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1

Weerd, Jaap van der. Microspectroscopic analysis of traditional oil paint. Amsterdam: Universiteit van Amsterdam, 2002.

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2

Toryō (kateiyō). 4th ed. Tōkyō: Seihin Hyōka Gijutsu Kiban Kikō Kagaku Busshitsu Kanri Sentā, 2011.

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3

Learner, Tom. Analysis of modern paints. Los Angeles, CA: Getty Conservation Institute, 2004.

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4

Institute, Getty Conservation, ed. Analysis of modern paints. Los Angeles: Getty Conservation Institute, 2005.

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5

1946-, Hering B. (Bernd), ed. Historische Malmaterialien und ihre Identifizierung. Graz: Akademische Druck- und Verlagsanstalt, 1988.

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6

Weldon, Dwight G. Failure analysis of paints and coatings. Chichester, West Sussex: Wiley, 2009.

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7

State University College at Buffalo. Dept. of Art Conservation., ed. Paints quantified: Image analytical studies of preparatory grounds used by Van Gogh. Amsterdam: AMOLF, 2006.

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8

Koleske, J. V. Paint and coating testing manual: 15th edition of the Gardner-Sward handbook. West Conshohocken, PA: ASTM International, 2011.

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9

Klöckl, Ingo. Chemie der Farbmittel: In der Malerei. Berlin: Walter de Gruyter GmbH & Co., KG, 2015.

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10

Kumar, Abhay. Brush with toxics: An investigation on lead in household paints in India. New Delhi: Toxics Link, 2007.

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11

Reilly, Brian Arthur. Structural analysis of the Paint Lake Deformation Zone, Northern Ontario. St. Catharines [Ont.]: Dept. of Earth Sciences, Brock University, 1987.

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12

State University College at Buffalo. Dept. of Art Conservation., ed. Molecular changes in egg tempera paint dosimeters as tools to monitor the museum environment. Amsterdam: FOM-Institute for Atomic and Molecular Physics, 2001.

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13

Parks, Bonnie Wehle. Aurora blue: Identifying and analyzing interior paint in an Oregon Utopia ca. 1870. Eugene, Oregon: Historic Preservation Program, School of Architecture and Allied Arts, University of Oregon, 1986.

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14

Gottschaller, Pia. Lucio Fontana: The artist's materials. Los Angeles: Getty Conservation Institute, 2012.

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15

State University College at Buffalo. Dept. of Art Conservation., ed. Molecular studies of asphalt, mummy and Kassel earth pigments: Their characterisation, identification and effect on the drying of traditional oil paint. [S.l: s.n.], 2004.

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16

Trąbska, Joanna. Mineralogical and chemical study of painting layers of medieval wall paintings from Poland: Studium mineralogiczno-chemiczne warstw malarskich średniowiecznych malowideł ściennych w Polsce. Kraków: Wydawn. Oddziału Polskiej Akademii Nauk, 2001.

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17

Muzeul Național al Satului "Dimitrie Gusti", ed. Centre de meșteri iconari din spațiul românesc: Specificitatea materialelor și tehinicilor de pictură = Centres of icon painting masters within the Romanian space : the specificity of the painting materials and techniques. Craiova: Editura Universitaria, 2011.

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18

Orti, Ma Angustias Cabrera. Los métodos de análisis físico-químicos y la historia del arte. Granada: Universidad de Granada, 1994.

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19

La pintura mural maya: Materiales y técnicas artísticas. Mérida: Universidad Nacional Autónoma de México, 2010.

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20

Kozlov, G. V. Structure and properties of particulate-filled polymer composites. Hauppauge, N.Y: Nova Science Publishers, 2009.

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21

Lucio Fontana: The artist's materials. Los Angeles: Getty Conservation Institute, 2012.

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22

Bice, Richard A. Indian mining of lead for use in Rio Grande glaze paint: Report of the AS-5 Bethsheba Project near Cerrillos, New Mexico. Albuquerque, NM: Albuquerque Archaeological Society, 2003.

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23

Paul, Riopelle Jean, Helwig Kate, and Poulin Jennifer 1982-, eds. Jean Paul Riopelle: The artist's materials. Los Angeles: Getty Conservation Institute, 2011.

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24

Inc, Baker Engineering NY. Historic structures report, including historic paint analysis: Darien Railroad Station ; upgrade seven railroad stations, New Haven Line, CT project no. 300-0035 ; prepared for Connecticut Department of Transportation. Rocky Hill, Conn: Baker Engineering, 1999.

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25

Lake, Susan. Willem de Kooning: The artist's materials. Los Angeles: Getty Conservation Institute, 2009.

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26

1904-1997, De Kooning Willem, and Schilling Michael (Michael Roy), eds. Willem de Kooning: The artist's materials. Los Angeles: Getty Conservation Institute, 2010.

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27

Schopenhauer and Adorno on bodily suffering: A comparative analysis. New York: Palgrave Macmillan, 2014.

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28

Enterprises, Marketdata. Chronic pain management programs: A competitive, demographic, and operational analysis. 6th ed. Tampa, Fla: Marketdata Enterprises, 2003.

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29

Overlach, Fabian. The Language of Pain – Talking about Pain. A Grammatic, Semantic and Coversational Analysis of Expressions of Pain in German. Berlin, New York: Walter de Gruyter, 2008. http://dx.doi.org/10.1515/9783110209396.

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30

Caffeine: Chemistry, analysis, function and effects. Cambridge, U.K: Royal Society of Chemistry, 2012.

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31

J, McQuay H., Kalso Eija 1955-, and Moore R. Andrew 1947-, eds. Systematic reviews in pain research: Methodology refined. Seattle: IASP Press, 2007.

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32

Gooch, Jan W. Analysis and deformulation of polymeric materials: Paints, plastics, adhesives, and inks. New York: Plenum Press, 1997.

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33

Golton, WC, ed. Analysis of Paints and Related Materials: Current Techniques for Solving Coatings Problems. 100 Barr Harbor Drive, PO Box C700, West Conshohocken, PA 19428-2959: ASTM International, 1992. http://dx.doi.org/10.1520/stp1119-eb.

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34

Dietrich, Roger. Paint Analysis. Vincentz Network, 2021. http://dx.doi.org/10.1515/9783748604358.

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35

Seihin Hyōka Gijutsu Kiban Kikō. Kagaku Busshitsu Kanri Sentā., ed. Toryō (kateiyō). Tōkyō: Seihin Hyōka Gijutsu Kiban Kikō Kagaku Busshitsu Kanri Sentā, 2008.

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36

C, Golton William, ed. Analysis of paints and related materials: Current techniques for solving coatings problems. Philadelphia, PA: ASTM, 1992.

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37

Seihin Hyōka Gijutsu Kiban Kikō. Kagaku Busshitsu Kanri Sentā., ed. Toryō (kateiyō). Tōkyō: Seihin Hyōka Gijutsu Kiban Kikō Kagaku Busshitsu Kanri Sentā, 2008.

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38

Weldon, Dwight G. Failure Analysis of Paints and Coatings. Wiley, 2001.

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39

Weldon, Dwight G. Failure Analysis of Paints and Coatings. Wiley & Sons, Incorporated, John, 2009.

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40

ASTM Committee E-6 on Performance of Buildings., ed. ASTM standards on lead-based paint abatement in buildings. Philadelphia, PA: ASTM, 1994.

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41

American Society for Testing and Materials., ed. ASTM standards on lead hazards associated with buildings. West Conshohocken, PA: ASTM, 1998.

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42

Koleske, J. V. Paint and Coating Testing Manual: Fourteenth Edition of the Gardner-Sward Handbook (Astm Manual Series). ASTM International, 1995.

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43

Instituto Nacional de Artes Plásticas (Brazil), ed. Materiais de arte no Brasil: Análise das tintas a óleo. Rio de Janeiro, RJ: FUNARTE, Instituto Nacional de Artes Plásticas, 1985.

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44

1930-, Koleske J. V., ed. Paint and coating testing manual: Fourteenth edition of the Gardner-Sward handbook. Philadelphia, PA: ASTM, 1995.

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45

Brian, Caddy, ed. Forensic examination of glass and paint: Analysis and interpretation. New York: Taylor & Francis, 2001.

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46

John, Brezinski J., ed. Manual on determination of volatile organic compounds in paints, inks, and related coating products. Philadelphia, PA: ASTM, 1989.

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47

John, Brezinski J., ed. Manual on determination of volatile organic compound (VOC) content in paints, inks, and related coating products. 2nd ed. Philadelphia, PA: ASTM, 1993.

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48

Data analysis of lead in soil and dust. Washington, D.C: U.S. Environmental Protection Agency, Office of Pollution Prevention and Toxics, 1993.

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49

A Comparative Analysis of Two Alternatives to Chemical Aircraft Paint Stripping. Storming Media, 1996.

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50

Caddy, Brian. Forensic Examination of Glass and Paint: Analysis and Interpretation (Taylor & Francis Forensic Science Series). CRC, 2001.

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