Log in

Relevant bibliographies by topics / Painting and photography

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Painting and photography'

Author: Grafiati

Published: 11 December 2022

Last updated: 25 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Painting and photography.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Painting and photography"

1

Ogden, Kate Nearpass. "Musing on Medium: Photography, Painting, and the Plein Air Sketch." Prospects 18 (October 1993): 237–81. http://dx.doi.org/10.1017/s0361233300004920.

Full text

Abstract:

The relationship of photography and painting has greatly intrigued art historians in recent years, as has the uneasy status of photography as “art” and/or “documentation.” An in-depth study of 19th-century landscape images suggests two new premises on the subject: first, that opinions differed on photography's status as an art in the 19th Century, just as they differ today; and, second, that the landscape photograph is more closely related to the plein air oil sketch than to the finished studio easel painting. For ease of comparison, the visual material used here will consist primarily of land

APA, Harvard, Vancouver, ISO, and other styles

2

Sawant, Shukla. "The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”." BioScope: South Asian Screen Studies 8, no. 1 (2017): 1–29. http://dx.doi.org/10.1177/0974927617700768.

Full text

Abstract:

This essay examines the interface between the indexical and the gestural, through the practice of early twentieth-century painters active in the Bombay Presidency and adjoining princely states such as Kolhapur and Aundh. It draws upon archival materials such as biographies, memoirs, and photographs documenting artists at work in the studio, as well as remains of posed photographs that were produced as aide-mémoire for paintings. It throws light on the fraught place of photography as aesthetic practice in the art academy, its association with colonial protocols of scientific accuracy, capture a

APA, Harvard, Vancouver, ISO, and other styles

3

Nugent, Gabriella. "From Camera to Canvas." Nka Journal of Contemporary African Art 2020, no. 47 (2020): 82–93. http://dx.doi.org/10.1215/10757163-8719668.

Full text

Abstract:

This article explores the entanglement of Congolese popular painting with photography through the case of Patrice Lumumba, the first democratically elected prime minister of the Democratic Republic of Congo, who was assassinated in 1961. Lumumba’s final public appearance was immortalized in a series of photographs and newsreel footage that was disseminated around the world. The author contends that the events thereafter are frequently envisioned by Congolese popular painting, as it takes over from the operations of the camera in an era largely defined by the photographic. The article suggests

APA, Harvard, Vancouver, ISO, and other styles

4

Sweet, David. "Before and after photography." Journal of Contemporary Painting 7, no. 1 (2021): 163–75. http://dx.doi.org/10.1386/jcp_00029_1.

Full text

Abstract:

The challenge posed to nineteenth-century painting is placed in the context of current uncertainties about artificial intelligence. It is argued that at the centre of photography was an ‘artificial retina’, generating a highly unified pictoriality. Impressionism adopts this retinal or optical model. Before photography paintings were organized around perspective, allowing more spatial drama. However, perspective is also an example of artificial intelligence, based on eyesight. Cézanne disrupts the unity of Impressionism reintroducing elements of the pre-photographic, combining two scopic regime

APA, Harvard, Vancouver, ISO, and other styles

5

París Romia, Gemma. "Arte como Simulacro de una Realidad Lejana en la Obra de Gerhard Richter." Barcelona Investigación Arte Creación 8, no. 2 (2020): 101. http://dx.doi.org/10.17583/brac.2020.3580.

Full text

Abstract:

This paper investigates the links that the artist Gerhard Richter establishes between photography and painting throughout his artistic career, initiated on 60ths. Since then, Richter's goal has been to build images, whether pictorial or photographic, whether blurry or sharp, geometric, abstract or figurative. The world that Richter paints is made up of banal situations, by anonymous people, by familiar landscapes, and that makes us feel comfortable as spectators, because it seems that Richter is creating a file of known places, moments with which we can connect from our subjectivity. Most part

APA, Harvard, Vancouver, ISO, and other styles

6

Bozhko, E. M., and M. V. Spornik. "VALUE OF ARTIFICAL EDUCATOIN FOR ARCHITECTURAL LANDSCAPE AT THE MODERN STAGE." Regional problems of architecture and urban planning, no. 14 (December 29, 2020): 160–66. http://dx.doi.org/10.31650/2707-403x-2020-14-160-166.

Full text

Abstract:

Analyzing relevant and informative sources for acquaintance with modern fine art, catalogs of various art exhibitions, article questions and problems associated with the creation of architectural and landscape compositions are considered from a practical point of view. A significant role in art belongs to the architectural landscape, as a genre variety. Promising types of cities - Veduta (A. Canaletto, V. Bellotto) have become separate types of architectural landscape. The genre of painting is the Veduta, which developed in the eighteenth century in Venice. This is an image of views of the cit

APA, Harvard, Vancouver, ISO, and other styles

7

Forgács, Éva. "“This Is the Century of Light”: László Moholy-Nagy’s Painting and Photography Debate in i 10, 1927." Leonardo 50, no. 3 (2017): 274–79. http://dx.doi.org/10.1162/leon_a_01425.

Full text

Abstract:

The emergence in the 1920s of the idea that photography could be a full-fledged form of artistic expression—rather than mere mechanical imaging—led artists and art experts alike to wrestle with the question: What exactly constitutes art? Photography now challenged painting, both figurative and abstract, and as photography’s many previously unsuspected potentials were revealed and explored, artists and experts felt an urgency to articulate photography’s relationship to the concept of art. Invested in photography and ever the advocate of a new innovative medium and genre, László Moholy-Nagy want

APA, Harvard, Vancouver, ISO, and other styles

8

Susanto, Andreas Arie. "Fotografi adalah Seni: Sanggahan terhadap Analisis Roger Scruton mengenai Keabsahan Nilai Seni dari Sebuah Foto." Journal of Urban Society's Arts 4, no. 1 (2017): 49–60. http://dx.doi.org/10.24821/jousa.v4i1.1484.

Full text

Abstract:

Tulisan ini bertujuan untuk menyanggah argumentasi Roger Scruton mengenai keabsahan nilai seni dari sebuah foto. Scruton berpendapat bahwa fotografi bukanlah karya seni. Fotografi hanyalah sebuah tindakan mekanis dalam menghasilkan suatu gambar, bukan representasi melainkan hanyalah peristiwa kausal, bukan gambaran imajinasi, tetapi hanya kopian. Fotografi mengandaikan adanya kemudahan dalam penciptaan seni. Pernyataan Scruton semakin dikuatkan dengan fenomena perkembangan teknologi yang sudah melupakan sisi estetis dan hanya berpasrah sepenuhnya pada tindakan mesin. Penekanan berlebihan terha

APA, Harvard, Vancouver, ISO, and other styles

9

Sharma, Yam Prasad. "Contemporary Nepali Arts: Blurring the Boundaries among Art Genres." Curriculum Development Journal, no. 42 (December 4, 2020): 48–56. http://dx.doi.org/10.3126/cdj.v0i42.33212.

Full text

Abstract:

Some contemporary Nepali artworks have blurred the boundaries among different art genres like sculpture, painting, music, drama, photography and literature. In a single artwork, we can view the elements of two or more art forms. Three dimensional real objects are put on the two dimensional surface like canvas. Three dimensions are the special characteristics of sculpture whereas there are only two dimensions in painting. Three dimensions in the painting are illusions created by the use of light and shade, and gradation of colors. Artists use photographs and paintings simultaneously in the same

APA, Harvard, Vancouver, ISO, and other styles

10

Currie, Gregory. "Photography, Painting and Perception." Journal of Aesthetics and Art Criticism 49, no. 1 (1991): 23. http://dx.doi.org/10.2307/431646.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Painting and photography"

1

Smith, Timothy J. "At the Intersection of Painting and Photography." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343806810.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ito, Atsuhide. "Separate landscape : non-place, aesthetics and landscape on the Tōkaidō Route, Japan." Thesis, University of Brighton, 2007. https://research.brighton.ac.uk/en/studentTheses/022fc32a-3aa4-451e-8fb8-7941389e7e6e.

Full text

Abstract:

Separate landscape is a research that combines a theory and practice through the examination of 'non-place'. Non-places such as airports, waiting lounges, car parks, shopping malls have been defined as places which lack a sense of history, social relations, and identity.

APA, Harvard, Vancouver, ISO, and other styles

3

Sakoda, Maho. "George Eliot and Pre-Raphaelitism : literature, painting, sculpture and photography." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/64074/.

Full text

Abstract:

This thesis explores the multi‐layered inter-relationships between the works of George Eliot and those of the Pre‐Raphaelites. Taking up the very different mediums of painting, sculpture, and photography as they emerge in Pre‐Raphaelitism, it assesses their relation to Eliot's novels as reinforcing a web of Victorian visual art and literature. The discussion begins by examining proximities between the paintings of Dante Gabriel Rossetti and Eliot's Adam Bede and Daniel Deronda. I explore, in particular, their shared interest in dichotomies of female representation in the nineteenth century, an

APA, Harvard, Vancouver, ISO, and other styles

4

Thoma, Andrea. "Thought dwellings : time and space in painting, photography and video." Thesis, University of Leeds, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.658561.

Full text

Abstract:

The practical and theoretical research of this PhD examines the complexities of time-space relations in painting, photography and video. The aim of this study has been to develop a body of work that generates an increased awareness of how the juxtaposition of diverse fine art media can contribute to a differentiated appreciation of the time-space relation. Further objectives were to explore how the dichotomy of absence (of figuration) and presence (of figurative elements) can inform reflections on place relating to Martin Heidegger's 'Dasein' as being-in-the-world and Gilles Deleuze and Felix

APA, Harvard, Vancouver, ISO, and other styles

5

Yarnold, Andrew. "Aura, craft and labour : the critical dialogue between photography and painting." Thesis, University of Wolverhampton, 2009. http://hdl.handle.net/2436/84516.

Full text

Abstract:

From the closing decades of the twentieth century, the philosophy of Walter Benjamin has been readily employed by academics seeking to legitimate lens-based art as critical practice and challenge the ideals of high modernism. Yet this situation has engendered a compulsion to read Benjamin as a harbinger of post-modernism, a tendency responsible for severe miss-interpretations of his work. This is most evident in accounts of arguably his most famous thesis: the philosophy of the aura. For scholars aiming to renounce autonomy, originality and genius in artistic labour, Benjamin’s reading of the

APA, Harvard, Vancouver, ISO, and other styles

6

Hajela, Christie. "Painting Photography: Robert Bechtle and the Critical Legacy of 1960s Photorealism." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19335.

Full text

Abstract:

In the early 1970s, New York gallerist Louis K. Meisel devised a formal set of criteria to identify a group of artists he referred to as Photorealists. Despite the serious limitations of Meisel’s initial formulation, his criteria for assessing what constitutes Photorealism continue to dominate the critical discourse surrounding this artistic approach. This thesis revisits the critical legacy of 1960s Photorealism through a case study of artist Robert Bechtle and, in contrast to Meisel, identifies Bechtle’s work as deeply informed by other contemporary artists engaged with photographic imager

APA, Harvard, Vancouver, ISO, and other styles

7

Boasso, Lauren. "Viewing Victorian Prisoners: Representations in the Illustrated Press, Painting, and Photography." VCU Scholars Compass, 2016. https://scholarscompass.vcu.edu/etd/4087.

Full text

Abstract:

Victorian prisoners were increasingly out of sight due to the ending of public displays of punishment. Although punishment was hidden in the prison, prison life was a frequent subject for representation. In this dissertation, I examine the ways Victorian illustrated newspapers, paintings, and photographs mediated an encounter with prisoners during a time when the prison was closed to outsiders. Reports and images became a significant means by which many people learned about, and defined themselves in relation to, prisoners. Previous scholarship has focused on stereotypes of prisoners that defi

APA, Harvard, Vancouver, ISO, and other styles

8

Gaskins, William G. "On the relationship between photography and painting in Australia, 1839-1900." Thesis, Gaskins, William G. (1991) On the relationship between photography and painting in Australia, 1839-1900. PhD thesis, Murdoch University, 1991. https://researchrepository.murdoch.edu.au/id/eprint/52768/.

Full text

Abstract:

The change from symbolism to imitative art in the late medieval period, and the confirmation of this in post- Renaissance art and art philosophy, served as a paradigm for painters until the mid nineteenth century. The pursuit of supreme objectivity in art, as seen through the camera obscura together with the questioning of the prevailing notions concerning the origins of natural phenomena, inevitably led to a reappraisal of what constituted 'beauty'. The birth of aesthetics endorsed the position of art as the most important medium of representation of the natural wilderness as the handiwork of

APA, Harvard, Vancouver, ISO, and other styles

9

Hawker, Rosemary. "Blur : Gerhard Richter and the photographic in painting /." [St. Lucia, Qld.], 2006. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe20106.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Burke, Linda. "Transience." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/2988.

Full text

Abstract:

Lightness and darkness pervades much of my work which is visible in images of abandoned, secluded spaces. Light symbolizes hope and joy. It can also reference the spiritual connotation of new life as well as the end of life. The physical movement of light, its ephemeral quality, and its reflectivity is the deciding factor in my choice for using a camera without a lens and using traditional painting techniques. In my photographic mixed media work, I am drawn to the unique qualities of the pinhole camera, the exposure of light on the surface of film yields imagery that blurs the line between

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Painting and photography"

1

Painting, photography, film. MIT Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Moholy-Nagy, László. Painting, photography, film. Lund Humphries, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Moholy-Nagy, László. Painting, photography, film. MIT Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Painting and photography, 1839-1914. Flammarion, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Art and photography. Penguin Books, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Joerg, Miedza, and Rossbach G. (Gerhard), eds. Painting With Light: Light Art Performance Photography. Rocky Nook, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

d'Orsay, Musée. Dreams & reality: Masterpieces of painting, drawing & photography. National Museum of Singapore, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Painting with light. University of California Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Roegiers, Patrick. Magritte and photography. Ludion, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

David Deutsch: Paintings and photographs. Twin Palms publishers, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Painting and photography"

1

Hood, Stephanie L. "Science, Photography, and Objectivity? Exploring Nineteenth-Century Visual Cultures through the HMS Challenger Expedition (1872–1876)." In Scientific Visual Representations in History. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11317-8_9.

Full text

Abstract:

AbstractPreparing to set off from England in 1872 on an oceanographic expedition around the globe, the officers and crew of HMS Challenger gathered on board the ship for a photographic portrait. It was one of the first photographs of crew on a scientific voyage of exploration ever taken. Over eight hundred photographs were taken or acquired on the Challenger in addition to drawings and paintings. This chapter uses these photographs to reexamine Daston and Galison’s theory that photography was successful in nineteenth-century science on account of its perceived “objectivity” as an epistemic ideal. The chapter first outlines the history and historiography of photography and of the Challenger expedition, proceeding to outline photographic practices on the voyage, and evaluating the photographs’ place within longer aesthetic traditions. It then examines the Challenger photographs’ circulation and use in its official scientific report, and in wider scientific contexts. The chapter finally analyzes the photographs’ personal, and then broader public, economic, and political circulation and uses. It concludes by arguing that drawing and painting were the preferred scientific visual strategies on the Challenger, indicating that photography was not preferred on account of its perceived “objectivity” for science. Instead, photographs afforded other benefits such as speed of capture, replicability, and adaptability—for economic, social, and political use as well as scientific. Photography was therefore an effective visual strategy not on account of its perceived scientific “objectivity” but due to its flexibility, which corresponded to the expedition’s scientific aims as well as its broader economic, social, and political context.

APA, Harvard, Vancouver, ISO, and other styles

2

Ryall, Tom. "Film Noir, American Painting and Photography." In A Companion to Film Noir. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118523728.ch10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Soukup, Martin. "Visuality and Anthropology: Drawings, Painting, Photography, and Movie." In The Palgrave Handbook of the History of Human Sciences. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-15-4106-3_24-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Shiming, Zhang. "Painting and Photography in Foreigners’ Construction of an Image of Qing Dynasty Law." In Law, Resources and Time-Space Constructing. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-8055-7_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Levinson, Jerrold. "Paintings, photographs, titles." In Figuring Out Figurative Art. Routledge, 2021. http://dx.doi.org/10.4324/9781315744179-13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Rogers, Garry. "Drawings, Paintings, and Photographs." In Desert Weeds. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45854-6_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"Photography Credits." In Painting Dissent. Princeton University Press, 2022. http://dx.doi.org/10.2307/j.ctv2hvfj11.13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"Photography Credits." In Painting Dissent. Princeton University Press, 2022. http://dx.doi.org/10.1515/9780691239323-011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Keimig, Lance. "Light Painting." In Night Photography. Elsevier, 2010. http://dx.doi.org/10.1016/b978-0-240-81258-8.00009-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"Light Painting." In Night Photography. Routledge, 2012. http://dx.doi.org/10.4324/9780240813172-16.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Painting and photography"

1

Huang, Yaozhun, Sze-Chun Tsang, Hei-Ting Tamar Wong, and Miu-Ling Lam. "Computational light painting and kinetic photography." In Expressive '18: Joint Symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering. ACM, 2018. http://dx.doi.org/10.1145/3229147.3229167.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

McCann, John J. "Peceptual rendering of HDR in painting and photography." In Electronic Imaging 2008, edited by Bernice E. Rogowitz and Thrasyvoulos N. Pappas. SPIE, 2008. http://dx.doi.org/10.1117/12.767201.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Wang, Tianyi, Xun Qian, Fengming He, and Karthik Ramani. "LightPaintAR: Assist Light Painting Photography with Augmented Reality." In CHI '21: CHI Conference on Human Factors in Computing Systems. ACM, 2021. http://dx.doi.org/10.1145/3411763.3451672.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Eilers, Christian, Jonas Eschmann, Robin Menzenbach, Boris Belousov, Fabio Muratore, and Jan Peters. "Underactuated Waypoint Trajectory Optimization for Light Painting Photography." In 2020 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2020. http://dx.doi.org/10.1109/icra40945.2020.9196516.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Nave, Carla, Nuno Correia, and Teresa Romão. "Exploring Emotions through Painting, Photography and Expressive Writing." In ACE2016: International Conference on Advances in Computer Entertainment Technology. ACM, 2016. http://dx.doi.org/10.1145/3001773.3001790.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

McCann, John J. "Rendition techniques for HDR scenes in painting, photography, and electronic imaging." In 2016 IEEE International Conference on Image Processing (ICIP). IEEE, 2016. http://dx.doi.org/10.1109/icip.2016.7532482.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Hill, Rodrigo, and Tom Roa. "Place-making: Wānanga based photographic approaches." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.188.

Full text

Abstract:

Ka matakitaki iho au ki te riu o Waikato Ano nei hei kapo kau ake maaku Ki te kapu o taku ringa, The words above are from the poem Māori King Tawhiao wrote expressing his love for his homelands of the Waikato and the region known today as the King Country. The words translate to: “I look down on the valley of Waikato, As though to hold it in the hollow of my hand.” Now imagine a large-scale photograph depicting a close-up frame of cupped hands trying to hold something carefully. The words above inform Professor Tom Roa and Dr. Rodrigo Hill’s current research project titled Te Nehenehenui - The

APA, Harvard, Vancouver, ISO, and other styles

8

Hu, Minghua. "The Use of Classical Oil Painting Language in Gemmy Woud-Binnendijk's Children's Photography." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.85.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Shamsutdinova, Nellie. "ART FOR THE KNOWLEDGE SAKE: WORKS OF PAINTING, SCULPTURE AND PHOTOGRAPHY AS TOOLS FOR LANGUAGE LEARNING." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/inted.2016.1914.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Aristizábal, José Antonio. "HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6880.

Full text

Abstract:

Palabras clave:Fotografía, estética, Humberto Rivas, Rafael Argullol, Eugenio Trías.Keywords: Photography, esthetic, Humberto Rivas, Rafael Argullol, Eugenio Trías.Resumen:El siguiente artículo busca dar una lectura a la obra del fotógrafo Humberto Rivas, Premio Nacional de Fotografía y unos de los mayores exponentes de la fotografía española de finales del siglo XX. Se parte de la convicción de que hace falta ubicar a Humberto Rivas en una tradición de pensamiento estético, ya que las distintas lecturas que existen sobre su trabajo, aunque importantes, no han dejado de ser lecturas impresioni

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!