Relevant bibliographies by topics / Oz Rock

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Oz Rock'

Author: Grafiati
Published: 11 December 2022
Last updated: 25 January 2023

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Journal articles on the topic "Oz Rock"

1

Breen, Marcus. "Oz rock." Popular Music 7, no. 1 (January 1988): 98–100. http://dx.doi.org/10.1017/s0261143000002567.

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2

Homan, Shane. "An ‘Orwellian vision’: Oz Rock scenes and regulation." Continuum 22, no. 5 (October 2008): 601–11. http://dx.doi.org/10.1080/10304310802311600.

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Homan, Shane. "Losing the local: Sydney and the Oz Rock tradition." Popular Music 19, no. 1 (January 2000): 31–49. http://dx.doi.org/10.1017/s0261143000000040.

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In a tiny inner city pubThe amps were getting stackedLeads were getting wound upIt was full of pissed Anzacs‘Got no more gigs for Tuesday nights’ said the barman to the star,‘We're putting pokies in the lounge and strippers in the bar’The star, he raised his fingers and said ‘fuck this fucking hole’But to his roadie said ‘it's the death of rock and roll’‘There ain't no single place left to play amplified guitarEvery place is servin' long blacks if they're not already tapas bars(TISM (This Is Serious Mum), ‘The Last Australian Guitar Hero’, 1998)Introduction: local music-makingA number of recent studies have focused upon the places and spaces of popular music performance. In particular, analyses of British live music contexts have examined the role of urban landscapes in facilitating production/consumption environments. Building upon Simon Frith's (1983) initial exploration of the synthesis of leisure/work ideologies and popular music, Ruth Finnegan's detailed examination of amateur music practices in Milton Keynes (1989) and Sara Cohen's account of the Liverpool scene (1991) reveal the benefits of engaging in detailed micro-studies of the local. Paul Chevigny's history of the governance of New York City jazz venues (1991) similarly provides a rich insight into performance contexts and the importance of hitherto unnoticed city ordinances in influencing the production of live music.
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Yeager, Thomas H., and Charles R. Johnson. "Response of Podocarpus macrophyllus to Rock Phosphate and Mycorrhizae." Journal of Environmental Horticulture 3, no. 4 (December 1, 1985): 168–71. http://dx.doi.org/10.24266/0738-2898-3.4.168.

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Shoot and root dry weights of greenhouse-grown mycorrhizal and nonmycorrhizal Podocarpus macrophyllus were not different after 8 months. Shoot dry weights were not different for plants grown in the 2 pine bark: 1 moss peat: 1 sand (v/v/v) medium amended with Florida rock phosphate (14% P) at either 0.54, 1.08, 2.16, 4.32, or 8.64 mg P/cm3 (14.5, 29, 58, 116, or 232 oz P/yd3, respectively) of medium (2300 cm3/container) or 0.27 mg P/cm3 (7.25 oz P/yd3) from superphosphate (9% P). Root dry weights for plants grown without a P amendment were greater than for plants grown with rock phosphate amendments of 0.54 and 1.08 mg P/cm3. Growing medium extract P levels 51 days after potting and thereafter were 2 ppm or less for the rock phosphate treatments, while P levels for the superphosphate-amended mediunl decreased from 169 ppm on day 51 to 9 ppm on day 236. Phosphorus accumulated by shoot and root tissues exhibited a similar relationship to shoot and root dry weights.
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Dyadkov, Petr G., Dayana Yu Saylymby, Nikolay E. Mikhaltsov, and Alexandra V. Levicheva. "INDUCTIVE AND REMANENT MAGNETIZATION OF ROCKS OF ZARECHENSKAYA AND NIKOLSKAYA MAGNETIC ANOMALIES (EASTERN COAST OF OZ. BAIKAL)." Interexpo GEO-Siberia 2, no. 2 (May 21, 2021): 48–54. http://dx.doi.org/10.33764/2618-981x-2021-2-2-48-54.

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The remanent magnetization, magnetic susceptibility and its anisotropy, as well as the Q factor of the samples of rocks, from the Zarechenskaya and Nikolskaya magnetic anomalies have been determined. These anomalies locate near the Selenginskaya depression on the eastern coast of Lake Baikal. Knowledge of the magnetic properties of rock massifs that are the sources of these anomalies is necessary to assess the magnetoelastic coefficients, which may be different for remanent and inductive magnetization. This, in turn, will make it possible to further increase the reliability of the interpretation of the results of tectomagnetic monitoring performed here.
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Hara, A. H., and D. J. Kawakami. "Orchid Weevil Control, Hawaii, 1986." Insecticide and Acaricide Tests 12, no. 1 (January 1, 1987): 343. http://dx.doi.org/10.1093/iat/12.1.343a.

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Abstract Bioassay tests were conducted on 6 Jun, 18 Jul and 1 Aug on flowering dendrobium orchids growing in 1/4 inch crushed basalt rock under 30% polypropylene net shade in Kapoho, Hawaii. Insecticides were applied to runoff with a compressed air sprayer at 40 psi with a no. 8004 Teejet nozzle. After 3 days, 2 terminal leaves per treatment were excised and placed singly in 14 oz unwaxed paper containers. The treated samples were taken back to the laboratory where 4 field collected orchid weevils were added to each of 2 containers. The containers were then covered with organdy. This experiment was replicated 3x (in time) with 8 weevils per replicate. Mortality data was taken on the 4th and 7th day after exposure.
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7

BRATUS, ALESSANDRO. "Scene through the Press: Rock Music and Underground Papers in London, 1966–73." Twentieth-Century Music 8, no. 2 (September 2011): 227–52. http://dx.doi.org/10.1017/s1478572212000096.

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AbstractIn the years around 1968 London was home to a sizeable community of writers, musicians, artists, and political activists whose countercultural attitudes are expressed in the publications of the ‘alternative’ or ‘underground’ press – magazines such asInternational Times,OZ,INK,Friends(laterFrendz),Time Out,Gandalf's Garden,The Black Dwarf, andThe Hustler. That most of them had at least some pages devoted to music reflected the crucial role of rock in particular in summing up the community's aspirations, focused less on political or social than on cultural transformation. This article seeks to chart in these underground publications the changing attitudes towards music and its revolutionary potential. Initially the alternative press portrayed popular music as sharing with avant-garde tendencies a basic equation between new creative means and their would-be disruptive effects on society as a whole. However, there soon arose contradictions between the radical social potential of music and its growing commercialization, contradictions stemming not only from the co-optation of rock by market forces and record companies but also from the underground's own lack of a coherent ideological agenda. Paradoxically, it was precisely when popular music began to be considered a form of ‘high’ culture – just as the alternative press advocated – that its perceived effectiveness as part of the revolutionary, countercultural project began to diminish.
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Hata, T. Y., A. H. Hara, and B. K. S. Hu. "Insecticidal Trials Against Vanda Thrips on Orchids, Hawaii, 1994." Arthropod Management Tests 21, no. 1 (January 1, 1996): 381. http://dx.doi.org/10.1093/amt/21.1.381.

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Abstract Insecticides were evaluated for efficacy from 8 Dec through 15 Dec 94 at the University of Hawaii Waiakea Experiment Station in Hilo, Hawaii. Plants (approximately 6.5 ft in height) growing in basalt rock under 6 mil. clear FVG 3HLFI polyethylene film covering were used in this study. Experimental plots were arranged in a RCB with 3 blocks, 30 plants per block. A spreader-sticker (Ad-here, J. R. Simplot, Lanthrop, CA) was added to all treatments, including the control, at a rate of 5 ft. oz. per 100 gals. The control was sprayed with water. Insecticides were applied once at approximately 200 gpa using a backpack sprayer (Solo, Newport News, VA) equipped with an 8004 Teejet nozzle at 40 psi. Treatment efficacy was evaluated by randomly harvesting 30 blossoms from each block. Thrips were extracted from the blossoms with Berlese funnels heated with a 60 watt incandescent light bulb and collected in an 8:2:1:1 solution of ethanol, distilled H2O, acetic acid and glycerin. The number of nymphs and adults was pooled for analysis. Data were transformed to log10(x + 1) and analyzed by ANOVA.
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9

FLOOD, E., P. KLEESPIES, M. TANSEY, H. MUNTANION, and R. CARPENTER. "An Overview of the ULU Gold Deposit, High Lake Volcanic Belt, Nunavut, Canada." Exploration and Mining Geology 13, no. 1-4 (January 1, 2004): 15–23. http://dx.doi.org/10.2113/gsemg.13.1-4.15.

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Abstract BHP Minerals discovered the Archean lode gold ULU deposit on the western margin of the High Lake Volcanic Belt in 1989. The greenschist to amphibolite facies mafic volcanic and sedimentary rocks on the property are folded into a 5 km-long anticline. There is a close spatial association of Au-As zones to the trace of this F2 ULU anticline. The largest of these auriferous zones, the Flood zone, is localized at the core of the fold. The southeast-trending Flood zone consists of several anastomosing lenses that have been traced for 435 m on surface. Overall, it dips steeply (70° to 80°) to the southwest and has been intersected to depths below 600 m. The hosting high-iron tholeitic basalt displays a lower amphibolite mineral assemblage of ferrohornblende + plagioclase + ilmenite with accessory quartz and epidote. Alteration minerals include biotite, chlorite, hornblende, actinolite-tremolite, and potassium feldspar (microcline) with minor calcite, epidote, tourmaline, and titanite. The highest gold values occur where brecciated basaltic wall-rock clasts are replaced by acicular arsenopyrite + quartz + K-feldspar. BHP Minerals completed 54,783 m of both exploration and resource development drilling before selling the ULU property to Echo Bay Mines in 1995. Development of ULU as a satellite deposit to Echo Bay’s Lupin mine began in 1996. A -15% ramp was extended to the 155-meter level, and 16,011 m of underground drilling were completed before the decline in gold prices forced a suspension of activities at ULU in August 1997. The current owners, Wolfden Resources Inc., drilled 18,569 m in 2004 to increase confidence in the resource blocks. Following this drill program, a revised resource calculated by an independent consultant determined that the ULU deposit contains an inferred/indicated mineral resource of 1,130,000 t grading 11.34 g/t gold (373,748 oz) to the 360-m level. The portal was re-opened in 2005 and a prefeasibility study is underway.
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Markon, Andre, Jorge E. Chavarro, Ming Ding, and Beverly Wolpert. "Demographic and Behavioral Correlates of Energy Drink Consumption." Current Developments in Nutrition 4, Supplement_2 (May 29, 2020): 1449. http://dx.doi.org/10.1093/cdn/nzaa061_077.

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Abstract Objectives This study assessed energy drink consumption and high-risk behaviors, including alcohol and drug use, cross-sectionally among participants in three cohort studies—the Nurses’ Health Study 3 (NHS 3), the Growing Up Today Study (GUTS) and GUTS2. Methods Questionnaires, including validated food-frequency questionnaires (FFQs), collected participant demographics, risky behavior, and energy drink consumption data. [The specific question used for energy drink intake read as follows: “Do you drink energy drinks, e.g., Red Bull, Rock Star, Monster (8 oz. can)?” for NHS3, 2010–2019; GUTS, 2011; and GUTS2, 2011.] Following descriptive analysis, multivariable-adjusted logistic regression estimated associations between energy drink consumption and odds of risky behaviors, including pooled odds-ratios (pORs) across all cohorts. Results Of the 46,390 participants this study assessed, ∼13% reported energy drink consumption at least monthly. Risky behaviors associated with energy drink consumption included smoking [pOR: 1.88 (95% CI 1.55–2.29)], having higher body mass index [pORs: 1.31 (95% CI 1.11–1.53) for overweight (25–30 kg/m2) and 1.67 (95% CI 1.34–2.08) for obesity (≥30 kg/m2) compared to <25 kg/m2, respectively], insufficient sleep [pOR: 1.29 (95% CI 1.11–1.50) for <7 hours compared to 7–9 hours], tanning bed use [pOR: 2.31 (95% CI 1.96–2.72)], binge drinking [pOR: 2.53 (95% CI 2.09–3.07)], marijuana use [pOR: 1.49 (95% CI 1.28–1.73)], and use of any illegal drugs (other than marijuana) [pOR: 1.45 (95% CI 1.16–1.81)]. Demographic factors associated with consumption of energy drinks included higher education, which was associated with lower odds of energy drink consumption [pORs: 0.71 (95% CI 0.56–0.91) for bachelor's degree and 0.55 (95% CI 0.40–0.74) for master's degree, compared to no bachelor's degree, respectively], and race/ethnicity [pOR: 4.43 (95% CI: 2.41–8.15) comparing African Americans to non-Hispanic white]. Conclusions Both within and across the cohorts, risky behaviors were associated with higher odds of energy drink consumption. Funding Sources This study was funded via FDA contracts and NIH grants.
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Dissertations / Theses on the topic "Oz Rock"

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Vomáčka, Roman. "Transformace energetického trhu po roce 2011." Master's thesis, Vysoká škola ekonomická v Praze, 2017. http://www.nusl.cz/ntk/nusl-359376.

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As part of the fight against global warming, the European Union has opted for increase in support for renewable energy at the cost of conventional sources. This policy was subsequently implemented into national legislation. At the same time, the Czech Republic has framed an Updated State Energy Policy, which sets out the direction for Czech energy to evolve. This thesis tries to analyze whether the Czech Republic is ready for future energy development or not. This analysis shows that the Czech Republic is not entirely ready to provide energy stability in the context of a transforming market.
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Sheather, Gaye. "Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s)." Thesis, 2013. http://hdl.handle.net/1959.13/1038011.

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Research Doctorate - Doctor of Philosophy (PhD)
This study investigates the development of 'mainstream' popular music in one Australian city, that of Newcastle, NSW, in the period 1973-1988. This period became known more generally as the Oz/Pub Rock era and coincides approximately with the period the national music programme Countdown was televised (1974 - 1987). In 1973, there were approximately seventeen (17) local bands that could be identified as performing mainstream music styles in licensed music venues in Newcastle. By 1987, the total number performing in licensed venues, performing in mainstream and/or alternative music styles numbered approximately one hundred and forty-eight (148). A total of one hundred and sixty-one (161) licensed venues were identified as existing across the study period. During this period the greater Newcastle area had a large population of young people who were then eligible to participate in live music in licensed venues. The unique way in which Newcastle suburbs originally emerged historically in Newcastle played a significant role in patterns of participation in these live music venues. Moreover, the large number of suburbs contained within the two LGAs of Newcastle and Lake Macquarie meant that the increasing number of younger patrons had a large number of licensed venues from which to choose and many initially attended live performance in venues close to the home suburbs with which they identified. It is argued here that the formation of a musical identity is strongly connected to a local habitus, which includes the cultivation of social, symbolic, economic and cultural capital, which are built up over time. These connected musicians with audiences and venues in Newcastle. Given Newcastle’s proximity to Sydney and the attempt by local bands to achieve success there, it was found that these accumulated capitals were not easily transferrable to other areas. What Newcastle came to offer local musicians, as a result, was the ability to recognise and use to its full extent, the social, symbolic and cultural capital available to them in their home town. This situation raises questions about the nature of authenticity as a construct in the performance of 'mainstream' music. While authenticity is constructed relative to the time and space in which it is experienced, at the same time a number of existing myths about mainstream music being performed in Newcastle at the time have been found to not have been borne out in this study. The study concludes that the structural conditions that were peculiar to Newcastle and the way the various actors performed their roles within those conditions contributed to the way popular music developed in local spaces in Newcastle.
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Books on the topic "Oz Rock"

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1922-, Middleton Janet, ed. The rock was created: Le rocher fut créé = Iwa ga s⁻oz⁻osareta = La roca fue creada. Banff, Alb: J & S Publ, 1993.

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2

Todd, Gold, ed. Officially Osbourne: Opening the doors to the land of Oz. New York: Pocket Books, 2002.

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3

Oz Rock. Cicerone Press, 1997.

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4

Jenkins, Jeff, Jimmy Barnes, Mark Opitz, and Luke Wallis. Sophistopunk: The Inside Story of Mark Opitz and Oz Rock. Random House Australia, 2012.

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Engleheart, Murray. Blood, Sweat and Beers: Oz Rock from the Aztecs to Rose Tattoo. HarperCollins Publishers (Australia) Pty Ltd, 2010.

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Noy, Oz, Joseph Alexander, and Tim Pettingale. Inside-Outside Gitarrensolos: Entdecke Oz Noys Moderne Gitarrensolotechniken Für Rock, Jazz und Blues. www.fundamental-changes.com, 2021.

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7

Gold, Todd, and Family Osbourne. Officially Osbourne: Opening the doors to the land of Oz. MTV, 2002.

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book, trump. Composition Notebook: Donald Trump Christmas Donald Trump Boxer Rocky Meme 11 Oz 15 Oz Mug Journal/Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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Book chapters on the topic "Oz Rock"

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"The inner-city sound, Pub Rock and Oz Rock." In Human Frailty. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781501397882.0006.

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