Relevant bibliographies by topics / Pahadi Painting

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  2. Dissertations / Theses
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Academic literature on the topic 'Pahadi Painting'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Pahadi Painting"

1

Kaur, Jasminder. "GANGAVATARAN THEME ON CHAMBA RUMAL." ShodhKosh: Journal of Visual and Performing Arts 3, no. 1 (2022): 224–31. http://dx.doi.org/10.29121/shodhkosh.v3.i1.2022.83.

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The needle art or embroidery was the famous time pass of Indian woman folk. Many of these home-grown techniques have taken a place in the larger canvass of Indian art. Chamba rumal of Himachal Pradesh is one of them. It is narrative theme & technique, and commands a special place in the Indian embroidery world. Chamba rumal is embroidered on off white cotton cloth with untwisted silk threads. Although we find two styles of embroidery in the Chamba valley, the classical one is the style famous in the art world with the name of Chamba Rumal. The classical style of the embroidery was develope
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Kaur, Jasminder. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research -GRANTHAALAYAH 5, no. 6 (2017): 18–32. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.1988.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th
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3

Jasminder, Kaur. "CHAMBA RUMAL: THE PAINTING BY NEEDLE." International Journal of Research - Granthaalayah 5, no. 6 (2017): 18–32. https://doi.org/10.5281/zenodo.805871.

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India is a nursery of art and numerous mesmerizing arts and crafts forms have taken shape in this land. Its hill state of Himanchal Pradesh has a legacy of many art techniques and the townships of Guler, Basohli, Kangra, Chamba, and Mandi are the main art schools here. Other than rich pictorial art of murals and miniatures, it has many other art forms to its credit, but the picturesque Chamba Rumal stands unparalleled. The vivacity, vividness and precision of this needle art make it so close to the Pahadi miniatures and murals that it appears to be their transcript on the fabric. Because of th
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4

Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING”." International Journal of Research -GRANTHAALAYAH 2, no. 3SE (2014): 1–4. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3534.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1. Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.
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Dr., (Mrs.) Sonika. "RAINBOW OF COLOURS – THE PAHARI MINIATURE PAINTING"." International Journal of Research - GRANTHAALAYAH Composition of Colours, December,2014 (2017): 1–4. https://doi.org/10.5281/zenodo.887559.

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Indian miniatures are in the art world a class by themselves. ‘Miniature’ generally refers to a painting or illumination, small in size, meticulous in detailing and delicate in brushwork1 . Indian Miniature Painting has a long history of over thousand years and presents a comprehensive record of the religious and emotional feelings of the Indian people. These paintings show the Indian genius in its pure form. Its inspiration is rooted in the people’s hearts, keeping close to their poetry, music and drama. The great merit of this art is the exquisite delicacy of drawing with decorative details.
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6

Dr Balbinder Kumar. "Prakratik Manviya Pravratti,Rangmay Srashti evam kalatamak samanjasyta maen varn samrenshad Bodh." Knowledgeable Research: A Multidisciplinary Journal 1, no. 1 (2022): 45–50. http://dx.doi.org/10.57067/kr.v1i1.105.

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The tradition of using color in Indian painting has been going on since ancient painting styles. These include Ajanta, Pala, Apabhransh, Mughal, Rajasthani and Pahari styles. In which lines and letters have been used in a very realistic manner and the environment of the picture has been made beautiful, an attempt has also been made to create a three-dimensional effect from the lines. In the journey from Ajanta to Pahari miniature painting, there has been a lot of innovation and development in the varna tradition
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7

Dr., Mantosh Yadav. "KANGRA ART IN THE COURTYARD OF JHANDA DARBAR, DEHRADUN-A CONFLUENCE OF MYTHOLOGY, NATURE, AND AESTHETICS." SSAR Journal of Arts Humanities and Social Sciences (SSARJAHSS) 2, 2025, no. 3 (May-Jun) 5025 (2025): 100–104. https://doi.org/10.5281/zenodo.15578133.

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<strong>Abstract:</strong><strong> </strong>Guru Ram Rai Darbar Sahib, also known as Jhanda Darbar, is a historic Gurudwara located in Dehradun, renowned for its exquisite Kangra paintings, which are nearly 400 years old. These paintings intricately depict mythological stories and natural landscapes with fine and delicate lines, brought to life through soft and enchanting color combinations. The colors used in these paintings are derived from natural sources, including minerals, plants, and other organic materials. The preparation of the painting surface involves a meticulous process where the
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8

Morris, Rekha, та J. Jain-Neubauer. "The Rāmāyaṇa in Pahari Miniature Painting". Journal of the American Oriental Society 105, № 4 (1985): 789. http://dx.doi.org/10.2307/602781.

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9

Mousavi, Atefeh Seyed. "Mīrzā ʿAbd al-Razzāq Faġfurī: Master of Persian Tilework in the Late Qajar and Early Pahlavi Period". Journal of Material Cultures in the Muslim World 5, № 1-2 (2024): 92–133. https://doi.org/10.1163/26666286-12340057.

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Abstract Mīrzā ʿAbd al-Razzāq Faġfurī was the most prolific tile-painting artist in Shiraz of the late Qajar and early Pahlavi periods. Exercising a great influence on subsequent tile artists, he became an identification figure of Qajar narrative tilework and contributed decisively to the visual culture of the Qajar period. This study investigates ʿAbd al-Razzāq’s life and career, his signature work, his traditional tile workshop and his main apprentices. It classifies and analyzes the themes and narratives depicted by ʿAbd al-Razzāq on the tile panels and explores his unique visual vocabulary
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10

Ali, Salmah, Haslinda Abdul Razak, Shaliza Dasuki, and Baharim Khusil @ Samuri. "Exploration of Lines in Landscape Painting and Architecture." International Journal of Art and Design 8, no. 1/SI-1 (2024): 104–16. http://dx.doi.org/10.24191/ijad.v8i1/si-1.2523.

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Lines are one of the six basic elements in art that are the most dominant and important in the production of works of art. A line is a connection from point A to point B or points connected with a certain distance. Lines also play a very important role in creating looks, shapes, weaves, movements, tones, and patterns. The visual existence of the art of painting is because it is processed using a variety of lines with distinctive line-type characteristics. This study aims to analyze the function of lines that can create the illusion of light and shadow and translate the psychology of lines to h
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Dissertations / Theses on the topic "Pahadi Painting"

1

Jafari, Sara. "L'évolution de l'art contemporain en Iran : l'art plastique : la peinture." Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC003/document.

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Dans ce travail de thèse, j’ai dressé un tableau de la situation actuelle de la peinture contemporaine iranienne pour montrer dans quelles conditions celle-ci a évolué : tantôt elle a été opprimée et condamnée, tantôt elle s’est relevée et a continué sa progression vers l’avant. J’ai analysé la situation générale de la peinture contemporaine iranienne en tenant compte du contexte historique, politique, social et culturel de l’Iran. L’histoire et la culture ancienne de ce pays, et la vie quotidienne des iraniens sont soumises à un certain nombre d’événements qui pèsent sur la vie du peuple. Les
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Books on the topic "Pahadi Painting"

1

C, Craven Roy, ed. Ramayana: Pahari paintings. Marg Publications, 1990.

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2

1923-, Ohri Vishwa Chander, Craven Roy C, and National Centre for the Performing Arts (India), eds. Painters of the pahari schools. Published by Marg Publications on behalf of National Centre for the Performing Art, 1998.

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3

Moti, Chandra, Jayadeva 12th cent, and Lalit Kala Akademi, eds. Pahari paintings of the Gīta Govinda. Lalit Kalā Akademi, 1991.

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4

Sharma, O. C. Rasamanjari, the nectarous ocean: Pahari miniature painting. National Pub. House, 2008.

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5

Miśra, Bhānudatta, ed. Rasamanjari, the nectarous ocean: Pahari miniature painting. National Pub. House, 2008.

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6

Goswamy, B. N. Pahari masters: Court painters of northern India. Oxford University Press, 1997.

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7

Rao, Digumarti Bhaskara. Pahari miniatures in the Salar Jung Museum. The Museum, 1996.

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8

Goswamy, B. N. Pahari-Meister: Höfische Malerei aus den Bergen Nord-Indiens. Museum Rietberg, 1990.

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9

Dvivedī, Premaśaṅkara. Pahāṛī citrakalā. Kalā Prakāśana, 2011.

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10

Rānī, Saroja. Pahāṛī citrakalā kā anuśīlana. Kalā Prakāśana, 2012.

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