Relevant bibliographies by topics / Painting, Canadian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Painting, Canadian'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Painting, Canadian"

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Hassan, Mehdia. "Wounds: Commemorative Tattoos, Collective Trauma, and the Afghan-Canadian Identity." in:cite journal 3 (August 31, 2020): 34–51. http://dx.doi.org/10.33137/incite.3.34718.

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The painting Wounds reimagines how nonwhite and “vulnerable” bodies are expected to exist in society. Inspired by The Tattoo Project and how commemorative tattoos meaningfully integrate love and loss into “good grief” (Davidson, 2016), the painting re-imagines commemorative tattoos as wounds that result from collective and intergenerational trauma. The painting Wounds uses a social justice lens to depict how traumatic histories can be embodied in the cultural identities of future generations of the Afghan diaspora and how tattoos materialize these memories. I demonstrate this by critically ana
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Brakhage, Stan. "Ciné-Document: On Canadian Painting and Cinema." Canadian Journal of Film Studies 14, no. 1 (2005): 84–100. http://dx.doi.org/10.3138/cjfs.14.1.84.

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Berehovska, H. "William Kurelek’s “Multicultu-ralism”: author’s creative method." Culture of Ukraine, no. 72 (June 23, 2021): 176–82. http://dx.doi.org/10.31516/2410-5325.072.25.

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The purpose of the study — to analyze the phenomenon of the author’s style “multiculturalism” in the painting of the Canadian-Ukrainian artist W. Kurelek, as well as to characterize the unique author’s artistic technique.
 The methodology. Symbolic-metaphysical and philosophical aspects of the artist’s work are studied on the basis of art analysis of individual paintings. The method of formal and stylistic analysis helped to identify the appearance of individual works, characterized the artistic processes that took place in the Canadian-Ukrainian environment, which had a significant impac
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Rozwadowski, Andrzej. "„Szaman nigdy nie umiera”. Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras." Folia Praehistorica Posnaniensia 24 (December 15, 2019): 207–33. http://dx.doi.org/10.14746/fpp.2019.24.13.

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This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indigenous perspective, which provides the clue to reading complexity of history and contemporary art of the First Nations in Canada. Then the painting Shaman never die V is thoroughly analyzed. It is showed that rock art motifs used in this artwork had been very carefully selected and the meanings they
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Turner, Kate, and Bill Freedman. "Nature as a theme in Canadian literature." Environmental Reviews 13, no. 4 (2005): 169–97. http://dx.doi.org/10.1139/a05-013.

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The relationships of people with the natural world are expressed in diverse ways, including painting, photographs, sculpture, song, video, and literature. In this document, we review historical and contemporary portrayals of nature as a theme in Canadian literature. Our assessment is intended to explore how Canadians have articulated their feelings about nature through literary expression, and to thereby gain insight into their empathy for natural ecosystems and native species, and their concern about damage caused to those values. We begin with a broad overview of nature as a theme in cultura
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Prevost, Roxane. "The Jack Pine: Preserving the Northern Ontario Landscape through Painting, Music, and Short Film." Articles 36, no. 2 (2018): 35–45. http://dx.doi.org/10.7202/1051596ar.

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In her program note, Canadian composer Jocelyn Morlock explains that she was inspired by Tom Thomson’s 1916–17 painting, which depicts a Jack pine clinging to a rock on the edge of water, for her solo piano piece The Jack Pine (2010). Julian Beecroft later posted a short film of the Algonquin Park, accompanied by Morlock’s work. This article examines some of the intersections between the transition of colours in the painting and the harmonic colours of the music through voice-leading analysis, and some of the ways in which the music successfully depicts the different scenes of the short film.
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Чигарева, Е. И. "Painting as Prototype of a Music Work: “Maud Lewis Smile” by Nikolai Korndorf." Научный вестник Московской консерватории, no. 4(35) (December 19, 2018): 108–17. http://dx.doi.org/10.26176/mosconsv.2018.35.4.05.

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В статье ставится проблема взаимодействия двух видов искусств — музыки и живописи — на основе программности музыкального произведения. Приводятся примеры такого взаимодействия (конкретные произведения изобразительного искусства либо жанры — картина, портрет, эскиз, фигурирующие в качестве названий музыкального сочинения). В качестве предмета анализа предложена пьеса Николая Корндорфа для малого симфонического оркестра «Улыбка Мод Льюис». Импульсом к ее созданию для композитора послужили живописное искусство и судьба канадской художницы. Несмотря на тяжелую болезнь, которой Мод Льюис страдала с
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Hutchison, Margaret. "Dominion Imaginings: Commemorating WWI in Australian, Canadian and New Zealand Official Painting." Journal of Australian Studies 44, no. 4 (2020): 515–34. http://dx.doi.org/10.1080/14443058.2020.1837916.

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Woloschuk, Caitlin. "Masculinity in Folklore: The Enduring Symbolism of the Canadian Lumberjack." Pathways 3, no. 1 (2022): 5–13. http://dx.doi.org/10.29173/pathways36.

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The nineteenth-century logging industry in North America produced working conditions that gave birth to many folk tales and folk heroes that have held firm, keeping the lumberjack a topic of popular culture that has endured for over a century. Through examining a historical painting and sketch inspired by the popular French-Canadian folktale La Chasse Galerie, present-day people can better understand the different historical influences, such as religion and ethnicity, that helped create folklore and ideas of masculinity within the timber trade in the Ottawa Valley. In addition, the masculinity
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Santos, Ariane Souza. "Ekphrasis in Shawna Lemay: “To make something mythical of my life”." Em Tese 10 (December 31, 2012): 41. http://dx.doi.org/10.17851/1982-0739.10.0.41-46.

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The object of analysis of this paper concerns the majority of the poems from All the God-Sized Fruit, written by the Canadian poet Shawna Lemay. The poems were built following five ekphrastic frameworks: appropriation of artistic style, process of creation, critical analysis, narrative, and dialogue. The intertwinement of these frameworks with discussions about the processes of writing and painting helps the poet to build up her identity as woman, poet and woman-poet.
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Dissertations / Theses on the topic "Painting, Canadian"

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Bellefleur-Attas, Mireille. "Leon Bellefleur and Surrealism in Canadian painting (1940 - 1980) : the transmigration of an ideology." Thesis, Birkbeck (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491692.

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Surrealism made its appearance in Canadian art in the early 1940s, twenty years after its inception in France. The distance, both in terms of space and of time, has had major implications for the manner in which surrealist ideas have been conveyed and transformed pictorially, even as they were assimilated, in this culturally-distinct society. This process may be observed in English Canada, notably in the work of Jock Macdonald and Jack Shadbolt. But it is in French-speaking Quebec that the surrealist philosophy -in particular, its appeal to the unconscious and the non-rational powers of the hu
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Mulley, Elizabeth. "Women and children in context : Laura Muntz and representation of maternity." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36781.

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This thesis is concerned with several aspects of the life and work of the Canadian painter Laura Muntz (1860--1930). It examines in particular Muntz's images of women and children both within the cultural themes and ideologies of the period and from the perspective of contemporary twentieth-century theories of gender. The introduction and literature review outline the broad issues surrounding the artist in her time and present a summary of her critical fortunes in Canadian art historical literature. Chapter one provides a discussion of Muntz's life and artistic production between 1860 and 1898
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Grenier, Marlène. "Les artistes propagateurs de l'idéal allemand en art pictural et en sculpture au Canada au XIXe siècle." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq26215.pdf.

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Granger, Lesya (Lesya Alexandra) Carleton University Dissertation Art History. "The Icon painting tradition among Canadians of Ukrainian descent." Ottawa, 1996.

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Lemaitre, Serge. "Kekeewin ou kekeenowin: les peintures rupestres de l'est du Bouclier canadien." Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211124.

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Les peintures rupestres de l’Ontario font partie du grand ensemble de l'art rupestre du Bouclier Canadien. Ce terme recouvre une réalité géologique autant qu'ethnographique, puisque cette région est essentiellement habitée par les Algonquiens. La retraite des glaces laissa un paysage criblé de lacs et de cours d'eau dont les artistes amérindiens peignirent les roches riveraines. Les peintres élirent de préférence des rochers de granit ou de gneiss, lissés par les glaces et plongeant, le long des rivages, presque à la verticale dans l'eau. <p>Depuis une dizaine d'années, les recherches en art r
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Orlandi, Franco. "Arabesque, an exhibition of paintings and prints." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq21537.pdf.

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Hoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada." Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.

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The purpose of this thesis is to identify essential characteristics of the first generation of Romantic landscape painters and painting movements in a given English-speaking country which followed the generation of Turner, Constable and Martin in England, and then trace how the second generation of Romantic-realist painters represents a different paradigm. For a paradigmatic construct of the first generation, the focus is on the lives and major works of the American arch-Romantic landscape painter Thomas Cole (1801--1848) and the Australian Romantic landscape painter Conrad Martens (1801--1878
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Anderson, Janice. "Creating room : Canadian women's mural painting and rereadings of the public and the private." Thesis, 2002. http://spectrum.library.concordia.ca/1609/1/NQ68218.pdf.

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Feminist theorists have used the literal and symbolic meanings of public and private spaces as a framework for understanding the marginalization of women within social structures. Interpreting mural paintings by Canadian women as incursions into a space that is commonly seen and understood as having a limited availability allows for the explication of those works as confounding simplistic understandings of the relationships between women and space. Stringent definitions of the public necessarily cast women as victims of a system within which their experiences are, in fact, marginalized, but th
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Howard, David Brian. "Bordering on the new frontier : modernism and the military industrial complex in the United States and Canada, 1957-1965." Thesis, 1993. http://hdl.handle.net/2429/2859.

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In 1964 Clement Greenberg suffered his greatest setback as the critical arbiter of modern painting. The "Post Painterly Abstraction" exhibition he had helped to organize at the Los Angeles Museum of Art was critically demolished, definitively shattering the myth of invincibility surrounding Greenberg's modernism, an aesthetic which had been a powerful influence in the United States and Canada in the post-war period. For many contemporary critics, the early to mid-1960's is the period in which a stultified and institutionalized modernism was finally usurped by an approach to culture that was le
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Beer, Ruth Sulamith. "Landscape and identity : three artists/teachers in British Columbia." Thesis, 1999. http://hdl.handle.net/2429/9938.

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In this interdisciplinary study, narrative portraiture is used as a methodology to depict three visual artists who draw on their lived experience, traditions and values to engage viewers, through their artwork, about issues of landscape and identity. I argue for an educative paradigm applied to art practice that seeks individual and social/cultural transformation within and across communities through pedagogical processes that recognize diverse audiences. Questions guiding this study are: How do the artists' ideas and practices relate to living in British Columbia and the representation
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Books on the topic "Painting, Canadian"

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Morley, Patricia A. Kurelek: A biography. Macmillan of Canada, 1986.

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Newzones Gallery of Contemporary Art, ed. William Perehudoff. Newzones Gallery of Contemporary Art, 2000.

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Newzones Gallery of Contemporary Art, ed. William Perehudoff. Newzones Gallery of Contemporary Art, 2013.

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Newzones Gallery of Contemporary Art, ed. William Perehudoff. Newzones Gallery of Contemporary Art, 1991.

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Helen, Zenith, and Newzones Gallery of Contemporary Art, eds. William Perehudoff: Fifty years of abstraction. Newzones Gallery of Contemporary Art, 2010.

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Nasgaard, Roald. Abstract painting in Canada. Douglas & MacIntyre, 2007.

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Hammond, Nicholas. Modern wildlife painting. Pica Press, 1998.

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Knox, George. 18th century Venetian art in Canadian collections. Vancouver Art Gallery, 1989.

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Canada, Power Corporation of. Canadian masters from the collection of Power Corporation of Canada, 1850-1950. Musée du Séminaire de Québec, 1990.

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Campbell, James D. Depth markers: Selected art writings, 1985-1994. ECW Press, 1995.

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Book chapters on the topic "Painting, Canadian"

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Syperek, Pandora. "7. An Excess Of Prudery? Lilias Torrance Newton’S Nude And The Censorship Of Interwar Canadian Painting." In Contesting Bodies and Nation in Canadian History. University of Toronto Press, 2013. http://dx.doi.org/10.3138/9781442663152-011.

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Burton, Samantha. "Transplanting Impressionism to Canada." In Mapping Impressionist Painting in Transnational Contexts. Routledge, 2021. http://dx.doi.org/10.4324/9781003044239-5.

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Cruikshank Dodd, Erica. "MAR TADROS, BAHDEIDAT. PAINTINGS IN A LEBANESE CHURCH FROM THE THIRTEENTH CENTURY." In Journal of the Canadian Society for Syriac Studies 1, edited by Amir Harrak. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463216214-005.

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Helwig, Kate, Jennifer Poulin, Marie-Claude Corbeil, Elizabeth Moffatt, and Dominique Duguay. "Conservation Issues in Several Twentieth-Century Canadian Oil Paintings: The Role of Zinc Carboxylate Reaction Products." In Issues in Contemporary Oil Paint. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10100-2_11.

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"Fielding a Canadian Contingent." In Painting the Map Red. McGill-Queen's University Press, 1993. http://dx.doi.org/10.1515/9780773563445-006.

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"The Anatomy of Canadian Opinion." In Painting the Map Red. McGill-Queen's University Press, 1993. http://dx.doi.org/10.1515/9780773563445-004.

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"6. Canadian and Colonial Painting." In Northrop Frye on Canada, edited by David Staines. University of Toronto Press, 2003. http://dx.doi.org/10.3138/9781442677807-010.

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Verduyn, Christl. "Reconstructing Canadian Literature: The Role of Race and Gender." In Painting the Maple. University of British Columbia Press, 2007. http://dx.doi.org/10.59962/9780774852371-008.

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Abu-Laban, Yasmeen. "Keeping ’em Out: Gender, Race, and Class Biases in Canadian Immigration Policy." In Painting the Maple. University of British Columbia Press, 2007. http://dx.doi.org/10.59962/9780774852371-006.

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Jiwani, Yasmin. "On the Outskirts of Empire: Race and Gender in Canadian TV News." In Painting the Maple. University of British Columbia Press, 2007. http://dx.doi.org/10.59962/9780774852371-005.

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Conference papers on the topic "Painting, Canadian"

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Pedan, T. V. "About the work of the Ukrainian artist of Petrykiv painting Kateryna Kryvolap in Canada." In PARTICULARITIES OF ART’S INFLUENCE ON PERSONALITY DEVELOPMENT. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-402-3-30.

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Reports on the topic "Painting, Canadian"

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Rajnovich, G. Reading rock art: interpreting the Indian rock paintings of the Canadian Shield. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/216231.

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