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Relevant bibliographies by topics / Painting,British painting

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Academic literature on the topic 'Painting,British painting'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Painting,British painting"

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Bruquetas Galán, Rocío. "A Changing Art. Nineteenth-Century Painting Practice and Conservation." Ge-conservacion 13 (June 29, 2018): 100–101. http://dx.doi.org/10.37558/gec.v13i0.587.

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A Changing Art. Nineteenth-Century Painting Practice and Conservation Ed. Por Nicola Costaras, Kate Lowry, Helen Glanville, Pippa Balch, Victoria Sutcliffe y Polly Satlmarsh) Londres: Archetype (en asociación con The British Association of Paintings Conservator-Restorers, BAPCR), 2017. ISBN: 9781909492547 Dimensiones: 246 x 175 mmPáginas: 144Ilustraciones en color

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LI, Chenlu. "“Landscape” in A Self-portrait:A Study of George Chinnery’s Self-Portrait from the National Portrait Gallery,UK." Advances in Art Science 2, no. 1 (2025): 115–26. https://doi.org/10.48014/aas.20250127001.

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Self-portraits were created throughout the career of British painter George Chinnery. Among all the existing self-portraits of Chinnery, the oil painting Self-Portrait created by Chinnery around 1840 and collected by the National Portrait Gallery in the UK is the most famous one. Based on previous academic research on Chinnery’s self-portraits, this paper first conducts a picture analysis of Self-Portrait, and then focuses on the two landscape paintings that appear in the artwork. Combining Chinnery’s life experience, artistic creation and psychological condition, as well as the social environ

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Avdeev, Vasilii Aleksandrovich. "Failed Totalitarian Art: English Military Painting of the First World War." Культура и искусство, no. 5 (May 2023): 64–78. http://dx.doi.org/10.7256/2454-0625.2023.5.38241.

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The subject of this article is subjects on the military theme in the paintings of European artists of the first half of the twentieth century.The object of the study is the stylistic and artistic features of painting by British military artists and painters of totalitarian states of the first half of the twentieth century. For the first time in domestic practice, the author offers to consider the unique phenomenon of British military painting of the First World War. She compares Italian aerofuturism, a style adopted by the fascist regime during the Second World War, which is close to her in sp

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Meinam, Irikhomba Meetei. "AN ANALYTICAL STUDY OF MANIPUR PAINTINGS IN PRE AND POST INDIA INDEPENDENCE." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 244–51. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.171.

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Painting is considered as one of the oldest art forms. Every civilization has its own history of painting. Painting deals with the pigment which is used to apply on the surface by using a binder. During the early period, man used to communicate through pictographic forms by depicting drawings and paintings on the wall surfaces. From the course of time drawing and painting have been a major part of transforming our human civilization. Manipur was one of the princely kingdoms in the earlier time. The people of this state were very talented and skillful. They used to practice art activities based

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Woon Lam, Ng. "Study of Calligraphic Brushwork in Singapore Watercolor Art." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 3 (2022): 088–100. http://dx.doi.org/10.53789/j.1653-0465.2022.0203.011.p.

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This paper investigates the development of Singapore watercolor art. Although watercolor is a western painting medium, Singapore watercolor art adopted its concepts from both the traditional British watercolor and Chinese ink painting. While it inherited its painting techniques from the British watercolor, the concept of calligraphic brushwork was adopted in two diverse directions, one from the British watercolor and the other from the Chinese calligraphy and ink painting due to the diverse backgrounds of artists. The application of various forms of calligraphic brushwork and their development

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Woon Lam, Ng. "Study of Calligraphic Brushwork in Singapore Watercolor Art." Asia-Pacific Journal of Humanities and Social Sciences 2, no. 3 (2022): 088–100. http://dx.doi.org/10.53789/j.1653-0465.2022.0203.011.

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This paper investigates the development of Singapore watercolor art. Although watercolor is a western painting medium, Singapore watercolor art adopted its concepts from both the traditional British watercolor and Chinese ink painting. While it inherited its painting techniques from the British watercolor, the concept of calligraphic brushwork was adopted in two diverse directions, one from the British watercolor and the other from the Chinese calligraphy and ink painting due to the diverse backgrounds of artists. The application of various forms of calligraphic brushwork and their development

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Nurse, Bernard. "The Sherwin Brothers’ Copy of the Lost Mary Rose Wall Painting at Cowdray House." Antiquaries Journal 92 (July 18, 2012): 371–84. http://dx.doi.org/10.1017/s0003581512000108.

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The publication by the Society between 1778 and 1788 of reduced black-and-white engravings of the celebrated wall paintings at Cowdray House, Sussex, was highly controversial at the time; now the engravings, one of which shows the sinking of the Mary Rose, serve as an important record of the sixteenth-century originals, lost to a fire of 1793. No contemporary colour copies of this particular wall painting were thought to have survived until the discovery in 2010 of a watercolour (since acquired by the British Library) depicting some of the central figures, including a remarkable image of Henry

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Cramer, Florian. "Hiding in Plain Sight. Amy Suo Wu’s The Kandinsky." INMATERIAL. Diseño, Arte y Sociedad 2, no. 4 (2017): 104–16. http://dx.doi.org/10.46516/inmaterial.v2.40.

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The history of 20th century painting conventionally identifies abstraction with modernism and the return of figuration with postmodernism. But abstraction ended much earlier, in a spy operation during World War II, when a British intelligence officer, in a stroke of genius, found abstract paintings to be the perfect carriers for secret messages transported across the ocean. For this purpose, he commissioned a painting to Wassily Kandinsky that included a secret message encoded – in the manner of flag signs or Morse code – into its seemingly abstract visual shapes. This anecdote explains stegan

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Høvik, Ingeborg. "Heroism and Imperialism in the Arctic: Edwin Landseer’s Man Proposes – God Disposes." Nordlit 12, no. 1 (2008): 183. http://dx.doi.org/10.7557/13.1232.

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Edwin Landseer contributed the painting Man Proposes - God Disposes (Royal Holloway College, Egham), showing two polar bears amongst the remnants of a failed Arctic expedition, to the Royal Academy's annual exhibition of 1864. As contemporary nineteenth-century reviews of this exhibition show, the British public commonly associated Landseer's painting with the lost Arctic expedition of sir John Franklin, who had set out to find the Northwest Passage in 1845. Despite Landseer's gloomy representation of a present-day human disaster and, in effect, of British exploration in the Arctic, the painti

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SNELL, K. D. M. "In or Out of their Place: The Migrant Poor in English Art, 1740–1900." Rural History 24, no. 1 (2013): 73–100. http://dx.doi.org/10.1017/s0956793312000209.

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AbstractThis article considers how depictions of the migrant poor in English landscape art changed between 1740 and 1900. A painting by Edward Haytley (1744) is used to illustrate some prevailing themes and representations of the rural poor in the early eighteenth century, with the labouring poor being shown ‘in their place’ socially and spatially. This is then contrasted with the signs of a restless and migrant poor which appear in a few of Gainsborough's paintings, culminating in the poverty-stricken roadside, mobile, vagrant and sometimes gypsy poor who are so salient and sympathetically de

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Dissertations / Theses on the topic "Painting,British painting"

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Barrow, Rosemary Julia. "British classical-subject painting 1860-1910." Thesis, King's College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392422.

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Hichberger, Joan Winifred Martin. "Military themes in British painting 1815-1914." Thesis, University College London (University of London), 1985. http://discovery.ucl.ac.uk/1318047/.

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This thesis examines the treatment of the British Army and military themes, in painting, during the period 1815- 1914. All the works discussed were exhibited at the Royal Academy, which, although it underwent modifications in status, remained the nearest equivalent to a State Institution for Art in Britain. All the paintings shown there were painted with the knowledge that they were to be seen by the controllers of the Academy and the dominant classes of society. It will be inferred then, that the paintings shown there may be taken to have been acceptable to ruling class ideologies, and are th

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Salter, Gregory. "Domesticity and masculinity in 1950s British painting." Thesis, University of East Anglia, 2013. https://ueaeprints.uea.ac.uk/48105/.

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This thesis examines how men experienced domesticity in the 1950s in Britain and analyses the role that artistic representations play in the expression and formulation of this masculine selfhood in this context. It considers domesticity at this historical moment as an inherently flexible concept: one that takes in the private spaces of the home as well as more public realms and aspects beyond it, and includes a variety of relationships, both familial and non-familial. At the same time, it highlights the social structures surrounding domesticity in Britain at this time – exemplified by the poli

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Wyatt, Nicholas. "The Christian image and contemporary British painting : the communication of meaning and experience in religious paintings." Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/17679.

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My research uses my painting practice as an experimental and investigative tool to test the capacity of practical aesthetics to generate similar or analogous experiences to the non-dualist reception aesthetics of certain key examples of post-Tridentine (1563) Catholic Counter-Reformation devotional imagery, particularly, The Ecstasy of St. Theresa (1647-1652) by Gian Lorenzo Bernini and the Incarnation (1596-1600) by El Greco. I apply an interpretative method to the development of Christian imagery within painting in the post-Reformation period and its relationship to the economic system of mo

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Arscott, Caroline H. "Modern life subjects in British painting 1840-60." Thesis, University of Leeds, 1987. http://etheses.whiterose.ac.uk/1008/.

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A small number of paintings with modern settings and figures in modern dress can be identified in the exhibitions of the 1840s. During the 1850s such pictures became far more common, particularly in the wake of the success of William Powell Frith's outdoor crowd scene, Ramsgate Sands, exhibited at the Royal Academy of 1854, and distributed as an Art Union engraving in 1859. This thesis locates those modern life scenes in the broader context of mid-nineteenth century genre painting. Examining the critical debates of the 1840s, it is possible to identify anxieties concerning the appeal and value

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Nott, D. A. "Reframing war : British military painting 1854 to 1918." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/9525/.

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In this thesis I argue for a re-assessment of the place within art historical research of a neglected cohort of late-Victorian battle artists who continued to paint military scenes into the second decade of the twentieth century. I chart the move towards a graphic representation of the rank and file in the art of Elizabeth Butler (1846-1933) which served to alert the public and the art world to the brutal effects of war on the individual soldier and how this move impacted on her fellow late-Victorian, and now little-known, battle artists such as Ernest Crofts (1847-1911), John Charlton (1849-1

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Gorrill, Helen. "Gendered economic and symbolic values in contemporary British painting." Thesis, Lancaster University, 2016. http://eprints.lancs.ac.uk/86852/.

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Yarker, Jonathan Alexander. "Copies and copying in eighteenth-century Britain." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708785.

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McCrea, Rosalie Smith. "Antislavery and British painting of the black, 1760 to 1841." Thesis, University of Manchester, 2001. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551131.

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Modern historians of the British Atlantic Slave Trade and its abolition are legion. The leading scholars have long established that the campaigns to abolish the African Slave Trade and colonial plantation slavery was, for many Britons, bringing the "City of Men" closer to the "City of God". Parliamentarians responded to Wilberforce's proposition that abolishing slavery was a necessary act of atonement. This virtuous and magnificent measure, to adopt the words of Pitt, contained, at its heart, a religious and nationalist character together with a philosophy of moral and material optimism. Antis

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Mavity, Imola Antal. "From tradition to modernism : British landscape painting in the postwar period." Thesis, University of Kent, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498816.

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Books on the topic "Painting,British painting"

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Lambie, Jim. Painting not painting. Tate St. Ives, 2003.

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Galleries, Leger, ed. British painting. Leger Galleries, 1989.

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Galleries, Leger, ed. British painting. Leger Galleries, 1989.

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Lister, Raymond. British romantic painting. Cambridge University Press, 1989.

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1952-, Foster Stephen, Carter Ros, and John Hansard Gallery, eds. New British painting. John Hansard Gallery, 2004.

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Galleries, Leger, ed. British landscape painting. Leger Galleries, 1994.

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Galleries, Leger, ed. British landscape painting. Leger Galleries, 1992.

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Galleries, Leger, ed. British landscape painting. Leger Galleries, 1992.

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Raymond, Lister. British romantic painting. Cambridge University Press, 1989.

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Offer Waterman & Co. Modern British painting. Offer Waterman & Co, 1997.

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Book chapters on the topic "Painting,British painting"

1

Valette, Laura. "Painting Fog." In British Art and the Environment. Routledge, 2021. http://dx.doi.org/10.4324/9781003099215-4.

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Tyack, Geoffrey. "Horace Walpole, Anecdotes of Painting." In British Architecture 1760–1914. Routledge, 2023. http://dx.doi.org/10.4324/9781003111160-18.

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Smiles, Sam. "Landscape Painting, c.1770-1840." In A Companion to British Art. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch17.

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Johns, Richard. "“Those Wilder Sorts of Painting”." In A Companion to British Art. Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch4.

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Eitner, Lorenz. "British Neoclassicism and William Blake." In An Outline of 19th Century European Painting. Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-4.

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Cuxima-Zwa, Chikukwango. "Performativity of Body Painting: Symbolic Ritual as Diasporic Identity." In Narratives in Black British Dance. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70314-5_10.

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Ormsby, Bronwyn, Tom Learner, Jo Crook, and Patricia Smithen. "CHAPTER 25. John Hoyland: A British Master of Acrylic Painting." In Science and Art. Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781839161957-00522.

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Windsor, Alan. "N." In Handbook of Modern British Painting and Printmaking 1900–1990, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9780429057021-1270.

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Windsor, Alan. "W." In Handbook of Modern British Painting and Printmaking 1900–1990, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9780429057021-1673.

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Windsor, Alan. "G." In Handbook of Modern British Painting and Printmaking 1900–1990, 2nd ed. Routledge, 2022. http://dx.doi.org/10.4324/9780429057021-659.

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Conference papers on the topic "Painting,British painting"

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Crowley, Elliot J., Omkar M. Parkhi, and Andrew Zisserman. "Face Painting: querying art with photos." In British Machine Vision Conference 2015. British Machine Vision Association, 2015. http://dx.doi.org/10.5244/c.29.65.

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Wang, Tinghuai, John Collomosse, Andrew Hunter, and Darryl Greig. "Learnable Stroke Models for Example-based Portrait Painting." In British Machine Vision Conference 2013. British Machine Vision Association, 2013. http://dx.doi.org/10.5244/c.27.36.

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Rutsinskaya, Irina, and Galina Smirnova. "VISUALIZATION OF EVERYDAY SOCIAL AND CULTURAL PRACTICES: VICTORIAN PAINTING AS A MIRROR OF THE ENGLISH TEA PARTY TRADITION." In NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/37.

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"Throughout the second half of the seventeen and the eighteenth centuries, tea remained an expensive exotic drink for Britain that “preserved” its overseas nature. It was only in the Victorian era (1837-1903) that tea became the English national drink. The process attracts the attention of academics from various humanities. Despite an impressive amount of research in the UK, in Russia for a long time (in the Soviet years) the English tradition of tea drinking was considered a philistine curiosity unworthy of academic analysis. Accordingly, the English tea party in Russia has become a leader in

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Clarke, Loraine, and Eva Hornecker. "Social activities with offline tangibles at an interactive painting exhibit in a children's cultural centre." In British HCI 2015: 2015 British Human Computer Interaction Conference. ACM, 2015. http://dx.doi.org/10.1145/2783446.2783568.

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Lavanya, Bennabhaktula. "BEYOND BORDERS: THE LEGACY OF INDIAN MINIATURE PAINTINGS IN THE BRITISH MUSEUM." In SSHRA 2025 – Social Science & Humanities Research Association International Conference, 21-22 April, London. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.112.

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"Beyond Borders: The Legacy of Indian Miniature Paintings in the British Museum" explores the journey of Indian miniature paintings from their origins in the courts of Indian rulers to their placement in one of the world's foremost museums. This paper examines the cultural, historical, and artistic value of these paintings, shedding light on their role in shaping global perceptions of Indian art. By analysing select pieces in the British Museum's collection, this study reflects on the legacy and continuing influence of Indian miniature art in contemporary museum practices. By exhibiting these

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Crowley, Elliot, and Andrew Zisserman. "The State of the Art: Object Retrieval in Paintings using Discriminative Regions." In British Machine Vision Conference 2014. British Machine Vision Association, 2014. http://dx.doi.org/10.5244/c.28.38.

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Hill, Rodrigo, and Tom Roa. "Place-making: Wānanga based photographic approaches." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.188.

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Ka matakitaki iho au ki te riu o Waikato Ano nei hei kapo kau ake maaku Ki te kapu o taku ringa, The words above are from the poem Māori King Tawhiao wrote expressing his love for his homelands of the Waikato and the region known today as the King Country. The words translate to: “I look down on the valley of Waikato, As though to hold it in the hollow of my hand.” Now imagine a large-scale photograph depicting a close-up frame of cupped hands trying to hold something carefully. The words above inform Professor Tom Roa and Dr. Rodrigo Hill’s current research project titled Te Nehenehenui - The

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Kulkarni, Mugdha. "Unfolding the Secrets of Vijaydurg Fort." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5028p2dab.

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In India historic forts have been attracting the attention of Indian and Western scholars in recent times. National and international heritage institutions like ICOFORT-ICOMOS (International Scientific Committee on Fortifications and Military Heritage – International Council on Monuments and Sites), ASI (Archaeological Survey of India) and State Archaeology Departments are focusing on the study of these forts, aiming for their conservation. This paper presents a history and analysis of Vijaydurg Fort, one of the Maratha Sea forts of the Konkan region of Maharashtra, built along the coastline o

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