Academic literature on the topic 'Painters – Finland'

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Journal articles on the topic "Painters – Finland"

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Pfäffli, Heidi. "”När detta Lijf förgår / Ett Nytt jag igän får”. Daniel Hjulströms målningar i det Grotenfeltska gravkapellet i Jorois, Savolax, Finland." ICO Iconographisk Post. Nordisk tidskrift för bildtolkning – Nordic Review of Iconography, no. 3-4 (April 8, 2025): 7–41. https://doi.org/10.69945/20243-427719.

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“When this Life ends / A new one I will gain”. Daniel Hjulström’s paintings in the Grotenfelt family’s burial chapel in Jorois, Savonia, Finland Abstract: The article focuses on the Swedish artisan painter Daniel Hjulström (1703–1787) and his decorations in the Grotenfelt family’s burial chapel in Jorois, Northern Savonia (Finland). It was built in the 1770s (possibly in 1776) and its walls and ceiling were painted by Hjulström with a variety of plant motifs combined with quotations from the Bible. Five walls have representations of the four seasons – spring, summer, fall and two winter scenes
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Joy, Francis. "To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland." Polar Record 50, no. 1 (2013): 108–11. http://dx.doi.org/10.1017/s0032247413000351.

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ABSTRACTResearch undertaken between 1960 to 1990 into what was once a rock painting tradition in Finland, lacked a clear understanding of parallels between the painted figures found at rock painting locations in the southern and central areas of the country, and the motifs painted on the heads of Sámi shaman divination drums from Lapland. However, due to the discovery and analysis of the content of more rock painting sites in Finland from 1990 up to the present, a more comprehensive framework has emerged in which scholars from across different academic disciplines have discovered many more sim
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Gutman, Laura. "Werner von Hausen and Emile Bernard." Tahiti 13, no. 2 (2023): 71–85. http://dx.doi.org/10.23995/tht.137442.

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Werner von Hausen met Emile Bernard in Cairo in 1895, in Laren (Netherlands) in 1906, and again in Paris in 1906–1908. Evidence of these encounters is found in portraits, press articles and in the artists’ correspondence. These scattered fragments contain hitherto unknown biographical elements and make it possible to reconstruct a major influence on the artistic production and thought of the Finnish painter. Werner von Hausen thus turns out to be a protagonist of Antimodernism in Finland, a classical painter and author of memoirs, reviews and a manifesto defending a vision of art that did not
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Joy, Francis. "Noaidi drums from Sápmi, rock paintings in Finland and Sámi cultural heritage – an investigation." Polar Record 53, no. 2 (2017): 200–219. http://dx.doi.org/10.1017/s0032247416000917.

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ABSTRACTA new, extensive examination of figures with horns and triangular shaped heads in prehistoric rock paintings in Finland reveals remarkable parallels with similar attributes on the Radien and Akka groups of spirits, pictured as male and female powers of the sky, earth and underworld, painted on the heads of indigenous Sámi noaidi drums from Swedish and Norwegian Sápmi during the seventeenth and eighteenth centuries. What makes this particular study of interest is that the cultural context or origins of rock paintings in Finland remains ambiguous. They are contextualised as being ‘Finnis
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Kondakova, Olga N. "ALEXEY PETROVICH BOGOLYUBOV. HALF A CENTURY IN THE SERVICE OF THE NAVAL MINISTRY." History and Archives, no. 2 (2022): 117–35. http://dx.doi.org/10.28995/2658-6541-2022-2-117-135.

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The purpose of the study, carried out on the basis of numerous unpublished documents, is to present the various useful activities of Alexei Petrovich Bogolyubov, a painter and an Actual State Councilor in the Naval Ministry. A.P. Bogolyubov began his service as a midshipman on January 8, 1841, and worked actively in the Naval Ministry for about 55 years. More than 90 documents from various funds were found in the Russian Archives of the Navy, including the artist’s autographs. The recently discovered album of original drawings made by the artist in 1862 and 1864 is of greatest value. Professor
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Takanen, Ringa. "Religious Affects and Female Subjects in the Altarpieces of the Finnish Artist Alexandra Frosterus-Såltin." Temenos - Nordic Journal of Comparative Religion 56, no. 2 (2020): 201–26. http://dx.doi.org/10.33356/temenos.82534.

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Before the mid-nineteenth century there were few subjects in the altarpiece tradition of the Evangelical Lutheran Church of Finland in which the central figures accompanying Christ were female. Seldom used or new motifs involving female characters now emerged behind the altar. Most of the altarpieces with central women figures were painted in Finland at the turn of the twentieth century by the artist Alexandra Frosterus-Såltin (1837–1916). In the nineteenth century Frosterus-Såltin was the only artist in Finland who realized the motif of ‘Christ Appearing to Mary Magdalene’ in her altarpieces.
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Rosales Rodríguez, Agnieszka. "Ferdynand Ruszczyc: A Polish Painter at the Crossroads of Cultures." Arts 12, no. 6 (2023): 232. http://dx.doi.org/10.3390/arts12060232.

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The oeuvre of beloved Polish painter Ferdynand Ruszczyc (1870–1936) reflected the patriotic Neo-Romantic landscape trend of the fin-de-siècle prevalent in Germany and the Nordic countries (Denmark, Finland, Norway, Sweden). It should be considered in the context of Nordic visual culture for two reasons: (1) until the affiliation of Central and Eastern European nations with the Soviet Union in the wake of World War Two, nations bordering the Baltic formed a single, fluid territory of cultural exchange, and (2) Ruszczyc’s oeuvre displays significant commonalities with dominant patriotic and Neo-
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Sakki, Inari, Eemeli Hakoköngäs, and Katarina Pettersson. "Past and Present Nationalist Political Rhetoric in Finland: Changes and Continuities." Journal of Language and Social Psychology 37, no. 2 (2017): 160–80. http://dx.doi.org/10.1177/0261927x17706945.

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This article focuses on nationalist political rhetoric in two historical periods in Finland. We analysed the rhetorical changes and continuities in anticommunist newspaper articles from the past (1930s) and in anti-Islam blogs in the present (2010s). We identified two similar discourses in the political rhetoric of both eras, each discourse constructed around two different Others: the external Other, the stranger from the outside world, and the internal Others, those within our own society. Our analysis identified some significant differences pertaining to the form of the rhetoric in the two s
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Stauning, P. "Danish auroral science history." History of Geo- and Space Sciences 2, no. 1 (2011): 1–28. http://dx.doi.org/10.5194/hgss-2-1-2011.

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Abstract. Danish auroral science history begins with the early auroral observations made by the Danish astronomer Tycho Brahe during the years from 1582 to 1601 preceding the Maunder minimum in solar activity. Included are also the brilliant observations made by another astronomer, Ole Rømer, from Copenhagen in 1707, as well as the early auroral observations made from Greenland by missionaries during the 18th and 19th centuries. The relations between auroras and geomagnetic variations were analysed by H. C. Ørsted, who also played a vital role in the development of Danish meteorology that came
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Eskola, J., and K. Poikolainen. "Seasonal Variation and Recurring Peaks of Reported Poisonings During a 3-year Period." Human Toxicology 4, no. 6 (1985): 609–15. http://dx.doi.org/10.1177/096032718500400607.

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1 Seasonality of poisonings was studied among 28 692 cases reported during the years 1980-1982 in Finland with special reference to recurring peak months over years. Poisonings predominated in the summer. For all age-groups peaks of envenomations, plant poisonings and pesticide poisonings recurred between June and September. 2 Among children aged 0-6 years, there were in addition recurrent peaks in poisonings by tobacco between June and August, by corrosive agents in September and by vitamins, trace elements and external medicines in October. Among children aged 7-15 years, fertilizer poisonin
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Books on the topic "Painters – Finland"

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1865-1931, Gallen-Kallela Akseli, Sivén Douglas, Bosley Keith, and Satu Salo, eds. Akseli Gallen-Kallela, national artist of Finland. Watti-Kustannusoy, 1985.

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taidemuseo, Amos Andersonin, and Waldemarsudde (Museum : Djurgården, Stockholm, Sweden), eds. Bilder från Finland: Land och folk. Finska litteratursällskapet, 2008.

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Käyhkö, Unto. Painted and photographed portraits in Finland, 1839-1870. University of Jyväskylä, 1995.

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Lauri Laine. Parvs Publishing, 2009.

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Akseli Gallen-Kallela: The spirit of Finland. NAi Publishers, 2005.

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Jackson, David, Janne Gallen-Kallela-Siren, Adriaan Van Der Hoeven, Patty Wageman, and Akseli Gallen-Kallela. Akseli Gallen-Kallela: The Spirit of Finland. NAi Publishers, 2007.

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Forecasts for Imported Pig Iron Cast Iro, Related Materials Research Group, and Paints Varnishes The Pigments. The 2000 Import and Export Market for Pigments, Paints, Varnishes and Related Materials in Finland (World Trade Report). 2nd ed. Icon Group International, 2001.

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Book chapters on the topic "Painters – Finland"

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Gröndahl, Laura. "Looking for early set painters in Finland." In The Art and Occupation of Stage Design in Finnish Theatres. Routledge, 2024. http://dx.doi.org/10.4324/9781003386988-2.

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Järvinen, Sami O. "Cautious Data-Driven Evolution: Defence AI in Finland." In Contributions to Security and Defence Studies. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-58649-1_6.

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AbstractFinland has ambitious civilian AI goals and a highly ranked research and education system, but defence AI policies are somewhat less ambitious. Defence AI was first piloted for support functions, followed by applications in military capabilities now emerging in various R&D projects. The Finnish Defence Forces (FDF) lists AI as a priority research area with use cases identified in virtually all areas of defence. AI’s disruptive impact is already visible on the battlefield in autonomous systems, and a further revolution may emerge through dynamic electromagnetic spectrum management.
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"JOHNSTON, James Finlay Weir (1796–1855)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-908.

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"FINLAY, William George Knox (c. 1895–1970)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-580.

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"KNOX F1NLAY see Finlay, W.G.K. KNYFF, Leonard (1650–1721)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-955.

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