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Journal articles on the topic 'Painting Art Art Art Art appreciation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Lin, Chih-Long, Si-Jing Chen, and Rungtai Lin. "Efficacy of Virtual Reality in Painting Art Exhibitions Appreciation." Applied Sciences 10, no. 9 (2020): 3012. http://dx.doi.org/10.3390/app10093012.

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Virtual reality (VR) technology has been employed in a wide range of fields, from entertainment to medicine and engineering. Advances in VR also provide new opportunities in art exhibitions. This study discusses the experience of art appreciation through desktop virtual reality (Desktop VR) or head-mounted display virtual reality (HMD VR) and compares it with appreciating a physical painting. Seventy-eight university students participated in the study. According to the findings of this study, painting evaluation and the emotions expressed during the appreciation show no significant difference

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Eastmond, A. "Later Byzantine Painting: Art, Agency, and Appreciation." English Historical Review CXXIII, no. 503 (2008): 1013–14. http://dx.doi.org/10.1093/ehr/cen232.

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Combs, Allan L., Julia Black, Alan O'Donnell, et al. "Absorption and Appreciation of Visual Art." Perceptual and Motor Skills 67, no. 2 (1988): 453–54. http://dx.doi.org/10.2466/pms.1988.67.2.453.

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For 37 participants, 16 men and 21 women, scores on the Tellegen Absorption Scale significantly correlated with liking for abstract paintings but not with liking for representational ones. After completing the scale, each participant viewed 20 paintings in quasirandom order, 10 of representational works and 10 of abstract ones. Each was rated on a scale from 1 for strongly disliked to 5 for strongly liked. The Pearson correlation of .48 for abstract paintings was significant, while that of .16 for representational ones was not.

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Wolz, Stefanie H., and Claus-Christian Carbon. "What’s Wrong with an Art Fake? Cognitive and Emotional Variables Influenced by Authenticity Status of Artworks." Leonardo 47, no. 5 (2014): 467–73. http://dx.doi.org/10.1162/leon_a_00869.

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What’s wrong with art fakes? The authors tested effects of art “forgery” on aesthetic appreciation and the perceived quality of paintings in a multidimensional manner comprising cognitive and emotional variables: When naïve participants were exposed to replicas of works by renowned artists, information about the alleged authenticity status had a major effect on the perceived quality of the painting, and even on artist-associated values such as the artist’s talent. All these variables were negatively influenced when depictions were labeled as copies compared to identical ones labeled as origina

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Lin, Ming-Hwai, Shwu-Lan Moh, Yu-Cheng Kuo, et al. "Art therapy for terminal cancer patients in a hospice palliative care unit in Taiwan." Palliative and Supportive Care 10, no. 1 (2012): 51–57. http://dx.doi.org/10.1017/s1478951511000587.

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AbstractObjective:Even though terminal cancer patients receive help from a hospice palliative care team, they have to suffer the pressure of death with deteriorating conditions. This study aims to evaluate the effect of art therapy for these terminal cancer patients.Method:The patients involved were terminal cancer patients who were under the care of team members, which included physicians, nurses, social workers, clergy, art therapists, and volunteers in a hospice palliative care unit in Taiwan. The art therapy in our study took the form of visual fine art appreciation and hands-on painting.

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Miyashita, Tsutomu. "A New System to Appreciate the Visual Characteristics of a Painting." Leonardo 42, no. 4 (2009): 342–49. http://dx.doi.org/10.1162/leon.2009.42.4.342.

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A painting-viewing system is proposed as a tool to help painting appreciation and to improve the museum experience. This system simultaneously highlights certain visual characteristics of multiple paintings, thus informing users of the links between paintings and the semantic elements that may appear superficially different, and also conveying the art-historical explanation of those characteristics. Through this system's evaluation, the approach based on “the awareness of the visual characteristics” may be effective as a method of developing the user's interest in the paintings. When this syst

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Abe, Akinori, Kotaro Fukushima, and Reina Kawada. "How Will Sense of Values and Preference Change during Art Appreciation?" Information 11, no. 6 (2020): 328. http://dx.doi.org/10.3390/info11060328.

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We have conducted several experiments where various types of information offering strategies were performed. We obtained interesting phenomena from the results. The participants seemed to be able to gradually understand the artwork by offering information of the artwork. Of course, for an abstract art, the information of the artworks functions better understanding of artworks. Even for a representational painting, the quality and quantity of understanding was gradually changing. Thus, the information of art sometimes influences the art appreciation. In this paper, we will discuss how the value

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Eaton, A. W. "Where Ethics and Aesthetics Meet: Titian's Rape of Europa." Hypatia 18, no. 4 (2003): 159–88. http://dx.doi.org/10.1111/j.1527-2001.2003.tb01417.x.

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Titian's Rape of Europa is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically. This argument—that an artwork can be worse off qua work of art precisely because it is somehow ethically problematic—demonstrates that feminist concerns about art can play a legitimate role in art criticism and aesthetic appreciation.

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Böthig, Antonia M., and Gregor U. Hayn-Leichsenring. "Taste in Art—Exposure to Histological Stains Shapes Abstract Art Preferences." i-Perception 8, no. 5 (2017): 204166951773607. http://dx.doi.org/10.1177/2041669517736073.

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Exposure to art increases the appreciation of artworks. Here, we showed that this effect is domain independent. After viewing images of histological stains in a lecture, ratings increased for restricted subsets of abstract art images. In contrast, a lecture on art history generally enhanced ratings for all art images presented, while a lecture on town history without any visual stimuli did not increase the ratings. Therefore, we found a domain-independent exposure effect of images of histological stains to particular abstract paintings. This finding suggests that the ‘taste’ for abstract art i

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Sharma, Yam Prasad. "Art Therapy: Creativity for Cure." Tribhuvan University Journal 31, no. 1-2 (2017): 239–44. http://dx.doi.org/10.3126/tuj.v31i1-2.25359.

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Art therapy is used for healing or treatment of some health problems. For such healing, arts like painting, sculpture, music, drama, dance and poetry are used. Art is related to creativity whereas therapy is related to cure, treatment and healing. Art therapy includes creation, appreciation and healing. Art therapy may help individuals manage and cope with mental health problems, physical pain, difficult emotions, feelings and experiences. It allows people to be free from anxiety and use their imagination for something positive. Art therapy is highly useful to solve mental health problem and d

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Hatchwell, Sophie. "The “Language of Painting”: Aesthetic Appreciation in Edwardian Art Criticism." Visual Resources 33, no. 3-4 (2017): 234–51. http://dx.doi.org/10.1080/01973762.2017.1276725.

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JAEMANRYU. "Art Appreciation Education Through Korean Traditional Paintings." Journal of Art Education 27 (August 2010): 75–97. http://dx.doi.org/10.35657/jae.2010.27.0.004.

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Humphries, Stacey, Jacqueline Rick, Daniel Weintraub, and Anjan Chatterjee. "Movement in Aesthetic Experiences: What We Can Learn from Parkinson Disease." Journal of Cognitive Neuroscience 33, no. 7 (2021): 1329–42. http://dx.doi.org/10.1162/jocn_a_01718.

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Abstract Visual art offers cognitive neuroscience an opportunity to study how subjective value is constructed from representations supported by multiple neural systems. A surprising finding in aesthetic judgment research is the functional activation of motor areas in response to static, abstract stimuli, like paintings, which has been hypothesized to reflect embodied simulations of artists' painting movements, or preparatory approach–avoidance responses to liked and disliked artworks. However, whether this motor involvement functionally contributes to aesthetic appreciation has not been addres

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Temme, J. Elbert V., and Carline A. C. Gieszen. "Contrast Effects and Social Desirability in Art Appreciation." Empirical Studies of the Arts 13, no. 2 (1995): 171–81. http://dx.doi.org/10.2190/7eha-jdc4-uvbj-h1rv.

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In a number of experiments the effects of presenting different categories of art in contrasting order were explored. In the first experiment traditional and abstract paintings and Chinese calligraphy were used as stimuli, each type was contrasted with the other two, which led to shifts in appreciation as well as in perceived complexity. Two more experiments were performed. In one of these experiments fragments of traditional and modern classical music were presented. The same effect was found as when traditional and abstract paintings were contrasted: enhancement of the appreciation of traditi

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Carlson, Allen. "Is Environmental Art an Aesthetic Affront to Nature?" Canadian Journal of Philosophy 16, no. 4 (1986): 635–50. http://dx.doi.org/10.1080/00455091.1986.10717140.

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In this discussion I consider one aesthetic issue which arises from certain intimate relationships between art and nature. The background to these relationships can be traced to the seventeenth and eighteenth centuries. It includes factors of considerable importance in the history of the aesthetic appreciation of nature such as the eighteenth century infatuation with landscape gardening and the continuingly influential role of landscape painting. Here, however, I concentrate on these relationships only as exemplified in a contemporary phenomenon – environmental art. By environmental art I mean

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Jung, Chae-Young, and Hye-Won Shin. "Developing Art Education Program for Young Children through Appreciation of Korean Painting." Journal of Research in Art Education 19, no. 4 (2018): 111–27. http://dx.doi.org/10.20977/kkosea.2018.19.4.111.

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Sugiarto, E., J. Julia, R. A. Pratiwinindya, et al. "Virtual gallery as a media to simulate painting appreciation in art learning." Journal of Physics: Conference Series 1402 (December 2019): 077049. http://dx.doi.org/10.1088/1742-6596/1402/7/077049.

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Actis-Grosso, Rossana, Carlotta Lega, Alessandro Zani, Olga Daneyko, Zaira Cattaneo, and Daniele Zavagno. "Can music be figurative? Exploring the possibility of crossmodal similarities between music and visual arts." Psihologija 50, no. 3 (2017): 285–306. http://dx.doi.org/10.2298/psi1703285a.

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According to both experimental research and common sense, classical music is a better fit for figurative art than jazz. We hypothesize that similar fits may reflect underlying crossmodal structural similarities between music and painting genres. We present two preliminary studies aimed at addressing our hypothesis. Experiment 1 tested the goodness of the fit between two music genres (classical and jazz) and two painting genres (figurative and abstract). Participants were presented with twenty sets of six paintings (three figurative, three abstract) viewed in combination with three sound condit

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Dobrolyubov, Petr. "Painting as a prayer of the spirit." Scientific and analytical journal Burganov House. The space of culture 16, no. 4 (2020): 113–32. http://dx.doi.org/10.36340/2071-6818-2020-16-4-113-132.

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The article is devoted to the work of the Russian painter Dobrolyubov Vladimir Petrovich, who in 2020 marks the centenary of his birth. Special attention is paid to the presentation of his ideals, which inspired the artist to create wonderful paintings depicting the world around him, landscapes and landscapes, urban environment, monuments of ancient Russian architecture, decoration and interiors of the oldest churches from Moscow to Yaroslavl, Pereslavl Zalessky, Staraya Ladoga. From the Russian North to the Crimean mountains and Tsemeskiy Bay. Vladimir Petrovich Dobrolyubov (05.07.1920-24.02.

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Bailey-Ross, Claire, Andrew M. Beresford, Daniel T. Smith, and Claire Warwick. "Aesthetic appreciation and Spanish art: insights from eye-tracking." Digital Scholarship in the Humanities 34, Supplement_1 (2019): i17—i35. http://dx.doi.org/10.1093/llc/fqz027.

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Abstract Eye-tracking—the process of capturing and measuring human eye movement—is becoming an increasingly prevalent tool in the cultural heritage sector to understand visual processing and audience behaviours. Yet, most applications to date have focused on individual artworks and distinctions between representative/non-representative topics, with little prior work on the effects of differing written interpretations on the visual exploration of collections of artworks, particularly with devotional themes. This article reports on an eye-tracking study that explored responses to the unique coll

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Locsin,, Rozzano C. "Two Art Forms Illuminating the Lived Experience of People “Waiting to Know”." International Journal of Human Caring 7, no. 3 (2003): 27–30. http://dx.doi.org/10.20467/1091-5710.7.3.27.

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“Waiting to know” is a phenomenon uniquely experienced by contact persons—individuals exposed to persons with life-threatening illnesses, such as Ebola hemorrhagic fever (Ebola) but yet to exhibit signs and symptoms of the disease. Art forms representing these experiences can illuminate and enhance the appreciation of this phenomenon. Using thematic statements derived from written descriptions of experiences, selected art works such as painting and music, illustrate the experience of “waiting to know.” Through the art works’ describing thematic statements, encounters are appreciated anew, faci

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Wahyuni, Sri, and Endang Sri Redjeki. "Identification of Leadership Role for the Independence and Sustainability of Private Course Institution." International Journal of Learning and Development 8, no. 1 (2018): 123. http://dx.doi.org/10.5296/ijld.v8i1.12496.

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This study aimed at explaining the role of leadership in enhancing the independence and the sustainability of private course institution. This study employed a phenomenology research design to explore the leadership of Art House “Windyas Club” institution. Art House “Windyas Club” was a private course institution teaching children art, painting and coloring, located in Sukun Subdistrict of Malang City. The institution has been running independently for more than 13 years. The data were collected through deep interview, observation and documentation. An inductive analysis model used as the anal

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Koom, Woong Sub, Mi Yeon Choi, Jeongshim Lee, et al. "Art therapy using famous painting appreciation maintains fatigue levels during radiotherapy in cancer patients." Radiation Oncology Journal 34, no. 2 (2016): 135–44. http://dx.doi.org/10.3857/roj.2016.01760.

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Bian, Jianying, and Xiaoying Shen. "Sentiment Analysis of Chinese Paintings Based on Lightweight Convolutional Neural Network." Wireless Communications and Mobile Computing 2021 (August 9, 2021): 1–8. http://dx.doi.org/10.1155/2021/6097295.

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Chinese painting is one of the representatives of our country’s outstanding traditional culture, and it embodies the long history and intellectual wisdom of the Chinese nation. In the paper, we combine the artistic characteristics of Chinese paintings and use an optimized SqueezeNet model to study the sentiment analysis of Chinese paintings. To make full use of the advantages of lightweight convolutional neural networks, we make two optimizations based on SqueezeNet. On the one hand, expand the model width to obtain more effective Chinese painting sentiment features for classification tasks, t

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Ciobanu, Estella Antoaneta. "Food for Thought: Of Tables, Art and Women in Virginia Woolf’s To the Lighthouse." American, British and Canadian Studies 29, no. 1 (2017): 147–68. http://dx.doi.org/10.1515/abcsj-2017-0023.

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Abstract This article examines art as it is depicted ekphrastically or merely suggested in two scenes from Virginia Woolf’s novel To the Lighthouse, to critique its androcentric assumptions by appeal to art criticism, feminist theories of the gaze, and critique of the en-gendering of discursive practices in the West. The first scene concerns Mrs Ramsay’s artinformed appreciation of her daughter’s dish of fruit for the dinner party. I interpret the fruit composition as akin to Dutch still life paintings; nevertheless, the scene’s aestheticisation of everyday life also betrays visual affinities

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Zhang, Yan, and Yun Ying Liu. "A Modeling Language and Color Application Analysis of the Miao Nationality’s Embroidery Pattern of Southeast of Guizhou Province." Advanced Materials Research 1048 (October 2014): 285–89. http://dx.doi.org/10.4028/www.scientific.net/amr.1048.285.

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Through the analysis of modeling language and color application of the Miao nationality’s embroidery pattern of southeast of Guizhou Province, this paper aims to reveal its characteristics of collective pattern, heritage, chaotic thought of group creativity of folk art and primitive art; Besides, it reflects the simple world view and beauty-appreciation standpoint which is inherited by people of Miao nationality for generations. The characteristic and spirit of the Miao nationality’s embroidery pattern of southeast of Guizhou Province are frankness and straightforwardness. The abundant and hig

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Tamboukou, Maria. "Beyond Figuration and Narration: Deleuzian Approaches to Gwen John's Paintings." Deleuze Studies 8, no. 2 (2014): 230–55. http://dx.doi.org/10.3366/dls.2014.0144.

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In this paper I trace pictorial acts that move beyond figuration and narration, particularly focusing on Gwen John's portraits of women and girls, the work of her maturity as an artist. In doing this I make connections between John's and Cézanne's letters about their painting techniques and direction. The analysis draws on Deleuze and Guattari's approaches to the work of art. I discuss in particular the concept of faciality in the Thousand Plateaus and the problem of painting forces in Deleuze's work on Bacon, The Logic of Sensation. My argument is that an analysis that goes beyond phenomenolo

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Sulejmanov, Filip. "The relation of humor structure appreciation with sensation seeking and judgments of complex-abstract art and sophisticated music." Psihologija 51, no. 2 (2018): 229–41. http://dx.doi.org/10.2298/psi170131010s.

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The aim of the present study is two-fold. Firstly, the relation between sensation seeking and humor structure appreciation has been investigated (Carretero-Dios & Ruch, 2010), and also the association between humor structure appreciation and complex-abstract art has been reported (Ruch & Hehl, 1998). In that sense, this study aims to replicate previously reported findings. Second, the association between humor structure appreciation and sophisticated music (Rentfrow, Goldberg, & Levitin, 2011) was explored. Results obtained from 77 participants partially supported the predictions.

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Pollok, Anne. "Beautiful Perception and its Object. Mendelssohn’s theory of mixed sentiments reconsidered." Kant-Studien 109, no. 2 (2018): 270–85. http://dx.doi.org/10.1515/kant-2018-2007.

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Abstract: Complex aesthetic perception, according to Mendelssohn’s writings between 1755 and 1771, is most alluring if it showcases a breach in the order of perfection. With this, Mendelssohn introduces a shift in our understanding of the artistic act of imitation: Artistic semblance is always lacking, and a painting that does not point to this fact is, in fact, displeasing. This is also the main reason why we enjoy non-beautiful art: in the artistic rendering of an unpleasant ‘object’ we focus on the artistic act itself, on its formal features, and its effects on us as the perceiver. Thus, a

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Nurhayati, Diah Uswatun. "Gagasan Ki Hajar Dewantara Tentang Kesenian dan Pendidikan Musik di Tamansiswa Yogyakarta." PROMUSIKA 7, no. 1 (2019): 11–19. http://dx.doi.org/10.24821/promusika.v7i1.3165.

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Perjalanan panjang gagasan pendidikan kesenian yang sudah dilakukan Dewantara, sampai sekarang ternyata belum dapat membuat pendidikan tersebut mampu menarik perhatian para pengembang kurikulum pendidikan di Indonesia. Diawali dengan nama pendidikan kesenian, kemudian menjadi pendidikan seni, kerajinan tangan dan kesenian, saat ini dengan nama Seni budaya dan ketrampilan, yang ruang lingkupnya terdiri dari seni musik, tari, rupa/lukis, dan teater. Dari riwayat kurikulum pendidikan kesenian ini, dapat diketahui bahwa sebenarnya Indonesia belum dapat memunculkan ide pendidikan kesenian yang dapa

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Leder, Helmut, Claus-Christian Carbon, and Ai-Leen Ripsas. "Entitling art: Influence of title information on understanding and appreciation of paintings." Acta Psychologica 121, no. 2 (2006): 176–98. http://dx.doi.org/10.1016/j.actpsy.2005.08.005.

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Снытко, Людмила Николаевна. "The fate of the painting “Dinner of Tractorists” (1951) by A.A. Plastov." Искусство Евразии, no. 2(17) (June 27, 2020): 306–19. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.020.

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Статья посвящена одному из самых замечательных произведений советской эпохи – картине выдающегося советского художника Аркадия Александровича Пластова «Ужин трактористов» (1951 года), которая с 1952 года хранится в Иркутском областном художественном музее имени В.П. Сукачева. Судьба этой картины складывалась драматично. В сталинское время она была подвергнута критике как не соответствующая идейным канонам социалистического реализма и, отвергнутая столичными музеями, оказалась в собрании Иркутского областного художественного музея. Ее триумф пришелся на времена хрущевской «оттепели», когда карт

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Rapoport, Alek. "Tradition and Innovation in the Fine Arts." Canadian-American Slavic Studies 45, no. 2 (2011): 183–206. http://dx.doi.org/10.1163/221023910x535593.

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AbstractSince childhood, AR was attracted by art. His first teacher, E. Sagaidachny, was a former member of the nonconformist groups “Youth Union” and “The Donkey Tail”. Later, in Leningrad, AR enrolled in the V. Serov School of Art. In spite of official Socialist Realism, some teachers (Shablovsky, Gromov, Sudakov) introduced their students to Russian avant-garde. AR educated himself, copying the paintings of Old Masters in the Hermitage Museum. During 1959-1963 AR studied Russian Suprematism and Constructivism in the Leningrad's Institute for eater, Music and Cinema under the supervision of

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김민주 and 노진형. "The Effects of Introducing Korean Painting Appreciation on Young Children’s Art Abilities and Emotion Regulation Competence." Teacher Education Research 54, no. 4 (2015): 527–37. http://dx.doi.org/10.15812/ter.54.4.201512.527.

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Kim, Dae-won. "A Theory of Painting Art Creation and Appreciation in Goryeo through the Verse and Prose Written after Painting Appreciation(題畵詩文)". Journal of Art and Culture Studies 6 (30 червня 2015): 1. http://dx.doi.org/10.18707/jacs.2015.06.6.1.

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Scalera, Lorenzo, Stefano Seriani, Alessandro Gasparetto, and Paolo Gallina. "Non-Photorealistic Rendering Techniques for Artistic Robotic Painting." Robotics 8, no. 1 (2019): 10. http://dx.doi.org/10.3390/robotics8010010.

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In this paper, we present non-photorealistic rendering techniques that are applied together with a painting robot to realize artworks with original styles. Our robotic painting system is called Busker Robot and it has been considered of interest in recent art fairs and international exhibitions. It consists of a six degree-of-freedom collaborative robot and a series of image processing and path planning algorithms. In particular, here, two different rendering techniques are presented and a description of the experimental set-up is carried out. Finally, the experimental results are discussed by

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Chae Bu-gyo, Kong Maria, and 최은영. "The Effects of a Group Art Therapy Program Involving Famous Painting Appreciation for Improvement of Mindfulness Skill." Korean Journal of Art Therapy 25, no. 4 (2018): 525–48. http://dx.doi.org/10.35594/kata.2018.25.4.006.

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Cornell, Christine. ""Purtreture" and "Holsom Stories": John Lydgate's Accommodation of Image and Text in Three Religious Lyrics." Florilegium 10, no. 1 (1991): 167–78. http://dx.doi.org/10.3138/flor.10.011.

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John Lydgate’s interest in the visual arts is apparent both in his frequent references to painting and illumination and in those poems he composed to accompany paintings or other visual arts. The latter poems are more than simply narrative or descriptive; Lydgate shows a definite appreciation for the potential effectiveness of visual images. In poems such as “On The Image of Pity,” “The Dolerous Pyte of Crystes Passioun,” and “Cristes Passioun,” Lydgate increases or curtails the complexity of the poetic description and decoration, according to the purpose of the particular work of art. In a st

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Pounders, Lisa A. "Her “Symbols of the Desert”:." Journal of Jungian Scholarly Studies 14 (June 11, 2019): 16–29. http://dx.doi.org/10.29173/jjs4s.

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Employing C. G. Jung’s theories of the transformative nature of the unconscious in collaboration with his understanding of alchemy, this paper analyzes a number of Georgia O’Keeffe’s paintings featuring bones that were created during a 15-year period following her introduction to northern New Mexico. The analysis circulates among events from O’Keeffe’s life, the works of art themselves, and potential associations to alchemical concepts. The intention is to illuminate and deepen not only an appreciation of the artist’s visionary work but also an understanding of what alchemy has in common with

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Harris, Wendell V. "Ruskin's Theoretic Practicality and the Royal Academy's Aesthetic Idealism." Nineteenth-Century Literature 52, no. 1 (1997): 80–102. http://dx.doi.org/10.2307/2934030.

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While Ruskin's personal eccentricities and intellectual foibles are well known, the influence exerted by Modern Painters, The Seven Lamps of Architecture, and The Stones of Venice was in no small part a result of a kind of practicality and reasonableness not generally associated with Ruskin. He began writing at a fortunate time-seventy years of effort by the Royal Academy, seconded by the formation of other societies of British artists and the founding of the Dulwich Gallery and the National Gallery, had prepared a public eager for instruction about the values of art. This kind of instruction

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Linden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings." Prospects 30 (October 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.

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The year 1998 marked the centennial of the birth of artist Ben Shahn (1898–1969). Coupled with the approach of the millennium, which many museums celebrated by surveying the cultural production of the 20th century, the centennial offered the perfect opportunity to mount a major exhibition of Shahn's work (the last comprehensive exhibition had taken place at the Jewish Museum in New York City in 1976). The moment was also propitious because a renewed interest in narrative, figurative art, and political art encouraged scholarly and popular appreciation of Ben Shahn, whose reputation within the h

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Cupchik, Gerald C., and Robert Gebotys. "The Experience of Time, Pleasure, and Interest during Aesthetic Episodes." Empirical Studies of the Arts 6, no. 1 (1988): 1–12. http://dx.doi.org/10.2190/5yn3-j3p8-fwhy-udb3.

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This study examined time estimations as well as ratings of pleasure and interest for aesthetic episodes varying in duration. It was hypothesized that judgments of exposure duration would reflect the amount of perceptual/cognitive effort needed to appreciate a painting. Effortful processing would lead to overestimation of duration, and automatic or overlearned analysis would produce underestimation. The experiment also examined changes in aesthetic pleasure and interest as a function of exposure duration and stylistic properties of the paintings. Sixteen trained and sixteen naive subjects, incl

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Kim, Sang-Yeon. "The Relationships between Appreciating Art and Appreciating Nature : Focusing on the Limitations and Significances of Experience of Nature based on the Appreciation of Painting." Journal of The Society of philosophical studies 121 (June 30, 2018): 123–48. http://dx.doi.org/10.23908/jsps.2018.6.121.123.

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Lufkin, Felicity. "Mon Van Genechten (1903–1974), Flemish Missionary and Chinese Painter: Inculturation of Christian Art in China. By Lorry Swerts and Koen De Ridder. [Leuven: Leuven University Press and the Ferdinand Verbiest Foundation, 2002. 188 pp. €16.15. ISBN 90-5867-222-0.]." China Quarterly 176 (December 2003): 1118–19. http://dx.doi.org/10.1017/s0305741003410631.

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This books offers an appreciation of the life and work of Father Mon Van Genechten, a Belgian artist-priest who was a missionary in China from 1930 to 1946. It presents Father Van Genechten as an open-hearted and creative man of faith, and also makes the rather dramatic claim that Van Genechten, whose art combined Chinese styles with Christian iconography, should be seen as a Chinese artist.The book contains two essays: one by De Ridder, on the art-historical context of Van Genechten's work; and the other by Swerts, giving fuller biographical detail. It also includes a brief memoir of Van Gene

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LEE, Soomin, and Youngok SIM. "A Teaching Method of Appreciating Buddhist Paintings for Understanding Culture of the Joseon Focused on Gamrodo appreciation art education." Society for Art Education of Korea, no. 75 (September 1, 2020): 251–70. http://dx.doi.org/10.25297/aer.2020.75.251.

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Nafde, Dr Mrs Tanuja. "Nationalism and Music." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 4982–84. http://dx.doi.org/10.22214/ijraset.2021.36040.

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It is a well-known fact, that music alone of all the arts and sciences has that dominating note of supreme mastership which compels unquestioned universal recognition. In painting, in sculpture, in architecture, in poetry, and in general literature in all its varying and varied moods and modes of expression, Indian music has won fame and occupied the highest place of appreciation in the world. It is admitted that Music is the last art to develop in any civilization, it must also be admitted that Indian civilization and culture have reached a point that would predicate a degree of development i

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Lee, Jeongshim, Mi Yeon Choi, Yong Bae Kim, et al. "Art therapy based on appreciation of famous paintings and its effect on distress among cancer patients." Quality of Life Research 26, no. 3 (2016): 707–15. http://dx.doi.org/10.1007/s11136-016-1473-5.

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Karpukhina, T. P. "EKPHRASIS AND ITS FUNCTIONING IN THE NOVEL "POINT COUNTER POINT" BY ALDOUS HUXLEY." Bulletin of Kemerovo State University, no. 1 (April 25, 2018): 184–92. http://dx.doi.org/10.21603/2078-8975-2018-1-184-192.

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The current article features the phenomenon of ekphrasis in the novel "Point Counter Point" by Aldous Huxley. The ekphrastic text consists of two conspicuous parts, the central and the peripheral ones. Various aspects of ekphrasis are subjected to analysis. The aesthetic component of the ekphrastic text reveals itself in the description of the picture painted by the main hero as a genuine work of art with great aesthetic value. The semiotic component manifests itself in the phenomenon of semiotic transference: the iconic signs of painting are translated into the verbal signs of a work of liter

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Lee, Soo-Jin. "The Analysis of the Black Painting of Francisco Goya adopting the Subjectivation of Jacques Lacan through the Appreciation of Art Works." Journal of Arts Psychotherapy 15, no. 1 (2019): 123–45. http://dx.doi.org/10.32451/kjoaps.2019.15.1.123.

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Chang, Kuo-En, Chia-Tzu Chang, Huei-Tse Hou, Yao-Ting Sung, Huei-Lin Chao, and Cheng-Ming Lee. "Development and behavioral pattern analysis of a mobile guide system with augmented reality for painting appreciation instruction in an art museum." Computers & Education 71 (February 2014): 185–97. http://dx.doi.org/10.1016/j.compedu.2013.09.022.

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