Relevant bibliographies by topics / Painters – England

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Painters – England'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Painters – England"

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TITTLER, ROBERT. "Rural Society and the Painters’ Trade in Post-Reformation England." Rural History 28, no. 1 (2017): 1–19. http://dx.doi.org/10.1017/s0956793316000121.

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Abstract:This article examines two opposing views on the role and presence of painters in post-Reformation rural England. The art historian William Gaunt concluded that painters simply ‘vanished’ from the local scene in their flight to London; the historical geographer John Patten saw non-agricultural workers in general flocking to the rural scene in the same era. Drawing on a database of over 2,600 working painters, the article explores the presence and role of the painters’ occupation in rural England between 1500 and 1640. It emphasises the painters’ accommodation to changing consumer deman
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Teukolsky, Rachel. "Modernist Ruskin, Victorian Baudelaire: Revisioning Nineteenth-Century Aesthetics." PMLA/Publications of the Modern Language Association of America 122, no. 3 (2007): 711–27. http://dx.doi.org/10.1632/pmla.2007.122.3.711.

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John Ruskin's Modern Painters V (1860) and Charles Baudelaire's “The Painter of Modern Life” (1863) are contemporaneous texts that both champion modern painters. Yet the two have rarely been considered together; while Ruskin's work is usually taken to represent a moralistic Victorianism, Baudelaire's essay is a foundational text of aesthetic modernism. This article compares the two texts in order to arrive at a more accurate, descriptive sense of nineteenth-century aesthetics, especially at the mid-century moment when “the modern” emerges as an aesthetic value in both England and France. Ruski
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Monod, Paul. "Painters and Party Politics in England, 1714-1760." Eighteenth-Century Studies 26, no. 3 (1993): 367. http://dx.doi.org/10.2307/2739409.

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Palmer, C. "Brazen Cheek: Face-Painters in Late Eighteenth-Century England." Oxford Art Journal 31, no. 2 (2008): 195–213. http://dx.doi.org/10.1093/oxartj/kcn014.

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Allen, Jane E., and Caroline F. Sloat. "Meet Your Neighbors: New England Portraits, Painters & Society, 1790-1850." Journal of the Early Republic 13, no. 2 (1993): 260. http://dx.doi.org/10.2307/3124095.

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Rollison, D. "ROBERT TITTLER. Portraits, Painters, and Publics in Provincial England, 1540-1640." American Historical Review 118, no. 2 (2013): 576–77. http://dx.doi.org/10.1093/ahr/118.2.576.

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Bushman, Claudia L., Richard L. Bushman, Jessica F. Nicoll, Jack Larkin, Elizabeth Mankin Kornhauser, and David Jaffee. "Meet Your Neighbors--New England Portraits, Painters, and Society, 1790- 1850." William and Mary Quarterly 50, no. 1 (1993): 235. http://dx.doi.org/10.2307/2947265.

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Rinck, Jonathan. ":Portraits, Painters, and Publics in Provincial England, 1540–1640." Sixteenth Century Journal 44, no. 2 (2013): 553–54. http://dx.doi.org/10.1086/scj24245154.

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CUMMINGS, HILDEGARD Z. "Meet Your Neighbors: New England Portraits, Painters, and Society, 1790-1850. An exhibition." Connecticut History Review 34, no. 1 (1993): 68–71. http://dx.doi.org/10.2307/44369362.

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Brighton, Trevor, and Brian Sprakes. "Medieval and Georgian Stained Glass in Oxford and Yorkshire. The Work of Thomas of Oxford (1385–1427) and William Peckitt of York (1731–95) in New College Chapel, York Minster and St James, High Melton." Antiquaries Journal 70, no. 2 (1990): 380–415. http://dx.doi.org/10.1017/s0003581500070840.

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In the story of the survival and revival of glass-painting in post-Reformation England, York and Oxford play a significant part. York was especially important because it supported three important artists who helped to maintain the city as a major glass-painting centre, namely Bernard Dinninckhoff (fl. 1585-c. 1620), Henry Gyles (1645–1709), and William Peckitt (1731–95). Oxford's part lay in its patronage of glass-painters. Various colleges patronized foreign and native artists, in particular Abraham and Bernard van Linge, Henry Gyles, William Price and William Peckitt.
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Dissertations / Theses on the topic "Painters – England"

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Reimer, Melissa. "Katherine Mansfield: A Colonial Impressionist." Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5289.

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This thesis considers Katherine Mansfield’s development as a writer in relation to late nineteenth and early twentieth century developments and trends in the visual arts in New Zealand, England and France. Mansfield’s notebooks, letters and stories evidence a definite response to developments in modern art and reveal that she aligned herself more closely with painters than with her literary colleagues; something Francis Carco hints at in his fictional account of her in Les Innocents (1916): he describes Mansfield as a predatory and exploitative woman with a detached manner, who “used him just
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Fuga, Béatrice. "Buona Novella, Cattiva Reputazione. Domesticating Matteo Bandello's Novelle in Early Modern England." Electronic Thesis or Diss., Paris 3, 2024. http://www.theses.fr/2024PA030021.

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Le répertoire des traductions anglaises d’œuvres en italien au début de la période moderne est vaste et hétérogène, notamment en raison de la circulation européenne des textes en langue vernaculaire. Publiés à peine dix ans après les Novelle (1554) de Matteo Bandello,The Palace of Pleasure (1566-1567) de William Painter et Certain Tragicall Discourses(1567) de Geoffrey Fenton peuvent être considérés comme des catalyseurs du développement de la fiction et du théâtre élisabéthains. Cependant, Fenton et Painter s'inscrivent dans un processus de traduction bien plus vaste, dont les précurseurs son
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Casaliggi, Carmen D. A. "Ruskin and Turner : a study of the literary and painterly significance of water, with particular reference to The Harbours of England." Thesis, University of Kent, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411942.

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Laycock, Kathleen Mary. "Out of obscurity: the artist Jane Maria Bowkett (1837-1891)." Thesis, 2006. http://hdl.handle.net/1828/2000.

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This thesis assembles a biographical portrait of the understudied Victorian figure painter Jane Maria Bowkett. I place Bowkett in the context of her family and London's nineteenth-century art world, a milieu in which professional identity and commercial success was determined by gender and class. As a professional artist. working for money, Bowkett contravened socially constructed ideals of feminine dependency. Through this study, I establish that little-known artists and commonplace pictures can contribute substantially to the historical record. Bowkett's paintings provide an untapped source
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Books on the topic "Painters – England"

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David, Jaffee, Larkin Jack 1943-, Kornhauser Elizabeth Mankin 1950-, Nicoll Jessica F, Sloat Caroline, and Old Sturbridge Village, eds. Meet your neighbors: New England portraits, painters, & society, 1790-1850. Old Sturbridge Village, 1992.

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2

F, Nicoll Jessica, and Sloat Caroline F, eds. Meet your neighbors: New England portraits, painters & society, 1790-1850. University of Massachusetts P., 1992.

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3

Kristiansen, Rolf H. Rediscovering some New England artists, 1875-1900: Biographies and memorabilia of some little known and forgotten master New England painters. Gardner-O'Brien Associates, 1987.

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4

Hugh, Fortmiller, ed. Loring W. Coleman: Living and painting in a changing New England : an autobiography. Hard Press Editions, 2011.

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Bailey, Martin. Young Vincent: The story of Van Gogh's years in England. W. H. Allen, 1990.

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Art, Philadelphia Museum of, ed. The Etching Club of London: A taste for painters' etchings. Philadelphia Museum of Art, 2002.

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Davenport, Will. The painter. Bantam Books, 2003.

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Huish, Marcus Bourne. The happy England of Helen Allingham. Bracken Books, 1985.

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Jane, Vickers, and Laing Art Gallery, eds. Pre-Raphaelites: Painters and patrons in the North East. Tyne and Wear Museums Service with assistance from the Paul Mellon Centre for Studies in British Art, 1989.

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Mosher, Donald Allen. The seasons of New England: Landscape paintings of Donald Allen Mosher. Commonwealth Editions, 2003.

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Book chapters on the topic "Painters – England"

1

Bullen, J. B. "J-B. M[anson], ‘Four Modern French Painters’." In Post-Impressionists in England. Routledge, 2024. http://dx.doi.org/10.4324/9781032699707-56.

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Bullen, J. B. "Frank Rutter, ‘Round the Galleries: The Futurist Painters’." In Post-Impressionists in England. Routledge, 2024. http://dx.doi.org/10.4324/9781032699707-63.

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Bullen, J. B. "C.J. Holmes, Introduction to Notes on the Post-Impressionist Painters." In Post-Impressionists in England. Routledge, 2024. http://dx.doi.org/10.4324/9781032699707-37.

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Partner, Jane. "The ‘Advice to a Painter’ Poems and the Politics of Visual Representation." In Poetry and Vision in Early Modern England. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71017-4_5.

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Strunck, Christina. "Londoner Reaktionen auf die Querelle des Anciens et des Modernes. John Evelyns Übersetzung von Fréart de Chambrays Parallèle, Christopher Wren, Antonio Verrio und das Royal Hospital in Chelsea (1682‒1689)." In Übersetzungspolitiken in der Frühen Neuzeit / Translation Policy and the Politics of Translation in the Early Modern Period. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-67339-3_14.

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ZusammenfassungThis article cites the example of the Royal Hospital in Chelsea endowed by King Charles II of England in 1681 to discuss interlingual, inter- and intramedial translations processes that apply not only to that hospital (a home for war veterans), but to the entire replanning of London after the major conflagration of 1666. John Evelyn’s English translation of the Parallèle de l’architecture antique et de la moderne by Roland Fréart de Chambray, published in 1664, forms a frame of reference enabling a more precise understanding of the guidelines of urbanist design and the character
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Sweetinburgh, Sheila. "‘To Move the Mind’: Scenes from Christ’s Life on Faversham’s Painted Pillar." In Devotional Culture in Late Medieval England and Europe. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.mcs-eb.5.103042.

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Evans, Dorinda. "1. A Secret Inheritance." In William Rimmer. Open Book Publishers, 2022. http://dx.doi.org/10.11647/obp.0304.01.

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Chapter one gives an overall view of William Rimmer's life, how he was perceived, and the impact of family mental illness on his life and reputation. Not only was Rimmer a bipolar artist but also his father mistakenly claimed to be the heir to the French throne, the missing Dauphin. Rimmer tried to make a living as a printmaker, a painter, and a sculptor. He also became a physician and an instructor in art anatomy. This last occupation provided his chief source of income. Self-taught and a Bostonian, he strayed outside of New England only to teach in New York at the Cooper Union School of Desi
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Tittler, Robert. "Provincial Painters." In Portraits, Painters, and Publics in Provincial England, 1540-1640. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:osobl/9780199585601.003.0004.

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Tittler, Robert. "Painters’ Resources." In Portraits, Painters, and Publics in Provincial England, 1540-1640. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:osobl/9780199585601.003.0005.

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"Glass Painters." In Painting for a Living in Tudor and Early Stuart England. Boydell & Brewer Ltd, 2022. http://dx.doi.org/10.2307/j.ctv24tr6v2.13.

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Conference papers on the topic "Painters – England"

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Bayer, George T., Mehrooz Zamanzadeh, Anil Kumar Chikkam, and Aaron Ulmer. "Investigation of Painted Steel Piles at a Marine Commerce Terminal in Coastal New England." In CONFERENCE 2023. AMPP, 2023. https://doi.org/10.5006/c2023-18780.

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Abstract This case study presents the results and conclusions of an investigation of painted steel piles at a marine commerce terminal in coastal New England, including a review of relevant engineering specifications and other documents, an on-site field investigation, and laboratory analysis of samples collected. A review of specifications showed that the specifications approved for the paint system were inadequate for long term service without using cathodic protection. No cathodic protection was placed on the back side of piles and should be extended to back side for corrosive soil exposure
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Lewcock, Andrew, Colette Grundy, Catherine Shaw, Paddy Copeland, and Duncan Jackson. "Managing the Removal of Radioactive Materials Found in Public Locations." In ASME 2009 12th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2009. http://dx.doi.org/10.1115/icem2009-16032.

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Managing the removal of Radioactive Materials found in public locations. In January 2006 the Environment Agency for England and Wales requested assistance in preparing a project to plan, collect and safely dispose of radium painted aluminium aircraft hatches, discovered in 3 separate business premises in the UK. These World-War Two aircraft hatches had been marked with radium “luminous” paint, to guide crew in the dark to the escape exits if they needed to bale out. The hatches had been stored since the early 1960s in one location, with some of the inventory being moved two other locations in
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