Log in

Relevant bibliographies by topics / Painted music / Books

To see the other types of publications on this topic, follow the link: Painted music.

Books on the topic 'Painted music'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Painted music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Mills, Judith Christine. The painted chest. Key Porter Kids, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Goswamy, B. N. Painted visions: The Goenka collection of Indian paintings. Lalit Kala Akademi, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Rael, Joseph. Sound: The native teachings & visionary art of Joseph Real (Beautiful Painted Arrow). Council Oak Books, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

ill, Vitale Stefano, ed. There was an old man who painted the sky. Henry Holt, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Olson, Pat. Love is the music of Christmas: Easy to paint designs. Herr Publications, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

1969-, Masiewicz Krzysztof, and Wróblewski Andrzej 1927-1957, eds. Sztuka musi działac!: Rozmowy o Andrzeju Wroblewskim. 40 000 Malarzy, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ordrupgaardsamlingen, ed. Delacroix: The music of painting. Ordrupgaard, in collaboration with Rhodos, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Bicskei, Zoltán. Jazz, improvizovana muzika-- Kaniža = improvizatív zene-- Kanizsa = improvisative music--: & in memoriam Dobó Tihamér. Forum, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Museum, Angelika Kauffmann, and Förderverein "Freunde Angelika Kauffmann Museum Schwarzenberg.", eds. Angelika Kauffmann: Zwischen Musik und Malerei. Bucher Verlag, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Rockenbauer, Zoltán. Kotta és paletta: Művek, művészek, múzsák. Corvina, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Chick, Stevie. Spray paint the walls: The story of Black Flag. PM Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Tang shi ren jia: Tang Xiaodan he ta de liang ge er zi. Fu dan da xue chu ban she, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Dérose, Ansy. Ansy Dérose: Immortel : dix ans après--. Les Productions Yole Dérose, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

CD recordable solutions: Customize and burn music, video, and data CDs. Muska & Lipman, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

1895-1965, Kontoglou Phōtēs, ed. Meetings with Kontoglou: Enlightening, lively discussions on Byzantine iconography and music, diverse writers, philosophers and theologians, and contemporary events and trends, between the author and the great icon painter, writer, and philosopher Photios Kontoglou. Institute for Byzantine and Modern Greek Studies, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

1948-, Phillips Charles, ed. Passion by design: The art and times of Tamara de Lempicka. Abbeville Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Kizette, De Lempicka-Foxhall. Passion by design: The art and times of Tamara de Lempicka. Abbeville Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Kizette, De Lempicka-Foxhall. Passion by design: The art and times of Tamara de Lempicka. Abbeville Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Delacroix, Eugène. Delacroix: Moroccan journey, watercolours = Delacroix : Marokkoreise, Aquarelle. Bibliothèque de l'image, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Delacroix, Eugène. Delacroix: The late work. Thames and Hudson, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Galeries nationales du Grand Palais (France), Philadelphia Museum of Art, and Réunion des musées nationaux (France), eds. Delacroix: Les dernières années : Galeries nationales du Grand Palais, 7 avril-20 juillet 1998, Philadelphia Museum of Art, 10 septembre 1998-3 janvier 1999. Réunion des musées nationaux, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Arlette, Sérullaz, Galeries nationales du Grand Palais (France), and Philadelphia Museum of Art, eds. Delacroix: The late work. Philadelphia Museum of Art, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Delacroix, Eugène. Delacroix: The late work. Philadelphia Museum of Art, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Delacroix, Eugène. Delacroix. Télérama, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

D'Ancona, Mirella Levi. The choir books of Santa Maria degli Angeli in Florence. Centro Di, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Pollock, W. J. Slow strain rate testing of high strength low-alloy steels: A technique for assessing the degree of hydrogen embrittlement produced by plating processes, paint strippers and other aircraft maintenance chemicals. Dept. of Defence, Aeronautical Research Laboratories, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Eaton, Eddie. Eddie Eaton: In search of the California dream, from Houston, Texas to Richmond, California, 1943. Regional Oral History Office, Bancroft Library, University of California, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Boom, Michael. The Amiga: Images, sounds, and animation on the Commodore Amiga. Microsoft Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Shōriki Matsutarō: Akusen kutō. Nihon Tosho Sentā, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

MacCurdy, Edward, ed. The Notebooks of Leonardo Da Vinci: Arranged, Rendered into English, and Introduced by Edward MacCurdy. Konecky & Konecky, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

group), Grizzly Bear (Musical. Painted ruins. 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Bacharach, Burt, and Elvis Costello. Elvis Costello With Burt Bacharach: Painted from Memory : Piano/Vocal/Chords (Essential Groups & Artists). Alfred Publishing Company, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Paulo, Pinagé, and D'Alessio Vito 1965-, eds. Caiapó Metutire: Os guerreiros pintados de negro = the warriors painted in black. Dialeto, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Pinder, Kymberly N. Come unto me all ye that labour and are heavy laden. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039928.003.0003.

Full text

Abstract:

This chapter examines Frederick D. Jones's murals that form a central part of the media ministry of the First Church of Deliverance (FCOD). FCOD's charismatic founder Clarence Henry Cobbs was the forerunner of Billy Graham, Pat Robertson, and other notable megachurch televangelists of the last two decades. In 1934 he became one of the first African American church leaders to broadcast his sermons on the radio and in 1953 the very first to do so on television. In 1939 he commissioned the black architect Walter T. Bailey to renovate FCOD, a converted hat factory, and hired Jones to paint a set o

APA, Harvard, Vancouver, ISO, and other styles

35

Schmidt, John C. John Knowles Paine Vocal Chamber Music (Recent Researches in American Music). A-R Editions, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Curtis, Cathy. Black Mountain, Provincetown, and the Woman Paintings. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498474.003.0003.

Full text

Abstract:

In 1948, Willem de Kooning taught at the Black Mountain College summer session in Asheville, North Carolina. Elaine thrived in this experimental ambience. She worked on Buckminster Fuller’s first geodesic dome, studied with Josef Albers, and played the ingénue in The Ruse of Medusa, choreographed by Merce Cunningham, with music by Erik Satie played by John Cage. While Bill labored over his breakthrough painting Asheville, Elaine produced rhythmic abstractions on wrapping paper. That fall, he painted Woman, the first of his grotesque female figures. It is impossible to fully parse the real-life

APA, Harvard, Vancouver, ISO, and other styles

37

Zilczer, Judith. American Rhapsody. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.5.

Full text

Abstract:

The opening decades of the twentieth century saw painters renounce mimetic representation for the formal rigors and spiritual transcendence of visual art divorced from reproduction of the visible world. That they chose to do so in no small measure resulted from a profound shift in aesthetic values: music became the paradigm for visual art. While the concept of visual music gained international currency, this seductive aesthetic model had particular resonance in the United States. Between 1910 and 1930, leaders of the American avant-garde, such as Arthur Dove, Marsden Hartley, Georgia O’Keeffe,

APA, Harvard, Vancouver, ISO, and other styles

38

Pinder, Kymberly N. Urban Street Faith. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039928.003.0006.

Full text

Abstract:

This chapter examines contemporary black public art in Chicago, including Bernard Williams's black biblical figures in the apse of Saint Edmund's Episcopal Church. As a principal artist in the Chicago Public Art Group (CPAG), Williams has been the lead restorer for most of murals by William Walker. The Saint Edmund's committee directed the content of Williams's mural at the church in relation to the newly installed stained glass program of important black heroes. Father Richard Tolliver considered murals and stained glass an integral part of his revitalization of Saint Edmund's. Williams also

APA, Harvard, Vancouver, ISO, and other styles

39

(Editor), Jason Beard, ed. Film, Music and Novel. Booth-Clibborn, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Scheibitz, Thomas. Film, Music and Novel. Booth-Clibborn, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Mile, Five. Wiggles Paint with Water. Five Mile Australia, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

(Illustrator), Jane Johnson, and Carlos Ruvalcaba (Translator), eds. La Princesa y El Pintor / The Princess and the Painter (Art, Music and Theater). Tandem Library, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Dewan, Ted. Bing: Paint Day. HarperCollins Publishers, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Gelder, Dr Rosanna Van. Tin Pans, Rags & Grease Paint: A guide to collectible sheet music. Pro-Culture Editions, Inc., 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Greenland, Thomas H. Prologue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040115.003.0001.

Full text

Abstract:

This prologue describes the collaboration between New York City jazz musicians and audiences—during performances and elsewhere—that is essential for creating meaningful music and building cohesive communities. It argues that jazz audiences—whether they are amateur fans, music professionals, or, more often, some combination of both—are not passive “receivers” of music, but are in fact active performers. Although our attention is typically drawn to the onstage activities, the book suggests that jazz-making is better understood when we take into consideration active participants and the various v

APA, Harvard, Vancouver, ISO, and other styles

46

James McNeill Whistler and France a Dialogue in Paint Poetry and Music. Taylor & Francis Group, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Walden, Joshua S. Musical Portraits. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190653507.001.0001.

Full text

Abstract:

This book explores the wide-ranging but underexamined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot be depicted in sound, composers have experimented with methods of constructing other attributes of ident

APA, Harvard, Vancouver, ISO, and other styles

48

ICP: Behind the paint. [Psychopathic Records], 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Gann, Kyle. Who Could Speak If Every Word Had Meaning? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252035494.003.0006.

Full text

Abstract:

This chapter attempts to provide an overview of Atalanta (Acts of God) (1982–87), which comprises three operas. Each opera focuses on one “apple,” or character, in Ashley's reinterpretation of the ancient Greek myth. In Ashley's idiosyncratic cosmology, the three golden apples thrown in front of Atalanta are transformed into three characters: the great jazz pianist Bud Powell; Ashley's uncle Willard Reynolds, described by Ashley as a shaman or storyteller; and the surrealist painter (and Mimi Johnson's late uncle) Max Ernst. Max, Willard, and Bud represent three aspects of opera: image, narrat

APA, Harvard, Vancouver, ISO, and other styles

50

Dewan, Ted. Bing: Paint Day (Bing Bunny). David Fickling Books, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!