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1

Prasad, Mohit, and David Whish-Wilson. Saraga!: Contemporary Pacific writing, 2006. Suva, Fiji: Pacific Writing Forum, School of Language Arts and Media, Faculty of Arts and Law, University of the South Pacific, 2006.

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2

Subramani. LL102 Pacific literature in English: Course book. Suva, Fiji: University Extension, The University of the South Pacific, 1995.

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3

Ballantyne, Robert Michael. The coral island: A tale of the Pacific Ocean. Oxford [England]: Oxford University Press, 1990.

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4

Prasad, Mohit, and Seri Inthava Kauʻikealaula Luangphinith. Making waves: An anthology of transpacific writing. [Hilo, Hawaii]: Ka Noio ʻA ʻe ʻAle, 2006.

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5

Mera, Molisa Grace, ed. Pacific creative writing in memory of Grace Mera Molisa ; edited by Shirley Randell. Port Vila, Vanuatu: Blackstone Pub., 2002.

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6

Subramani. South Pacific literature: From myth to fabulation. Suva: University of the South Pacific, 1985.

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7

Subramani. South Pacific literature: From myth to fabulation. Suva: Institute of Pacific Studies in association withthe Fiji Centre of the University of the South Pacific, 1985.

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8

Morrow, Patrick D. Post-colonial essays on South Pacific literature. Lewiston, N.Y: Edwin Mellen Press, 1998.

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9

University of the South Pacific. Institute of Pacific Studies., ed. Alchemies of distance. Honolulu: Subpress, 2001.

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10

Mark, Williams. Post-colonial literatures in English: Southeast Asia, New Zealand, and the Pacific, 1970-1992. New York: G.K. Hall, 1996.

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11

Pacific islands creative writing: A select, annotated guide for students, librarians, and the general reader. Hojbjerg, Denmark: V. Stenderup, 1985.

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12

Cultural crossings: Negotiating identities in francophone and anglophone Pacific literature = À la croisée des cultures : de la négociation des identités dans les littératures francophones et anglophones du Pacifique. New York: Peter Lang, 2010.

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13

Postcolonial Pacific writing: Representations of the body. London: Routledge, 2005.

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14

Decolonizing cultures in the Pacific: Reading history and trauma in contemporary fiction. New York, NY: Taylor & Francis, 2006.

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15

Lacabanne, Sonia. Les premiers romans polynésiens: Naissance d'une littérature de langue anglaise, 1948-1983. Paris: Musée de l'homme, 1992.

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16

Chitra, Sankaran, Leong Liew Geok, and Patke Rajeev S, eds. Complicities--connections and divisions: Perspectives on literatures and cultures of the Asia-Pacific region. Bern: P. Lang, 2003.

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17

Pützstück, Lothar. Das Bild des Fremden im Detektivroman mit völkerkundlichem Inhalt: Ein Beitrag zur Diskussion "Anthropology in Fiction" anhand ozeanischer Beispiele. Bonn: Holos, 1988.

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18

Durix, Carole. The new literatures in English: Africa, Australia, New Zealand, The south Pacific, The Indian Sub-Continent, Canada and the Caribbean. Paris: Longman France, 1993.

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19

Lever, Richard. Post-colonial literatures in English: Australia, 1970-1992. New York: G.K. Hall, 1996.

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20

Tuten-Puckett, Katharyn E. Poems of sea and sky: Illustrated with banana prints. Saipan: Oleai Elementary School, 2000.

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21

South Pacific Englishes: A sociolinguistic and morphosyntactic profile of Fiji English, Samoan English and Cook Islands English. Amsterdam: John Benjamins Publishing Company, 2015.

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22

Va'ai, Sina. Literary representations in Western Polynesia: Colonialism and indigeneity. Le Papa-I-Galagala [Samoa]: National University of Samoa, 1999.

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23

Belcher, Angie, and Andy Belcher. Pacific Island Scrapbook. HarperCollins Publishers Limited, 2012.

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24

Jen, Webb, and Nandan Kavita Ivy, eds. Writing the Pacific: An anthology. Fiji: Pacific Writing Forum/Aclals, 2007.

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25

(Editor), Albert Wendt, Reina Whaitiri (Editor), and Robert Sullivan (Editor), eds. Whetu Moana: Contemporary Polynesian Poetry in English. Auckland University Press, 2003.

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26

1939-, Wendt Albert, ed. Nuanua: Pacific writing in English since 1980. Honolulu: University of Hawaii Press, 1995.

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27

(Illustrator), Andy Belcher, and Angie Belcher (Illustrator), eds. Pacific Island Scrapbook (Collins Big Cat). Collins Educational, 2005.

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28

1939-, Wendt Albert, Whaitiri Reina 1943-, and Sullivan Robert 1967-, eds. Whetu moana: Contemporary Polynesian poems in English. Honolulu: University of Hawaiʻi Press, 2003.

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29

(Editor), Albert Wendt, Reina Whaitiri (Editor), and Robert Sullivan (Editor), eds. Whetu Moana: Contemporary Polynesian Poems in English. University of Hawaii Press, 2003.

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30

Albert, Wendt, Whaitiri Reina 1943-, and Sullivan Robert 1967-, eds. Whetu Moana: An anthology of Polynesian poetry. Auckland U.P., 2003.

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31

Robert, Nicole, University of the South Pacific. Pacific Writing Forum., and Oceania Centre for Arts & Culture., eds. Niu waves: Contemporary writing from the Pacific. [Suva, Fiji]: Pacific Writing Forum, 2001.

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32

Niu voices: Contemporary Pacific fiction 1. Wellington, N.Z: Huia, 2006.

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33

Paul, Sharrad, and University of Wollongong. New Literatures Research Centre., eds. Readings in Pacific literature. Wollongong, Australia: New Literatures Research Centre, University of Wollongong, 1993.

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34

Tuainekore, Crocombe Marjorie, and Festival of Pacific Arts, eds. Te rau maire: Poems and stories of the Pacific. Rarotonga, Cook Islands: Tauranga Vananga (Ministry of Cultural Development), 1992.

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35

Frangipani Perfume. Play Press, 2004.

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36

Larry, Thomas, ed. Musings on Niue. Suva, Fiji: Pacific Writing Forum, 1997.

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37

(Editor), Tessa Duder, and Anton Petrov (Illustrator), eds. A Book of Pacific Lullabies. HarperCollins Australia, 2003.

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38

Subramani. South Pacific Literature: From Myth to Fabulation. Institute of Pacific Studies, 1992.

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39

1932-, Stead C. K., ed. The Faber book of contemporary South Pacific stories. London: Faber and Faber, 1994.

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40

Sinavaiana-Gabbard, Caroline. Alchemies of Distance. Subpress, 2002.

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41

Ballantyne, Robert Michael. The Coral Island: A Tale of the Pacific Ocean (R. M. Ballantyne Collection). Vision Forum, 2007.

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42

(Editor), Chitra Sankaran, Liew Geok Leong (Editor), and RAJEEV S. PATKE (Editor), eds. Complicities: Connections and Divisions : Perspectives on Literataures and Cultures of the Asia-Pacific Region. Peter Lang Publishing, 2003.

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43

Prasad, Mohit. Indigenous Pacific Fiction in English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.003.0036.

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This chapter examines the ‘niu wave’ of Indigenous Pacific novels written in English. The ‘new wave’ of South Pacific fiction was marked by the appearance of Albert Wendt's second anthology, Nuanua (1995), by new theorizing such as Epeli Hauʻofa's essay ‘Our Sea of Islands’ in A New Oceania (1993), and by the academic recognition of Pacific writing in collections of critical commentary such as Paul Sharrad's Reading Pacific Literature (1993). Two works by Regis Stella, Imagining the Other: The Representation of the Papua New Guinean Subject (2006) and Unfolding Petals: Readings in Modern PNG Literature (2012), have returned writing from the western Pacific to a more visible place in the region's culture. The chapter considers examples of the ‘niu wave’ and an expanded pan-Pacific awareness, including Rexford T. Orotaloa's Two Times Resurrection (1985), Sam Lidimani Alasia's Fata'abu: the voice of God (2003), Russell Soaba's Maiba (1985), and Celestine Hitiura Vaite's Breadfruit and Frangipani (2004).
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44

Najita, Susan. Decolonizing Cultures in the Pacific: Reading History and Trauma in Contemporary Fiction. Routledge, 2006.

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45

Hedwig, Bock, and Wertheim Albert, eds. Essays on contemporary post-colonial fiction. Mu nchen: Max Hueber Verlag, 1986.

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46

Turnbull, John. Voyage Round the World, in the Years 1800, 1801, 1802, 1803, And 1804: In Which the Author Visited Madeira, the Brazils, Cape of Good Hope, the English Settlements of Botany Bay and Norfolk Island, and the Principal Islands in the Pacific Ocean. University of Cambridge ESOL Examinations, 2013.

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47

Howells, Coral Ann, Paul Sharrad, and Gerry Turcotte, eds. The Oxford History of the Novel in English. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199679775.001.0001.

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This book explores the history of English-language prose fiction in Australia, Canada, New Zealand, and the South Pacific since 1950, focusing not only on the ‘literary’ novel, but also on the processes of production, distribution and reception, and on popular fiction and the fictional sub-genres, as well as the work of major novelists, movements, and tendencies. After World War II, the rise of cultural nationalism in Australia, Canada, and New Zealand and movements towards independence in the Pacific islands, together with the turn toward multiculturalism and transnationalism in the postcolonial world, called into question the standard national frames for literary history. This resulted in an increasing recognition of formerly marginalised peoples and a repositioning of these national literatures in a world literary context. The book explores the implications of such radical change through its focus on the English-language novel and the short story, which model the crises in evolving narratives of nationhood and the reinvention of postcolonial identities. Shifting socio-political and cultural contexts and their effects on novels and novelists, together with shifts in fictional modes (realism, modernism, the Gothic, postmodernism) are traced across these different regions. Attention is given not only to major authors but also to Indigenous and multicultural fiction, children's and young adult novels, and popular fiction. Chapters on book publishing, critical reception, and literary histories for all four areas are included in this innovative presentation of a Trans-Pacific postcolonial history of the novel.
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48

Smith, Vanessa. The Novel in English in Oceania to 1950. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0011.

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This chapter looks at English-language novels in Oceania. The Anglophone novel's location ‘in Oceania’ pre-1950 is largely imaginary. Many of the authors of both canonical and popular works set in the Pacific islands never visited the region, and none was born there. Thus, the chapter is concerned with the dialectical relationship between fantasy and contact evidenced in novels set in Oceania before 1950, a location dreamed up before it was mapped, and whose romanticized or dystopian premonitions continued to shadow its representation even after Anglophone writers began to send dispatches from its beaches. The novel speaks inevitably, with or more often without political self-consciousness, to the gap between imagined and real Oceanias—and so, to the relationship between fiction and history.
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49

Fuller, Jennifer. Dark Paradise: Pacific Islands in the Nineteenth-Century British Imagination. Edinburgh University Press, 2017.

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50

Dark Paradise: Pacific Islands in the Nineteenth-Century British Imagination. Edinburgh University Press, 2016.

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