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Books on the topic 'Own Media'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Browne, Donald R. Electronic media and indigenous peoples: A voice of our own? Iowa State University Press, 1996.

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2

Knepfer, Gael. Women of power: Playing by their own rules. Hutchinson Australia, 1990.

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3

Beahm, George W. The boy billionaire: Mark Zuckerberg in his own words. B2 Books, 2012.

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4

Jimenez-David, Rina. Towards our own image: An alternative Philippine report on women and media. Aklat Pilipino, 1985.

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5

Orozco, Wilhelmina S. Towards our own image: An alternative Philippine report on women and media. Philippine Women's Research Collective, 1985.

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6

Beahm, George W. The sun king: Rupert Murdoch in his own words. Hardie Grant, 2012.

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7

Our own worst enemy as protector of ourselves: Stereotypes, schemas, and typifications as integral elements in the persuasive process. University Press of America, 2010.

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8

Chappell, Jon. Build your own PC recording studio. McGraw-Hill/Osborne, 2003.

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9

Maxwell, Elisabeth. A mind of my own: My life with Robert Maxwell. HarperCollins, 1994.

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10

How to make your sales explode with television advertising: The small business television advertising manual : an A to Z guide to planning, producing, and placing your own television spots. D.B. Carson & Co., 1990.

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11

LaBadie, Horace W. Build your own PostScript printer and save a bundle. 2nd ed. Windcrest/McGraw-Hill, 1993.

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12

Caribbean Institute of Media and Communication and United Nations Environment Programme, eds. How to make our own news: A primer for journalists and environmentalists. Canoe Press, University of the West Indies, 2000.

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13

The control freaks: How new Labour gets its own way. Politico's, 2001.

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14

Build your own website the right way using HTML & CSS. 3rd ed. SitePoint, 2011.

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15

Inc, ebrary, ed. Joomla! 1.5 template design: Create your own professional-quality templates with this fast, friendly guide. Packt, 2009.

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16

McGourty, Kelly. The Spotted owl in the media. Huxley College of Environmental Studies, Western Washington University, 1991.

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17

Douglas, Gomery, ed. Who owns the media?: Competition and concentration in the mass media industry. 3rd ed. L. Erlbaum Associates, 2000.

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18

Beckelman, Laurie. Media violence. Crestwood House, 1999.

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19

McIntyre, Anne. The medicinal garden: How to grow and use your own medicinal herbs. Henry Holt and Company, 1997.

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20

1947-, Van Leeuwen Theo, ed. The media interview: Confession, contest, conversation. University of New South Wales Press, 1994.

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21

Devore, Cynthia DiLaura. Kids & media influence. Abdo & Daughters, 1994.

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22

International Conference on New Media and Children (2006 Tiruchchirāppalli, India). Children and new media. Authorspress, 2009.

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23

J, Josephine, ed. Children and new media. Authorspress, 2009.

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24

International Conference on New Media and Children (2006 Tiruchchirāppalli, India). Children and new media. Authorspress, 2009.

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25

Ilʹinskiĭ, I͡U A. Electromagnetic response of material media. Plenum Press, 1994.

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26

Il'inskiĭ, Yu A. Electromagnetic response of material media. Plenum Press, 1994.

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27

Canada. External Affairs and International Trade Canada. Uruguay Round Agreements: media highlights. External Affairs and International Trade Canada, 1993.

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28

Deuze, Mark, and Mirjam Prenger, eds. Making Media. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462988118.

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Making Media uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music. This carefully edited volume features 35 authoritative essays by 53 researchers from 14 countries across 6 continents, all of whom are at the cutting edge of media production studies. The book is particularly designed for use in coursework on media production, med

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29

Wong, James. Grow your own drugs: Easy recipes for natural remedies and beauty fixes. Reader's Digest Association, 2009.

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30

Wong, James. Grow your own drugs: Easy recipes for natural remedies and beauty fixes. Reader's Digest Assoc., 2009.

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31

Penfold, R. A. Build Your Own Media PC. Bernard Babani Publishing, 2004.

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32

Do Your Own PR. Pocket Essentials, 2003.

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33

Maxwell, Elisabeth. A Mind of My Own. Pan Books, 1996.

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34

Maxwell, Elisabeth. A Mind of My Own. Pan Books, 1995.

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35

A Mind of my Own. Sidgwick&Jackson, 1994.

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36

Left to Their Own Devices: How Digital Natives Are Reshaping the American Dream. IPrometheus, 2019.

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37

Tait, Alice, and Guy Meiss. Ethnic Media in America: Building A System of Their Own: Book 1. Kendall/Hunt Publishing Company, 2006.

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38

Media Whore: A Shockingly Simple Guide to Becoming Your Own Kickass Publicist. Self-Counsel Press, 2017.

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39

Dan Poynter’s Self-Publishing Manual: How to Write, Print and Sell Your Own Book. Electronic & Database Publishing, Inc., 2008.

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40

The New Media Epidemic: The Undermining of Society, Family, and Our Own Soul. The Printshop of St Job of Pochaev, 2019.

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41

Redmond, Wen. Wen Redmond's digital fiber art: Combine photos & fabric : create your own mixed-media masterpiece. 2016.

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42

Jackson, Robert. Migrant Media. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190660178.003.0003.

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Chapter 2 provides a history of southern migration and its impact on American culture at large. Most pointedly, black and white southern migrants to Los Angeles contributed in fundamental ways to the development of the Hollywood studio system, and the “southernization” of many of its institutions. Southern filmmakers included D. W. Griffith and many of his acolytes and younger peers. Other southerners occupied positions throughout the industry, and the enormous output of films registered southern history and culture in many ways: in the appearances of southern actors, in the presence of jazz,

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43

Kochak, Birtan. Social Network Activity and Coloring Book: Creat Your Own Social Media, for Kids and Adults. Independently Published, 2020.

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44

Belle, Magnolia. Teen Titans Go!: Read at Your Own Risk. Little, Brown Books for Young Readers, 2015.

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45

Stumpp, Stefan, Daniel Michelis, and Thomas Schildhauer, eds. Social Media Handbuch. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748907466.

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The Social Media Handbook provides guidance on long-term developments in the ever-changing social media sector and explains fundamental interrelationships in this field. It describes a strategy model for the development of one’s own solutions, summarises the theories, methods and models of leading authors and shows their practical application, while also highlighting current developments and dealing with the topic of data processing in social media. An examination of the platform economy with its economic functions facilitates the classification of business models in social media. The book als

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46

Mei-hui, Yang Mayfair, ed. Spaces of their own: Women's public sphere in transnational China. University of Minnesota Press, 1999.

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47

Anderson, C. W., Leonard Downie, and Michael Schudson. The News Media. Oxford University Press, 2017. http://dx.doi.org/10.1093/wentk/9780190206192.001.0001.

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The business of journalism has an extensive, storied, and often romanticized history. Newspaper reporting has long shaped the way that we see the world, played key roles in exposing scandals, and has even been alleged to influence international policy. The past several years have seen the newspaper industry in a state of crisis, with Twitter and Facebook ushering in the rise of citizen journalism and a deprofessionalization of the industry, plummeting readership and revenue, and municipal and regional papers shuttering or being absorbed into corporate behemoths. Now billionaires, most with no

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48

Buckby, Jack. Monster of Their Own Making: How the Far Left, the Media, and Politicians are Creating Far-Right Extremists. Bombardier Books, 2020.

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49

Huschka, Sabine. Dance in Search of Its Own History. Edited by Mark Franko. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199314201.013.46.

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This chapter explores the methods of appropriating and reactivating past knowledge of European dance practices, focusing on contemporary choreographic approaches funded by the German national program Tanzfonds Erbe (Kulturstiftung des Bundes). Eyeing three distinct productions—Jochen Roller’s The Source Code (2012), Christina Ciupke and Anna Till’s undo, redo and repeat (2013), and Henrietta Horn’s rendition of Mary Wigman’s Le Sacre du Printemps (2013)—the inquiry focuses on the reflective possibilities disclosed by reenactment. To seek the remains of dance historicity across bodies, “witness

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50

Feldman, Lauren. The Hostile Media Effect. Edited by Kate Kenski and Kathleen Hall Jamieson. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199793471.013.011.

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The “hostile media effect” occurs when opposing partisans perceive identical news coverage of a controversial issue as biased against their own side. This is a robust phenomenon, which has been empirically demonstrated in numerous experimental and observational studies across a variety of issue contexts and has been shown to have important consequences for democratic society. This chapter reviews the literature on the hostile media effect with an eye toward the theoretical explanations for it, its relationship to other psychological processes, and its broader implications for perceived public

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