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1

Buttrey, John. "Henry Purcell, Dido and Aeneas: An Opera, edited by Curtis Price. Norton Critical Scores. New York, London, Norton & Co., 1986. x + 277 pp. ISBN 0 393 02407 5; 0 393 95528 1. - Ellen T. Harris, Henry Purcell's Dido and Aeneas. Oxford, Clarendon Press, 1987. ix + 184 pp. ISBN 0 19 315253 3. - Henry Purcell, Dido and Aeneas. Full score edited by Ellen T. Harris. Oxford, New York, Oxford University Press, 1987. xiii + 96 pp. Vocal score edited by Edward J. Dent, revised edition by Ellen T. Harris. Oxford, New York, Oxford University Press, 1987. xi + 87 pp." Journal of the Royal Musical Association 114, no. 2 (1989): 245–47. http://dx.doi.org/10.1093/jrma/114.2.245.

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Hambleton, Elizabeth. "Unlimited Replays. By William Gibbons. Oxford: Oxford University Press, 2018." Journal of the Society for American Music 14, no. 3 (August 2020): 366–69. http://dx.doi.org/10.1017/s1752196320000243.

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Carey, Christian. "Carter, David Schiff. Oxford University Press. $22.99." Tempo 73, no. 288 (March 18, 2019): 105–6. http://dx.doi.org/10.1017/s0040298218001067.

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Alexander, Phil. "Klezmer: Music, History, and Memory. By Walter Zev Feldman. Oxford: Oxford University Press, 2016." Journal of the Society for American Music 13, no. 2 (May 2019): 243–47. http://dx.doi.org/10.1017/s1752196319000130.

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Guberman, Daniel. "Carter. By David Schiff. New York: Oxford University Press, 2018." Journal of the Society for American Music 15, no. 2 (May 2021): 246–48. http://dx.doi.org/10.1017/s1752196321000055.

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6

Adashi, Judah E. "Stephen McClatchie, ed., The Mahler Family Letters (Oxford: Oxford University Press, 2006). 440 pp. $65." Nineteenth-Century Music Review 4, no. 2 (November 2007): 154–57. http://dx.doi.org/10.1017/s147940980000094x.

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7

Sherwood, R. "Gareth Morris, Flute Technique, Oxford University Press, Oxford, 1991, ISBN 0-19- 318432-X." International Journal of Music Education 20, no. 1 (November 1, 1992): 87–88. http://dx.doi.org/10.1177/025576149202000126.

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8

Butt, John. "Donald Burrows, Handel and the English Chapel Royal. Oxford: Oxford University Press, 2005. xxiv + 651 pp." Early Music History 25 (August 17, 2006): 323–30. http://dx.doi.org/10.1017/s0261127906220205.

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9

Temperley, Nicholas. "John Daverio, Crossing Paths: Schubert, Schumann, and Brahms (Oxford: Oxford University Press, 2002). xii + 310pp. £32." Nineteenth-Century Music Review 1, no. 1 (June 2004): 162–65. http://dx.doi.org/10.1017/s1479409800001944.

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Platt, Heather. "Barbara Owen, The Organ Music of Johannes Brahms (Oxford: Oxford University Press, 2007). xii + 184pp. £21.99." Nineteenth-Century Music Review 6, no. 1 (June 2009): 94–97. http://dx.doi.org/10.1017/s1479409800002925.

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Olin, Elinor. "Helen Abbott, Baudelaire in Song: 1880–1930 (Oxford: Oxford University Press, 2017). vii + 224 pp. £55.00." Nineteenth-Century Music Review 17, no. 1 (November 4, 2019): 131–33. http://dx.doi.org/10.1017/s1479409819000405.

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Whalley, Ian. "Roger Dean (ed.), The Oxford Handbook of Computer Music. Oxford: Oxford University Press, 2009 ISBN13: 9780195331615." Organised Sound 19, no. 2 (June 30, 2014): 203–7. http://dx.doi.org/10.1017/s1355771814000144.

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13

Harper, John. "Frits Noske, Sweelinck. Oxford Studies of Composers, 22. Oxford, Oxford University Press, 1988. 141 pp. ISBN 0 19 315259 2." Journal of the Royal Musical Association 114, no. 2 (1989): 238–40. http://dx.doi.org/10.1093/jrma/114.2.238.

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14

BAKER, DAVID. "Instrumental Teaching by Janet Mills. Oxford: Oxford University Press, 2007. 224 pp., paperback. ISBN: 9780193359086." British Journal of Music Education 26, no. 1 (March 2009): 99–100. http://dx.doi.org/10.1017/s0265051708008139.

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15

Roust, Colin. "The Oxford Handbook of Film Music Studies. Edited by David Neumeyer. New York: Oxford University Press, 2014." Journal of the Society for American Music 10, no. 1 (February 2016): 82–85. http://dx.doi.org/10.1017/s1752196315000553.

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16

Bhogal, Gurminder. "Elizabeth McCombie, Mallarmé and Debussy: Unheard Music, Unseen Text (Oxford and New York: Oxford University Press, 2003)." Nineteenth-Century Music Review 3, no. 1 (June 2006): 130–34. http://dx.doi.org/10.1017/s1479409800000410.

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17

Rowden, Clair. "Julian Rushton, The Music of Berlioz (Oxford: Oxford University Press, 2001). xv + 363pp. £50 (hb) £21.99 (pb)." Nineteenth-Century Music Review 1, no. 2 (November 2004): 112–15. http://dx.doi.org/10.1017/s1479409800001415.

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18

Greenwald, Helen M. "Alison Latham and Roger Parker, eds, Verdi in Performance (Oxford: Oxford University Press, 2001). xii + 196pp. £35." Nineteenth-Century Music Review 1, no. 1 (June 2004): 169–73. http://dx.doi.org/10.1017/s1479409800001968.

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19

Rushton, J. "Sadie on Mozart: Stanley Sadie, Mozart: The early years, 1756-1781 (Oxford: Oxford University Press, 2006), 25." Early Music 34, no. 3 (August 1, 2006): 492–94. http://dx.doi.org/10.1093/em/cal059.

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20

Peggie, Andrew. "The Oxford Companion to Popular Music by Peter Gammond. Oxford: University Press, 1991. £25, 739 pp." British Journal of Music Education 8, no. 3 (November 1991): 322. http://dx.doi.org/10.1017/s0265051700008603.

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21

Casasanto, Daniel. "Review of Aniruddh D. Patel. Music, language, and the brain. Oxford: Oxford University Press, 2008." Language and Cognition 1, no. 1 (March 2009): 143–46. http://dx.doi.org/10.1017/s1866980800000399.

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22

Milewski, Barbara. "Halina Goldberg, Music in Chopin's Warsaw (Oxford: Oxford University Press, 2008). viii+330 pp. £30.00." Nineteenth-Century Music Review 8, no. 02 (November 24, 2011): 297–300. http://dx.doi.org/10.1017/s1479409811000334.

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23

MATHEW, NICHOLAS. "DANIEL CHUA BEETHOVEN AND FREEDOM Oxford: Oxford University Press, 2017 pp. xi + 273, isbn978 0 199 76932 2." Eighteenth Century Music 15, no. 2 (September 2018): 231–35. http://dx.doi.org/10.1017/s1478570618000064.

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24

Anger, Violaine. "Katherine Bergeron, Voice Lessons: French Mélodie in the Belle Époque (Oxford: Oxford University Press, 2010). xiv+400pp. $29.95." Nineteenth-Century Music Review 8, no. 1 (June 27, 2011): 127–33. http://dx.doi.org/10.1017/s1479409811000097.

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25

Grant, Aaron. "Lorraine Byrne Bodley and Julian Horton, eds, Rethinking Schubert (Oxford: Oxford University Press, 2016). xxi + 528 pp. £62.00." Nineteenth-Century Music Review 16, no. 3 (February 15, 2019): 461–67. http://dx.doi.org/10.1017/s1479409818000526.

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26

Plummeridge, Charles. "The Oxford Companion to Music, edited by Alison Latham. Oxford: Oxford University Press, 2002. 1,434 pp, £35 hardback." British Journal of Music Education 19, no. 3 (October 28, 2002): 305–22. http://dx.doi.org/10.1017/s0265051702230387.

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27

McCullough, Lis. "Sound Inventions by Richard McNicol. Oxford: University Press, 1992. £12.50, 130 pp." British Journal of Music Education 10, no. 1 (March 1993): 65–66. http://dx.doi.org/10.1017/s0265051700001455.

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28

Neuwirth, Markus. "Robert O. Gjerdingen, Music in the Galant Style, Oxford University Press 2007." Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 5, no. 2–3 (2008): 401–9. http://dx.doi.org/10.31751/293.

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29

Wintle, Christopher. "Oxford Dictionary of Musical Terms, Ed. by Alison Latham. pp. 214. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-860698-2.) Oxford Dictionary of Musical Works. Ed. by Alison Latham. pp. 218. (Oxford University Press, Oxford and New York, 2004, £7.99. ISBN 0-19-861020-3.)." Music and Letters 87, no. 2 (May 1, 2006): 298–300. http://dx.doi.org/10.1093/ml/gci189.

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30

Sharp, Charles. "Claiming Diaspora: Music, Transnationalism, and Cultural Politics in Asian/Chinese America. By Su Zheng. Oxford: Oxford University Press, 2010." Journal of the Society for American Music 5, no. 1 (January 21, 2011): 117–20. http://dx.doi.org/10.1017/s1752196310000544.

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31

Wells, Elizabeth A. "Bernstein Meets Broadway: Collaborative Art in a Time of War. By Carol J. Oja . Oxford: Oxford University Press, 2014." Journal of the Society for American Music 11, no. 2 (May 2017): 238–40. http://dx.doi.org/10.1017/s1752196317000128.

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32

Trippett, David. "Kenneth Hamilton, After the Golden Age: Romantic Pianism and Modern Performance (Oxford: Oxford University Press, 2008). xv + 304pp. £16.99." Nineteenth-Century Music Review 7, no. 1 (June 2010): 138–42. http://dx.doi.org/10.1017/s147940980000121x.

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33

Lowerre, Kathryn. "Michael Ainger, Gilbert and Sullivan: A Dual Biography (Oxford and New York: Oxford University Press, 2002). xv + 504pp. £28.99." Nineteenth-Century Music Review 1, no. 1 (June 2004): 154–56. http://dx.doi.org/10.1017/s1479409800001919.

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34

Hennemann, Monika. "R. Larry Todd, Mendelssohn: A Life in Music (Oxford: Oxford University Press, 2003). 683 pp. $45 (hb), $24.95 (pb)." Nineteenth-Century Music Review 2, no. 2 (November 2005): 190–93. http://dx.doi.org/10.1017/s1479409800002329.

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35

Downs, Benjamin M. "Sound Unseen: Acousmatic Sound in Theory and Practice. By Brian Kane. Oxford: Oxford University Press, 2014, xii + 318 pages." Music Theory Spectrum 38, no. 1 (February 21, 2016): 118–21. http://dx.doi.org/10.1093/mts/mtw003.

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36

Holden, Daniel. "Seth Monahan, Mahler's Symphonic Sonatas (Oxford and New York: Oxford University Press, 2015). xiv + 278pp. £30.49 (hb.). ISBN 9780199303465." Music Analysis 35, no. 1 (February 1, 2016): 127–33. http://dx.doi.org/10.1111/musa.12066.

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Burnham, Scott. "Daniel K. L. Chua, Beethoven & Freedom (Oxford: Oxford University Press, 2017). xi + 273 pp. £32.99 (hb). ISBN 9780199769322." Music Analysis 39, no. 1 (March 2020): 128–34. http://dx.doi.org/10.1111/musa.12150.

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38

Scheideler, Ullrich. "Daniel Harrison, Pieces of Tradition. An Analysis of Contemporary Tonal Music, Oxford: Oxford University Press 2016." Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 15, no. 2 (2018): 243–51. http://dx.doi.org/10.31751/995.

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39

Ostertag, Gary. "Critical Study Julian Dodd. Works of Music: An Essay in Ontology. (Oxford: Oxford University Press, 2007)." Noûs 46, no. 2 (May 17, 2012): 355–74. http://dx.doi.org/10.1111/j.1468-0068.2012.00860.x.

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40

FLOYD, MALCOLM. "World Music: A Very Short Introduction, by Philip Bohlman. Oxford: Oxford University Press, 2002. 186 pp, £6.99 paperback." British Journal of Music Education 20, no. 2 (July 2003): 219–22. http://dx.doi.org/10.1017/s0265051703235397.

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41

MARSHALL, NIGEL. "Music in the School, by Janet Mills. Oxford: Oxford University Press, 2005. 244 pp., £14.95, paperback. ISBN 0193223031." British Journal of Music Education 23, no. 1 (March 2006): 126–28. http://dx.doi.org/10.1017/s0265051706256869.

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42

Silverman, Julian. "Selling Britten: Music and the Market Place by Paul Kildea. Oxford University Press, £50.00." Tempo 58, no. 230 (October 2004): 69–73. http://dx.doi.org/10.1017/s0040298204210324.

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43

Whitmer, Mariana. "Making Music in Selznick's Hollywood. By Nathan Platte. New York: Oxford University Press, 2017." Journal of the Society for American Music 13, no. 03 (August 2019): 381–84. http://dx.doi.org/10.1017/s1752196319000257.

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44

Tunbridge, Laura. "Muxfeldt Kristina, Vanishing Sensibilities: Schubert, Beethoven, Schumann (New York: Oxford University Press, 2012). $39.95." Nineteenth-Century Music Review 10, no. 1 (June 2013): 178–82. http://dx.doi.org/10.1017/s1479409813000104.

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Benn, Sophie. "Balanchine and Kirstein's American Enterprise By James Steichen. New York: Oxford University Press, 2019." Journal of the Society for American Music 15, no. 3 (August 2021): 354–56. http://dx.doi.org/10.1017/s1752196321000249.

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46

Eliot Woodruff, Ghofur. "Book review: ANIRUDDH PATEL, Music, Language, and the Brain. Oxford: Oxford University Press, 2008. 513pp. ISBN 9780195123753." Psychology of Music 37, no. 3 (July 2009): 381–86. http://dx.doi.org/10.1177/0305735609339474.

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47

McDaniel, Cadra Peterson. "The Sound of a Superpower: Musical Americanism and the Cold War. By Emily Abrams Ansari. Oxford: Oxford University Press, 2018." Journal of the Society for American Music 14, no. 4 (November 2020): 512–15. http://dx.doi.org/10.1017/s175219632000036x.

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48

Samarotto, F. "Allen Cadwallader and David Gagne. Analysis of Tonal Music: A Schenkerian Approach. New York and Oxford: Oxford University Press, 1998." Music Theory Spectrum 23, no. 2 (September 1, 2001): 264–77. http://dx.doi.org/10.1093/mts/23.2.264.

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49

Palacios Nieto, María. "Eva Moreda Rodríguez: Music Criticism and Music Critics in Early Francoist Spain, Oxford University Press, 2017." Cuadernos de Música Iberoamericana 33 (September 24, 2020): 353–56. http://dx.doi.org/10.5209/cmib.71705.

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50

Pratt, George. "Education and Music by Peter Fletcher. Oxford: University Press, 1987. £20, 208 pp." British Journal of Music Education 4, no. 3 (November 1987): 303–5. http://dx.doi.org/10.1017/s0265051700006185.

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