Relevant bibliographies by topics / Painting Art Art Art Art appreciation

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Painting Art Art Art Art appreciation'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Painting Art Art Art Art appreciation"

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Lin, Chih-Long, Si-Jing Chen, and Rungtai Lin. "Efficacy of Virtual Reality in Painting Art Exhibitions Appreciation." Applied Sciences 10, no. 9 (2020): 3012. http://dx.doi.org/10.3390/app10093012.

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Virtual reality (VR) technology has been employed in a wide range of fields, from entertainment to medicine and engineering. Advances in VR also provide new opportunities in art exhibitions. This study discusses the experience of art appreciation through desktop virtual reality (Desktop VR) or head-mounted display virtual reality (HMD VR) and compares it with appreciating a physical painting. Seventy-eight university students participated in the study. According to the findings of this study, painting evaluation and the emotions expressed during the appreciation show no significant difference
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Eastmond, A. "Later Byzantine Painting: Art, Agency, and Appreciation." English Historical Review CXXIII, no. 503 (2008): 1013–14. http://dx.doi.org/10.1093/ehr/cen232.

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Combs, Allan L., Julia Black, Alan O'Donnell, et al. "Absorption and Appreciation of Visual Art." Perceptual and Motor Skills 67, no. 2 (1988): 453–54. http://dx.doi.org/10.2466/pms.1988.67.2.453.

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For 37 participants, 16 men and 21 women, scores on the Tellegen Absorption Scale significantly correlated with liking for abstract paintings but not with liking for representational ones. After completing the scale, each participant viewed 20 paintings in quasirandom order, 10 of representational works and 10 of abstract ones. Each was rated on a scale from 1 for strongly disliked to 5 for strongly liked. The Pearson correlation of .48 for abstract paintings was significant, while that of .16 for representational ones was not.
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Wolz, Stefanie H., and Claus-Christian Carbon. "What’s Wrong with an Art Fake? Cognitive and Emotional Variables Influenced by Authenticity Status of Artworks." Leonardo 47, no. 5 (2014): 467–73. http://dx.doi.org/10.1162/leon_a_00869.

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What’s wrong with art fakes? The authors tested effects of art “forgery” on aesthetic appreciation and the perceived quality of paintings in a multidimensional manner comprising cognitive and emotional variables: When naïve participants were exposed to replicas of works by renowned artists, information about the alleged authenticity status had a major effect on the perceived quality of the painting, and even on artist-associated values such as the artist’s talent. All these variables were negatively influenced when depictions were labeled as copies compared to identical ones labeled as origina
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Lin, Ming-Hwai, Shwu-Lan Moh, Yu-Cheng Kuo, et al. "Art therapy for terminal cancer patients in a hospice palliative care unit in Taiwan." Palliative and Supportive Care 10, no. 1 (2012): 51–57. http://dx.doi.org/10.1017/s1478951511000587.

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AbstractObjective:Even though terminal cancer patients receive help from a hospice palliative care team, they have to suffer the pressure of death with deteriorating conditions. This study aims to evaluate the effect of art therapy for these terminal cancer patients.Method:The patients involved were terminal cancer patients who were under the care of team members, which included physicians, nurses, social workers, clergy, art therapists, and volunteers in a hospice palliative care unit in Taiwan. The art therapy in our study took the form of visual fine art appreciation and hands-on painting.
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Miyashita, Tsutomu. "A New System to Appreciate the Visual Characteristics of a Painting." Leonardo 42, no. 4 (2009): 342–49. http://dx.doi.org/10.1162/leon.2009.42.4.342.

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A painting-viewing system is proposed as a tool to help painting appreciation and to improve the museum experience. This system simultaneously highlights certain visual characteristics of multiple paintings, thus informing users of the links between paintings and the semantic elements that may appear superficially different, and also conveying the art-historical explanation of those characteristics. Through this system's evaluation, the approach based on “the awareness of the visual characteristics” may be effective as a method of developing the user's interest in the paintings. When this syst
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Abe, Akinori, Kotaro Fukushima, and Reina Kawada. "How Will Sense of Values and Preference Change during Art Appreciation?" Information 11, no. 6 (2020): 328. http://dx.doi.org/10.3390/info11060328.

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We have conducted several experiments where various types of information offering strategies were performed. We obtained interesting phenomena from the results. The participants seemed to be able to gradually understand the artwork by offering information of the artwork. Of course, for an abstract art, the information of the artworks functions better understanding of artworks. Even for a representational painting, the quality and quantity of understanding was gradually changing. Thus, the information of art sometimes influences the art appreciation. In this paper, we will discuss how the value
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Eaton, A. W. "Where Ethics and Aesthetics Meet: Titian's Rape of Europa." Hypatia 18, no. 4 (2003): 159–88. http://dx.doi.org/10.1111/j.1527-2001.2003.tb01417.x.

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Titian's Rape of Europa is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically. This argument—that an artwork can be worse off qua work of art precisely because it is somehow ethically problematic—demonstrates that feminist concerns about art can play a legitimate role in art criticism and aesthetic appreciation.
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Böthig, Antonia M., and Gregor U. Hayn-Leichsenring. "Taste in Art—Exposure to Histological Stains Shapes Abstract Art Preferences." i-Perception 8, no. 5 (2017): 204166951773607. http://dx.doi.org/10.1177/2041669517736073.

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Exposure to art increases the appreciation of artworks. Here, we showed that this effect is domain independent. After viewing images of histological stains in a lecture, ratings increased for restricted subsets of abstract art images. In contrast, a lecture on art history generally enhanced ratings for all art images presented, while a lecture on town history without any visual stimuli did not increase the ratings. Therefore, we found a domain-independent exposure effect of images of histological stains to particular abstract paintings. This finding suggests that the ‘taste’ for abstract art i
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Sharma, Yam Prasad. "Art Therapy: Creativity for Cure." Tribhuvan University Journal 31, no. 1-2 (2017): 239–44. http://dx.doi.org/10.3126/tuj.v31i1-2.25359.

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Art therapy is used for healing or treatment of some health problems. For such healing, arts like painting, sculpture, music, drama, dance and poetry are used. Art is related to creativity whereas therapy is related to cure, treatment and healing. Art therapy includes creation, appreciation and healing. Art therapy may help individuals manage and cope with mental health problems, physical pain, difficult emotions, feelings and experiences. It allows people to be free from anxiety and use their imagination for something positive. Art therapy is highly useful to solve mental health problem and d
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Dissertations / Theses on the topic "Painting Art Art Art Art appreciation"

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Earles, Bruce, University of Western Sydney, and School of Contemporary Arts. "Inquiry into the appeal of anonymity to the artist." THESIS_XXX_CAR_Earles_B.xml, 1998. http://handle.uws.edu.au:8081/1959.7/499.

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This paper, in conjunction with a series of paintings and drawings, attempts to outline the theme of anonymity. The work contains images portraying the feeling of remaining anonymous within a city. The inquiry not so much records the necessity of remaining anonymous for the purpose of urban experience but examines whether the subject matter of the artwork could be communicated to a group of spectators. During an exhibition of the artworks, 20 subjects were surveyed for their opinions. Questions relating to subject matter and aspects of anonymity were posed to the spectators in a questionnaire
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Hodgkinson, Virginia, and virginia hodgkinson@deakin edu au. "Conventions of pictorialism (iconic imagery, perceived space and the picture plane) deconstructed and reconstructed as alternative models of perception, embodied in paintings and drawings." Deakin University, 1993. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20071127.083604.

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This thesis is concerned with conventions of pictorialism, viz. the surface of an artwork or the plane of denotation (in my case paper, canvas or wood); and iconic imagery and the depiction of perceptual space that is connotated by marks, colours and forms upon that surface. Most importantly this thesis is concerned with the relationship between these elements and the deconstruction of them. That the reconstruction of the deconstructed language can create expressive iconic structures that perhaps
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Liu, Lai Ying. "Description as a transmedial mode of representation and its potential in instrumental music explored through a study of musical work inspired by paintings." HKBU Institutional Repository, 2014. https://repository.hkbu.edu.hk/etd_oa/77.

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Among various forms of art, music (and instrumental music in particular) is said to be the least descriptive art form, owing to its limitation with respect to hetero- referentiality--the ability to refer to things outside itself. However, in view of the impreciseness current in the definition of musical description itself, as well as a lack of case studies in understanding the modes of representation of descriptive music, there remain some questions about the fundamental nature and the potential of music as a medium of description. These questions will be raised and explored in this dissertati
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Fournier, Anik Micheline. "Building nation and self through the other : two exhibitions of Chinese painting in Paris, 19331977." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82704.

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This thesis investigates Western exhibition practices and the problems that arise when they involve cross-cultural encounters. Two exhibitions of Chinese painting in Paris that were co-planned by French curators and Chinese artists will serve as case studies in this regard. The first exhibition is Exposition de la peinture chinoise held at the Musee du Jeu de Paume in 1933. The second show is Quatre artistes chinoises contemporaines held at the Musee Cernuschi in 1977. Using archival material, I will reconstruct the planning of the exhibitions and reveal diverging French and Chinese age
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Brendel, Maria Lydia. "Allegorical truth-telling via the feminine Baroque : Rubens' material reality : reframing Het pelsken." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ55305.pdf.

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Barry, Marie Porterfield. "Art Appreciation Open Educational Resource." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-oer/1.

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The Art Appreciation course explores the world’s visual arts, focusing on the development of visual awareness, assessment, and appreciation by examining a variety of styles from various periods and cultures while emphasizing the development of a common visual language. The materials are meant to foster a broader understanding of the role of visual art in human culture and experience from the prehistoric through the contemporary. This is an Open Educational Resource (OER), an openly licensed educational material designed to replace a traditional textbook. The course materials consist of 24 less
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Gettings, Michael. "Breaking Art Apart." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2036.

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The human figure, allegory, myth, and the appropriation of other artist’s compositions are elements in my work. I aim to update traditional stories to conform to contemporary times and culture. In addition, I am striving to create a new method to visually express figurative storytelling. Breaking from the traditional flat painting surface, I use multiple shaped panels. The surface is broken into different shaped panels at varying distances from each other and from the wall. This allows for more exploration into shape and negative space while depicting the dramatic height of a story. As part o
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Watson, Victoria Frances. "Adult learning in art appreciation classes." Thesis, University of Nottingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411545.

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Barry, Marie Porterfield. "Lesson 01: Introduction to Art Appreciation." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/2.

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This lesson covers the elements and principles of art. Elements of art are the physical parts of the work, including line, shape, form, space, texture, value, color, and time. Principles of art are the ways in which those parts are arranged, including unity/variety, balance, contrast, emphasis, movement, rhythm, and pattern.
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Hattam, Katherine, and katherine hattam@deakin edu au. "Art and Oedipus." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20070816.121927.

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Books on the topic "Painting Art Art Art Art appreciation"

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Cumming, Robert. Annotated art. Covent Garden Books, 1999.

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Annotated art. Dorling Kindersley, 1995.

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Annotated art. Dorling Kindersley, 1996.

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Are you an art sleuth?: Look, discover, learn! Quarto Publishing Group USA, 2016.

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Joy, Richardson, ed. Telling stories in art. Gareth Stevens Pub., 2000.

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Joy, Richardson, ed. Showing distance in art. Gareth Stevens Pub., 2000.

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Joy, Richardson, ed. Using color in art. Gareth Stevens Pub., 2000.

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Joy, Richardson, ed. Using shadows in art. Gareth Stevens Pub., 2000.

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Later Byzantine painting: Art, agency, and appreciation. Ashgate Variorum, 2007.

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Wolfe, Gillian. Look!: Zoom in on art. Frances Lincoln, 2002.

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Book chapters on the topic "Painting Art Art Art Art appreciation"

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Soussloff, Catherine M. "Michel Foucault and the Point of Painting." In Art History. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324716.ch5.

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Piechowski-Jozwiak, Bartlomiej, and Julien Bogousslavsky. "Painting in Neurology." In Brain and Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23580-2_5.

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Edwards, Jean, Helen Caldwell, and Rebecca Heaton. "Painting." In Art in the Primary School, 2nd ed. Routledge, 2021. http://dx.doi.org/10.4324/9780429296208-8.

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Zetina, Sandra, José Luis Ruvalcaba-Sil, Rebeca Barquera, et al. "CHAPTER 20. Painting with Acrylics: José Gutiérrez, Gunther Gerzso and the Material Innovation in Mexican Contemporary Painting." In Science and Art. Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781788016384-00404.

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Scalise Sugiyama, Michelle. "Art Production, Appreciation and Fitness." In Encyclopedia of Evolutionary Psychological Science. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-16999-6_3793-1.

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Arora, Sakshi. "Multisensory Experiences for Art Appreciation." In Human-Computer Interaction – INTERACT 2021. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-85613-7_42.

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Kübler, Andrea, and Loic Botrel. "The Making of Brain Painting—From the Idea to Daily Life Use by People in the Locked-in State." In Brain Art. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14323-7_15.

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Ebrey, Patricia. "Court Painting." In A Companion to Chinese Art. John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118885215.ch1.

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Lorenz, Katharina. "Wall Painting." In A Companion to Roman Art. John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch13.

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Valette, Laura. "Painting Fog." In British Art and the Environment. Routledge, 2021. http://dx.doi.org/10.4324/9781003099215-4.

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Conference papers on the topic "Painting Art Art Art Art appreciation"

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Ding, Mei. "Appreciation of Giuseppe Castiglione ‘s Baizi painting." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.522.

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Usui, Shoko, Chen He, Katsumi Sato, and Yoshifumi Kitamura. "A dynamic, flexible & interactive display method of paintings for communicative art appreciation among students." In SA'15: SIGGRAPH Asia 2015. ACM, 2015. http://dx.doi.org/10.1145/2818498.2818508.

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Bahari, Nooryan, and Desy Nurcahyanti. "Glass Painting Art Learning Model by Utilizing Video to Improve Community’s Appreciation and the Creativity of Creative Industry Actors." In Proceedings of the 3rd International Conference on Creative Media, Design and Technology (REKA 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/reka-18.2018.24.

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Zheng, Lixia. "The influence of folk art appreciation on modern art design." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.66.

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Zhang, Yuanming. "Aesthetic Analysis on Line Art in Chinese Painting Art." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.133.

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Ishibashi, Ken. "Digital scratch art painting interface." In International Workshop on Advanced Image Technology, edited by Phooi Yee Lau, Kazuya Hayase, Qian Kemao, et al. SPIE, 2019. http://dx.doi.org/10.1117/12.2521491.

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Huang, Yiyuan, and Alain Lioret. "Cerebral interaction and painting." In SIGGRAPH Asia 2013 Art Gallery. ACM Press, 2013. http://dx.doi.org/10.1145/2542256.2542260.

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Chiyu, Pan. "Painting Creation Using Computer Graphics Art." In 2016 International Conference on Robots & Intelligent System (ICRIS). IEEE, 2016. http://dx.doi.org/10.1109/icris.2016.56.

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Crowley, Elliot J., Omkar M. Parkhi, and Andrew Zisserman. "Face Painting: querying art with photos." In British Machine Vision Conference 2015. British Machine Vision Association, 2015. http://dx.doi.org/10.5244/c.29.65.

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Popov, Vyacheslav O., Natalya N. Khon Harnisch, and Delwyn L. Harnisch. "Art Appreciation: Ability, Development and Components Relating." In ICEEPSY 2016 International Conference on Education and Educational Conference. Cognitive-crcs, 2016. http://dx.doi.org/10.15405/epsbs.2016.11.83.

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Reports on the topic "Painting Art Art Art Art appreciation"

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Zhang, Ling, Brent Holland, and Eulanda Sanders. From Chinese Painting to Wearable Art: The Development of Wearable Art Design Process Model and Evaluation Methods for Wearable Art Designers. Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1755.

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Miller, Jennifer. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7033.

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Taylor Tynes, Taylor Tynes. Fresco Painting at the University of South Carolina: Medium of the Past, Art of Today. Experiment, 2016. http://dx.doi.org/10.18258/6800.

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Deitchman, Seymour J. Quantifying the Military Value of Training for System and Force Acquisition Decisions: An Appreciation of the State of the Art. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada274753.

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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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