Log in

Relevant bibliographies by topics / Painting, Canadian / Journal articles

To see the other types of publications on this topic, follow the link: Painting, Canadian.

Journal articles on the topic 'Painting, Canadian'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Painting, Canadian.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Hassan, Mehdia. "Wounds: Commemorative Tattoos, Collective Trauma, and the Afghan-Canadian Identity." in:cite journal 3 (August 31, 2020): 34–51. http://dx.doi.org/10.33137/incite.3.34718.

Full text

Abstract:

The painting Wounds reimagines how nonwhite and “vulnerable” bodies are expected to exist in society. Inspired by The Tattoo Project and how commemorative tattoos meaningfully integrate love and loss into “good grief” (Davidson, 2016), the painting re-imagines commemorative tattoos as wounds that result from collective and intergenerational trauma. The painting Wounds uses a social justice lens to depict how traumatic histories can be embodied in the cultural identities of future generations of the Afghan diaspora and how tattoos materialize these memories. I demonstrate this by critically ana

APA, Harvard, Vancouver, ISO, and other styles

2

Brakhage, Stan. "Ciné-Document: On Canadian Painting and Cinema." Canadian Journal of Film Studies 14, no. 1 (2005): 84–100. http://dx.doi.org/10.3138/cjfs.14.1.84.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Berehovska, H. "William Kurelek’s “Multicultu-ralism”: author’s creative method." Culture of Ukraine, no. 72 (June 23, 2021): 176–82. http://dx.doi.org/10.31516/2410-5325.072.25.

Full text

Abstract:

The purpose of the study — to analyze the phenomenon of the author’s style “multiculturalism” in the painting of the Canadian-Ukrainian artist W. Kurelek, as well as to characterize the unique author’s artistic technique. The methodology. Symbolic-metaphysical and philosophical aspects of the artist’s work are studied on the basis of art analysis of individual paintings. The method of formal and stylistic analysis helped to identify the appearance of individual works, characterized the artistic processes that took place in the Canadian-Ukrainian environment, which had a significant impac

APA, Harvard, Vancouver, ISO, and other styles

4

Rozwadowski, Andrzej. "„Szaman nigdy nie umiera”. Sztuka naskalna jako wyraz tożsamości w twórczości Jane Ash Poitras." Folia Praehistorica Posnaniensia 24 (December 15, 2019): 207–33. http://dx.doi.org/10.14746/fpp.2019.24.13.

Full text

Abstract:

This article discusses the phenomenon of reusing of ancient rock art iconography in modern art on the example of the artworks of Canadian Cree visual artist Jane Ash Poitras. To understand the role the rock art plays in the collages of J.A. Poitras, the first part of the paper is focused on the Indigenous perspective, which provides the clue to reading complexity of history and contemporary art of the First Nations in Canada. Then the painting Shaman never die V is thoroughly analyzed. It is showed that rock art motifs used in this artwork had been very carefully selected and the meanings they

APA, Harvard, Vancouver, ISO, and other styles

5

Turner, Kate, and Bill Freedman. "Nature as a theme in Canadian literature." Environmental Reviews 13, no. 4 (2005): 169–97. http://dx.doi.org/10.1139/a05-013.

Full text

Abstract:

The relationships of people with the natural world are expressed in diverse ways, including painting, photographs, sculpture, song, video, and literature. In this document, we review historical and contemporary portrayals of nature as a theme in Canadian literature. Our assessment is intended to explore how Canadians have articulated their feelings about nature through literary expression, and to thereby gain insight into their empathy for natural ecosystems and native species, and their concern about damage caused to those values. We begin with a broad overview of nature as a theme in cultura

APA, Harvard, Vancouver, ISO, and other styles

6

Prevost, Roxane. "The Jack Pine: Preserving the Northern Ontario Landscape through Painting, Music, and Short Film." Articles 36, no. 2 (2018): 35–45. http://dx.doi.org/10.7202/1051596ar.

Full text

Abstract:

In her program note, Canadian composer Jocelyn Morlock explains that she was inspired by Tom Thomson’s 1916–17 painting, which depicts a Jack pine clinging to a rock on the edge of water, for her solo piano piece The Jack Pine (2010). Julian Beecroft later posted a short film of the Algonquin Park, accompanied by Morlock’s work. This article examines some of the intersections between the transition of colours in the painting and the harmonic colours of the music through voice-leading analysis, and some of the ways in which the music successfully depicts the different scenes of the short film.

APA, Harvard, Vancouver, ISO, and other styles

7

Чигарева, Е. И. "Painting as Prototype of a Music Work: “Maud Lewis Smile” by Nikolai Korndorf." Научный вестник Московской консерватории, no. 4(35) (December 19, 2018): 108–17. http://dx.doi.org/10.26176/mosconsv.2018.35.4.05.

Full text

Abstract:

В статье ставится проблема взаимодействия двух видов искусств — музыки и живописи — на основе программности музыкального произведения. Приводятся примеры такого взаимодействия (конкретные произведения изобразительного искусства либо жанры — картина, портрет, эскиз, фигурирующие в качестве названий музыкального сочинения). В качестве предмета анализа предложена пьеса Николая Корндорфа для малого симфонического оркестра «Улыбка Мод Льюис». Импульсом к ее созданию для композитора послужили живописное искусство и судьба канадской художницы. Несмотря на тяжелую болезнь, которой Мод Льюис страдала с

APA, Harvard, Vancouver, ISO, and other styles

8

Hutchison, Margaret. "Dominion Imaginings: Commemorating WWI in Australian, Canadian and New Zealand Official Painting." Journal of Australian Studies 44, no. 4 (2020): 515–34. http://dx.doi.org/10.1080/14443058.2020.1837916.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Woloschuk, Caitlin. "Masculinity in Folklore: The Enduring Symbolism of the Canadian Lumberjack." Pathways 3, no. 1 (2022): 5–13. http://dx.doi.org/10.29173/pathways36.

Full text

Abstract:

The nineteenth-century logging industry in North America produced working conditions that gave birth to many folk tales and folk heroes that have held firm, keeping the lumberjack a topic of popular culture that has endured for over a century. Through examining a historical painting and sketch inspired by the popular French-Canadian folktale La Chasse Galerie, present-day people can better understand the different historical influences, such as religion and ethnicity, that helped create folklore and ideas of masculinity within the timber trade in the Ottawa Valley. In addition, the masculinity

APA, Harvard, Vancouver, ISO, and other styles

10

Santos, Ariane Souza. "Ekphrasis in Shawna Lemay: “To make something mythical of my life”." Em Tese 10 (December 31, 2012): 41. http://dx.doi.org/10.17851/1982-0739.10.0.41-46.

Full text

Abstract:

The object of analysis of this paper concerns the majority of the poems from All the God-Sized Fruit, written by the Canadian poet Shawna Lemay. The poems were built following five ekphrastic frameworks: appropriation of artistic style, process of creation, critical analysis, narrative, and dialogue. The intertwinement of these frameworks with discussions about the processes of writing and painting helps the poet to build up her identity as woman, poet and woman-poet.

APA, Harvard, Vancouver, ISO, and other styles

11

Beregovska, Khrystyna. "The problem of social and anthropological crises in the painting of Vasyl Kurylyk." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 152–57. http://dx.doi.org/10.32461/2226-0285.1.2021.238612.

Full text

Abstract:

The purpose of the article is to solve the problem of social crises and human degradation in the secular paintings of the Canadian-Ukrainian artist William Kurelek (1927-1977) on the example of selected works. Methodology. General scientific and interdisciplinary research methods were used to solve the set tasks: analysis, synthesis, hermeneutic and comparative methods. The method of formal and stylistic analysis made it possible not only to identify the origin of individual works, but also to characterize the artistic processes that took place in the Canadian-Ukrainian environment and which a

APA, Harvard, Vancouver, ISO, and other styles

12

Smither, Devon. "Defying convention: The female nude in Canadian painting and photography during the interwar period." Journal of Historical Sociology 32, no. 1 (2019): 77–93. http://dx.doi.org/10.1111/johs.12219.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Winearls, Joan. "Allan Brooks, Naturalist and Artist (1869-1946)." Scientia Canadensis 31, no. 1-2 (2009): 131–54. http://dx.doi.org/10.7202/019758ar.

Full text

Abstract:

Abstract British by birth Allan Cyril Brooks (1869-1946) emigrated to Canada in the 1880s, and became one of the most important North American bird illustrators during the first half of the twentieth century. Brooks was one of the leading ornithologists and wildlife collectors of the time; he corresponded extensively with other ornithologists and supplied specimens to many major North American museums. From the 1890s on he hoped to support himself by painting birds and mammals, but this was not possible in Canada at that time and he was forced to turn to American sources for illustration commi

APA, Harvard, Vancouver, ISO, and other styles

14

París Romia, Gemma. "Jeff Wall, Pintor de la Vida Posmoderna." Barcelona Investigación Arte Creación 4, no. 3 (2016): 300. http://dx.doi.org/10.17583/brac.2016.1761.

Full text

Abstract:

Through the work of Jeff Wall (Vancouver, 1946), we will see the rich relationships that the Canadian artist establish between photographic media and other art forms such as painting, theatre and cinema. Although Wall’s images are photographs, they are built from complex relations with Western pictorial tradition, with the gestures of theatrical act and with the construction of narrative cinema. These relationships with the various languages of art create mysterious images that tell us about our contemporary society, creating a space halfway between reality and fiction.

APA, Harvard, Vancouver, ISO, and other styles

15

Delbaere, Jeanne. "Magic Realism in Jack Hodgins’s Short Stories." Recherches anglaises et nord-américaines 20, no. 1 (1987): 41–49. http://dx.doi.org/10.3406/ranam.1987.1164.

Full text

Abstract:

Magic realism in Jack Hodgins’s Short Stories. After tracing the development of magic realism and attempting to bring out its main features the author shows that Canadian magic realism combines elements of the two main orientations found elsewhere - fabulation and the marvellous - with a strong visual element borrowed from the school of painting of the same name. She then proceeds to analyse the magic realist elements in Jack Hodgins and more particularly in three of his stories, «Separating », «Spit Delaney’s Island », and «The Plague Children ».

APA, Harvard, Vancouver, ISO, and other styles

16

Vanderby, Sonia, Juan Nicolás Peña-Sánchez, Neil Kalra, and Paul Babyn. "Finding the Truth in Medical Imaging: Painting the Picture of Appropriateness for Magnetic Resonance Imaging in Canada." Canadian Association of Radiologists Journal 66, no. 4 (2015): 323–31. http://dx.doi.org/10.1016/j.carj.2015.05.002.

Full text

Abstract:

Background Questions about the appropriateness of medical imaging exams, particularly related to magnetic resonance exams, have arisen in recent years. However, the prevalence of inappropriate imaging in Canada is unclear as inappropriate exam proportion estimates are often based on studies from other countries. Hence, we sought to compare and summarize Canadian studies related to magnetic resonance imaging appropriateness. Methods We completed a systematic literature search identifying studies related to magnetic resonance appropriateness in Canada published between 2003 and 2013. Two researc

APA, Harvard, Vancouver, ISO, and other styles

17

Jessup, Lynda. "Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late-Nineteenth-Century Canadian Painting." Journal of Canadian Studies 40, no. 1 (2006): 71–124. http://dx.doi.org/10.3138/jcs.40.1.71.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Fidyk, Alexandra L. "‘Intruders,’ ‘animal roots’ and ‘Mother Earth’: tracking the art complex in the work of Emily Carr." International Journal of Jungian Studies 6, no. 1 (2014): 3–22. http://dx.doi.org/10.1080/19409052.2013.828318.

Full text

Abstract:

In highlighting symbolic events in the life of Canadian artist Emily Carr – her loss, her growing pains, her joys and her achievements – a case is made for a transformative relationship with the art complex. These events are initially narrated providing a backdrop to the first half of her life. At age 56, however, she had a numinous encounter that symbolized the transition to the second half of life, ushering in a new relationship with an autonomous intruder. For the next decade, her psychological maturation was reflected in developing her own painting methods, writing, and a more conscious re

APA, Harvard, Vancouver, ISO, and other styles

19

Stoeber, Michael. "Theosophical Influences on the Painting and Writing of Lawren Harris: Re-Imagining Theosophy through Canadian Art." Toronto Journal of Theology 28, no. 1 (2012): 81–104. http://dx.doi.org/10.3138/tjt.28.1.81.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Jessup, Lynda. "Landscapes of Sport, Landscapes of Exclusion: The "Sportsman's Paradise" in Late-Nineteenth-Century Canadian Painting." Journal of Canadian Studies 40, no. 1 (2006): 71–123. http://dx.doi.org/10.1353/jcs.2007.0005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Tkachenko, Viktor. "HISTORIOGRAPHIC STUDIES FROM REGIONAL AND ORNAMENTAL FEATURES OF EASTER EGGS PAINTING." Journal of Ukrainian History, no. 40 (2019): 61–68. http://dx.doi.org/10.17721/2522-4611.2019.40.8.

Full text

Abstract:

The article deals with the national historiography in which problems of regional-ornamental peculiarities of easter eggs painting are highlighted. The purpose of the proposed research is the analysis of the existing sources related to the historiography of regional ornamental peculiarities of easter eggs painting as a type of decorative and applied art in general. The main task: to find out the current state and degree of study of the problem. The methodological basis is the general scientific principles and methods of research. Among them - problem-chronological, search, analysis and synthesi

APA, Harvard, Vancouver, ISO, and other styles

22

Bailey, Doug. "Disarticulate—Repurpose—Disrupt: Art/Archaeology." Cambridge Archaeological Journal 27, no. 4 (2017): 691–701. http://dx.doi.org/10.1017/s0959774317000713.

Full text

Abstract:

This project sees archaeology and art as a political tool for disrupting conventional, politically loaded narratives of the past. Rather than producing institutionally safe narratives conventionally certified as truth, archaeologists should follow the lead of artists who use the past as a source of materials to be reconfigured in new ways to help people see in new ways. Using as an example the works of the Canadian artist Ken Monkman, who subverts nineteenth- century landscape painting to reinsert the missing critiques of Anglo-American colonialism, dominance of nature, and heteronormativity,

APA, Harvard, Vancouver, ISO, and other styles

23

Leddy, Lianne C., Brittany Luby, Kimberley McLeod, Emma Stelter, and Kim Anderson. "Refusing Confederation: Indigenous Feminist Performance as a Tool for Colonial Reckoning and Community (Re)Building." Native American and Indigenous Studies 10, no. 2 (2023): 5–35. http://dx.doi.org/10.1353/nai.2023.a904181.

Full text

Abstract:

Abstract: In 2017, the Kika'ige Historical Society, an Indigenous women's performance troupe based in Guelph, Canada, created Tabling 150 in response to celebrations of Canada's sesquicentennial. Tabling 150 presented an opportunity for Indigenous women to engage in truth-telling amid celebrations of settler-colonial nationalism. By taking on personas of the "Grannies of Confederation," a play on the title of the well-known painting The Fathers of Confederation , the performers participated in Native feminist spatial practice, creating new orders through felt theory, presencing, and enacting r

APA, Harvard, Vancouver, ISO, and other styles

24

Cannon, Mary, and John Hoey. "Can the arts be an effective tool to combat psychosis stigma?" Open Access Government 42, no. 1 (2024): 192–93. http://dx.doi.org/10.56367/oag-042-10973.

Full text

Abstract:

Can the arts be an effective tool to combat psychosis stigma? There has been a rise in stigma for mental illnesses over the past few decades, particularly for psychotic symptoms. However, artistic representation may be the key to eliminating psychosis stigma. Stigma was originally described by the Canadian sociologist Erving Goffman in 1963 as the ‘situation of the individual who is disqualified from full social acceptance.’(1) The Oxford English Dictionary describes stigma as: “Negative feelings that people have about particular circumstances or characteristics that somebody may have.” Psycho

APA, Harvard, Vancouver, ISO, and other styles

25

Goodman, Lizbeth, and Stephen Regan. "’Scorned as timber, beloved of the sky’: Emily Carr's double approach to first nations Canadian landscapes and images in her painting and writing[1]." Journal of Gender Studies 7, no. 2 (1998): 157–79. http://dx.doi.org/10.1080/09589236.1998.9960710.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Carroll, Debbie. "Children’s invented notations: Extending knowledge of their intuitive musical understandings using a Vygotskian social constructivist view." Psychology of Music 46, no. 4 (2017): 521–39. http://dx.doi.org/10.1177/0305735617716532.

Full text

Abstract:

Children’s invented musical notations provide a fascinating window into their musical and metacognitive understandings. Using a Vygotskian social constructivist perspective that emphasizes the social nature of cognition, the purpose of this qualitative study was to examine the processes and products of children’s notations as they notated a song and then taught it to a peer, a multi-level task currently unstudied in the literature. Thirteen Canadian children, aged 5–9 years, without prior music instruction, notated a song learned the previous week, sung it back, explained what they did, and th

APA, Harvard, Vancouver, ISO, and other styles

27

Beregovska, Khrystyna O., Olga A. Tarasenko, Khrystyna M. Nahorniak, Anastasiia D. Pavlyshyn, and Karina D. Davydova. "Cultural identification of a person in the works of William Kurelek." Linguistics and Culture Review 5, S4 (2021): 469–79. http://dx.doi.org/10.21744/lingcure.v5ns4.1587.

Full text

Abstract:

Ethnic groups in Canada try not to dissolve in a foreign national environment and to preserve their identity. Polish-Ukrainian relations are an important topic in the context of studying the immigrant Canadian environment. William Kurelek was interested in this issue and managed to prove the role of Ukrainians in shaping a multicultural Canadian society. The authors of this study aimed to characterize the preconditions and history of the thematic series of Ukrainian immigrants and The Polish Canadians on the basis of artistic works. The works of William Kurelek were characterized and special a

APA, Harvard, Vancouver, ISO, and other styles

28

Niu, Xuebiao. "WU CHENG’EN’S NOVEL “JOURNEY TO THE WEST” AND ITS RESOURCES FOR ANIMATED ADAPTATIONS." Scientific and analytical journal Burganov House. The space of culture 19, no. 3 (2023): 22–38. http://dx.doi.org/10.36340/2071-6818-2023-19-3-22-38.

Full text

Abstract:

This article explores the potential for producing animated movies based on the Chinese classic novel «Journey to the West». The author traces the evolution of the plot and characterizes the main features of the famous literary work, the adaptation of which was repeatedly used not only by Chinese, but also by Japanese, Korean and other animators. Over the years and centuries, the pilgrimage of the Tang monk and his companions to India in search of the sacred sutras has evolved from historical accounts to folklore tales, and eventually to plays, after which the journey has become the subject of

APA, Harvard, Vancouver, ISO, and other styles

29

Sucevic Miklin, Maja. "Overpaints and inpainting on the “Black flag” by Ljubo Babić." Ge-conservacion 18, no. 1 (2020): 291–97. http://dx.doi.org/10.37558/gec.v18i1.848.

Full text

Abstract:

This paper will present the restoration carried out at the end of 2017 on an oil painting called the “Black flag”, by Ljubo Babić, that stands today as one of the five more important paintings in Croatian modern art history. The focus will be on previous interventions – retouches and overpaintings – that were found on such an important painting, as well as the complex process of inpainting. After a partial removal of the previous interventions, some particles of dirt were still left embedded in the texture. This condition and the artist's paint effects determined the inpainting process.

APA, Harvard, Vancouver, ISO, and other styles

30

Prince, Michael J. "Drawing hidden figures of disability: youth and adults with disabilities in Canada." Evidence & Policy: A Journal of Research, Debate and Practice 17, no. 2 (2021): 227–41. http://dx.doi.org/10.1332/174426421x16146827140135.

Full text

Abstract:

Background: While governments draw on survey data to inform policy choices, the design, application, and interpretation of surveys can generate certain images of disability and ignore many others.Aims and objectives: This article draws attention to social circumstances of people with disabilities often unacknowledged in research evidence: hidden figures of disability.Methods: Selected results from the Canadian Survey on Disability are examined with a focus on working-age youth and adults (aged 15 to 64) with a range of disabilities.Findings: Five figures of disability and corresponding concept

APA, Harvard, Vancouver, ISO, and other styles

31

Chin, Gail. "Creating From Ashes: Huang Zhongyang’s Memories of The Shadow of Mao." Journal of American-East Asian Relations 20, no. 2-3 (2013): 234–55. http://dx.doi.org/10.1163/18765610-02003017.

Full text

Abstract:

As new immigrants to Canada, Regina painter Huang Zhongyang and other cultural workers add to our diverse visual heritage. Although he left the People’s Republic of China after the end of the Chinese Cultural Revolution, his memories of senseless violence, with Communist leader Mao Zedong pitting neighbor against neighbor, son against father, scarred his psyche, which he has turned into oil paintings. These paintings of Huang’s memories of the Cultural Revolution rarely are displayed publicly, except occasionally. The intent of this article is to discuss his paintings in relation to actual eve

APA, Harvard, Vancouver, ISO, and other styles

32

Navarro Neri, Iñaki, Pilar Rivero, Borja Aso, and Ana María Mendióroz-Lacambra. "Narrativa y significación histórica en la comunicación de los museos nacionales canadienses en Facebook." Panta Rei. 15 (October 8, 2021): 185–207. http://dx.doi.org/10.6018/pantarei.467881.

Full text

Abstract:

El patrimonio juega un papel determinante en la construcción de la ciudadanía y las identidades, de ahí la responsabilidad que las instituciones culturales, como los museos, tienen a la hora de articular sus propuestas y discursos. En este artículo se presentan los resultados obtenidos tras analizar el discurso emitido a través de sus posts de los cinco museos nacionales canadienses más activos en Facebook durante 2020, en cuanto a narrativa histórica y al enfoque elegido a la hora de tratar la significación histórica de una pintura, una pieza de la colección, etc. Los resultados muestran una

APA, Harvard, Vancouver, ISO, and other styles

33

Baranwal, Dr Ratnesh. "Margaret Atwood: A Sound Ecologist." SMART MOVES JOURNAL IJELLH 8, no. 9 (2020): 74–83. http://dx.doi.org/10.24113/ijellh.v8i9.10766.

Full text

Abstract:

This paper is an attempt to explore the ecological issues in Margaret Atwood’s novels. She happens to raise her voices against the demolition of the forests, advocating very strongly to pay attention to ecological principles for the preservation of the environment for the future generation. She tends to express her deep sense of anxiety over the ecological issues as depicted in The Handmaid’s Tale (1985) and again in the stories and fables of Wilderness Tips (1991) and Good Bones (1992). Her novel – Surfacing (1972) begins and ends with the forest starting like a detective story. Her most sign

APA, Harvard, Vancouver, ISO, and other styles

34

Sundram, Abhimanyu, and Nandini Sundram. "Teach Your Parents project." Canadian Journal of Children's Rights / Revue canadienne des droits des enfants 10, no. 2 (2023): 127–31. http://dx.doi.org/10.22215/cjcr.v10i2.4298.

Full text

Abstract:

We started the Teach Your Parents project to explain the science behind climate change through comics in a child-friendly manner. The project team was my sister, Nandini Sundram (Grade 6), me, Abhimanyu Sundram (Grade 11) and our father, Sanjay Sundram. School-children after reading the comic created painting based on what they had learnt. Selected paintings were exhibited in an Art gallery in Ottawa. Over 700 children from India and Canada took part and the final exhibition was held from Feb to April 2024. We also exhibited robotics enabled pieces to further inform audiences about climate cha

APA, Harvard, Vancouver, ISO, and other styles

35

Pagnotta, Sarafina. "Curating Community behind Barbed Wire: Canadian Prisoner of War Art from the Second World War." Genealogy 8, no. 2 (2024): 54. http://dx.doi.org/10.3390/genealogy8020054.

Full text

Abstract:

Though often under-represented in the official and national narratives and in Canadian military historiography more broadly, the intimate and personal lived experiences of Canadian prisoners of war (POW) during the Second World War can be found in archives, photography collections, and collections of war art. In an attempt to see past the mythologised versions of POWs that appear in Hollywood films, best-selling monographs, and other forms of popular culture, it is through bits of ephemera—including wartime log books and the drawings carefully kept and sent home to loved ones along with handwr

APA, Harvard, Vancouver, ISO, and other styles

36

Caulfield, Jon. "Farr, Dorothy. Urban Images: Canadian Painting. Kingston: Agnes Etherington Art Centre, 1990. Pp. xx, 124 (incl. parallel French text). Donegan, Rosemary. Industrial Images. Hamilton: Art Gallery of Hamilton, 1987. Pp. xiv, 143 (incl. parallel French text)." Urban History Review 20, no. 2 (1991): 86. http://dx.doi.org/10.7202/1019258ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Sardiwalla, Yaeesh, and Steven F. Morris. "Dr Henry Shimizu: The Journey of a Canadian Plastic Surgeon, Advocate, and Artist." Plastic Surgery 27, no. 1 (2018): 6–9. http://dx.doi.org/10.1177/2292550318799752.

Full text

Abstract:

Dr Henry Shimizu was a dedicated Canadian plastic surgeon with Japanese roots who spent his career practicing in Edmonton at the University of Alberta Hospital. He relished the opportunity to share his expertise by training residents and medical students. Dr Shimizu completed his plastic surgery training in the United States and was central to establishing the plastic surgery training program in Edmonton. Beyond clinical practice, Dr Shimizu was a prominent advocate in his community, serving as the Chairman of the Redress committee for Japanese internment. As a talented painter, he had produce

APA, Harvard, Vancouver, ISO, and other styles

38

Hodgson, Douglas J., and Keith P. Vorkink. "Asset pricing theory and the valuation of Canadian paintings." Canadian Journal of Economics/Revue Canadienne d`Economique 37, no. 3 (2004): 629–55. http://dx.doi.org/10.1111/j.0008-4085.2003.00241.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Kodó, Krisztina. "(Self-)Portrayals of Mixed Cultural Identities in the Works of Emily Carr and István Fujkin." VTU Review: Studies in the Humanities and Social Sciences 5, no. 2 (2022): 168–81. http://dx.doi.org/10.54664/suvh5407.

Full text

Abstract:

The article examines the work of two artists, Emily Carr (1871 – 1945) and István Fujkin (1953), focusing on Carr’s early and mature “Indian paintings,” and Fujkin’s “Blue Owl” series, completed between 2001 and 2005. The paintings chosen from among Carr’s works are thematically linked to Klee Wyck (1940), her first fictional work describing her travels and experiences with the First Nations People in British Columbia. Though the two artists come from different cultural backgrounds, since Carr was descended from English immigrants and Fujkin is a Hungarian born in the former Yugoslavia, there

APA, Harvard, Vancouver, ISO, and other styles

40

Berndt, Katrin. "Trapped in class? Material manifestations of poverty and prosperity in Alice Munro’s “Royal Beatings” and “The Beggar Maid”." Neohelicon 47, no. 2 (2020): 521–35. http://dx.doi.org/10.1007/s11059-020-00550-1.

Full text

Abstract:

AbstractThis article argues that material objects in Canadian writer Alice Munro’s short fiction both reflect socio-economic concerns of pre- and post-WWII Canadian society and complicate common conceptions of deprivation and material ambition. The analyses of “Royal Beatings” and “The Beggar Maid” demonstrate how Munro describes economic hardships, class anxieties, and social discrimination and distinction through items of material culture such as clothes, furniture, and paintings. These objects and their symbolic significance draw attention to the conflicts resulting from the interplay of he

APA, Harvard, Vancouver, ISO, and other styles

41

Stacey, Robert. "Modernism Comes to Canada: A Note on the Reception of Modern British and Canadian Painting in the Wake of World War I / L’avènement du modernisme au Canada : Note sur la réception de la peinture moderne britannique et canadienne au lendemain de la Première Guerre mondiale." National Gallery of Canada Review 8 (June 2017): 135–49. http://dx.doi.org/10.3138/ngcr.8.006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Morton, Erin. "When Salmon meets Saran Wrap: Settler Colonial Placidity and Anti-Relationality in Ktaqmkuk." Public 32, no. 64 (2021): 110–20. http://dx.doi.org/10.1386/public_00076_1.

Full text

Abstract:

This article uses white Canadian settler artist Mary Pratt’s photorealistic paintings of salmon to grapple with the ways in which settler colonialism necessitates anti-relationality between humans and the non-human world. I trace Indigenous (Beothuk and Mi’kmaq) histories of salmon in Ktaqmkuk|Newfoundland to grapple with what Pratt’s seemingly placid visions of everyday domestic settler life violently erase, concluding by with representations of salmon by Beothuk artist Shanawdithit.

APA, Harvard, Vancouver, ISO, and other styles

43

Weeks, Rex. "Mide Rock-paintings: Archaeology by Formal and Informed Methods." Cambridge Archaeological Journal 22, no. 2 (2012): 187–207. http://dx.doi.org/10.1017/s0959774312000236.

Full text

Abstract:

Rock-art research offers to archaeology a problem-oriented approach. A case study is presented on the interpretation of rock-art from informed ethnographic and formal archaeological perspectives regarding the origins of the Midewiwin, or ‘Grand Medicine Society’. The evidence is twofold. First, some of the rock-paintings that are found over a wide range of the southern Canadian Shield appear to be representative of the Midewiwin. Second, the most probable age estimation of those rock-paintings indicates that the antiquity of Midewiwin is greater than generally presumed by the key anthropologic

APA, Harvard, Vancouver, ISO, and other styles

44

Hodgson, Douglas. "An analysis of pricing and returns in the market for French Canadian paintings." Applied Economics 43, no. 1 (2011): 63–73. http://dx.doi.org/10.1080/00036840802400462.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Ponińska, Katarzyna. "Przedstawienia Świętej Rodziny wzorowane na kompozycjach Carla Maratty." Artifex Novus, no. 1 (April 27, 2020): 28–35. http://dx.doi.org/10.21697/an.6318.

Full text

Abstract:

Punkt wyjścia artykułu stanowią dwa zbliżone kompozycyjnie obrazy, znajdujące się w kościołach w Pęcicach i Kurdwanowie na Mazowszu. Wzory ikonograficzne obu przedstawień zostały odnalezione w twórczości Carlo Maratty. Temat był tak popularny, ze podejmowany był i realizowany w różnych wersjach: rysunkowej (Louvre), graficznej (przez m.in. Pietera Schencka, Gérarda Edelincka, Francesco Bartolozziego i Johanna Jakoba Frey’a I), a przykłady kompozycji malarskich można odnaleźć w Genui (dzieło samego Carla Maratty), Rzymie (obraz Agostina Mascucci – ucznia Maratty) i w Kanadzie (Victoria).

APA, Harvard, Vancouver, ISO, and other styles

46

Oniță, Adriana. "Limba Maternă." in:cite journal 2 (June 26, 2019): 51–57. http://dx.doi.org/10.33137/incite.2.32820.

Full text

Abstract:

This creative arts-based inquiry explores an individual case of Mother Language shift and loss through poems and paintings. Language shift is often defined in the Canadian context as the process whereby “individuals abandon their native language as the principal language spoken at home and adopt another” (Sabourin & Bélanger, 2015, p. 727). But is abandon the right verb? And what about adopt? A abandona inseamnă ca ai avut o alegere de făcut. A adopta also means you had a choice and you consciously made it. What if your limba maternă hid in your body, s-a ascuns, out of fear? And what if i

APA, Harvard, Vancouver, ISO, and other styles

47

Mark, Reet. "Endel Kõksi abstraktsetest maalidest." Baltic Journal of Art History 11 (November 30, 2016): 125. http://dx.doi.org/10.12697/bjah.2016.11.07.

Full text

Abstract:

The artist Endel Kõks (1912–1983) is a member of the same generation of Estonian art classics as Elmar Kits and Lepo Mikko. After Kits’s and Kõks’s debut at the exhibition of the Administration of the Cultural Endowment’s Fine Art Foundation (KKSKV) in Tallinn in 1939, the three of them started to be spoken about as the promising Tartu trio. In 1944, Endel Kõks ended up in Germany as a wounded soldier, while Kits and Mikko remained in Estonia. The Kõks’s works that have surreptitiously arrived in his homeland are incidental and small in number. Thus, without any proof, an image developed or wa

APA, Harvard, Vancouver, ISO, and other styles

48

Shaftel, A., and J. Ward. "CONSERVATION OF THE SINCLAIR INN MUSEUM, AND THE PAINTED ROOM ANNAPOLIS ROYAL, NOVA SCOTIA, CANADA." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 21, 2017): 641–47. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-641-2017.

Full text

Abstract:

Conservation of the historic 18<sup>th</sup>C. Sinclair Inn Museum, and of the recently discovered late 18th/early 19thC. unique panoramic wall paintings located in an upstairs room, are co-dependent. This project was carried out with Canadian Conservation Institute (CCI) staff, and Conservator in Private Practice Ann Shaftel. This paper will introduce the Sinclair Inn Museum, outline the CCI murals and building investigations of 2011-15, the mural investigation of 2015-16, which confirmed that the mural extended to all four walls of the function room, now referred to as the Painte

APA, Harvard, Vancouver, ISO, and other styles

49

Kepin, Dmytro. "The bassoon as a monument of musical culture: source studies." Вісник Книжкової палати, no. 7 (July 28, 2022): 42–48. http://dx.doi.org/10.36273/2076-9555.2022.7(312).42-48.

Full text

Abstract:

The article for the first time in Ukrainian historiography, museology and monumentology considers works of European fine art, where there is an image of a wind wooden musical instrument bassoon. Works of painting, graphics, works of monumental art (sculpture) are analyzed. This is a characteristic of the collections of bassoons in museums in Western Europe, the USA and Canada. Publications stored in the funds of the Vernadsky National Library of Ukraine, Yaroslav Mudryi National Library Of Ukraine, the National Historical Library of Ukraine, the National Scientific and Research Restoration Cen

APA, Harvard, Vancouver, ISO, and other styles

50

Garebian, Keith. "A Soviet Designer Tackles Man and Superman Eduard Kochergin at the Shaw." Canadian Theatre Review 61 (December 1989): 13–18. http://dx.doi.org/10.3138/ctr.61.003.

Full text

Abstract:

His celebrity is awesome. A gold medallist at the Prague Quadrennial international theatre design competition, an Artist of Merit of the Soviet Union, chief designer at the Gorki Grand Academic Theatre and the I.J. Repin Institute of Painting, Architecture, and Sculpture, 52-year-old Eduard Kochergin has designed over 150 productions throughout the Soviet Union, Finland, East and West Germany, Hungary, Poland and the United States. Yet he would, on the surface, hardly seem to be the ideal designer for George Bernard Shaw, who is performed as rarely in the Soviet Union as Gorky is in Canada. Ko

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!