate Treasure Maps: Pretend Parchment Paper Activity Book. Independently Published, 2021.

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41

Each To Their Own: A Mags Munroe Story. Gold Harp Media Ltd, 2023.

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42

Press, GameMaster. Hexagonal Graph Paper Notebook : RPGs Battle Maps: Create Your Own Hex Map. Independently Published, 2019.

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43

Press, GameMaster. Hexagonal Graph Paper Notebook : RPGs Battle Maps: Create Your Own Hexagon Map. Independently Published, 2019.

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44

Clouse. Puzzle Maps USA Spanish Ed-Old: A Woman of Her Own PB. Henry Holt & Company, 1997.

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45

Press, GameMaster. Hexagonal Graph Paper Notebook : RPGs Battle Maps: Create Your Own Hex Map. Independently Published, 2019.

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46

Coloring, Pink Crayon. Create Your Own Maps : DIY Book of Roads: A Design Your Own Town Creative Adventure for Kids. Independently Published, 2019.

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47

Coloring, Pink Crayon. Create Your Own Maps : DIY Book of Roads: A Design Your Own Town Creative Adventure for Kids. Independently Published, 2019.

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48

Barrett, Chris. Early Modern English Literature and the Poetics of Cartographic Anxiety. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816874.001.0001.

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Though the Renaissance map—made newly accurate and newly ubiquitous by the Cartographic Revolution—delighted, inspired, and fascinated, it also unsettled, upset, and disturbed sixteenth- and seventeenth-century readers. Early Modern English Literature and the Poetics of Cartographic Anxiety is the first monograph to demonstrate how early modern anxieties about maps and map logics accompanied an early modern poetics of representational crisis. The book first considers the manifold ways that the cartographic provoked suspicion, unease, and even hostility in early modern Britain, and it highlight
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49

The Mass media in OIC countries. The Centre, 1990.

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50

Behrooz, Anahit. Mapping Middle-earth. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350290792.

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In this cutting-edge study of Tolkien’s most critically neglected maps, Anahit Behrooz examines how cartography has traditionally been bound up in facilitating power. Far more than just illustrations to aid understanding of the story, Tolkien’s corpus of maps are crucial to understanding the broader narratives between humans and their political and environmental landscapes within his legendarium. Undertaking a diegetic literary analysis of the maps as examples of Middle-earth’s own cultural output, Behrooz reveals a sub-created tradition of cartography that articulates specific power dynamics
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