Relevant bibliographies by topics / Oxford University Press. Music Dept

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Academic literature on the topic 'Oxford University Press. Music Dept'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Oxford University Press. Music Dept"

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Buttrey, John. "Henry Purcell, Dido and Aeneas: An Opera, edited by Curtis Price. Norton Critical Scores. New York, London, Norton & Co., 1986. x + 277 pp. ISBN 0 393 02407 5; 0 393 95528 1. - Ellen T. Harris, Henry Purcell's Dido and Aeneas. Oxford, Clarendon Press, 1987. ix + 184 pp. ISBN 0 19 315253 3. - Henry Purcell, Dido and Aeneas. Full score edited by Ellen T. Harris. Oxford, New York, Oxford University Press, 1987. xiii + 96 pp. Vocal score edited by Edward J. Dent, revised edition by Ellen T. Harris. Oxford, New York, Oxford University Press, 1987. xi + 87 pp." Journal of the Royal Musical Association 114, no. 2 (1989): 245–47. http://dx.doi.org/10.1093/jrma/114.2.245.

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Hambleton, Elizabeth. "Unlimited Replays. By William Gibbons. Oxford: Oxford University Press, 2018." Journal of the Society for American Music 14, no. 3 (August 2020): 366–69. http://dx.doi.org/10.1017/s1752196320000243.

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Carey, Christian. "Carter, David Schiff. Oxford University Press. $22.99." Tempo 73, no. 288 (March 18, 2019): 105–6. http://dx.doi.org/10.1017/s0040298218001067.

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Alexander, Phil. "Klezmer: Music, History, and Memory. By Walter Zev Feldman. Oxford: Oxford University Press, 2016." Journal of the Society for American Music 13, no. 2 (May 2019): 243–47. http://dx.doi.org/10.1017/s1752196319000130.

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Guberman, Daniel. "Carter. By David Schiff. New York: Oxford University Press, 2018." Journal of the Society for American Music 15, no. 2 (May 2021): 246–48. http://dx.doi.org/10.1017/s1752196321000055.

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Adashi, Judah E. "Stephen McClatchie, ed., The Mahler Family Letters (Oxford: Oxford University Press, 2006). 440 pp. $65." Nineteenth-Century Music Review 4, no. 2 (November 2007): 154–57. http://dx.doi.org/10.1017/s147940980000094x.

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Sherwood, R. "Gareth Morris, Flute Technique, Oxford University Press, Oxford, 1991, ISBN 0-19- 318432-X." International Journal of Music Education 20, no. 1 (November 1, 1992): 87–88. http://dx.doi.org/10.1177/025576149202000126.

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Butt, John. "Donald Burrows, Handel and the English Chapel Royal. Oxford: Oxford University Press, 2005. xxiv + 651 pp." Early Music History 25 (August 17, 2006): 323–30. http://dx.doi.org/10.1017/s0261127906220205.

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Temperley, Nicholas. "John Daverio, Crossing Paths: Schubert, Schumann, and Brahms (Oxford: Oxford University Press, 2002). xii + 310pp. £32." Nineteenth-Century Music Review 1, no. 1 (June 2004): 162–65. http://dx.doi.org/10.1017/s1479409800001944.

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Platt, Heather. "Barbara Owen, The Organ Music of Johannes Brahms (Oxford: Oxford University Press, 2007). xii + 184pp. £21.99." Nineteenth-Century Music Review 6, no. 1 (June 2009): 94–97. http://dx.doi.org/10.1017/s1479409800002925.

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Books on the topic "Oxford University Press. Music Dept"

1

Hinnells, Duncan. An extraordinary performance: Hubert Foss and the early years of music publishing at the Oxford University Press. Oxford: Oxford University Press, 1998.

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Hinnells, Duncan. An extraordinary performance: Illustrated with documents ; Duncan Hinnells. Oxford: Oxford University Press, 1998.

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3

Charles, Williams. The masques of Amen House: Together with, Amen House poems and with selections from the music for the masques by Hubert J. Foss. Altadena, Calif: Mythopoeic Press, 2000.

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4

Robbins, Keith, ed. History of Oxford University Press: Volume IV. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199574797.001.0001.

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Volume Abstract: In 2004 as in 1970 the Oxford University Press occupied a leading position among national and international publishers. Despite this seeming constancy the Press underwent significant changes, prompted by technological, economic, educational, and political developments in Britain and elsewhere. Part I considers the Press as a whole, beginning by examining the response to the 1970 Waldock Report, the business history of the Press—its structure, leadership, and finances, and its relationship with the University of Oxford. Case studies explore in detail the removal of the London Business to Oxford, the relocation of distribution facilities to Corby, and the closure of the Printing House. Subsequent chapters trace broader developments including OUP’s approach to sales and marketing, changes in book design, the impact of technological change, and the Press’s relationship with its staff and with the built environment in Oxford and around the world. Part II looks at the Press through its publications. These seven chapters each consider a part of the OUP list: academic titles, textbooks, and monographs; trade titles, including children’s books; schoolbooks; dictionaries and reference titles; journals; music, hymnals, and bibles; and poetry. Part III assesses the global outreach of the Press, examining OUP’s English-language teaching division and detail the operations and publications of its international branches. The volume describes the evolution of OUP—sometimes gradual, sometimes controversial—into a more streamlined and financially minded organization that nevertheless remained dedicated to its scholarly mission to provide excellent academic and educational resources for readers of all ages, nationalities, and interests.
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Book chapters on the topic "Oxford University Press. Music Dept"

1

Wright, Simon. "Music Publishing." In The History of Oxford University Press: Volume III, 506–31. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199568406.003.0017.

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Kilburn, Matthew. "The Learned Press: History, Languages, Literature, and Music." In The History of Oxford University Press: Volume I, 418–59. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199557318.003.0015.

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Höyng, Peter. "Lorna Fitzsimmons and Charles McKnight, eds. The Oxford Handbook of Faust in Music. Oxford: Oxford University Press, 2019. xxxi + 581 pp." In Goethe Yearbook 28, 383–85. 3rd Party US, 2021. http://dx.doi.org/10.2307/j.ctv1q16rmk.38.

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4

COLE, SUZANNE. "‘A Great National Heritage’: The Early Twentieth-Century Tudor Church Music Revival." In Tudorism. British Academy, 2011. http://dx.doi.org/10.5871/bacad/9780197264942.003.0005.

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This chapter examines the revival of interest in early English choral music that took place in the first quarter of the twentieth century. It pays particular attention to the religious agendas driving this revival, and to the role of the Tudor Church Music edition, published in the 1920s by Oxford University Press, in promoting this music as a ‘national heritage’ of which all Englishmen could be proud.
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Baecker, Ronald M. "Afterword: Developments in autumn 2018." In Computers and Society. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198827085.003.0021.

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I sent this manuscript to Oxford University Press on 29 August 2018. The book emerged in April 2019. Much happened in the interim. I submitted this update on 4 January 2019, summarizing matters of consequence in autumn 2018, as well as important things I learned in that period. A recent Microsoft blog suggests that I was too positive in my portrayal of a shrinking digital divide. In the USA, 35 per cent of the population report they do not use broadband communications at home. Wikipedia continued to grow, fuelled in part by its foundation’s effort to engage underrepresented ‘emerging communities’. Battles in the USA over net neutrality intensified after the federal decision to abandon the policy. The state of California passed a tough net neutrality; the New York state attorney initiated an enquiry asking whether the federal decision had been swayed by millions of fraudulent comments. There were more innovations in sensory substitution to enable digital inclusion. At Caltech, researchers developed a system that allows blind people to receive an audio description of what is in their gaze: the objects appear to describe themselves in words. Women continued their struggle for equality and against gender discrimination in high-tech firms. Despite the importance of digital technologies for seniors to help combat loneliness, and to access banking and other online services, many are still digitally disengaged. Research shows that seniors perceive risk in being online, are reluctant to invest the time needed to gain and maintain digital proficiency, and are sometimes concerned that internet use would be inconsistent with their values, for example, the desire to support local stores. I was also too positive in my analysis of the impacts of sharing and stealing digital media and the power of digital media firms such as Google, Netflix, Facebook, and Amazon (see also the discussions of corporate concentration in Sections 12.9 and 14.12). Professor Jonathan Taplin has summarized how devastating these impacts have been, not just to digital media companies such as music and newspaper publishers, but to media creators such as composers and reporters. Consumer spending on recorded music dropped from almost US$20 billion in 1999 to US$7.5 billion in 2014.
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