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Dissertations / Theses on the topic 'Paganini'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Mikami, Wataru. "Problematika osobnosti a díla Nicola Paganini." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79077.

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This thesis discuss about N.Paganini, his life, works and mainly about opus 1,24 Caprices for violin solo. I compared some publication, especially studied Henle Urtext Edition of Caprices, which is the most right and newest. Thesis next discuss about a way of performance of this work. I compared some recording of great violinists, which become the inspiration of my study. I read also listed literatures.

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2

Yang, Hokyung. "12 variations on Paganini's 24th caprice : an analysis /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/11263.

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3

Shen, Keh-Shu. "An analytical study of Paganini's Twenty-four caprices for solo violin /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/11338.

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4

Wilczkowski, Tobias. "Heinrich Wilhelm Ernst : En stor violinist i skuggan av Paganini." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-153805.

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Abstract Tobias Wilczkowski: Heinrich Wilhelm Ernst – A great violinist in the shadow of Paganini. Uppsala universitet: Institutionen för musikvetenskap, uppsats för 60p., 2005. As a boy, Heinrich Wilhelm Ernst adopted Paganini's virtuosic style. He became a popular violinist who later developed his own style. He used the potential of the violin to its extreme and explored new possibilities on the instrument. Later, however, Ernst was more or less forgotten as a violinist and today his contributions are neglected. This essay attempts to show that this is unfair to Ernst and that he today does

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5

Rybicki, Marie-Hélène. "Le mythe de Paganini dans la presse et la littérature." Paris 4, 2004. https://acces.bibliotheque-diderot.fr/login?url=https://doi.org/10.15122/isbn.978-2-8124-2932-3.

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Notre étude est consacrée à la présence de Paganini dans la presse et la littérature de son temps. Nous examinons comment, en Italie, en France en Allemagne et en Angleterre, ce musicien exceptionnel devient personnage de fiction et quelle influence cette "entrée en littérature" exerce sur la représentation des musiciens dans les romans et nouvelles du XIXe siècle. Après avoir retracé le parcours du violoniste, nous nous penchons sur la manière dont ses faits et gestes sont relatés dans la presse et exposons les polémiques que la technique paganinienne entraîne. Nous analysons ensuite les imag

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6

Bernier, Kiyono Monique. "Disparate measures: Two 20th century treatments of the Paganini theme." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284086.

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This study investigates the significance of the Paganini theme and variation sets composed by two living composers, Neils Viggo Bentzon and Robert Muczynski. The popularity of the theme and variation form gradually spread to the keyboard repertoire first as entertainment for both courtly and bourgeois audiences, and later as a means of technical display for performing piano virtuosi. Paganini's twenty-fourth Caprice from Op.1 for solo violin is the basis for sets of variations for solo piano by three major pianist-composers: Liszt, Brahms, and Busoni. Bentzon and Muczynski follow in this tradi

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7

Carrau, Mellado Javier. "Aspectos pedagógicos e interpretativos del repertorio para violín solo hasta Paganini." Doctoral thesis, Universitat Jaume I, 2014. http://hdl.handle.net/10803/145316.

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El presente trabajo está dedicado a estudiar el repertorio existente para violín solo hasta Paganini, y analizar sus diferencias de estilo, intenciones y funciones. Las dos obras cumbre de este género son las Sonatas y Partitas de Johann Sebastián Bach, y los Caprichos Opus 1 de Paganini. Al observar la trayectoria de la cronología artística, apreciamos cómo existe un repertorio que nace en el primer Barroco, que ha conducido a que estas creaciones no sean piezas aisladas sino obras insertas en una tradición compositiva hoy día bastante desconocida.

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8

Clavere, Javier. "A Study Guide to Franz Liszt's Grandes etudes de Paganini S.141." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1296847312.

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9

Kang, Heejung. "Rachmaninoff's Rhapsody on a Theme by Paganini, Op.43; Analysis and Discourse." Thesis, connect to online resource, 2004. http://www.unt.edu/theses/open/20041/kang%5Fheejung/index.htm.

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10

Kim, Younshin. "An analytical study of Liszt's "Grandes études de Paganini", nos. 3 and 6 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11363.

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11

Paganini, Claudio F. [Verfasser], and Lars [Akademischer Betreuer] Andersson. "The role of trapping in black hole spacetimes / Claudio Francesco Paganini ; Betreuer: Lars Andersson." Potsdam : Universität Potsdam, 2018. http://d-nb.info/1218403918/34.

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12

Paganini, Claudio Francesco [Verfasser], and Lars [Akademischer Betreuer] Andersson. "The role of trapping in black hole spacetimes / Claudio Francesco Paganini ; Betreuer: Lars Andersson." Potsdam : Universität Potsdam, 2018. http://d-nb.info/1218403918/34.

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13

Ahn, Kwang Sun. "An Analytical Study of the Variations on the Theme of Paganini's Twenty-Fourth Caprice, Op. 1 by Busoni, Friedman, and Muczynski." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2548/.

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The purpose of this study is to analyze sets of variations on Paganini's theme by three twentieth-century composers: Ferruccio Busoni, Ignaz Friedman, and Robert Muczynski, in order to examine, identify, and trace different variation techniques and their applications. Chapter 1 presents the purpose and scope of this study. Chapter 2 provides background information on the musical form "theme and variations" and the theme of Paganini's Twenty-fourth Caprice, Op. 1. Chapter 2 also deals with the question of which elements have made this theme so popular. Chapters 3,4, and 5 examine each of the th

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14

Lee, Ji Young. "A Style Study of Sergei Rachmaninoff's and Lowell Liebermann's Rhapsodies on a Theme of Paganini." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428047656.

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15

Ko, Cha-Hui. "Solutions to technical difficulties in the rhapsody on a theme by Paganini, Opus 43 of Rachmaninoff." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384532673.

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16

Robertson, Gillian. "Variations on a Theme by Paganini| Narrative archetypes in nineteenth- and twentieth-century theme-and-variation sets." Thesis, The Florida State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3705915.

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<p> This dissertation explores the applicability of musical narrative models to the genre of theme and variations focusing on large-scale structural transformations in nineteenth- and twentieth-century theme-and-variation sets. Narrative archetypes proposed by Byron Almén (2008) are useful frameworks for understanding and interpreting the types of transformations that are typical in this genre, despite the paratactic and repetitive nature of the variations. My analysis focuses on three variation sets all based on the same theme (Paganini's <i> Twenty-Four Caprices</i>, Op. 1, No. 24):

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17

Filipec, Goran. "Paganini au piano : Franz Liszt, Ferruccio Busoni, Michael Zadora, Mark Hambourg, Ignaz Friedman et la « grande manière »." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL137.

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Dans l’art de la musique instrumentale, il y a certainement eu des moments de développement extraordinaires. La plus grande révolution dans le domaine du violon aura probablement été Paganini, avec ses innovations dans le cadre de la technique, de la texture et des effets timbriques du violon. Dans le domaine du piano, Liszt, suite à sa rencontre avec le violon assimilateur et imitateur du Génois, reforma son jeu et reconçut le pianisme de l’époque. Dans cette mission, il fut accompagné par des améliorations techniques à l’instrument. L’art du jeu du piano, qui hérita de Paganini le côté assim

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18

Stocker, Melinda Suat-Lee. "The evolution of the caprice for solo violin with reference to the caprices by Locatelli, Paganini and Reitz /." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18759.pdf.

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19

Kim, Warren. "Marc-André Hamelin's "Variations on a Theme of Paganini": The Effect of Polystylism through Pastiche and Musical Borrowing in Variations." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609093/.

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Paganini's 24th caprice still remains to this day one of the most celebrated themes in classical music history. Many composers have used this theme to create variations and each composer attempted to produce stylistically unique variations on this piece. Hamelin's Variations on a Theme of Paganini stands out because his piece incorporates musical borrowing and many different composers' styles. His variations integrate music from different centuries, using pastiche and musical borrowing from figures such as Beethoven, Liszt, Brahms, Chopin, and Rachmaninoff. More provocatively, Hamelin's variat

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20

Wilczkowski, Tobias. "Heinrich Wilhelm Ernst and his Contributions to the Development of Left-hand pizzicato and Harmonics." Thesis, Stockholms universitet, Institutionen för musik- och teatervetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-83237.

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From the middle of the eighteenth century, the use of left-hand pizzicato and harmonics began to become more common in violin playing. Over time, these techniques underwent substantial developments thanks to several different violinists, among others Heinrich Wilhelm Ernst. These developments, however, have not been adequately investigated or documented, and in general, ignorance and misconceptions prevail regarding who contributed what, as well as to the significance of these individual contributions.This thesis attempts to present Ernst's contributions in this area, and also advance that his

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21

Park, Jeeyoung. "Comparing Musical Expression in Teresa Millanollo’s “Grand Fantaisie Elegiaque” Opus 1 with Niccolo Paganini’s Compositions." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1613745055878857.

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22

Paganini, Nicole Maria [Verfasser], and Alfonso [Akademischer Betreuer] Sousa-Poza. "It is not about spinach : a food justice perspective on urban agriculture in Cape Town and Maputo / Nicole Maria Paganini ; Betreuer: Alfonso Sousa-Poza." Hohenheim : Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim, 2021. http://d-nb.info/123972943X/34.

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23

Paganini, Ulrich [Verfasser]. "Bedürfnisorientierte Strukturentwicklung in Organisationen : Modellierung eines systemischen Strukturmodells zur Förderung von Selbstorganisation sowie der Handhabung dynamischer Komplexität System-Umwelt - Eine Fallstudie im industriellen Kontext der chemischen Industrie / Ulrich Paganini." Aachen : Shaker, 2014. http://d-nb.info/1049381874/34.

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24

McLean, Florence Anne. "Rakhmaninov's "Corelli" variations : new directions." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/31115.

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Only a few of RakJimaninov's compositions were popular with audiences during the lifetime of this Titan of the piano. Such youthful works as the Prelude in c# minor, op. 3, no. 2 and the Piano Concerto no. 2, op. 18 demonstrated only one facet of a creative process that evolved throughout his life. The purpose of this thesis, therefore, is to consider the extent of Rakhmaninov's stylistic evolution, especially the changes embodied in the large scale piano solo, Variations on a Theme of Corelli, written in the last decade of the composer's life. In the discussion of Rakhmaninov's lifelong styl

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25

Harris, Adrian Paul. "Embodied knowing in eco-paganism." Thesis, University of Winchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502243.

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Although embodied knowing is fundamental to our experience, no previous study has detailed its role in a specific spiritual group. This thesis offers a new model of embodied situated cognition, and develops an embodied hermeneutics which uses Focusing in phenomenological research. I apply these tools to the first detailed ethnography of Eco-Paganism to reveal powerful processes of connection which have considerable significance for religious studies and ecopsychology. Chapters 2 and 3 survey the literature on Eco-Paganism and embodied cognition. Chapter 4 uses the latter to synthesise a model

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26

Jamison, Ian. "Embodied ethics and contemporary paganism." Thesis, Open University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543849.

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Contemporary understandings of ethics consistently situate them as the result of a focussed rational and intellectual process within a narrow range of academic and religious areas. I challenge this approach, and theorise an embodied approach to ethics as both possible and desirable. I argue that such an approach may be most easily located in the contemporary Pagan approach to environmental ethics, given that the rhetoric of Paganism valorises the body and privileges the natural environment. While I agree that Paganism is indeed a nature religion, I theorise that there are two simultaneous yet

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27

Hallett, Jennifer Rachel. "Paganism in England, 1885-1914." Thesis, University of Bristol, 2006. http://hdl.handle.net/1983/84df7e45-7965-486b-b1c8-059bc148a95b.

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This thesis examines paganism in England from the late Victorian period to the outbreak of the First World War. It explores paganism as an aspect of cultural history and defines paganism as the use of images and ideas from the ancient, pre-Christian, Mediterranean world. It identifies the existence of a radical desire for paganism to be restored in the modem era and it asserts that although this desire cannot be separated into discrete groups or movements, it did manifest itself in different varieties. This thesis reveals that there were three different varieties of paganism in operation durin

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28

Kofsky, Arieh. "Eusebius of Caesarea against paganism /." Leiden : Brill, 2000. http://catalogue.bnf.fr/ark:/12148/cb391827105.

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29

Swim, Jeffrey. "Idle Worship: Kenneth Grahame's Literary Paganism." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35158.

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In this thesis, I explore the works of Kenneth Grahame in light of what some critics have deemed “literary paganism”. I argue that Grahame employs certain “pagan” tropes in order to launch a critique of modern culture. Grahame upholds a classical vision of leisure that rejects the ideology inherent to urbanization. His critique of modernity relies on a literary persona indicative of an alternative attitude to that of the middle class fin de siècle urban culture. His short stories add to this critique in their presentation of childhood as a pre-converted pagan existence which en-kindles a sense

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30

Simes, Amy Caroline. "Contemporary paganism in the East Midlands." Thesis, University of Nottingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282514.

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31

Jones, Ieuan Thomas. "Modern paganism in the United Kingdom." Thesis, University of York, 2003. http://etheses.whiterose.ac.uk/10965/.

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32

Moore, Richard. "Christianity and paganism in Victorian fiction." Thesis, University of Wales Trinity Saint David, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683121.

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33

Carpenter, Clare. "Medievalism and paganism : interpretations of the Carmina Burana." Thesis, University of York, 2001. http://etheses.whiterose.ac.uk/10816/.

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34

Spajic, Ana-Marija. "Women's empowerment in Neo-Paganism : A study of power and gender and what we can learn about women’s empowerment in Neo- Paganism." Thesis, Uppsala universitet, Teologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-412858.

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Too often women have a secondary place in religious institutions, with no possibility to influence or come into leading positions. This thesis aims to understand women’s empowerment by searching for such examples in Neo-Paganism, a growing New Religious Movement (NRM) in the west. Grace Jantzen’s development of Foucault’s power theory is utilized to analyze and understand the results. A mixed method is used; four interviews are conducted with Wiccan and Druid women, a survey of 332 women is analyzed, and literature and studies on Neo-Paganism are analyzed. I draw the conclusion that Neo-Pagani

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35

Bumblauskas, Mangirdas. "Samogitia's Christianisation and the paganism factor (15-16th c.)." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140411_151000-25977.

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The work is devoted to elucidating the process of Christianisation of the last pagan region in Europe – Samogitia as a process of overcoming paganism or depaganisation in the 15th – 16th centuries. The main problem is a chronological difference in the conceptions that has existed in historiography for 500 years between what is considered to be the end of Samogitia’s Christianisation. This problem is solved, first of all, at a theoretical level taking over the conception of “conversion” from Western historiography applied to both political changes during the Christianisation period (the “offici

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36

Edwards, Leila Dudley. "Modern expressions of a traditional festival : contemporary Paganism and Halloween." Thesis, University of Sheffield, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481527.

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37

Harris, Adrian Paul. "The wisdom of the body : embodied knowledge in eco-paganism." Thesis, University of Winchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550230.

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Although embodied knowing is fundamental to our experience, no previous study has detailed its role in a specific spiritual group. This thesis offers a new model of embodied situated cognition, and develops an embodied hermeneutics which uses Focusing in phenomenological research. I apply these tools to the first detailed ethnography of Eco-Paganism to reveal powerful processes of connection which have considerable significance for religious studies and ecopsychology. Chapters 2 and 3 survey the literature on Eco-Paganism and embodied cognition. Chapter 4 uses the latter to synthesise a model

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38

Collins, Loleta B. "A Coming Home: Neo-Paganism and the Search for Community." Oxford, Ohio : Miami University, 2002. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1020253276.

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Thesis (M.A.)--Miami University, Dept. of Comparative Religion, 2002.<br>Title from first page of PDF document. Document formatted into pages; contains 74 p. Includes bibliographical references (p. 64-74).

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39

Loughlin, Felicity Perpetua. "Religion, erudition, and enlightenment : histories of paganism in eighteenth-century Scotland." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31488.

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The history of paganism captivated many scholars in eighteenth-century Europe, and was brought into some of the greatest philosophical and religious debates of the age. 'Paganism' was a term that encapsulated a variety of religious beliefs and practices in the ancient and modern worlds, categorically defined through their shared distinction from the Abrahamic traditions of Christianity, Judaism, and Islam. Although research has been carried out into the historical study of paganism in eighteenth-century England and in many areas of continental Europe, histories of paganism produced in contempo

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40

de, Millo Cole. "Gaze not upon the * : Paganism and history use within digital games." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100115.

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This bachelor thesis goal is to explore how paganism has expressed itself within the world of digitalgames through three different examples. It builds onto already existing research around videogames and history use as well as my own term paper that touched upon this subject. This thesis willbe done using academic literature concerning digital games, history use and paganism from Russiaas well as Japan.

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41

Gradel, Ittai. "Heavenly honours : emperor worship in Italy from Augustus to the Severans." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307227.

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42

Berry, Damon. "White blood, white Gods an assessment of racialist paganism in the United States /." Connect to resource, 2006. http://hdl.handle.net/1811/6559.

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Thesis (Honors)--Ohio State University, 2006.<br>Title from first page of PDF file. Document formatted into pages: contains 61 p.; also includes graphics. Includes bibliographical references (p. 59-61). Available online via Ohio State University's Knowledge Bank.

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43

Pavlova, Maria. "'Il fior de Pagania' : Saracens and their world in Boiardo and Ariosto." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ef19b552-3215-436c-8744-e91f6fe5f2cf.

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This study investigates the representation of Saracens in Boiardo's Inamoramento de Orlando and Ariosto's Orlando furioso, a subject that has attracted growing scholarly interest in recent years. Chapter I assesses the degree of realism in Boiardo's and Ariosto's portrayal of Islam and Islamic culture and locates the two poems in their historical context. Bringing to light unpublished archival material and other little-known historical sources, I argue that Boiardo and Ariosto drew inspiration from contemporary courtly culture which was characterised by openness towards the figure of the forei

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44

Pagani, Alain [Verfasser]. "Reality models for efficient registration in Augmented Reality / Alain Pagani." München : Verlag Dr. Hut, 2015. http://d-nb.info/1069019852/34.

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45

Stanciu, Radu Razvan. "Attitudes towards Paganism in Medieval Irish and Old Norse Texts of the Trojan War." Thesis, University of Cambridge, 2016. https://www.repository.cam.ac.uk/handle/1810/290141.

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The thesis compares the depictions of paganism found in the Middle Irish Togail Troí ('The Destruction of Troy'; first half of the twelfth century) and the Old Norse Trójumanna saga ('The Story of the Trojans'; first half of the thirteenth century), which are both based on Dares Phrygius's Late Antique De excidio Troiae historia. The two vernacular adaptations are presented in the wider context of the medieval popularity of Dares's text. The in-depth analysis of the pagan references (most of which relate to mythology and ritual), reveals Togail Troí's and Trójumanna saga's general source-b

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46

Grossman, Deborah. "Survivals of Paganism in Christian Medieval Iceland as Evidenced by the Icelandic Family Sagas." Oberlin College Honors Theses / OhioLINK, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1363964743.

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47

Pearson, Joannne Elizabeth. "Religion and the return of magic : Wicca as esoteric spirituality." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322133.

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48

Rock, Stella Kathleen. "Russian 'double-belief' : text, context, concept." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323055.

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49

Charbonneau, Marisol. "A distinct Paganism: The Contemporary Pagan revival in Montreal at the turn of the millennium." Thesis, University of Ottawa (Canada), 2008. http://hdl.handle.net/10393/27669.

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Contemporary Paganism, including Wicca, is a new religious movement that has taken root in the worldwide Anglophone diaspora, including Canada. Due to the fact that the majority of the population within Quebec is Francophone, several researchers of Paganism have cast doubts as to whether the Pagan movement could ever take root in the province. This research is an ethnographic study of Paganism in Montreal, Quebec's largest city and sole metropolis, using participant-observation, survey questionnaires, and one-on-one interviews in both English and French. This research aims to determine whether

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50

Moretti, Debora. "The witch and the shaman : elements of paganism and regional differences in Italian witches' trials." Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.761223.

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